tag:blogger.com,1999:blog-330308272024-03-05T21:32:14.540-08:00Cahiers2CinémaThe Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.comBlogger103125tag:blogger.com,1999:blog-33030827.post-33024731550932097252023-05-20T11:27:00.009-07:002024-03-05T16:04:32.926-08:00LA Movie Theater Film Calendars 35mm and Digital<p><br />
<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><i>Updated 03.05.2024 </i><br /></span></p><p><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Here is a post of the links to
each LA movie theater's film calendar. (See my sidebar for same if on desktop.) </span></p><p><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Some of these actually show films on 35mm!</span></p><p><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit_duDy3TqHHQYLIqK0InEOplLeIk1po8_22j42AVCB9611WPSmBXz_cpT3jj2YLTyHBaIl81nhqb3uDisW_yQmT3HkCSN_P37QL6Bj7Jh1SR_oK6SqERRveM2-iR3JcKMtaCU4KMl5WmSQhoQbe_at8OEAP26iO4fyiDML2I1Lz0Emk1FB-o/s1000/napoleon_v5_warpbg_FullSolidTEXT.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="783" data-original-width="1000" height="157" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit_duDy3TqHHQYLIqK0InEOplLeIk1po8_22j42AVCB9611WPSmBXz_cpT3jj2YLTyHBaIl81nhqb3uDisW_yQmT3HkCSN_P37QL6Bj7Jh1SR_oK6SqERRveM2-iR3JcKMtaCU4KMl5WmSQhoQbe_at8OEAP26iO4fyiDML2I1Lz0Emk1FB-o/w200-h157/napoleon_v5_warpbg_FullSolidTEXT.jpg" width="200" /></a><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div><p><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /> NEW ADDITION:</span></p><p><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.academymuseum.org/en/calendar" target="_blank">Academy Museum</a> Best link I can find. It doesn't show the month, have to click through by week.</span><br />
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LA Film Calendars:</span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.americancinematheque.com/now-showing/" target="_blank">Egyptian Theatre</a> (</span>American Cinematheque -- filter by theater)</div><div class="MsoNormal"><a href="https://www.egyptiantheatre.com/special-engagements" target="_blank"><span style="font-size: medium;">Netflix's Egyptian Screenings</span></a><br /></div>
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.americancinematheque.com/now-showing/" target="_blank">Los Feliz 3</a></span> (American Cinematheque -- filter by theater)<br /></div>
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.americancinematheque.com/now-showing/" target="_blank">Aero Theatre</a></span><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span> (American Cinematheque -- filter by theater)</div>
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/calendar" target="_blank">UCLA Billy Wilder Theater</a></span></div><div class="MsoNormal">
<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/schedule/" target="_blank">New Beverly Cinema</a></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://studios.wearebraindead.com/" target="_blank">Brain Dead Studios</a> (at the former Silent Movie Theater location) <br /></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.secretmovieclub.com/calendar" target="_blank">Secret Movie Club</a> (DTLA, multiple other venues) </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://prod5.agileticketing.net/websales/pages/list.aspx?epguid=046f24e9-20f3-4095-9ab6-2596f53377e0&" target="_blank">Old Town Music Hall</a></span><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> El Segundo (ticket link, but here's their <a href="http://www.oldtownmusichall.org/" target="_blank">site</a>) </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://vidiotsfoundation.org/coming-soon/" target="_blank">Vidiots</a> <br /></span></div>
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Esoteric or Avant-Grade </span></div><div class="MsoNormal"><div class="MsoNormal">
</div><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.redcat.org/category/redcat-event-type/film-video" target="_blank">RedCat</a> (experimental film)<br /></span></div>
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.lafilmforum.org/schedule/" target="_blank">LosAngeles Film Forum</a> (experimental film)<br /></span></div>
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.epfccollective.org/events" target="_blank">EPFC Collective (RIP Echo Park Film Center)</a></span></div><div class="MsoNormal"><div class="MsoNormal">
<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Rare Screening Schedules</span><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> <br /></span></div><div class="MsoNormal"><div class="MsoNormal">
<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.nortonsimon.org/calendar/films-and-performances/" target="_blank">Norton Simon Museum</a> (This is pretty new to me, not sure it will become regular) <br /></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.oscars.org/events" target="_blank">Academy(AMPAS)</a></span><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (Click "Month View" it's less confusing.)</span></div><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.lacma.org/events-calendar?tid=68" target="_blank">LACMA</a></span><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (almost never now) </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div></div>
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Specialty Theaters: </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.vistatheaterhollywood.com/" target="_blank">Vista Theater</a> incl. 70mm and 35mm screenings<br /></span></div>
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<span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre" target="_blank">NuArt Theatre</a></span><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (click showtimes at top, it should default to NuArt) </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://lumierecinemala.com/" target="_blank">Lumiere Cinema LA</a> </span></div><div class="MsoNormal"><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://drafthouse.com/los-angeles" target="_blank">Alama Drafthouse Cinema</a></span><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> DTLA (try clicking "Month View" for easier browsing) </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Arthouse Films in LA: <br /></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">You might find a recent Cannes film here or there on their schedules amongst the mainstream fodder.</span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Hot tip: create a Fandango account and a "My Theaters" list and add these</span></div><div class="MsoNormal"><b><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></b></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Glendale</span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.laemmle.com/theater/glendale" target="_blank">Laemmle's Glendale<br /></a></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">North Hollywood/San Fernando Valley<b><br /></b></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.laemmle.com/theater/noho-7" target="_blank">Laemmle NoHo 7</a> (scheduled to be demolished, but for now!)<br /></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Outside LA</span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.laemmle.com/theater/newhall" target="_blank">Laemmle Newhall </a></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.laemmle.com/theater/town-center-5" target="_blank">Laemmle Encino</a></span></div><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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</div><div class="MsoNormal"> </div><div class="MsoNormal"><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Pasadena</span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.landmarktheatres.com/our-locations/g01ch-landmark-theatres-pasadena/#now-playing" target="_blank">Landmark Pasadena</a></span></div> <br /></div><div class="MsoNormal"><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">West side<b><br /></b></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.laemmle.com/theater/monica-film-center" target="_blank">Laemmle's Monica Film Center</a></span></div><div class="MsoNormal"><span style="font-size: 12pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.laemmle.com/theater/royal" target="_blank">Laemmle's Royal</a></span></div> </div><div class="MsoNormal"></div><div class="MsoNormal"><span style="font-size: medium;"><br /></span></div><div class="MsoNormal"><span style="font-size: medium;">The Last Real 70mm Non-Digital IMAX Cinema in LA</span></div><div class="MsoNormal"><span style="font-size: medium;"><a href="https://www.imax.com/theatres/universal-cinema-amc-citywalk-hollywood-imax" target="_blank">Universal Cinema AMC at CityWalk Hollywood IMAX</a></span></div><div class="MsoNormal"><span style="font-size: medium;">(not counting museums, but those won't play the Chris Nolan IMAX-shot movies usually)</span></div><div class="MsoNormal"><span style="font-size: medium;"> </span></div><div class="MsoNormal"><span style="font-size: medium;">Recurring Film Festivals</span></div><div class="MsoNormal"><span style="font-size: medium;">Classic<br /><a href="https://www.facebook.com/people/Cinecon-Classic-Film-Festival/100057518115014/" target="_blank">Cinecon (FB page)</a> </span></div><div class="MsoNormal"><span style="font-size: medium;">Labor Day weekend (This FB link may keep you up to date, their link was down)</span></div><div class="MsoNormal"><span style="font-size: medium;"><a href="https://filmfestival.tcm.com/" target="_blank">TCM Classic Film Festival</a> </span></div><div class="MsoNormal"><span style="font-size: medium;">(typically 1 weekend somewhere between April 5 and April 25)</span></div><div class="MsoNormal"><span style="font-size: medium;"> </span></div><div class="MsoNormal"><span style="font-size: medium;">Modern<br /></span></div><div class="MsoNormal"><span style="font-size: medium;"><a href="https://fest.afi.com/" target="_blank">AFI Film Festival</a> (Roughly a week, late October)</span></div><div class="MsoNormal"><span style="font-size: medium;"><a href="https://www.filmindependent.org/la-film-festival/about/" target="_blank">LA Film Festival</a> (Film Independent) Discontinued, but one can hope:</span></div><div class="MsoNormal"><br />
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com2tag:blogger.com,1999:blog-33030827.post-58231792668313896672022-10-07T12:38:00.004-07:002022-10-07T12:38:38.713-07:00What to Watch on Criterion Channel Oct. 1 to 15, 2022<p></p><p class="MsoNormal">So much crap on streaming, what’s a film nerd/nut, cineaste to do?</p><p class="MsoNormal">Ignore the splash screens, read this list!</p>
<p class="MsoNormal">Leave behind AI-generated suggestions of "more like
this" that contain 90% stuff you don’t want to watch.</p><p class="MsoNormal"><u>Definitions:</u> <br /></p><p class="MsoNormal"><b>Film Nerd</b>: You’ll watch Andrei Rublev willingly</p>
<p class="MsoNormal"><b>Film Nut</b>: No Andrei Rublev.</p><p class="MsoNormal">(I will do a separate post for each streaming service that has anything worthy)</p><p><!--[if gte mso 9]><xml>
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</p><p class="MsoNormal"><span style="font-size: large;">What to Watch on Criterion Channel Oct. 1 to 15, 2022</span><br /></p>
<p class="MsoNormal"><b>Film Nerd </b></p>
<p class="MsoNormal"><b><i>France</i></b> (2021, Bruno Dumont) Really captivating
film, such focus on the performances, far more range from Lea Seydoux than you
see in a Bond film. Even if you don’t find this an artistic success (def. some
debate out there on this film!), </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit6waiJqWjBtLBB_Ul4ZkpXsgJWmgh2448OgslWL8PQ-Q8RspTL1Zd30rK4ALv2zIgaILr3c7gPBlYHjTSBrG6JFUzCuQaGfWxIPFxrDAFHf4RjUI-SJ5wPhFbDlPH3EhhzXNIGtVw1BoOe0quT45Wi7s6rf3vTyI-MYuP9t38Kt1TGSiyah0/s640/seydoux3.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="640" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit6waiJqWjBtLBB_Ul4ZkpXsgJWmgh2448OgslWL8PQ-Q8RspTL1Zd30rK4ALv2zIgaILr3c7gPBlYHjTSBrG6JFUzCuQaGfWxIPFxrDAFHf4RjUI-SJ5wPhFbDlPH3EhhzXNIGtVw1BoOe0quT45Wi7s6rf3vTyI-MYuP9t38Kt1TGSiyah0/s320/seydoux3.jpeg" width="320" /></a></div><br />watching mainstream star-focused French
cinema (if you haven’t before) is a fascinating comparison to American
films. They have a significant star system, with
great flare. The general stylistic qualities of French mainstream films is
