Friday, September 29, 2017

Now You Know What's Playing in 35mm in Los Angeles This Week!


Great, you found me and the info you wanted to know. Here's what’s playing in LA on 35mm (or sometimes not) that’s worth watching, my list!

This is just what's on my personal radar. I don’t think there’s a point in me listing everything. For instance, there is an interesting series of little-known German films about Berlin at UCLA that you may find interesting. And sometimes I’m just going to skip mention of the DCP screenings (although perfectly fine, in fact sometimes they make the previously impossible to screen possible) in the Latin American series at UCLA.

So browse the LA Film Calendars links on my side bar to find even more! → → →

On mobile displays, you may need to click "Desktop Version" at bottom and then you can see the sidebar.

As usual, a couple of these choices are tonight, FYI, and not necessarily listed first.

Downtown Independent
Santa (1932, Antonio Moreno)
and
La mujer del puerto (The Woman of the Port) (1934, Arcady Boytler, Raphael J. Sevilla)
Fri (tonight) 7:30 pm
Some very early and thus exciting films from Mexico in 35mm (with English subtitles). These are a great rare screening opportunity. But are they like great films? Hard to say until I go see. But definitely cultural touchstones. This is actually presented by UCLA Film & TV Archive, and is a key aspect of the festival to present the films in original (or near-original) downtown LA screening locations (in addition to the earlier showing at UCLA's Billy Wilder Theatre).


UCLA Film & TV Archive 
¡Asegure a su mujer! (Insure Your Wife!) (1935, Lewis Seiler)
and 
Nada más que una mujer (1934, Harry Lachman)
Sun Oct 1 7:00 pm
Two Spanish-language film releases of the 1930s (!) from Fox, something you maybe weren't aware of, in UCLA's continuing Latin American Cinema in Los Angeles series. Both 35mm!

New Beverly
Dracula (1931, Tod Browning)
and
Dracula’s Daughter (1936, Lambert Hillyer)
Wed. Oct. 4 2:00 pm
Get up early. Skip work! Whatever you have to do, to go see these in 35mm on a weekday at 2:00 pm at the New Beverly! Fun, fun, fun. This is my only Halloween recommendation. The high-quality original Dracula, and the questionable curiosity afterwards (which may be fantastic, I have no idea! At worst, it’ll be enjoyably laughable).


Egyptian Theatre
The Beyond Fest
Various Dates
Tonight, the Beyond Fest starts. I won’t go in-depth on this, because so many sell out, and it's a bit more fangirl/fanboy-centric than I would get into myself. Some things are DCP (although notably 4k restorations). But check it out! I noticed they added an exquisite Jackie Chan triple feature with Jackie in person Oct. 6 (also notated below)!
http://beyondfest.com/#3

Aero Theatre
Lolita (1962, Stanley Kubrick)
And
Dr. Strangelove (1964, Stanley Kubrick)
Sat. Sept 30 7:30 pm
A lovely Kubrickian  double feature – actually it just is Kubrick. These are two great movies, don't doubt! (Albeit DCP).


LACMA
Phantom of the Opera (1925, Rupert Julien)
Tue Oct. 3 1:00 pm
Silent film nerd alert! In 35mm. 'Nuff said. If you haven't seen something silent, maybe this is the one for you. If you've seen tons and seen this one before, maybe not the most lovable one to rewatch a bunch of times, but it has its audience... And I guess it's appropriate for October. 

Arclight Cinemas (Various)
"It's Alive!" -- film's favorite monsters terrorize the big screen
Oct. 2 - Oct. 30
There's a pretty good selection here all month at various Arclights. I feel like they're almost definitely all DCP, but click the individual links to see. Some great movies in here and if you live less central to LA, can find some good stuff near you.
ARCLIGHT LINK
https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2
 
https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2
https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2
https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2



Coming next week

Downtown Independent
Allá en el rancho grande  (Out on the Big Ranch)  (1936, Fernando de Fuentes)
and
María Elena  (She-Devil Island)  (1936, Fernando de Fuentes)
Fri. Oct. 6 7:30 pm
Both in 35mm! Two classics (?maybe?) from Mexico. The description of the second film alone has me kind of sold:
"María Elena makes a “bad” choice, allowing sexual desire to trump a sensible marriage, thus sending her faithful fisherman suitor across the sea.  There he learns of a mysterious island inhabited only by women."