unique and a breath of fresh air. Again, that's only if you don't notice Bruno Dumont's different contribution via his own very personal mise-en-scène. There's more to enjoy if your into the subtleties of presentation and framing of the story.<br /><p></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4wsYMCew-grQ2yXKJMVaCtp7IrkFAacrgoXsp5qYDWsEUl5s33aXPowFrb4zTEDQu2ICoJKBdGlGJQRxaTbWcj31zat8gbFg6O9-VCNoRjY1P9tSMn05WBLOX7mAKIwrSoJrUAzquRCuujiBlJ4zt-4cBPJ6TmXrfypPaOY7QLMA-xj7QRUQ/s1200/France_film_Bruno_Dumont.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="649" data-original-width="1200" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4wsYMCew-grQ2yXKJMVaCtp7IrkFAacrgoXsp5qYDWsEUl5s33aXPowFrb4zTEDQu2ICoJKBdGlGJQRxaTbWcj31zat8gbFg6O9-VCNoRjY1P9tSMn05WBLOX7mAKIwrSoJrUAzquRCuujiBlJ4zt-4cBPJ6TmXrfypPaOY7QLMA-xj7QRUQ/s320/France_film_Bruno_Dumont.png" width="320" /></a></div><br /><b><i>Cure</i></b> (1997, Kiyoshi Kurosawa) The mise-en-scène
of this one really draws you in. It’s a comfortable blanket, yes, a comfortable creepy horror-ish movie blanket. It's plot is dark and unnerving. There isn’t anything quite like it, with the antagonist’s
slacker-murderous vibe unique in cinema, it makes it that much more unnerving. And something underneath that unseats us, as if that which we are not watching is percolating a truly terrifying evil in our lives that we'll never be able to spot. And will they spot it and stop in this film? They might not...<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiZU8avXLCCuF47FymmabnkHjigEE0yuwX8zo-eZK0tu3qXc-lqZRwiuC2LG68e0uu1662okPhPXaMN-0ZLSe4-9ggBKRghxCuV6qIV7xlGLwg0be4JXpa_i-1OlSyCUTmRPj-xNcUYgubpIbrMKo-1uWP-bgmajgZmc9S5g3jRUWeg2x-xWc/s300/Cure2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="168" data-original-width="300" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiZU8avXLCCuF47FymmabnkHjigEE0yuwX8zo-eZK0tu3qXc-lqZRwiuC2LG68e0uu1662okPhPXaMN-0ZLSe4-9ggBKRghxCuV6qIV7xlGLwg0be4JXpa_i-1OlSyCUTmRPj-xNcUYgubpIbrMKo-1uWP-bgmajgZmc9S5g3jRUWeg2x-xWc/s1600/Cure2.jpg" width="300" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFV3261A7dG6gGI-XRxciA035QpEgup22gwba18OQrtBk0-XIo-ie4w3mNffNxg9WTZKwWm82lHZMVrozrtgbxaI74EUBGRRwW_qqfkNOOmHluD2lyqua1gJTkkYeVgSMXgfc2VXIw1BWb4Htj7w0yHtAcaP8KMxYdz8MRsgqKg1OOeo60RBw/s275/Cure1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="184" data-original-width="275" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFV3261A7dG6gGI-XRxciA035QpEgup22gwba18OQrtBk0-XIo-ie4w3mNffNxg9WTZKwWm82lHZMVrozrtgbxaI74EUBGRRwW_qqfkNOOmHluD2lyqua1gJTkkYeVgSMXgfc2VXIw1BWb4Htj7w0yHtAcaP8KMxYdz8MRsgqKg1OOeo60RBw/s1600/Cure1.jpg" width="275" /></a></div></div><br /><br /><p></p>
<p class="MsoNormal"><b><i>Eyes of Orson Welles</i></b> (2018, Mark Cousins) Once
I got over why this Irish guy is doing a personal 1st person narration (and "Who is this guy?") talking directly to the deceased Orson Welles, I found he actually DOES have good reason to be
narrating this and the details learned about Orson were too good to be missed. It definitely starts out a bit weird, it's such an unusual approach, I strongly want to urge you to stick with it, as I learned more details and tidbits about Orson than I had before, and learned more about what makes him tick. If you thought that wasn't possible, this film really does that. (And Mark Cousins is the director of <i><b>The Story of Film: An Odyssey</b></i> (2011), I learned. So he's not nobody!) </p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxTXgBir0HYiaHuMQLpKM7F97FVrfLlP_RcJnySZoynNShjkLsxRhgF4npX4lmFc6d6AiRDzoBmIMece8BNOL9EIa6cjHAygb6HzcBBpJj2XThADAcxPTUhOy8SRs_BYkcrBC6K-6Rm769lW0khrBesUtLKvkO3pZBDziWnLqjFJzwWDvRsaA/s1920/EyesofOrson.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxTXgBir0HYiaHuMQLpKM7F97FVrfLlP_RcJnySZoynNShjkLsxRhgF4npX4lmFc6d6AiRDzoBmIMece8BNOL9EIa6cjHAygb6HzcBBpJj2XThADAcxPTUhOy8SRs_BYkcrBC6K-6Rm769lW0khrBesUtLKvkO3pZBDziWnLqjFJzwWDvRsaA/s320/EyesofOrson.jpg" width="320" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNYdod3pSjrZoXW1TrhYC3TPntG0kH98-nrI79fwasRh5VcDQjgtU-0szU1WwbRzwopUiHZyLiCVu2S4LyZgD1y9I3aWggkgmzA-JxwAnwfAF3_2TMYGAx_8F-W2DFbQVRqeTWqFvg-GDSDeJe6pzqoPZD1YetBKg5Q1w9C75F-Fchvtw7eW0/s275/eyesoforson2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="183" data-original-width="275" height="183" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNYdod3pSjrZoXW1TrhYC3TPntG0kH98-nrI79fwasRh5VcDQjgtU-0szU1WwbRzwopUiHZyLiCVu2S4LyZgD1y9I3aWggkgmzA-JxwAnwfAF3_2TMYGAx_8F-W2DFbQVRqeTWqFvg-GDSDeJe6pzqoPZD1YetBKg5Q1w9C75F-Fchvtw7eW0/s1600/eyesoforson2.jpg" width="275" /></a></div><br /><br /><p></p>
<p class="MsoNormal"><b><i>Dead Man</i></b> (1995, Jim Jarmusch) You’ll end up
spouting poetry or wanting to read a poem (remember those?). If a film can do that, it's hands down the most important film in history! (But see if it does make you do that. Otherwise then it's not.) This is an incredible "poetic cinema" film. Very roughly drawing from
the reality of the time its set, but grounded enough in it to spark a solid takeoff point for its poetry. It's really unique in cinema with is mood, pace and tone. Of absolutely all the masterpieces on Criterion Channel, this might be my favorite film on the entire service. <br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-F16Hrog7iEXFCpItrZnbMQtE5rVj9RmXScVvvy8iQXmDptLiI-6DePgem9tZM7MorjUD2iSNRYDAtlYKoKj_UyPmsKbtIEhA7T01GnHRT6JtMVUeTayS-5rUXFqOYKffCmwgN4YHbY5YbOSShw4by7c8sWbyuvkzVLgPnGN6hjiWx1wrbIc/s634/dead-man.webp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="634" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-F16Hrog7iEXFCpItrZnbMQtE5rVj9RmXScVvvy8iQXmDptLiI-6DePgem9tZM7MorjUD2iSNRYDAtlYKoKj_UyPmsKbtIEhA7T01GnHRT6JtMVUeTayS-5rUXFqOYKffCmwgN4YHbY5YbOSShw4by7c8sWbyuvkzVLgPnGN6hjiWx1wrbIc/s320/dead-man.webp" width="320" /></a></div><p></p>
<p class="MsoNormal"><b><i>Until the End of the World</i></b> (1991, Wim Wenders)
4-plus-hour version. Is this music good? Yeah, not bad. <br />Watch it as a
substitute to binging dumb series on other platforms. Is it the greatest film
in the world? No. Why is it so long? No idea. </p><div class="separator" style="clear: both; text-align: center;"></div><br />Does it sometimes end a dramatic
tension and get boring? Yep, but another one comes up, so it’s pretty good. And it's a huge all-star cast, you got William Hurt, Max von Sydow, Sam Neill, some German actors who's great, it's a great streaming show option, watch a little bit at a time on your lunch breaks.<br /><div class="separator" style="clear: both; text-align: justify;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhulHwQBAknyOIuU8jjIq9aUVoB9-juvzjwHRl-HGz6SLFEnb8ybRTj_WBVSsvxoNIf3pGjR5FvVn9gpELt7bHBRoryJCwkP0WogJN-hzR3oqd1a07o5005JohctrKLH6ULofRzmJscHn_sY5toBfiPSQ7QAdha_pVUgwRBMk70xqnK0JiOI9Y/s575/Until%202end2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhulHwQBAknyOIuU8jjIq9aUVoB9-juvzjwHRl-HGz6SLFEnb8ybRTj_WBVSsvxoNIf3pGjR5FvVn9gpELt7bHBRoryJCwkP0WogJN-hzR3oqd1a07o5005JohctrKLH6ULofRzmJscHn_sY5toBfiPSQ7QAdha_pVUgwRBMk70xqnK0JiOI9Y/s575/Until%202end2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwHb-u49cMTzDU5Ei6znvi_s05m2xgNLBW6oI-2IPhnx8mNebv7lFVey7zONr5808xQ44-L_mwviIZEJc6Y6G-DzLF0s0Cwz6CL9ci3opqBm3xGMCR3CBJ8ghmWwyCpO7DWjI3Nd1q5ZDaypi0VfmGeZjUw84toZUCEnTpD-Tu47yEwvFlgjw/s260/UntilEnd.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="193" data-original-width="260" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwHb-u49cMTzDU5Ei6znvi_s05m2xgNLBW6oI-2IPhnx8mNebv7lFVey7zONr5808xQ44-L_mwviIZEJc6Y6G-DzLF0s0Cwz6CL9ci3opqBm3xGMCR3CBJ8ghmWwyCpO7DWjI3Nd1q5ZDaypi0VfmGeZjUw84toZUCEnTpD-Tu47yEwvFlgjw/s1600/UntilEnd.jpg" width="260" /></a></div><img border="0" data-original-height="350" data-original-width="575" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhulHwQBAknyOIuU8jjIq9aUVoB9-juvzjwHRl-HGz6SLFEnb8ybRTj_WBVSsvxoNIf3pGjR5FvVn9gpELt7bHBRoryJCwkP0WogJN-hzR3oqd1a07o5005JohctrKLH6ULofRzmJscHn_sY5toBfiPSQ7QAdha_pVUgwRBMk70xqnK0JiOI9Y/s320/Until%202end2.jpg" width="320" /> </div><div class="separator" style="clear: both; text-align: right;"> </div><div class="separator" style="clear: both; text-align: right;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6QTPzQMceXVIxPUSiAb_IBVgxBEufMPkn5E39MJBPy2kSwp-b679h757MJrNkRnnfM4Lw6LXXaaiujfx-4z7YMhfRwDJ0a01xbrY4PhtvrPuiJTIprkexS14HwdTBkxmi9BdwgeEF4qexgW3yVN_7gwxYUaj44ZSLhneoBaEUHEPiJXP5B-Q/s640/until-the-end-of-the-world_20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="385" data-original-width="640" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6QTPzQMceXVIxPUSiAb_IBVgxBEufMPkn5E39MJBPy2kSwp-b679h757MJrNkRnnfM4Lw6LXXaaiujfx-4z7YMhfRwDJ0a01xbrY4PhtvrPuiJTIprkexS14HwdTBkxmi9BdwgeEF4qexgW3yVN_7gwxYUaj44ZSLhneoBaEUHEPiJXP5B-Q/s320/until-the-end-of-the-world_20.jpg" width="320" /> </a></div><div class="separator" style="clear: both; text-align: right;"><br /> </div><p></p>
<p class="MsoNormal"><b>Film Nut</b></p>
<p class="MsoNormal"><b><i>Touch of Evil</i></b> (1958, Orson Welles)<i> (Film Nerds too for this one.</i>) Watch it before it
leaves 10/31/22. Yes, sure, it will pop up somewhere else, of course, but this is one of the
meatiest delicacies of Orson Welles you can delve into. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBJIuHffUWUc6CvUqwkae9P9yYAplpeKZHzt0i49SM2hVk2D4VFgTmitmf1zLwNvNKexipFhGvtLBqhZ8wR3qgUW8JjmAd5HedE8Q_UNfelxsf0bYC00L2GxNoI-aTmx9ZbijaVGfnZn5PTUszG_yrVtKXTO7J5AfNMGkxRiSAMtZXTFjbKYc/s608/TouchofEvil.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="608" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBJIuHffUWUc6CvUqwkae9P9yYAplpeKZHzt0i49SM2hVk2D4VFgTmitmf1zLwNvNKexipFhGvtLBqhZ8wR3qgUW8JjmAd5HedE8Q_UNfelxsf0bYC00L2GxNoI-aTmx9ZbijaVGfnZn5PTUszG_yrVtKXTO7J5AfNMGkxRiSAMtZXTFjbKYc/s320/TouchofEvil.jpg" width="320" /></a></div><br />His dedication to this
role, while also directing it, indicates a real quest for art inside the studio
system, a herculean task. Tangential note, I came away loving Mercedes McCambridge and wanting
to know more. And he does that with actors. This is part of his art, the scenes mean something, the actors are given the time and support to truly embody these people and what they mean, and I think that's why the resonate so strongly with the viewer. The mise-en-scène and editing he uses is different from all his others and it intensely
involves you in the plot. <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl9rFdKES1Eo-Nz9_jQuKdax72yfIYeo4RyC8f_l-4W6non60jM0TvbtlCri_6FPYHvno8HevaST5qORIgEhDPCYPenf2yEv2HZc2TvPs649N7yO93_Y2DgW59rBUN58oT7QzNHm5Le_4-AWK6_uvLJxy-dPZGMMeeiWkQ6Q4GsyvSWHNqnVY/s322/TouchofEvil3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="157" data-original-width="322" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl9rFdKES1Eo-Nz9_jQuKdax72yfIYeo4RyC8f_l-4W6non60jM0TvbtlCri_6FPYHvno8HevaST5qORIgEhDPCYPenf2yEv2HZc2TvPs649N7yO93_Y2DgW59rBUN58oT7QzNHm5Le_4-AWK6_uvLJxy-dPZGMMeeiWkQ6Q4GsyvSWHNqnVY/s320/TouchofEvil3.jpg" width="320" /></a></div><br />You probably already know this? But the studio cut it, and this
is the restored version: The restoration team used a mutli-page letter of his complaints Orson wrote to the studio to cut it exactly as he wanted, and you end up with this.<p></p>
<p class="MsoNormal"><b><i>Desert Hearts</i></b> (1985, Donna Deitch)– I’m
personally watching this, I can’t swear how good it is. But I'm enjoying it, I think it's a unique little gem here on Criteiron. It’s not particularly
artsy in mise-en-scène or editing style, but it is a very moving drama of both melancholy and romance that really resonate through understated and caring representation. It seems a unique tale for the time period it was released in. (Probably why I didn't hear about it at the time? I really never did.) It may be a true under-the-radar indie that was ahead of its time in subject matter/story respects (probably played successfully in New York, for example). If cinematically it's very straightforward, it makes up for that with the time it takes and the sensitively with which it's told.<br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh98nZQT7dV0KErmOSAwPXV7R4S8u8d8MlgDPyJx0jeU9tqS1L_zaxAY5br09Frd6p5S27Wploz8cEDV0DSjF10Aj1aMVTS3dYbLFiOBjt9McQQR7h399Kpzp4fJfWnKmG-qYbvzlQl82teF3GpwJC9T6Qae18B_H_ASt-fn_5266OjbdYmJ2k/s1168/deserthearts.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="778" data-original-width="1168" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh98nZQT7dV0KErmOSAwPXV7R4S8u8d8MlgDPyJx0jeU9tqS1L_zaxAY5br09Frd6p5S27Wploz8cEDV0DSjF10Aj1aMVTS3dYbLFiOBjt9McQQR7h399Kpzp4fJfWnKmG-qYbvzlQl82teF3GpwJC9T6Qae18B_H_ASt-fn_5266OjbdYmJ2k/s320/deserthearts.jpg" width="320" /></a></div><p></p>
<p class="MsoNormal">Criterion is packed, so I’ll post more for 2<sup>nd</sup>
half of the month, stay tuned!</p>
<p></p>The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-23436823063494597112022-10-06T14:20:00.003-07:002022-10-07T11:58:00.856-07:00What to Watch on HBO Max Oct. 1 - 15<p><!--[if gte mso 9]><xml>
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</p><p class="MsoNormal">So much crap on streaming, what’s a film nerd/nut, cineaste to do?</p><p class="MsoNormal">Ignore the splash screens, read this list!</p>
<p class="MsoNormal">Leave behind AI-generated suggestions of "more like
this" that contain 90% stuff you don’t want to watch.</p><p class="MsoNormal"><u>Definitions:</u> <br /></p><p class="MsoNormal"><b>Film Nerd</b>: You’ll watch Andrei Rublev willingly</p>
<p class="MsoNormal"><b>Film Nut</b>: No Andrei Rublev.</p><p class="MsoNormal">(I will do a separate post for each streaming service that has anything worthy, starting here with HBO Max)</p><p></p><p class="MsoNormal"><!--[if !mso]>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
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<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
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</p><p class="MsoNormal"><span style="font-size: 16pt;">HBO Max What to Watch This
Week Oct. 1 to 15, 2022</span></p><p class="MsoNormal"><span style="font-size: 16pt;"></span></p>
<p class="MsoNormal"></p>
<p class="MsoNormal"><b>Film Nerd<i><br /></i></b></p><p class="MsoNormal"><b><i>The Méliès Mystery</i></b> (2021, Eric Lange) Watch
one man age through time:</p>
<p class="MsoNormal"></p><p class="MsoNormal"></p><p class="MsoNormal"><span style="mso-no-proof: yes;"></span></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: right;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD9l_cBvdfsVfAWtYGEIKPsnfd0X57CyrGnH-cB4Q1h0Z6J16wTlfmN-T3m7WLg4OejJSaUcR1BpzlEWpqM34vQn3z3atIDcpziow7695QQ-ET_9OFBGIZ0J6ITJcFuGWreSLV40bw7G1V6vacIn9e9UkyIag_FUDdXTpuDZCKRHBYLyxodaY/s500/George_Melies.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="350" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD9l_cBvdfsVfAWtYGEIKPsnfd0X57CyrGnH-cB4Q1h0Z6J16wTlfmN-T3m7WLg4OejJSaUcR1BpzlEWpqM34vQn3z3atIDcpziow7695QQ-ET_9OFBGIZ0J6ITJcFuGWreSLV40bw7G1V6vacIn9e9UkyIag_FUDdXTpuDZCKRHBYLyxodaY/s320/George_Melies.jpg" width="224" /></a></div><br /></div>No, but seriously, he’s a filmmaker, one of the first
(almost the first) But he was definitely the first to do many things. This documentary is
NEW which is something to be said for this towering figure to Film Nerds, and
it has NEW information and, if you already knew a lot, it's got NEW perspective. It
definitely reinvigorated my enthusiasm for Méliès, so I highly recommend giving
this buried treasure a whirl.<p></p><p class="MsoNormal"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbBucWTzHT3L1U_1ZKt0lrK1NzJ6v9n0k7oeMoeeskLR1TNeU3fjCvdwaxnL88YG2PfGFT3rJuGoaUvoJCDxWeT1Ra3MyCyMZIZ5rR-Ey0uvWyr_1kkGmsbYbot76Qc8Ot3vKvQJazHAIjtc9d0m0Vx6MR3p1RSQISyGYcBo3JxITZeuHfrnc/s750/Meliesolder.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbBucWTzHT3L1U_1ZKt0lrK1NzJ6v9n0k7oeMoeeskLR1TNeU3fjCvdwaxnL88YG2PfGFT3rJuGoaUvoJCDxWeT1Ra3MyCyMZIZ5rR-Ey0uvWyr_1kkGmsbYbot76Qc8Ot3vKvQJazHAIjtc9d0m0Vx6MR3p1RSQISyGYcBo3JxITZeuHfrnc/s320/Meliesolder.jpg" width="213" /></a></div><br /><p></p><p class="MsoNormal"><b><i>Spielberg</i></b> (2017, Susan Lacy) Run the gamut
watching this after the above. Okay I hate Spielberg, there I said it, but even I loved this
documentary, because it was him for himself, not trying to be anything else,
they covered most of his movies, and they featured the film brat culture he
grew up in and gave a really good impression of the historical setting, and the
zeitgeist.</p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgPNZlEc1FyOy-f1UurkPy3qM9TYg8OJxKIgjNiSrnksRGIeULTjtC8Wfa70OZlhz292P2h9GoD051Abp94110k3ddwIpPAQuGzNukh2TDBqgBqYh35d0_aFuqp6zmmVYRGgm4oUKlbRaJR2EqDYEXXNg1EFZhuIxAEvjtgEtRY7nUG2D_I2A/s854/scorsese.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="419" data-original-width="854" height="157" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgPNZlEc1FyOy-f1UurkPy3qM9TYg8OJxKIgjNiSrnksRGIeULTjtC8Wfa70OZlhz292P2h9GoD051Abp94110k3ddwIpPAQuGzNukh2TDBqgBqYh35d0_aFuqp6zmmVYRGgm4oUKlbRaJR2EqDYEXXNg1EFZhuIxAEvjtgEtRY7nUG2D_I2A/s320/scorsese.jpg" width="320" /></a></div>But there’s fresh interviews with Scorsese, DiCaprio, others! It’s a focused perspective of
viewing an epochal time of transition through perhaps my least favorite lens,
but the perspective is really too valuable to miss. And the number of times
that his films were thought to be disasters (before they came out) does
generate some sympathy to root for this guy. Sharing a fellow filmmaker’s
perspective of what goes through his mind on set is really fun. Love him or hate him,
you’ll know him better, and honestly that’s worth something.<p></p>
<p class="MsoNormal"><span style="mso-no-proof: yes;"><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdtqR2ERGa-wvXRlm8eXkwSSiSmfeeahmcgnMBEffsn5yi2qRbExUw-0KHBJnzYzLnvAGFdmtc8C0AaP5zJ-8wIgHduX0IddQzcWI9cL09ngOL5cH4nwEJ6oNlt83QQ8pJuk4mWod7osQ92NEHW0Xmhn2o2beU8JXsZxnXLKaL52sbjxN9oFw/s2000/spielberg-documentary-2000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1333" data-original-width="2000" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdtqR2ERGa-wvXRlm8eXkwSSiSmfeeahmcgnMBEffsn5yi2qRbExUw-0KHBJnzYzLnvAGFdmtc8C0AaP5zJ-8wIgHduX0IddQzcWI9cL09ngOL5cH4nwEJ6oNlt83QQ8pJuk4mWod7osQ92NEHW0Xmhn2o2beU8JXsZxnXLKaL52sbjxN9oFw/s320/spielberg-documentary-2000.jpg" width="320" /></a></div><p></p>
<p class="MsoNormal"><b><i>For Heaven’s Sake </i></b>(1926, Sam Taylor) As Harold
Lloyd silent comedies go, people do not pitch this one to you, and instead are always saying
to watch <b><i>Safety Last</i></b> (1923), but this one has some even more amazing
stunts and very elaborate comedy bits that start from a simple idea and
escalate to grand scope. There’s a couple of train stunts I really wasn’t
expecting. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHohkBDBNS526X74eWapFV6I51DVeXtCleXbfEx11UJC16D3pyPLMDFhCf-b47hlUlm5TCmRpqFYrYM604WlcdudbRQPtzkNfOx7VSQPmVvmtZRU0ceIMXa6vZE5ZEBQhbMdmg1O05IeLp4EJQaxzXPcAbTVYImE0j7c0sG-WTJsvQk5He150/s400/Harold%20Lloyd%20-%20For%20Heaven's%20Sake%20(1926)%20how%20much.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="304" data-original-width="400" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHohkBDBNS526X74eWapFV6I51DVeXtCleXbfEx11UJC16D3pyPLMDFhCf-b47hlUlm5TCmRpqFYrYM604WlcdudbRQPtzkNfOx7VSQPmVvmtZRU0ceIMXa6vZE5ZEBQhbMdmg1O05IeLp4EJQaxzXPcAbTVYImE0j7c0sG-WTJsvQk5He150/s320/Harold%20Lloyd%20-%20For%20Heaven's%20Sake%20(1926)%20how%20much.png" width="320" /></a></div><br />While I saw this in a theater out in the wilds of Agoura Hills at a
Silent Film Society screening – and yes, Harold Lloyd does play FAR better with
an audience of more than 2 people – to me, this did hold up on the small screen
with good musical accompaniment. The film quality is also great, so
while enjoying the comedy, you get a “you’re right there” feeling of back in
time in 1926, esp. interesting as Lloyd always has that cutting-edge (for the time)
approach. He seems the most irreverent, so if you want the smartest,
winking-est comedy, it tended to be Lloyd, so you get a real sense of the “times”
as well.<p></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEippc-9Yz22zIVOFKtK___eZFjzd_M8hoUvSjH_yk5XoM9L9zmgl9L0I7jAZnBwmPcpn9syR_2bVcHea7PWjb4QIjh0f3nLl5LMBoQ-G7lj2nF_QTM_MKh5fKn0ZwAAKld582fqg6uUcMSXmJfL4QETcverDuXVm10iu-tsygUbfHcu0lqWKI0/s758/Harold%20Lloyd%20-%20For%20Heaven's%20Sake%20(1926)%20brings%20the%20gangs.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="758" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEippc-9Yz22zIVOFKtK___eZFjzd_M8hoUvSjH_yk5XoM9L9zmgl9L0I7jAZnBwmPcpn9syR_2bVcHea7PWjb4QIjh0f3nLl5LMBoQ-G7lj2nF_QTM_MKh5fKn0ZwAAKld582fqg6uUcMSXmJfL4QETcverDuXVm10iu-tsygUbfHcu0lqWKI0/s320/Harold%20Lloyd%20-%20For%20Heaven's%20Sake%20(1926)%20brings%20the%20gangs.png" width="320" /></a></div><br /><b>Film Nut</b><p></p>
<p class="MsoNormal"><b><i>Last Night in Soho</i></b> (2021, Edgar Wright) Ah,
Edgar Wright what has befallen you. Too witty/edgy with Simon Pegg to be offered a vehicle of equal wit/edge without him. Trying to
find your way without him in the modern film universe, but honestly not quite
carving out a distinct auteur niche like all those you admire. But much more film-smart
and engaging than most mainstream films these days. This one started a bit slow, but
it gets cooking eventually. Watched the whole movie, didn’t realize that was
Diana Rigg. (That's Simon Pegg below (I mean Terrence Stamp).)<br /></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqpA474rP6NprJE6qmYaXNlGvhqF64hCaZpxVUgQsbjzX69UX6d9fY4ix5tfWxdI7Px3-Klo6BNWdXJd3L5D5Gxvn7kESxT35_81LX18ILMBsdxB4H4WNgCgTnOUo45zQASbu3Y5Bz_8C0Mdc-m8Nt3RFy8tKnuTopsKWhx-2UQqwSNq_Oxbo/s600/LastnightInSoho.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="247" data-original-width="600" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqpA474rP6NprJE6qmYaXNlGvhqF64hCaZpxVUgQsbjzX69UX6d9fY4ix5tfWxdI7Px3-Klo6BNWdXJd3L5D5Gxvn7kESxT35_81LX18ILMBsdxB4H4WNgCgTnOUo45zQASbu3Y5Bz_8C0Mdc-m8Nt3RFy8tKnuTopsKWhx-2UQqwSNq_Oxbo/s320/LastnightInSoho.jpg" width="320" /></a></div><br /><p></p>
<p class="MsoNormal"><b><i>The Batman</i></b> (2022, Matt
Reeves) It’s not that bad! I mean, it’s kind of weird to watch basically a redo of the earlier phase. The push-pull of
keeping what they want from Nolan’s while trying to be new is pretty interesting.
The dull deadpan acting of Pattinson and Zoë Kravitz pretty much sinks this
from a strong recommend, </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3huQdD2Nhyt5mKOGWKJKswEDMFqic1druxbR38iKljOs36a1oOR5WEGHT5qusvvJvLnqNdBpvCVAhh8l4eq51gKZpJMNNtdYc0HGZO5XCFmAQlRk_WX6nnenmh5bjcGXQO4FnuQwBhvS24c9Tad7hpsZczuk0KespPw-bvoDuP0F3v4stD-c/s3500/BatmanJeffreyWeirhg.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2386" data-original-width="3500" height="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3huQdD2Nhyt5mKOGWKJKswEDMFqic1druxbR38iKljOs36a1oOR5WEGHT5qusvvJvLnqNdBpvCVAhh8l4eq51gKZpJMNNtdYc0HGZO5XCFmAQlRk_WX6nnenmh5bjcGXQO4FnuQwBhvS24c9Tad7hpsZczuk0KespPw-bvoDuP0F3v4stD-c/s320/BatmanJeffreyWeirhg.jpg" width="320" /></a></div>but honestly there is enough fun and scope and great
cinematography that I do recommend. It’s especially refreshing that the film
truly takes its time in many scenes. That is really the reason for posting this
here, as we really <b><i>need</i></b> to fight against the mainstream ADD/ADHD
presentation of many films. So even the tiniest sliver of anything that is
still trying to be cinema might be worth a look.<br /><p></p>
<p class="MsoNormal"><b><i>Blue Velvet</i></b> (1986, David Lynch) This is the
point at which David Lynch went too dark. And it’s also the “film school” David
Lynch movie (the one they show you a lot in film classes.) </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKJr_dAlTyba_bMVbm3eLKEThcdcOFmZY04iVbMAg0I9eVzoOm20IeI-r3jonp6c9sOxaWiXTpXhoFwRdYkkieIvZYSTtEJHVDL28IbrcxcEFmm1V3Q7jYkW0KiFBnYqIgBQgNjEztmV5KMW4ky3jGzaWpgZ-aYTYj9EiYveL_6Fx9ZMG0Eho/s1200/blue_velvet.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="797" data-original-width="1200" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKJr_dAlTyba_bMVbm3eLKEThcdcOFmZY04iVbMAg0I9eVzoOm20IeI-r3jonp6c9sOxaWiXTpXhoFwRdYkkieIvZYSTtEJHVDL28IbrcxcEFmm1V3Q7jYkW0KiFBnYqIgBQgNjEztmV5KMW4ky3jGzaWpgZ-aYTYj9EiYveL_6Fx9ZMG0Eho/s320/blue_velvet.jpg" width="320" /></a></div><br />It’s hard to say
Eraserhead (as stupendously great as it is) is what David Lynch will become. He
went Eraserhead --> The Elephant Man --> Dune and then this. So was the “David
Lynch” we know really in the cards yet at Eraserhead? Couldn’t you say this is the first
David Lynch film? <p></p>
<p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfWg1-K3aRiiF255UhkG_2b--pI3BrmPnGTy3jBi9fvoDM7GN9FVpEVC-2WnVBiwJoDR-Mwwt9w9LEtJbrM2acfSKq82IMfp_DnGHKwv-rEEua5qrzzEIKByil7ucA0mjiKj0NOS8Bhtm-pXkLCBG7KPOXKKfy-aqg8n0z6SE4dn0wNvaSAn4/s1280/Bluefvelt.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfWg1-K3aRiiF255UhkG_2b--pI3BrmPnGTy3jBi9fvoDM7GN9FVpEVC-2WnVBiwJoDR-Mwwt9w9LEtJbrM2acfSKq82IMfp_DnGHKwv-rEEua5qrzzEIKByil7ucA0mjiKj0NOS8Bhtm-pXkLCBG7KPOXKKfy-aqg8n0z6SE4dn0wNvaSAn4/s320/Bluefvelt.jpg" width="320" /></a></div><p></p>
<p class="MsoNormal"><b><i>Stranger Than Paradise </i></b>(1984, Jim Jarmusch) In
the kitchen-sink splash screens we see when we log in, there’s just too much. More than I ever, I want to unplug to the simplest films, the least ADD,
and imagine sitting in a theater having plonked down my bucks (paper money) to see this, and start
watching and be like, “This is <i><b>all </b></i>that happens?”, and eventually not minding.<br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwSRczT16ALzsdQBx07hsiic_R4VsUvQa05-sZtR0OspXiQSDpX9S0OnCi_VVAX_ze4dXK62_XfpAuXqLSgj9ysQYw9kTGxEswogyZcaC5K6YjiHL84W-e-mOcHC0Rjdjkh49aOr2_1P6gNe8fzap9pPeYrVJ8y72UiiK0PNqltN_U1uAThwc/s297/strangerthan2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="170" data-original-width="297" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwSRczT16ALzsdQBx07hsiic_R4VsUvQa05-sZtR0OspXiQSDpX9S0OnCi_VVAX_ze4dXK62_XfpAuXqLSgj9ysQYw9kTGxEswogyZcaC5K6YjiHL84W-e-mOcHC0Rjdjkh49aOr2_1P6gNe8fzap9pPeYrVJ8y72UiiK0PNqltN_U1uAThwc/s1600/strangerthan2.jpg" width="297" /></a></div><br />Ahhh, a breath of fresh air.