Downtown Independent
La otra (1946, Roberto Gavaldón)
and
En la palma de tu mano (1951, Roberto Gavaldón)
Sat. Oct. 7 7:30pm
First a noirish crime film starring Dolores Del Río and then a film the site calls “One of the best movies of the Golden Age of Mexican cinema”, also a film noir, sounds like a can’t-miss! (This screening DCP).

Egyptian Theatre (part of Beyond Fest)
Miracles aka Mr. Canton and Lady Rose (1989, Jackie Chan)  
Jackie Chan In Person!
and
Police Story 3 aka Supercop (1993, Stanley Tong)
and
Police Story (1985, Jackie Chan, Chi-Hwa Chen)
Fri. Oct. 6 7:00 pm
Police Story honestly is one of my absolute favorite Jackie Chan films. Both for exciting plot, humor, performances (him and Maggie Cheung), and some incredible action sequences, including in a mall with a shitload of glass breaking. And Supercop ain’t no slouch either! Both Police Story films are in 35mm! Did I mention Jackie was in person?! (Miracles DCP.)

Egyptian Theatre
The Gleaners & I (2001, Agnès Varda) Agnès Varda In Person
and
Vagabond (1985, Agnès Varda)
Thur. Oct. 12 7:30 pm
Agnès Varda comes into Los Angeles (does she live here already anyway?) to appear with two fairly high profile films of hers in person. Gleaners & I is a fun labor of love documentary about people who pick up the cast-offs of others. Vagabond is a pretty wonderful film starring the always amazing Sandrine Bonnaire. It’s a very interesting film, very artsy (unlike today’s films!) so I think it’s worth an outing (esp. if hopefully on 35mm), even if it’s not my number one favorite film of hers. I’m partial to La Pointe Courte and Cléo from 5 to 7. Although I actually haven’t seen Vagabond in quite a long time, so maybe I'm not doing it justice. Go see! (Screening format not indicated.)

Aero Theatre
Battleship Potemkin (1925, Sergei Eisenstein)
and
The Man with the Movie Camera (1929, Dziga Vertov)
Sat. Oct. 7 7:30pm
Silent Film Nerd Alert! Okay, first, never miss an opportunity to see Battleship Potemkin on the big screen! (And certainly not when it's 35mm!) Second, never miss an opportunity to see The Man with the Movie Camera on the big screen!  Okay, that’s all I can say to advertise this one, you’re on your own! (Battleship in 35mm, Man with the Movie Camera is DCP.) (Musical score not notated. Presumably it's soundtrack on the prints since no live music indicated.)

Aero Theatre
Metropolitan (1990, Whit Stillman) Whit Stillman in Person
Sun. Oct. 8 7:30pm
This is a great Whit Stillman movie! It’s the first and most well-known one. I feel like I knew and hated some of these people as I one time attended a boarding school, and it all rings so horribly true. But then some of the people are nice. Are they? Wait, maybe they're all awful. Chris Eigeman is always a marvel in pretty much everything, but this is his first the original star-making appearance and career best. Oh, how I hated the rich snobs at my school yet love this movie. Thanks, Whit!
(This screening DCP.)

New Beverly
All-Night Horror Show
Sat Oct. 7 7:00 pm
I guess I’d be remiss to not mention this. Not personally a huge horror fan myself, but this must be every horror cinephile fan’s wettest of wet dreams. Enjoy!

Additional New Beverly next-week screenings not yet announced yet. Check their site!

Friday, September 22, 2017

What's Playing in LA on 35mm (or sometimes not)


Here's what’s playing in LA on 35mm (or sometimes not) that’s worth watching, my list!