Truly very little. Deadpan (well it's Jarmusch), and super-minimalist, you wonder how it got made kind of thing. It does have some recognizable
faces John Lurie and Richard Edson, just in case you were too uncomfortable. <p></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCXRSveTVgEAl1HvAmqexg1vw96TEZwSRCgBrW3iU-_8Dkc2tPQZndFHr5tf7IVzHBWTDLFRG2NTTNritFpGSkCRH68C62sHI95tKCQ2lPctNY8OzQYU8jxLfhIbJhYIdfiRXisBQQHzPBOyhPH2K_O_ACt3PV4StowS-bZeWotCFUKLdvvBQ/s1600/StangerThanParadise1-1600x900-c-default.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCXRSveTVgEAl1HvAmqexg1vw96TEZwSRCgBrW3iU-_8Dkc2tPQZndFHr5tf7IVzHBWTDLFRG2NTTNritFpGSkCRH68C62sHI95tKCQ2lPctNY8OzQYU8jxLfhIbJhYIdfiRXisBQQHzPBOyhPH2K_O_ACt3PV4StowS-bZeWotCFUKLdvvBQ/s320/StangerThanParadise1-1600x900-c-default.jpg" width="320" /></a></div><br /> <p></p>
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</p>The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-55126678965807202492018-01-12T16:45:00.000-08:002018-01-12T17:19:12.249-08:00LA 35mm Film Screenings for week of Jan. 12 – 18 <br />
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Hear ye, LA 35mm film screenings list is here!
(Includes some digital.) </span><br />
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is what's on my personal radar. You can
browse the LA Film Calendars links on my side bar to find even more!<span style="mso-spacerun: yes;"> </span>→ → →</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sometimes these choices are tonight, FYI, and
not necessarily listed first.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Note: There are no New Beverly listings below
because they are closed for exciting improvements and updates.</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Last Dawn</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1917, Michael Curtiz)</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A
Million Bid</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1927, Michael Curtiz)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>) Jan. 12 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Gigantic silent film
nerd alert! (So that’s just for me mainly.) Two rare, rare, rare silent films
from Michael Curtiz, yes, the director of <i style="mso-bidi-font-style: normal;">Casablanca</i>
(and literally nothing else, right?). If you’ve never experienced a silent film
properly in a theater, on 35mm, with live musical accompaniment, as is the case
here, you should go! It’s like seeing it how it originally was in 1917 and 1927.
See what the towering art form of the age was doing before sound came in.
Everyone was going to these. The first is a film from back when Curtiz was in
Hungary, before his success brought him to Hollywood’s attention. And <i style="mso-bidi-font-style: normal;">A Million Bid</i> is his second Hollywood
film, starring Dolores Costello and Warner Oland. (These are silent film stars
you become familiar with as you delve into this other world of great films.) I
don’t know if I can even find pictures from these films to post below, that’s
how rare these are! (Okay, I found some.) </span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/01/12/last-dawn-million-bid" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQTTQ1OAxmRrpTwwLBmuNM2SVAA3Dzzpm2U_38vDLNojVEOyTsLyRNnfvF3Qe8u6vblRCNH2nLVKY7RuY2AGTsxPE4RZPyrqgLEiqid6eFl4eZe9ey-b4BRCk7TAuFun7UES9d8w/s1600/amillionbid.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="806" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQTTQ1OAxmRrpTwwLBmuNM2SVAA3Dzzpm2U_38vDLNojVEOyTsLyRNnfvF3Qe8u6vblRCNH2nLVKY7RuY2AGTsxPE4RZPyrqgLEiqid6eFl4eZe9ey-b4BRCk7TAuFun7UES9d8w/s400/amillionbid.jpg" width="400" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA<br />
<i style="mso-bidi-font-style: normal;">They Live</i> (1988, John Carpenter)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Jan. 18 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">For those who missed
<i style="mso-bidi-font-style: normal;">They Live </i>in 35mm at the New Beverly,
you get another shot! Presented by Film Independent, the famous sci-fi cult
film starring Roddy Piper and directed by John Carpenter will give you a
chuckle and a good time, especially on its original screening format of 35mm. I
can’t really describe it as a masterpiece, but it’s fun and quirky. But fans of
it are positively rabid, so join them..!</span></div>
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<a href="http://www.lacma.org/event/they-live" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">LACMA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT0ay5KlAf0dOsMVlAiKCGuOqqNw9spahkRYOPIYelM2yF43rKOW-XeAgScsklkOa-DZ7WfjePtUHIsDJ9wiEateS-zfZFXpY5rm_G0RQWPRWbJflxe-SrHZlH4jTvefy9aVlvFw/s1600/roddy-piper-they-live.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="380" data-original-width="612" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT0ay5KlAf0dOsMVlAiKCGuOqqNw9spahkRYOPIYelM2yF43rKOW-XeAgScsklkOa-DZ7WfjePtUHIsDJ9wiEateS-zfZFXpY5rm_G0RQWPRWbJflxe-SrHZlH4jTvefy9aVlvFw/s640/roddy-piper-they-live.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown Independent<b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></i></b></span></b><br />
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Org</span></i></b><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1979,
Fernando Birri)<i style="mso-bidi-font-style: normal;"> </i>rare 177-min digital
restoration</span></b></span></b><br />
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Jan. 16 7:30 pm</span></b></span></b><br />
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This sounds amazing,
something about switching heads and starring Terrence Hill, the frequent comedy
Spaghetti Western star (most notably <i><span style="mso-bidi-font-style: italic;">My
Name is Nobody</span></i> by Sergio Leone) and <i><span style="mso-bidi-font-style: italic;">Super Fuzz</span></i> star..?! But it’s avant-garde, let’s kindly
disclose that. This is co-presented with Los Angeles Film Forum, purveyors of
fine avant-garde fare, but showing in the Downtown Independent’s lovely large
screening facility, and it’s part of that series on Experimental Cinema in
Latin America (in this case Argentinian). Read the link for more details, but
it’s rarely been shown in anything but an abridged version, and it originally
premiered at the Venice Film Festival in 1979.</span></span></div>
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<a href="http://www.downtownindependent.com/events/org-presented-by-acropolis-cinema-filmforum" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">DOWNTOWN INDEPENDENT LINK</span></a><span class="MsoHyperlink"><span style="color: windowtext; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin; text-decoration: none; text-underline: none;"></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD_FDn4IVzbbvK_i9GL6Mu4V689MG7R8_lXYPxXPK0DTN3i1OQ1d3Xouz1UGeryIY1UcOJOc41kE05tPxYVeQELZ6QPzy6BA0PbG6sptxQQwMLII3h7GoGlCYHkq02-cY1qfsYhA/s1600/ORG.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="305" data-original-width="400" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD_FDn4IVzbbvK_i9GL6Mu4V689MG7R8_lXYPxXPK0DTN3i1OQ1d3Xouz1UGeryIY1UcOJOc41kE05tPxYVeQELZ6QPzy6BA0PbG6sptxQQwMLII3h7GoGlCYHkq02-cY1qfsYhA/s640/ORG.jpeg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Peeping
Tom</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1960, Michael Powell)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Diva</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1981, Jean-Jacques Beineix)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>) Jan. 12 7:30 pm</span></b></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Peeping Tom</span></i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> is sometimes considered an overlooked British <i style="mso-bidi-font-style: normal;">Psycho</i> (of the same year), by one of the great directors of
all-time—well, more specifically he was greatest as part of the directing team
of Powell & Pressburger (<i style="mso-bidi-font-style: normal;">The Red
Shoes</i>) and is here off on his own with his most well-known solo effort.
It’s well worth watching. <i style="mso-bidi-font-style: normal;">Diva</i> is
considered an ’80s landmark French film, especially for our MTV pop culture
music video world of the time. I don’t recall loving it when I watched it much
later on DVD, but I was probably still too close to the time period. It is a
bit of a suspense thriller if that helps. These screenings are also a tribute
to awesome revival film distributor Rialto Pictures, responsible for many
restoration screenings <u>in theaters</u> of essential foreign and classic films.
There are a few more in the Rialto series, all ironically DCP, but check out
Aero’s site for other worthy items. Both screenings DCP.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/peeping-tom-diva" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja4U87Yp1QcxWCK4_B6xTv2o0a04taMwS1Ex0DXNwiZ_eRm-C_gGS_7swTV4ZU74yqDFwVJWBis0tLTFMbncbyB8nSTZ0R2eMWeWCc5-6rJclUekgy8xTkkyrH3Tb5turr8Y7IWg/s1600/FrenchCrime_Diva_0001_Diva_6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja4U87Yp1QcxWCK4_B6xTv2o0a04taMwS1Ex0DXNwiZ_eRm-C_gGS_7swTV4ZU74yqDFwVJWBis0tLTFMbncbyB8nSTZ0R2eMWeWCc5-6rJclUekgy8xTkkyrH3Tb5turr8Y7IWg/s640/FrenchCrime_Diva_0001_Diva_6.jpg" width="640" /></a></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">El
Topo</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1970, Alejandro Jodorowsky)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fando
& Lis</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1968, Alejandro Jodorowsky)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Jan. 13 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Apparently Los
Angeles loves Alejandro Jodorowsky, as they screen his films sooo often! But
they’re intriguing art film experiments, so worth checking out, albeit DCP
screenings here. He also has an exhibit of his art works at Blum & Poe
coming up that this screening is cross-promotion for, but hey if you love
intriguing in-your-face mind-bending cinema, then go for the films. He’s a cult
director who disappeared off the map for a while, but you might have heard
about his latest, well-worth-watching film, <i style="mso-bidi-font-style: normal;">Endless
Poetry</i>. So a look back at his prime works is well worth doing. I was a big
fan of <i style="mso-bidi-font-style: normal;">Fando & Lis </i>when it came
out on DVD, but weirdly I almost enjoyed it more after hearing his audio
commentary on it. Very enlightening in what he was trying to do with that film.
It’s also his first feature, and if I recall was a bit surrealist and
Buñuelian.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/el-topo-fando-and-lis" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiAvk6lkaosUeUCjvr4_1xxdkH-k38fgQkxiIg99U1x_qF1dUBQIIub_pKZsSNGKFKXCHdKL5kXsDbT9MNpY2aemXUrprhUXlhSKMfjuvaJMsO6DPBtvxobqSoTiDkji691Z27_Q/s1600/eltopo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="409" data-original-width="728" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiAvk6lkaosUeUCjvr4_1xxdkH-k38fgQkxiIg99U1x_qF1dUBQIIub_pKZsSNGKFKXCHdKL5kXsDbT9MNpY2aemXUrprhUXlhSKMfjuvaJMsO6DPBtvxobqSoTiDkji691Z27_Q/s640/eltopo.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyek010IlGyv7JE6dTH0pYkrsIoi7w35ABTCPLSaoJOxusLa5iRg_N9EfwI7fZ6a8g1Jx2lt9MAToGJOGriKCzPkdh9W2F3nVVya_NOISNZRTzoBooWcLQBT84GKedSIeEKWc8pw/s1600/Fando-Y-Lis-Featured.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="922" data-original-width="1600" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyek010IlGyv7JE6dTH0pYkrsIoi7w35ABTCPLSaoJOxusLa5iRg_N9EfwI7fZ6a8g1Jx2lt9MAToGJOGriKCzPkdh9W2F3nVVya_NOISNZRTzoBooWcLQBT84GKedSIeEKWc8pw/s640/Fando-Y-Lis-Featured.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Holy Mountain</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1973, Alejandro Jodorowsky) <u>Jodorowsky
in person!</u></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and </span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Santa
Sangre</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1989, Alejandro Jodorowsky)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Jan. 14 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">It’s even more
Jodorowsky. Just read the above blurb, please. (Note: site says sold out, but
stand-by line.) Both DCP screenings yeah, sorry, what can you do. But I have
never seen <i style="mso-bidi-font-style: normal;">Santa Sangre</i>, oversight on
my part, so might good time to check it out! <i style="mso-bidi-font-style: normal;">Holy Mountain</i>’s cult movie status reputation should precede it, but
search the Internet or some books if you don’t know about it.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/the-holy-mountain-santa-sangre" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnKBf0wtK9brp6kM7UUYco7YTHpRwFCniAwXdhZzxQrhMUjYYhn9PitSFqP9Mbi57RUO0EC8tJUD82cESV6d-UZVKEgyFfg0PcU8oT7Ut0PLXEhQEC8MMrDlDfiR58iDBBye45Xg/s1600/936full-the-holy-mountain-screenshot_843_426_81_s.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="426" data-original-width="843" height="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnKBf0wtK9brp6kM7UUYco7YTHpRwFCniAwXdhZzxQrhMUjYYhn9PitSFqP9Mbi57RUO0EC8tJUD82cESV6d-UZVKEgyFfg0PcU8oT7Ut0PLXEhQEC8MMrDlDfiR58iDBBye45Xg/s640/936full-the-holy-mountain-screenshot_843_426_81_s.jpeg" width="640" /></a></div>
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</div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2A6F9Al8n_R-s40zHWZ-UARiWbrdVNh1MZJQGVpH1Q3633I7izRImUyuZ0CCGMcGTqvmkzefWd7RgwNuYIgcqhA69fuG9U-NuVvgGHwQBYJymEm-hp1h3mJX5vR48rQNnqNSeFA/s1600/santa-sangre-cult.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1008" height="364" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2A6F9Al8n_R-s40zHWZ-UARiWbrdVNh1MZJQGVpH1Q3633I7izRImUyuZ0CCGMcGTqvmkzefWd7RgwNuYIgcqhA69fuG9U-NuVvgGHwQBYJymEm-hp1h3mJX5vR48rQNnqNSeFA/s640/santa-sangre-cult.png" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Doctor
X</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1932, Michael Curtiz)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mystery
of the Wax Museum</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1933, Michael Curtiz)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Kennel Murder Case</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1933, Michael Curtiz)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Jan. 13 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">My curiosity about the
great guy who directed the masterpiece <i style="mso-bidi-font-style: normal;">Casablanca</i>
and nothing nearly as well-known doesn’t quite extend to his sound films,
although since I am fascinated by anything silent, was very excited to see his
early silent (!) films on Friday, notated above. However, this is a very
exciting <u>triple</u> feature in 35mm, so if I was going to delve into the
quality of Curtiz’s pre-<i style="mso-bidi-font-style: normal;">Casablanca</i>
oeuvre, this would be the optimal way to do it, and if you are a horror genre
aficionado, you don’t really want to miss this rare treat! (Well, the last one
is hard-boiled crime/detective, but close enough.) Also, the first two have Fay
Wray in them (star of 1933 <i style="mso-bidi-font-style: normal;">King Kong</i>)
and her work is far too overlooked, so I’d say it’s worth seeing her star turns
here. And you even get Eugene Pallette (the best gruff voice in movie history)
showing up in the third film. Honestly, all in 35mm? I’d say go! The first two
are even in <u>color</u>. For film dates that early (only shortly after sound
in 1927), that is a fairly rare treat. In fact, the first one, <i style="mso-bidi-font-style: normal;">Doctor X,</i> is still with two-strip
technicolor, before they developed three-strip! (It looks different,
fascinating to check out.)</span></div>
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<a href="https://www.cinema.ucla.edu/events/2018/01/13/doctorx-mystery-wax-museum-kennel-murder-case" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0yRZTwsQ0KSXIwZSyf_3rPN-tcwdBRRBktO4ubcXQXSCv4HBQdK_B6-23cNh4qM3rgPcbKATBWIFMMW0q0x2IPrDIexOKtQvmI69fNI53Ampv-o71xR_91X0n1bI6Nn1z_7w9EA/s1600/Curtiz_DX6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="270" data-original-width="360" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0yRZTwsQ0KSXIwZSyf_3rPN-tcwdBRRBktO4ubcXQXSCv4HBQdK_B6-23cNh4qM3rgPcbKATBWIFMMW0q0x2IPrDIexOKtQvmI69fNI53Ampv-o71xR_91X0n1bI6Nn1z_7w9EA/s640/Curtiz_DX6.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBr2_Ze7fSf27KmT27gQrSTCT88lNsXDnGSOCCKMfJ5ZtoaAcxaGP4u5IMq8IRe7XimFWxkt0Wjg37CDJ_LK5xS4Bp38e0PqIHQAVeTmIfFoSd5NEqOKkzia5sWc16NW8fatsWNQ/s1600/mysterywaxmuseum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="518" data-original-width="630" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBr2_Ze7fSf27KmT27gQrSTCT88lNsXDnGSOCCKMfJ5ZtoaAcxaGP4u5IMq8IRe7XimFWxkt0Wjg37CDJ_LK5xS4Bp38e0PqIHQAVeTmIfFoSd5NEqOKkzia5sWc16NW8fatsWNQ/s400/mysterywaxmuseum.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL63ZHlE0ywRRZ5SH7NWQdWQ0bp7umxOQE7U90hygQCIX_c6IzCY9wtCbQPw1bstv-ZBN2mXWogiwEHnIKg-4vPXScKTJLilqBQxSTyywQZqxXYQ79Ll-MLZLpkkRqd9gtjR-VsQ/s1600/Kennel-Murder-Case-1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="868" data-original-width="1200" height="462" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL63ZHlE0ywRRZ5SH7NWQdWQ0bp7umxOQE7U90hygQCIX_c6IzCY9wtCbQPw1bstv-ZBN2mXWogiwEHnIKg-4vPXScKTJLilqBQxSTyywQZqxXYQ79Ll-MLZLpkkRqd9gtjR-VsQ/s640/Kennel-Murder-Case-1.png" width="640" /></a></div>
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<br /></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span><br />
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Dance of Reality</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2013, Alejandro Jodorowsky) <u>Jodorowsky
in person!</u></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Endless
Poetry</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2016, Alejandro Jodorowsky)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Jan. 20 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">So if you were
watching last week for his cult classics being re-screened, here’s where the
resurfacing of Jodorowsky occurred after a long absence. I have seen <i style="mso-bidi-font-style: normal;">Endless Poetry</i> and give it an
enthusiastic thumbs-up for Fellini-esque visuals and mind-bending journey, if
not quite as satisfying as a Fellini movie, because it tilts a bit more
avant-garde (but just a bit). It’s really the most artistic thing you might see
created in the current day on this scale (or maybe <i style="mso-bidi-font-style: normal;">Twin Peaks: The Return</i> as well). It really straddles that line
between profound personal exploration and narcissism, landing just a tad too
much on the narcissistic side, but not enough for me to not highly recommend it.
Plus I am fascinated by his life story just enough to endure that aspect. So I
have to catch up and watch <i style="mso-bidi-font-style: normal;">The Dance of
Reality</i> as they are part of a trilogy (one still to come), and I just
happened to miss that one! I was skeptical of what his return might be, but
it’s really been pretty great. Both screenings DCP, but they were also shot
digitally (pretty sure), so there’s not a better option to see these anyway!
NOTE: He’s in person, and it’s listed as sold out. There will be a standby
line.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/the-dance-of-reality-endless-poetry" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBWMjudR8a0VGCuL0m3r9OVPwhydCl1_nAGUJx2-o2v9TirtJeMVI8nOg2FbuwLihvnn7rxiuD5rjUiqKkO64AiCuy7voVvd59mNgG_3vbqxdJ0cpNayS6EHyuHC9brpVUG-sGbw/s1600/endless+poetry.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBWMjudR8a0VGCuL0m3r9OVPwhydCl1_nAGUJx2-o2v9TirtJeMVI8nOg2FbuwLihvnn7rxiuD5rjUiqKkO64AiCuy7voVvd59mNgG_3vbqxdJ0cpNayS6EHyuHC9brpVUG-sGbw/s640/endless+poetry.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Beauty
and the Beast</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1946, Jean Cocteau)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Donkey
Skin</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1970, Jacques Demy)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Jan. 21 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Beauty and the Beast</span></i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> is a luminously photographed black-and-white fantasy by a major avant-garde director, Jean Cocteau, being screened here in
luscious 35mm, so should you miss this major work?! No! Okay, I’m slightly
mixing up my memory of that same director’s beautiful <i style="mso-bidi-font-style: normal;">Orpheus</i>, and I don’t remember this one quite as well, but we all
know the story so it’s more relatable than most avant-garde films, and I think
it’s not heavy on the avant-garde stuff, so what I’m saying is it’s a great
introduction to Cocteau, and a stupendous way to watch an earlier telling of
this famous tale. <i style="mso-bidi-font-style: normal;">Donkey Skin</i> I have
not seen, but Jacques Demy, to me, is hit and miss, but really big when he
hits. So he’s often worth a look, so might as well stay for it! Plus it stars
Catherine Deneuve and Jean Marais. (<i style="mso-bidi-font-style: normal;">Beauty
and the Beast</i> in 35mm. <i style="mso-bidi-font-style: normal;">Donkey Skin</i>
in DCP).</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/la-belle-et-la-bete-peau-d%E2%80%99%C3%A2ne" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDm6pSwMlfiU8b_Rbfb21ubce5zkwvM6IxsoVmzPRaRoNWUIbeRtgKjccIILs77G6uK7z-YMHXY8gNyczF1-CmVKypNiNwHHzXsRWkIm0xnL7AaTMyViUwWJ2TGcSt9ZT4sf4cag/s1600/belle-et-la-bete.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="307" data-original-width="460" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDm6pSwMlfiU8b_Rbfb21ubce5zkwvM6IxsoVmzPRaRoNWUIbeRtgKjccIILs77G6uK7z-YMHXY8gNyczF1-CmVKypNiNwHHzXsRWkIm0xnL7AaTMyViUwWJ2TGcSt9ZT4sf4cag/s640/belle-et-la-bete.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGzYLf1-X_PEHx16FzG5KQsoRPXsuaJ8Sm6543qb_PBUQ62aaZk1KaEgx190IivQHCudni6d2iT52lST4e-ju8prD92m-3sooUYxO1MGdaiGdBy9A1K3NrrIIgQRpoj16fN22ubw/s1600/030-donkey-skin-theredlist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="798" data-original-width="1200" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGzYLf1-X_PEHx16FzG5KQsoRPXsuaJ8Sm6543qb_PBUQ62aaZk1KaEgx190IivQHCudni6d2iT52lST4e-ju8prD92m-3sooUYxO1MGdaiGdBy9A1K3NrrIIgQRpoj16fN22ubw/s640/030-donkey-skin-theredlist.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Pee-Wee’s
Big Adventure</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1985, Tim Burton)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed. Jan. 24 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">In 35mm with
a devoted audience would be the perfect way to see this, so check it out. It’s
preceded by a podcast recording from <i style="mso-bidi-font-style: normal;">Whose
Line Is It Anyway?</i> stellar improv comedian Greg Proops, a very fun event
all around. It’s also a Tim Burton film, in case that does anything for you,
which it should! (Podcast approximately 30 minutes, film starting about 8:00
pm.)</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/pee-wee%E2%80%99s-big-adventure-0" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK</span></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRFhNfYlS_PbtPOeRKLXjfgVkZl0f9O_m2OPKvpr-BSpFNxVfhzr6IGAf8-ClfRHTHDqSSkqK6rJtjcHVdrMfPK-yVzcbWJrSjvbTZrG4XLWJuD8Y-NWzR3_EsrlXTNrW4ESKKxA/s1600/peeweebigadventure.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="901" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRFhNfYlS_PbtPOeRKLXjfgVkZl0f9O_m2OPKvpr-BSpFNxVfhzr6IGAf8-ClfRHTHDqSSkqK6rJtjcHVdrMfPK-yVzcbWJrSjvbTZrG4XLWJuD8Y-NWzR3_EsrlXTNrW4ESKKxA/s640/peeweebigadventure.jpg" width="640" /></a></div>
<div class="MsoNormal">
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-14777632662045052832017-12-15T23:31:00.000-08:002017-12-15T23:43:46.775-08:0035mm Film Screenings in LA not named Star Wars<!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">That movie that just came out isn’t the movie
you’re looking for. The movie you want to see is in 35mm. You can go about your
business. </span><br />
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<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Ignore that thing that just came out! Here
we’re in the business of 35mm film screenings in LA! (Reluctantly including a
smattering of retro digital screenings.) <span style="mso-spacerun: yes;"> </span></span></div>
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<br /></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Side note, that “big film” was shot on 35mm
and some scenes 70mm IMAX but sadly is not (yet) being screened in 35mm (or
70mm IMAX) any closer than San Jose.! (70mm IMAX in San Jose, and I’m unaware
of a single 35mm option.) But don’t drive to San Jose, because JJ scans it in
at 2k anyway, so it loses the IMAX resolution and doesn’t look that great
scanned back out on a computer onto film, or at least is not as beautiful and essential
as the Nolan ones. </span></div>
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<br /></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Anyway, that isn’t the movie you’re looking
for! Let’s go about your <u>real</u> (reel?) business:</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. You
can browse the LA Film Calendars links on my side bar to find even more!<span style="mso-spacerun: yes;"> </span>→ → →</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sometimes these choices are tonight, FYI, and
not necessarily listed first.</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Maltese Falcon</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1941, John Huston)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Black Bird</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1975, David Giler)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 17 6:30 pm/8:40pm</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon Dec. 18 7:30 pm/9:40pm</span></b></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The Maltese Falcon </span></i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">is basically a perfect movie to me. It’s Bogie at
his best, and a knife to the heart cuts unexpectedly deep in what is not your average
film noir, from the novel by the greatest hard-boiled writer Dashiell Hammett.