This is just what's on my personal radar. Browse the LA Film Calendars links on my side bar to find even more! → → →

On mobile displays, you may need to click "Desktop Version" at bottom and then you can see the sidebar.

As usual, a couple of these choices are tonight, FYI, and not necessarily listed first.


REDCAT w/Los Angeles Film Forum
Dreams of Suitcases and a Blue Lobster
Fri (tonight) Sept 22 7:00 pm
Tonight begins a really unique film series, the first night of which I think is a real eye-catcher: REDCAT (near the Walt Disney Concert Hall) and Los Angeles Film Forum launches Ism Ism Ism: Experimental Cinema in Latin America "an ambitious, five-month film series —the first in the U.S.—that surveys Latin America’s vibrant experimental production from the 1930s to today."  This opening night program is entitled Dreams of Suitcases and a Blue Lobster, an evening of surrealist-influenced shorts from the '30s to the '60s, including one by Raúl Ruiz, plus a film co-directed by Gabriel García Márquez! If you've never gone out to a theater to see an experimental film, it’s fun, expand your mind.

LOS ANGELES FILM FORUM (at MOCA Ahmanson Auditorium)
Raúl Ruiz: Anthropology’s Trembling Images
Thur Sept 28 7:00 pm
Again part of Ism, Ism, Ism: Experimental Cinema in Latin America, this is a screening of rare little known and short gauge films by master filmmaker Raúl Ruiz paired with some of his contemporaries. Such as, below, "The Film To Come" (1997, Raúl Ruiz) (Mostly digital.)
 
REDCAT w/Los Angeles Film Forum
Countercultures and Undergrounds
Sun Sept. 24 6:00 pm
A program spotlighting three significant Latin American experimental filmmakers, including a co-writer of I Am Cuba. This one features a short that the entire five-month program is named after, so I think we have to see it, right? That’s “Ismism” (1979) a short film by Manuel DeLanda, shot on Super 8 film. But all films are “presented as a digital file” Not sure what that means..! But not film, oh, well, very rare stuff.

REDCAT w/Los Angeles Film Forum
Dialogues with Che
Sun Sept 24 8:30pm
About that Che (the only one, right?), it sounds like several films deconstructing iconography and photos in a manner that perhaps has similarities to Godard/Gorin's Letter to Jane

UCLA FILM & TV ARCHIVE
Enamorada (1946, Emilio Fernández)
Sat Sept. 23 7:30 pm
UCLA is featuring three very early films from Mexico in 35mm, beginning Saturday with this pretty famous (and I think very entertaining?) one, starring María Félix in 35mm!

UCLA FILM & TV ARCHIVE
Santa (1932, Antonio Moreno)
and
La mujer del puerto (The Woman of the Port) (1934, Arcady Boytler, Raphael J. Sevilla)
Sun Sept 24 7:00 pm
Plus more from Mexico in 35mm (with English subtitles). These are a great rare screening opportunity. But are they like great films? Hard to say until I go see. But definitely cultural touchstones. There's a few more screenings I haven't listed here (in DCP) but check out their site.



EGYPTIAN
The Red Shoes (1948, Michael Powell, Emeric Pressburger)
Fri (tonight) Sept 22 7:30pm
Yes, it's Powell & Pressburger's masterpiece The Red Shoes (1948), which profoundly influenced Gene Kelly's Singing in the Rain and the entire evolution of musicals, in 35mm and restored by the UCLA Film & Television Archive. Wow! I think I read Christopher Nolan is now attending to intro it and so it may have sold it out, but I don’t know maybe you’ll get lucky.

EGYPTIAN
Pather Panchali (1955, Satyajit Ray)
Aparajito (1956, Satyajit Ray)
Apur Sansar (1958, Satyajit Ray)
Sun Sept 24 5:00 pm
The entire Apu Trilogy (by Satyajit Ray) in one sitting? Maybe too much, but all prints newly restored 35mm, wow. Great format to see a landmark work in.