Mary Astor will melt you, plus Peter Lorre, Sydney Greenstreet and Elisha Cook
Jr. will blow you away with the best character-actor performances ever! Plus we
get to see the spoof <i style="mso-bidi-font-style: normal;">The Black Bird</i>
with George Segal and awesome French star Stéphane Audran (and Elisha Cook Jr.
again) by just staying in our seats after the first film, no extra charge. Both
35mm!</span></div>
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<a href="http://thenewbev.com/program/december-17-the-maltese-falcon-the-black-bird/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK Sun. Dec. 17</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="http://thenewbev.com/program/december-18-the-maltese-falcon-the-black-bird/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK Mon. Dec. 18</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3hoOvH-RKV8PHS4-72jfsw8KbVfm1jwKL-5R7_6mPefac1kXpgU3_TdhfT2mwydEvtz6dF4lOwJ0P3N3jXybY5LImb-xTes2Oxbcho1ZizbbZACT9-N1P2-5e9HC25BH2LymMlg/s1600/maltese-falcon-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3hoOvH-RKV8PHS4-72jfsw8KbVfm1jwKL-5R7_6mPefac1kXpgU3_TdhfT2mwydEvtz6dF4lOwJ0P3N3jXybY5LImb-xTes2Oxbcho1ZizbbZACT9-N1P2-5e9HC25BH2LymMlg/s640/maltese-falcon-poster-385x578.jpg" width="426" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVDuKORn-UffYOQJ17o0SR2yoCDpJ3gDBt1AGIHjmF2HPAeZI1WAMEWWn4trGDMlOD1oODKVrMU78YHPFcuXuuKY9LuqCFmDl3ZixYSWnzD4b2vjZ3WhKCZshuZLpyjzjqop5_3g/s1600/black-bird-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVDuKORn-UffYOQJ17o0SR2yoCDpJ3gDBt1AGIHjmF2HPAeZI1WAMEWWn4trGDMlOD1oODKVrMU78YHPFcuXuuKY9LuqCFmDl3ZixYSWnzD4b2vjZ3WhKCZshuZLpyjzjqop5_3g/s640/black-bird-poster-385x578.jpg" width="426" /></a></b></div>
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Lawrence
of Arabia</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1962, David Lean) <u>in 70mm!</u></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>!) Dec. 15 7:30 pm<br />
Sat. Dec. 16 7:30 pm</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 17 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">As actual film gets
harder to see projected, it should be a treat to see this in 70mm if you
haven’t already seen it 10 times before..! Which some may have. Do it justice
and see this film that was shot in 70mm projected on 70mm in a brand-new print
on one of the biggest, best screens in LA. It’s a wide sweeping tale with
ramifications about politics and the formation of governments that should
intrigue even today. This will also show Dec. 28, 29, and 30 at 7:30 pm.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/lawrence-of-arabia-28" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK Fri. Dec. 15</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="http://www.americancinemathequecalendar.com/content/lawrence-of-arabia-29" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK Sat. Dec. 16</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="http://www.americancinemathequecalendar.com/content/lawrence-of-arabia-30" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK Sun Dec. 17</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrnndVazJJA48OV1LlvvJecbZIbE6u3K7-fcNeTkhpYvYMDxJ4mxyXvsEMm8xI6sE1kIIRLG0rAUPsTo8Qh1YaFiFNDuyDADITf9eYKZiEqfhoR1hX1wuWbojz3J2tv1yp2P1Mcw/s1600/Lawrence+Allenby.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="349" data-original-width="800" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrnndVazJJA48OV1LlvvJecbZIbE6u3K7-fcNeTkhpYvYMDxJ4mxyXvsEMm8xI6sE1kIIRLG0rAUPsTo8Qh1YaFiFNDuyDADITf9eYKZiEqfhoR1hX1wuWbojz3J2tv1yp2P1Mcw/s640/Lawrence+Allenby.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Night
and the City</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1950, Jules Dassin) <u>Nitrate 35mm
print!</u></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 16 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Jules Dassin is
awesome! My favorite of his is really <i style="mso-bidi-font-style: normal;">Thieves’
Highway</i>, but Criterion likes this one a lot, so check out this amazing
London-set film noir starring Richard Widmark, Gene Tierney and more! This is a
nitrate 35mm film print, which is the highly flammable earlier iteration of
film prints (and why so many films are lost, they burned up!) but which looks
sooo much better, as the extra silver nitrate adds more sparkle to the luminous
black and white photography (here by Max Greene). Additionally, as if that
wasn’t rare enough, they are showing the British release version of the film
which runs six minutes longer than the U.S. release and features alternate
opening and closing scenes as well as different score by composer Benjamin
Frankel. Plus there is a nitrate newsreel “News of the Day” and a nitrate
short.</span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/12/16/night-and-the-city" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8qWowRTiC8uM1WGTIWPD0LdRpnlqaJGCFMfIbL2-kYXBZCqpvF1ETc2N8ut-5As0B8VhHqwU-LME3yBBTQ9IlH0ZQXfkxdBiCq7ni0oCg7rB0pOJbut8nZPth2o-fLdQfAjB_rg/s1600/023-night-and-the-city-theredlist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="531" data-original-width="731" height="464" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8qWowRTiC8uM1WGTIWPD0LdRpnlqaJGCFMfIbL2-kYXBZCqpvF1ETc2N8ut-5As0B8VhHqwU-LME3yBBTQ9IlH0ZQXfkxdBiCq7ni0oCg7rB0pOJbut8nZPth2o-fLdQfAjB_rg/s640/023-night-and-the-city-theredlist.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Ride
the Pink Horse</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1947, Robert Montgomery)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 19 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The lovely rare
screenings of film noir 35mm prints at LACMA’s Tuesday matinees continues this
week with a fairly good one from Robert Montgomery. There is some stupendous
stuff in this one, including, pay attention, the opening shot is one of those
super-long unbroken takes. I didn’t notice the first time I saw it, because it
works so seamlessly with the action that transpires. So watch how long the
opening shot takes to cut. There are some <u>great</u> characterizations in
this film by Montgomery especially, and also Wanda Hendrix, Andrea King, and
Thomas Gomez. I feel like it doesn’t coalesce into the tightest of all film
noirs by the end, but it’s pretty damn good. Definitely something to try to see
in a theater on the big screen.</span></div>
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<a href="http://www.lacma.org/event/ride-pink-horse" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwCmgXQPJ6f1VjK3NdPXWU9GALGyoTics9RS0mwnkWqcMxQSMww3sYeok08hWVRr3G9__LtL5A8zDcRTn_udd6hkn-AFo0HykQY9-a2o4hLwYGSOZkamABkfwvSvAStc-CigavTA/s1600/ride-the-pink-horse-still3-526x284.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="284" data-original-width="526" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwCmgXQPJ6f1VjK3NdPXWU9GALGyoTics9RS0mwnkWqcMxQSMww3sYeok08hWVRr3G9__LtL5A8zDcRTn_udd6hkn-AFo0HykQY9-a2o4hLwYGSOZkamABkfwvSvAStc-CigavTA/s640/ride-the-pink-horse-still3-526x284.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Victor/Victoria</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1982, Blake Edwards)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Murphy’s
Romance</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1985, Martin Ritt)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>!) Dec. 15 6:30 pm/9:15 pm</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 16 6:30 pm/9:15 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">More James Garner
stuff, little mini-festival going on I guess..! This is purely on my radar
because I never saw these, and seeing stuff like this in 35mm on the big screen
at the New Bev is the best way to check out anything you previously overlooked.
Martin Ritt has directed great films elsewhere, not sure he holds the same
appeal into the ’80s, but I’d give it a look. The <i style="mso-bidi-font-style: normal;">Victor/Victoria </i>one sounds more fun, as a musical comedy of fake
female impersonation. I don’t know, it may still suck. These are the films that
were aimed at my parents when I was growing up, so not too sure!</span></div>
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<a href="http://thenewbev.com/program/december-15-16-victorvictoria-murphys-romance/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibONW7zheGR8fS2ZOgM0cr2oxxcpXBrmEKbru_L4XG0zq2JFXhcfnY3q_9d-AyHRaTNXUzyb5MiUBJ5vFEqy1uOiofcAgzaNHhELO0dPk1BXaZHxIP0YCOJjp3_d1z-j9XLhyphenhyphenruQ/s1600/victorvictoria_lejazzhot_FC_HD_2997_CC_470x264_121020150759.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="264" data-original-width="470" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibONW7zheGR8fS2ZOgM0cr2oxxcpXBrmEKbru_L4XG0zq2JFXhcfnY3q_9d-AyHRaTNXUzyb5MiUBJ5vFEqy1uOiofcAgzaNHhELO0dPk1BXaZHxIP0YCOJjp3_d1z-j9XLhyphenhyphenruQ/s640/victorvictoria_lejazzhot_FC_HD_2997_CC_470x264_121020150759.jpg" width="640" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju07Vp4r6lGU4b7IHSIU7RoN0vxJEByLU9T9xdcLqVYAOvAxlO_PXweg8DY1ooT_EzsAgLroyOqhuk_PkSuH_aSHuLPk7fcUGrbOuhova7LMzR2g_O13jVbMxHqEZlj-5VfnHmRw/s1600/sally-field-and-james-garner-in-murphys-romance-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1284" data-original-width="1600" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju07Vp4r6lGU4b7IHSIU7RoN0vxJEByLU9T9xdcLqVYAOvAxlO_PXweg8DY1ooT_EzsAgLroyOqhuk_PkSuH_aSHuLPk7fcUGrbOuhova7LMzR2g_O13jVbMxHqEZlj-5VfnHmRw/s640/sally-field-and-james-garner-in-murphys-romance-1.jpg" width="640" /></a></b></div>
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s
a Wonderful Life</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1946, Frank Capra)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Dec. 21 7:30 pm</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 22 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">It’s the biggest,
best screen you can see this essential classic, heartwarming film on. Albeit DCP,
this is a worthy outing. This is such a sublime example of filmmaking that exceeds
the already awesome trappings of classic Hollywood cinema to become even more
iconic and enduring – and so moving upon first viewing. It doesn’t have to be
classic to recommend it, it’s just so good!</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/it%E2%80%99s-a-wonderful-life-19" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK Thur. Dec. 21</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/it%E2%80%99s-a-wonderful-life-20" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK Fri. Dec. 22</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_m5xuxzXn3ThIJiAMjwhzoW48qV_LOQeR3Y9Vj1DOA-hInqk63qZsgrSpK6FWiUI6i12yd1z6boo6J89wsW3OyAx4p_Xuhyphenhyphen5f-sJDNZEh3IjGm9IylMOHwmiZloW33-GJRIAU2A/s1600/wonderful+life.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="639" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_m5xuxzXn3ThIJiAMjwhzoW48qV_LOQeR3Y9Vj1DOA-hInqk63qZsgrSpK6FWiUI6i12yd1z6boo6J89wsW3OyAx4p_Xuhyphenhyphen5f-sJDNZEh3IjGm9IylMOHwmiZloW33-GJRIAU2A/s640/wonderful+life.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><br />
<b>Aero Theatre</b></span></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A
Star is Born</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, George Cukor)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>!) Dec. 15 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This is such a
stunningly beautiful film on a big screen. It’s DCP and I so wish it was on
film, but it should still look luminous. Especially if it’s in its correct
super-wide 2.55:1 aspect ratio! It’s such a moving film as well. I used to
rarely like musicals that had little or no dancing until I saw this one, which tugs
at the emotions very effectively. I’m doing an awful job describing this film! Guess
it’s been a while, but it’s essential to me.</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/a-star-is-born-3" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a><span class="MsoHyperlink"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh70UGPjSa0LgWzSGXx4TSNmKVNCTtpidTfyE9pwEJnrFvtjNRkyWvI8vR42HtX19u5tH-5HpRwMNsvVqM1h38pBUhIjdEFLcMBcIuqAI7VvD4mVbNyIhLc0S-F8LODsHeehWPS6w/s1600/Starisborn3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="338" data-original-width="852" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh70UGPjSa0LgWzSGXx4TSNmKVNCTtpidTfyE9pwEJnrFvtjNRkyWvI8vR42HtX19u5tH-5HpRwMNsvVqM1h38pBUhIjdEFLcMBcIuqAI7VvD4mVbNyIhLc0S-F8LODsHeehWPS6w/s640/Starisborn3.jpg" width="640" /></a></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Academy</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Miracle
on 34<sup>th</sup> Street</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1947, George
Seaton)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 19 7:00 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I don’t really think
I would like this movie, but it’s a new 35mm print, and that’s special. Am I a
Grinch? I guess so! But this is on one of the biggest, best screens in Los
Angeles (the Academy’s Samuel Goldwyn Theater), for a bargain 5 bucks! And
Maureen O’Hara, John Payne, and Edmund Gwenn are no slouches as actors.
Definitely go if you like (or would like) this movie. Plus enjoy holiday
cookies and pictures with Santa after the screening. Are you kidding?! What an
event!</span></div>
<div class="MsoNormal">
<a href="http://www.oscars.org/events/miracle-34th-street-70th-anniversary" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">ACADEMY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKJj5BANzNeMr58LOTVP6Sz1jPhHjFAgcwgWpbkwyM2_KkcW4ZsrvFtapwacHYrD3rZ2Aslg0_LvnZSvxN6WOecz9CRu5Jn9FBK3ItkaFll7zWH3qJeic8qQTqmfPqc5XI0sV3bw/s1600/miracle34thstreet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="665" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKJj5BANzNeMr58LOTVP6Sz1jPhHjFAgcwgWpbkwyM2_KkcW4ZsrvFtapwacHYrD3rZ2Aslg0_LvnZSvxN6WOecz9CRu5Jn9FBK3ItkaFll7zWH3qJeic8qQTqmfPqc5XI0sV3bw/s640/miracle34thstreet.jpg" width="424" /></a></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre </span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Sound of Music</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1965, Robert Wise)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 16 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This isn’t <i style="mso-bidi-font-style: normal;">really</i> on my radar, but it seems to draw
an audience always, so this is just a public service announcement that this
famous Rodgers and Hammerstein film is playing near you. Albeit on DCP. But a
nice big screen.</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/the-sound-of-music-7" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1FAZE78zWLGp2dbn_nysLJwWYH55SNbzPCpDq7BLcI9toO_rKQHoWrZcVl3GfxswFBcu-qK0QsTXJjs4vh7240SCN_fWATfE5Tb6L3eNuHS8iVxqnqq_AwKIy3O2rhqnrhWLUKQ/s1600/soundofmusic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="749" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1FAZE78zWLGp2dbn_nysLJwWYH55SNbzPCpDq7BLcI9toO_rKQHoWrZcVl3GfxswFBcu-qK0QsTXJjs4vh7240SCN_fWATfE5Tb6L3eNuHS8iVxqnqq_AwKIy3O2rhqnrhWLUKQ/s640/soundofmusic.jpg" width="640" /></a></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">White
Christmas</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, Michael Curtiz)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Holiday
Inn</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1942, Mark Sandrich)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 17 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The convenience of
DCP I guess makes this holiday treat possible. Treat or terror?! I don’t know
because I haven’t seen either of these. (Your friendly neighborhood cinephile
Grinch here.) But it should be a great way to see these heartwarming classics
on the big screen for the holidays if you choose to.</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/white-christmas-holiday-inn-0" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkOOHFfCy5A-vfnh55YJAmoHHRQRItsYii8zqtH2r4Kv54w7PUWJnD4xkrurGcvYA6UIqM6S2w5VdVRWXkFcMIqsi2sDQ5ufBUaOivEyvRxteh4fWymZtkJ7V5oXs8w1thxWzLXw/s1600/whitechristmas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="806" data-original-width="1200" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkOOHFfCy5A-vfnh55YJAmoHHRQRItsYii8zqtH2r4Kv54w7PUWJnD4xkrurGcvYA6UIqM6S2w5VdVRWXkFcMIqsi2sDQ5ufBUaOivEyvRxteh4fWymZtkJ7V5oXs8w1thxWzLXw/s640/whitechristmas.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTDfUUBt0pJKp64dHRykii6ifHVw2HUbSqK2QymRm7GwtV71ld0B_J1flZs0wRnJOowEy_errdzxDqFW3UfU7BhK-1ypvJLjPA0r_H5hx00g6NDEoznxkcX7rs2dX2h9j9BQO1OQ/s1600/holidayinn_1942_movie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1511" height="508" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTDfUUBt0pJKp64dHRykii6ifHVw2HUbSqK2QymRm7GwtV71ld0B_J1flZs0wRnJOowEy_errdzxDqFW3UfU7BhK-1ypvJLjPA0r_H5hx00g6NDEoznxkcX7rs2dX2h9j9BQO1OQ/s640/holidayinn_1942_movie.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Bad
Santa</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2003, Terry Zwigoff)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Trading
Places</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1983, John Landis)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Dec. 21 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This double feature
is <u>far</u> more pleasing to your neighborhood cinephile Grinch! I’d watch
these. Again, they are DCP, but this is a nice, big screen and these are some
fun films. See Eddie Murphy at his best and there's a lot to love about the
dark comedic edge of Bad Santa embodied by Billy Bob Thornton and excellent
cast including the late Bernie Mac, Brett Kelly, and Tony Cox.</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/bad-santa-trading-places" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpP2PFXca6p331qhXk_gBj-WpDmaL1EZOIlAljgSI15JVghWUmZFPq-pm38dJNKbxka1UHp4auYEa472VATgDZaDXzdzXm3fb5DjjyWh6QHBEDD5ANd-4IGvQnyobbLMKex-cxPQ/s1600/Bad-Santa-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1250" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpP2PFXca6p331qhXk_gBj-WpDmaL1EZOIlAljgSI15JVghWUmZFPq-pm38dJNKbxka1UHp4auYEa472VATgDZaDXzdzXm3fb5DjjyWh6QHBEDD5ANd-4IGvQnyobbLMKex-cxPQ/s640/Bad-Santa-1.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzbQbnLobZovayT59owwxZxZbvwIMCDHX1XccLJQJnBd2RBdjxwoGmNt-WZD2OvPOKoynyodzzAKLVXp6qFcpNqYbfwj-EK6zId9o4ZjcHN8qu4uLRwlY36C6EKdls7zeWWc0tcQ/s1600/trading-places-denholm-elliott-jamie-lee-curtis-eddie-murphy.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="715" data-original-width="1280" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzbQbnLobZovayT59owwxZxZbvwIMCDHX1XccLJQJnBd2RBdjxwoGmNt-WZD2OvPOKoynyodzzAKLVXp6qFcpNqYbfwj-EK6zId9o4ZjcHN8qu4uLRwlY36C6EKdls7zeWWc0tcQ/s640/trading-places-denholm-elliott-jamie-lee-curtis-eddie-murphy.png" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Reservoir
Dogs</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1992, Quentin Tarantino)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>!) Dec. 15 11:59 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I rarely bother to
point out these Tarantino midnight screenings, since they are almost every
week, but, hey, reminder, they are always 35mm, and this one especially is a
superb film. It'll have 'em laughing in the aisles! Or was it that it would
have audience members running for the exits with heart troubles? Can't
remember! Better watch and find out.</span></div>
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<a href="http://thenewbev.com/program/december-15-reservoir-dogs-midnight-show/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK</span></a><span class="MsoHyperlink"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj40qmRanuSW_FGyUL9Sme_xUmTaUYv8BYKHAx_-M2cg4zYR2QTndFaW24CnQaWKrkLyJcoJo5c__ceCBnI6uRkNyIJfmdThLqx_KvMpNasw08tqBzNihYhZa48AziqZRnCCk9HaQ/s1600/reservoir-dogs-09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj40qmRanuSW_FGyUL9Sme_xUmTaUYv8BYKHAx_-M2cg4zYR2QTndFaW24CnQaWKrkLyJcoJo5c__ceCBnI6uRkNyIJfmdThLqx_KvMpNasw08tqBzNihYhZa48AziqZRnCCk9HaQ/s640/reservoir-dogs-09.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Cluny
Brown</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1946, Ernst Lubitsch)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Trouble
in Paradise</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1932, Ernst Lubitsch)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Dec. 28 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Major highlight
here. The great comic director Ernst Lubitsch (he’s more than just comic, a
true auteur) on the big screen in one 4k DCP restoration and the other a 35mm
print of one of my favorites! The first is with Jennifer Jones and is his last
complete film about which I don’t know a lot, haven’t seen it yet. The second
is in luminous 35mm, and is an excellent, hilarious film, with Herbert Marshall,
Miriam Hopkins (she is <u>always</u> awesome, do not miss her!) and Kay
Francis. What a treat buried in the middle of the holidays. You don’t get to
see this stuff screened too often anymore.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/cluny-brown-trouble-in-paradise" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKP2GC5lJO-dGOCls8zU43yOhu5HOPpMM1jFrthCsXit00K2swCN8iclR0KOAMWW66WW0lDHj610mRoR65A1aPn-TgnYTC7Ue4PtVs5hwOttQ0OfZMLpZAr6JdK-aRZ2qY4SNE1g/s1600/cluny.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="321" data-original-width="600" height="342" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKP2GC5lJO-dGOCls8zU43yOhu5HOPpMM1jFrthCsXit00K2swCN8iclR0KOAMWW66WW0lDHj610mRoR65A1aPn-TgnYTC7Ue4PtVs5hwOttQ0OfZMLpZAr6JdK-aRZ2qY4SNE1g/s640/cluny.jpg" width="640" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-takJuLmdmuDyJiX19Rx0U4LfN1xgSxJT-disKvZAOO94tTOSueFuSSVrxPeTVb602JltwxI2D8yShyphenhyphenaNUFmtBVzDBZkWzzKRcSQlUdyVEx9OzS0nEvqoY6JLyu3vPDopgzxtdA/s1600/trouble-in-paradise.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="773" data-original-width="1024" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-takJuLmdmuDyJiX19Rx0U4LfN1xgSxJT-disKvZAOO94tTOSueFuSSVrxPeTVb602JltwxI2D8yShyphenhyphenaNUFmtBVzDBZkWzzKRcSQlUdyVEx9OzS0nEvqoY6JLyu3vPDopgzxtdA/s640/trouble-in-paradise.jpg" width="640" /></a></b></div>
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Poseidon Adventure</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1972, Ronald Neame)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Beyond
the Poseidon Adventure</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1979, Irwin
Allen)<i style="mso-bidi-font-style: normal;"> </i></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Dec. 27 7:30 pm/10:00 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur.
Dec. 28 7:30 pm/10:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I loves me some
disaster movies! Double dose!? IN 35mm no less, I am excited. All-star casts
were the name of the game in the disaster movie heyday with Hackman, Borgnine,
Shelley Winters, Roddy McDowall and more. Then in #2 you’ve got Michael Caine,
Telly Savalas, Sally Field, Karl Malden, Shirley Jones, Jack Warden, Peter
Boyle, Slim Pickens, Mark Harmon. And they’re all gonna die! Yes! This is the
type of weird awesome slightly shitty 1970s world I want to pretend to live in at
the New Beverly. Oh, the plot? Their boat is upside-down and they’re stuck.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-27-28-the-poseidon-adventure-beyond-the-poseidon-adventure/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl08HCqbmPOzD1FDUhXdnEaZa1aIdzb_4K_VacZqYnRjV-kRIjYGYWmnjaosPpLNRx81wQIKZuYVSkiIffSt42nn3w7n5UvkeJIiiWHey_w3GiYkY8eCmx7QBkz6jEm2MZviZ7rw/s1600/poseidon-adventure-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl08HCqbmPOzD1FDUhXdnEaZa1aIdzb_4K_VacZqYnRjV-kRIjYGYWmnjaosPpLNRx81wQIKZuYVSkiIffSt42nn3w7n5UvkeJIiiWHey_w3GiYkY8eCmx7QBkz6jEm2MZviZ7rw/s640/poseidon-adventure-poster-385x578.jpg" width="426" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEFkJkbhBuaUHf67kLHRTlpYD7C2iTZ7h1wPl1jtdQku-tIKPptU0nKtOQMRFPj6oBcokHsmJn6PZFvK_acRAJhDhgh5n55GuSBQq_cN0qHf2xLZZUV5YIPkFFdnvgewjIpR_G3A/s1600/beyond-poseidon-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEFkJkbhBuaUHf67kLHRTlpYD7C2iTZ7h1wPl1jtdQku-tIKPptU0nKtOQMRFPj6oBcokHsmJn6PZFvK_acRAJhDhgh5n55GuSBQq_cN0qHf2xLZZUV5YIPkFFdnvgewjIpR_G3A/s640/beyond-poseidon-poster-385x578.jpg" width="426" /></a></b></div>
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Hateful 8</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (Roadshow Version) (2015, Quentin Tarantino)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon. Dec. 25 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">No snow in LA? Gobble
up generous helpings in this snowbound epic..! It’s the roadshow version, and
while shot in 70mm, it’s gonna look just stupendous in 35mm at the New Bev. And
the score is to die for (Ennio Morricone).</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-25-the-hateful-eight-2/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4VtXsGZ1G94lvF3hVhXXNW_1AimobVBMrnue0QbK3vdlms-ywT6mDc_F6XzEe51ILwVZ9bm2JDnBnP6VF-dgUZKvJMRn6ZUUuV7QsNevf48RZrCIkVS6roRvr8mzx9gYcsBuZgw/s1600/hateful-eight-tarantino-13critics2-superjumbo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="478" data-original-width="734" height="416" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4VtXsGZ1G94lvF3hVhXXNW_1AimobVBMrnue0QbK3vdlms-ywT6mDc_F6XzEe51ILwVZ9bm2JDnBnP6VF-dgUZKvJMRn6ZUUuV7QsNevf48RZrCIkVS6roRvr8mzx9gYcsBuZgw/s640/hateful-eight-tarantino-13critics2-superjumbo.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s
a Wonderful Life</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1946, Frank Capra)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A
Christmas Story</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1983, Bob Clark)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 22 6:30pm/9:10pm</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 23 6:30pm/9:10pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">While there are options
below in DCP, leave it to the New Beverly to be the only place you can see these
two classics in 35mm on the big screen! The first is such a sublime example of
filmmaking that even exceeds the wonderful trappings of classic Hollywood
cinema to become something even more iconic and enduring – totally moving from first
viewing. And well, if you didn’t grow up watching <i style="mso-bidi-font-style: normal;">A Christmas Story</i> I just don’t know you! It’s okay for fun on
television at home, but is it worthy of the big screen? See if it holds up.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-22-23-its-a-wonderful-life-a-christmas-story/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_m5xuxzXn3ThIJiAMjwhzoW48qV_LOQeR3Y9Vj1DOA-hInqk63qZsgrSpK6FWiUI6i12yd1z6boo6J89wsW3OyAx4p_Xuhyphenhyphen5f-sJDNZEh3IjGm9IylMOHwmiZloW33-GJRIAU2A/s1600/wonderful+life.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="639" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_m5xuxzXn3ThIJiAMjwhzoW48qV_LOQeR3Y9Vj1DOA-hInqk63qZsgrSpK6FWiUI6i12yd1z6boo6J89wsW3OyAx4p_Xuhyphenhyphen5f-sJDNZEh3IjGm9IylMOHwmiZloW33-GJRIAU2A/s640/wonderful+life.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqJ9G2t0u5Pcmj15QHHrFuIJ-kn9QW64H-_XH1X51K0hlbsiL1ohrEu-ZKIbEM3ATRgMnsujHsGngrCSpG8K_MDfWoZH_3Tz2SPZAytxtXLGAmCZmlJcmXoc27QextqqGLhO0_Kw/s1600/A-Christmas-Story.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="960" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqJ9G2t0u5Pcmj15QHHrFuIJ-kn9QW64H-_XH1X51K0hlbsiL1ohrEu-ZKIbEM3ATRgMnsujHsGngrCSpG8K_MDfWoZH_3Tz2SPZAytxtXLGAmCZmlJcmXoc27QextqqGLhO0_Kw/s640/A-Christmas-Story.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Circle
of Danger</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1951, Jacques Tourneur)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 26 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Another film noir at
LACMA in their 1:00 pm Tuesday matinee slot. I don’t know anything about this one,
but it’s been a good series so far! They were all 35mm up to now, but this one
doesn’t say, so I’m not sure. But it does have Ray Milland and Marius Goring
and is about “an American who comes to England to find out the truth behind his
brother's death during a commando operation in occupied France.”</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.lacma.org/event/circle-danger" target="_blank"><span style="mso-bidi-font-weight: normal;">LACMA LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCNN2i90hLdnp2FSMvASXEMsziMwN8bJfECFpZfTso6-676zN5vQObJZix59awZ5EcvsGoTY6QTqajENvwDj5__qHlKbtsmLEkI7hCWtrAu_WOPkzQt1ZeyD3ariVQQIz86yvhzQ/s1600/CircleDangerStill2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="800" height="494" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCNN2i90hLdnp2FSMvASXEMsziMwN8bJfECFpZfTso6-676zN5vQObJZix59awZ5EcvsGoTY6QTqajENvwDj5__qHlKbtsmLEkI7hCWtrAu_WOPkzQt1ZeyD3ariVQQIz86yvhzQ/s640/CircleDangerStill2.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Elf</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2003, Jon Favreau)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 23 2:00 pm</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun Dec. 24 2:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Unless you want to
see the digital screenings below, this kiddee matinee is the one to see since it’s
in 35mm! I haven’t seen the film, but people seem to like it.</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-23-24-elf-kiddee-matinee/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHhjOcbDWelOdQJSaevrxo26yKI_2FpgEmW5tvGTwEn7FMpcktIUTomGfUc3tWfml7_UoSTh9sap9jRRcx-StRGagE2Z2z_eUd9ks1e2f1SIK8cRNCo_j0Ljn6GvslBOgnCx5P-w/s1600/elf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="347" data-original-width="485" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHhjOcbDWelOdQJSaevrxo26yKI_2FpgEmW5tvGTwEn7FMpcktIUTomGfUc3tWfml7_UoSTh9sap9jRRcx-StRGagE2Z2z_eUd9ks1e2f1SIK8cRNCo_j0Ljn6GvslBOgnCx5P-w/s640/elf.jpg" width="640" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Die
Hard</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1988, John McTiernan)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and </span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Die
Hard 2: Die Harder</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1990, Renny Harlin)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 24 6:30pm/9:15 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">What better way to
spend Christmas Eve than watching the first two <i style="mso-bidi-font-style: normal;">Die Hards</i> in 35mm?! It’s the New Bev again with the inside track on
the best way to experience it. First film is sold out already, but a standby
line the night of the event. Or you can still get tickets for just the sequel I
guess.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-24-die-hard-die-hard-2/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDeutxQyQFgoBV-ig6yuJqzASzyxldwXCMm9R2ICXvGy2LHIcV7cBcEU73j7RyBGkds83gxDtiIuLNPgLOWnfqIJhJoidIvF3HNU5s5S5Gzuz0GgcBFJ9LyQGm9HUg8MpaJSq44w/s1600/diehard.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1053" data-original-width="1404" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDeutxQyQFgoBV-ig6yuJqzASzyxldwXCMm9R2ICXvGy2LHIcV7cBcEU73j7RyBGkds83gxDtiIuLNPgLOWnfqIJhJoidIvF3HNU5s5S5Gzuz0GgcBFJ9LyQGm9HUg8MpaJSq44w/s640/diehard.png" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqa7JN8i2dEjyD4xcMQR4gMH-EOn4u2ruuacTwcXFcwZZ4LgFezawwmoq31GOqX6zOIbQ30DbobyMRfLx5Cu86HqGsp0iCCJXZDqHy68_0GWceuarbDU2gm1F_lFfC2Ds9OSQ33Q/s1600/diehard2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="412" data-original-width="618" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqa7JN8i2dEjyD4xcMQR4gMH-EOn4u2ruuacTwcXFcwZZ4LgFezawwmoq31GOqX6zOIbQ30DbobyMRfLx5Cu86HqGsp0iCCJXZDqHy68_0GWceuarbDU2gm1F_lFfC2Ds9OSQ33Q/s640/diehard2.jpg" width="640" /></a></b></div>
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Elf</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2003, Jon Favreau)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 22 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">You’ve heard people
rave, now go see for yourself. I can’t comment, still haven’t seen it yet!