NEW BEVERLY
Machine Gun McCain (1969, Giuliano Montaldo)
and
Wipeout! (aka The Boss) (1976, Fernando Di Leo)
Tue Sept 26 7:30pm/9:35pm
There’s still more choice grindhouse fare than you can shake a stick at, at the New Bev this week. Standing out for me is Machine Gun McCain since it’s starring John Cassavetes and Gena Rowlands (!) in an I.B. Technicolor 35mm print (!). Wipeout! (aka The Boss) has (always glowering?) Henry Silva and Richard Conte. Together, this sounds like a completely awesome double feature.


NEW BEVERLY
Pretty Maids All in a Row (1971, Roger Vadim)
and
Revenge of the Cheerleaders (1976, Richard Lerner)
Mon Sept 25 7:30 pm/9:30 pm
I love the looks of this double feature, even though my friend warned me they're bad!


NEW BEVERLY
Rebecca (1940, Alfred Hitchcock)
Wed Sept 27 2:00pm
The New Bev’s Hitchcock 2:00 pm matinee Wednesdays continue with Rebecca in lovely 35mm. It's a Hitchcock film I haven't seen, so I should probably go see it in fricking 35mm!

UCLA FILM & TV ARCHIVE
Duck Soup (1933, Leo McCarey)
Sun Sept 24 at 11:00 am (free admission!)
Oh, just a little Marx Brothers film in 35mm, for free!

The Academy
Zoot Suit (1981, Luis Valdez)
Mon Sept 25 7:30 pm
This is a cultural landmark that kind of flew under the radar of most of America, starring a captivatingly insane Edward James Olmos and a stellar cast with big beautiful musical numbers. Learn a lot of L.A. Spanish lingo. Also, note the Academy’s theater and screen are just huge, it’s one of the best places to see a movie. And tickets are only $5! The old "coming to VHS" trailer below, although murky, I think gives some of the awesome flavor of this film.

REDCAT w/Los Angeles Film Forum
“Camera-Less” or “Direct” filmmaking
Sat Sept 23 7:00 pm
A survey of South American “Camera-Less” or “Direct” filmmaking, in which figures are painted, scratched, or inked directly onto film leader, should appeal to any Stan Brakhage fans out there. (I hope that's more than none?)
 
REDCAT w/Los Angeles Film Forum
Films of Willie Varela
Sat Sept 23 at 9:00 pm
Here they spotlight filmmaker Willie Varela, an El Paso-based Chicano media artist. Image below from "Becky's Eye" (1977).

Coming next week
Friday, Sept 29, the Beyond Fest starts. I don’t like anything there, and some things that are DCP (even if 4k restorations) I’d just rather see on film like they were shot on. And mainly I’m more into artsy than fangirl/fanboy, but you can check it out.

Sat. Sept 30 they'll have a lovely Lolita (1962, Stanley Kubrick)/Dr. Strangelove (1964, Stanley Kubrick) double feature (albeit DCP).

UCLA Film & TV Archive 
Two Spanish-language film releases of the 1930s (!) from Fox, something you maybe weren't aware of, in UCLA's continuing Latin American Cinema in Los Angeles series. 
¡Asegure a su mujer! (Insure Your Wife!) (1935, Lewis Seiler)
and 
Nada más que una mujer (1934, Harry Lachman)
Sun Oct 1 7:00 pm 
Both 35mm.

LACMA
Phantom of the Opera (1925, Rupert Julien)
Tue Oct. 3 1:00 pm
Silent film nerd alert! In 35mm. 'Nuff said. If you haven't seen something silent, maybe this is the one for you. If you've seen tons and seen this one before, maybe not the most lovable one to rewatch a bunch of times, but it has its audience... And I guess it's appropriate for October. 

Lolita

Dr. Strangelove



¡Asegure a su mujer! (Insure Your Wife!)



Nada más que una mujer  


Phantom of the Opera