Maybe I’ll be there?? (This screening DCP.)</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/elf-4" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVzUenHz_xu-W-gwcepEkb41SMsIhp2NizL11FPh8rHBZqxk14Zi201KmmEEWwTdWvRXwwfQwZCszwlFFSrShL-euCcK30VKFt45rN_hkvYKsCiBlt16gxcojlpCDD9lTq1rBGgg/s1600/elf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="347" data-original-width="485" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVzUenHz_xu-W-gwcepEkb41SMsIhp2NizL11FPh8rHBZqxk14Zi201KmmEEWwTdWvRXwwfQwZCszwlFFSrShL-euCcK30VKFt45rN_hkvYKsCiBlt16gxcojlpCDD9lTq1rBGgg/s640/elf.jpg" width="640" /></a></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s
a Wonderful Life</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1946, Frank Capra)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 22 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">It’s the biggest,
best screen you can see this essential classic, heartwarming film on (oops,
except check New Bev for a 35mm screening). Albeit DCP, this is a worthy
outing. This is such a sublime example of filmmaking that even exceeds the
wonderful trappings of classic Hollywood cinema to become even more iconic and
enduring –totally moving from first viewing. It doesn’t have to be classic to
recommend it, it’s just that good!</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/it%E2%80%99s-a-wonderful-life-20" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK Fri. Dec. 22</span></a><span class="MsoHyperlink"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_m5xuxzXn3ThIJiAMjwhzoW48qV_LOQeR3Y9Vj1DOA-hInqk63qZsgrSpK6FWiUI6i12yd1z6boo6J89wsW3OyAx4p_Xuhyphenhyphen5f-sJDNZEh3IjGm9IylMOHwmiZloW33-GJRIAU2A/s1600/wonderful+life.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="639" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_m5xuxzXn3ThIJiAMjwhzoW48qV_LOQeR3Y9Vj1DOA-hInqk63qZsgrSpK6FWiUI6i12yd1z6boo6J89wsW3OyAx4p_Xuhyphenhyphen5f-sJDNZEh3IjGm9IylMOHwmiZloW33-GJRIAU2A/s640/wonderful+life.jpg" width="640" /></a></div>
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<br /></div>
<div class="MsoNormal">
<b><u><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero</span></u></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s
a Wonderful Life</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1946, Frank Capra)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec.<span style="mso-spacerun: yes;">
</span>23 4:00 pm and 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Guys, there's a lot of originality in the screening selections this month. This time at the
Aero, it’s the West side’s biggest, best screen you can see this essential
classic, heartwarming film on. Albeit DCP, this is a worthy outing. This is
such a sublime example of filmmaking that even exceeds the wonderful trappings
of classic Hollywood cinema to become something even more iconic and enduring –totally
moving from first viewing. It doesn’t have to be classic to recommend it, it’s
just that good!</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/it%E2%80%99s-a-wonderful-life-21" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK Sat. Dec. 23 4:00 pm</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/it%E2%80%99s-a-wonderful-life-22" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK Sat. Dec. 23 7:30 pm</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_m5xuxzXn3ThIJiAMjwhzoW48qV_LOQeR3Y9Vj1DOA-hInqk63qZsgrSpK6FWiUI6i12yd1z6boo6J89wsW3OyAx4p_Xuhyphenhyphen5f-sJDNZEh3IjGm9IylMOHwmiZloW33-GJRIAU2A/s1600/wonderful+life.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="639" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_m5xuxzXn3ThIJiAMjwhzoW48qV_LOQeR3Y9Vj1DOA-hInqk63qZsgrSpK6FWiUI6i12yd1z6boo6J89wsW3OyAx4p_Xuhyphenhyphen5f-sJDNZEh3IjGm9IylMOHwmiZloW33-GJRIAU2A/s640/wonderful+life.jpg" width="640" /></a></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Jingle
All the Way</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1996, Brian Levant) <u>Brian Levant
in person!</u></span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and </span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Die
Hard</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1988, John McTiernan)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 23 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I don’t know why
you’d want to do this to yourself, but here it is! Finally <i style="mso-bidi-font-style: normal;">Jingle All the Way</i> on the big screen with the director in person.
Can you believe it? And for good measure, watch fricking <i style="mso-bidi-font-style: normal;">Die Hard</i> right after on the Egyptian’s huge screen. Best way to see
what may be the most diabolically concocted double feature ever. Load up on egg
nog but not too much so you can sober up by the time <i style="mso-bidi-font-style: normal;">Die Hard</i> starts maybe. (This screening DCP.)</span></div>
<div class="MsoNormal">
<a href="http://www.americancinemathequecalendar.com/content/jingle-all-the-way-die-hard" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh08CWPY2PffzFtaR4NxREY-od2wPcRkf-FNFjx4em0na_TUAzpsNadUyAbTJ_03D2W6Rs4-g4GeZab7hKAtFCCtF-AuPhLPKM1-p807458aFQGopGjlSeu8EvnNNmtxsXwKwXp5w/s1600/jinglellway.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="595" data-original-width="970" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh08CWPY2PffzFtaR4NxREY-od2wPcRkf-FNFjx4em0na_TUAzpsNadUyAbTJ_03D2W6Rs4-g4GeZab7hKAtFCCtF-AuPhLPKM1-p807458aFQGopGjlSeu8EvnNNmtxsXwKwXp5w/s640/jinglellway.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDeutxQyQFgoBV-ig6yuJqzASzyxldwXCMm9R2ICXvGy2LHIcV7cBcEU73j7RyBGkds83gxDtiIuLNPgLOWnfqIJhJoidIvF3HNU5s5S5Gzuz0GgcBFJ9LyQGm9HUg8MpaJSq44w/s1600/diehard.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1053" data-original-width="1404" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDeutxQyQFgoBV-ig6yuJqzASzyxldwXCMm9R2ICXvGy2LHIcV7cBcEU73j7RyBGkds83gxDtiIuLNPgLOWnfqIJhJoidIvF3HNU5s5S5Gzuz0GgcBFJ9LyQGm9HUg8MpaJSq44w/s640/diehard.png" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Lawrence
of Arabia</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1962, David Lean) <u>in 70mm!</u></span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Dec. 28 7:30 pm</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 29 7:30 pm</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 30 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Ye olde holiday
favorite is back again already after last week. As actual film gets harder to
see projected, it should be a treat to see this in 70mm if you haven’t already
seen it like 10 times before..! Which some may have. Do it justice and see this
film that was shot in 70mm projected on 70mm in a brand-new print on one of the
biggest, best screens in LA. It’s a wide sweeping tale with ramifications about
politics and the formation of governments that should intrigue even today.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/lawrence-of-arabia-33" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK Thur. Dec. 28</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="http://www.americancinemathequecalendar.com/content/lawrence-of-arabia-32" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK Fri. Dec. 29</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="http://www.americancinemathequecalendar.com/content/lawrence-of-arabia-31" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK Sat Dec. 30</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrnndVazJJA48OV1LlvvJecbZIbE6u3K7-fcNeTkhpYvYMDxJ4mxyXvsEMm8xI6sE1kIIRLG0rAUPsTo8Qh1YaFiFNDuyDADITf9eYKZiEqfhoR1hX1wuWbojz3J2tv1yp2P1Mcw/s1600/Lawrence+Allenby.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="349" data-original-width="800" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrnndVazJJA48OV1LlvvJecbZIbE6u3K7-fcNeTkhpYvYMDxJ4mxyXvsEMm8xI6sE1kIIRLG0rAUPsTo8Qh1YaFiFNDuyDADITf9eYKZiEqfhoR1hX1wuWbojz3J2tv1yp2P1Mcw/s640/Lawrence+Allenby.jpg" width="640" /></a></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Reservoir
Dogs</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1992, Quentin Tarantino)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 22 11:59 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I know I rarely
bother to point out these Tarantino midnight screenings, since they are almost
every week, but, hey, reminder, they are always 35mm, and this one especially
is a superb film. It'll have 'em laughing in the aisles! Or was it that it
would have audience members running for the exits with heart troubles?
Can't remember! Better watch and find out.</span></div>
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<a href="http://thenewbev.com/program/december-22-reservoir-dogs-midnight-show/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK</span></a><span class="MsoHyperlink"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj40qmRanuSW_FGyUL9Sme_xUmTaUYv8BYKHAx_-M2cg4zYR2QTndFaW24CnQaWKrkLyJcoJo5c__ceCBnI6uRkNyIJfmdThLqx_KvMpNasw08tqBzNihYhZa48AziqZRnCCk9HaQ/s1600/reservoir-dogs-09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj40qmRanuSW_FGyUL9Sme_xUmTaUYv8BYKHAx_-M2cg4zYR2QTndFaW24CnQaWKrkLyJcoJo5c__ceCBnI6uRkNyIJfmdThLqx_KvMpNasw08tqBzNihYhZa48AziqZRnCCk9HaQ/s640/reservoir-dogs-09.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span>The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-5214084972180182352017-12-08T17:25:00.001-08:002017-12-13T18:04:01.824-08:00LA 35mm Film Screenings Week of Dec. 8, 2017<!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Hear ye, hear ye, LA 35mm film screenings list
is here! (Includes some digital screenings.) </span>
<br />
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. You
can browse the LA Film Calendars links on my side bar to find even more!<span style="mso-spacerun: yes;"> </span>→ → →</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></div>
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<br /></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sometimes these choices are tonight, FYI, and
not necessarily listed first.</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NuArt Theatre</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><i>A Clockwork Orange</i> (1972, Stanley Kubrick)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>) 11:59 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">My excuse for not mentioning
this in advance last week was I didn’t know it was 35mm, but guess what, it’s
35mm!! Go see a landmark classic, it’s a bit strong stuff, very edgy, but
well-worth seeing if you like your mind expanded and open to testing ideas and
challenging things. A creative burst of dark energy akin to <i style="mso-bidi-font-style: normal;">Taxi Driver</i> a bit I would say. Really hard
to describe an iconic movie like this that is just really a must-see. I recall
renting it on VHS from a college library the first time while in school, and that’s kind
of the zone it works best in, young misguided youths I guess connect with this best
(which is probably not good?!). But it’s just great Kubrick. Check it out!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/a-clockwork-orange" target="_blank"><span style="mso-bidi-font-weight: normal;">NUART LINK</span></a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCjjpkDhO2dHIZ02_YkNZTCeWqqUg5gkF2LLQbw2kIbha2s7ZiYdUK3K-eNHVYuM2vIfiemW1Zfrd625cqtZOQ2eiS3V6lopYVMkpoPv1DDYaxZbptRYhR0Npx42eHDrjoQ7jhCg/s1600/clockwork.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="600" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCjjpkDhO2dHIZ02_YkNZTCeWqqUg5gkF2LLQbw2kIbha2s7ZiYdUK3K-eNHVYuM2vIfiemW1Zfrd625cqtZOQ2eiS3V6lopYVMkpoPv1DDYaxZbptRYhR0Npx42eHDrjoQ7jhCg/s640/clockwork.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">María
Candelaria</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1943, Emilio Fernández)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and </span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Cita
en la frontera</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1940, Mario Soffici)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 9 3:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The first film was
the Cannes Palme D’Or winner..! Well, technically it was so long ago it was
called the Grand Prix back then. Showing in 35mm, this is not something you get
to see every day. It’s a Mexican film that concerns the creation of a
controversial painting. The second film is from Argentina and is about two
middle-aged brothers who fall in love with a tango singer, a psychological
drama unfolds as things go wrong. Both films 35mm!</span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/12/09/maria-candelaria-cita-frontera" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0RXaXQ4UJixR76qfeF_2RCVNMJpuvEjo-JQPBRhfNV87j0L6l4O1WF_xdiBgUGlJaB3y_wPt2gvbH9ofitUivsQF8eFi-OFwHSJPAretGwhNjFsyLRUTbJFShIqwuhd_8anzi4Q/s1600/candelaria2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="407" height="502" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0RXaXQ4UJixR76qfeF_2RCVNMJpuvEjo-JQPBRhfNV87j0L6l4O1WF_xdiBgUGlJaB3y_wPt2gvbH9ofitUivsQF8eFi-OFwHSJPAretGwhNjFsyLRUTbJFShIqwuhd_8anzi4Q/s640/candelaria2.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAT6FWm99a0At1UX8CRhTJnD2vTDHB3icfLoUMiQVtXlBhvnuhwbKDgqTnBZVM4iJ_lIrWWn3uelGuN7DXE9mDlLOXCkBqvIWtEA89kCeblDktEvdzN9zBewclY6_kIE8EQNAGfw/s1600/citaenlafrontera.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="845" data-original-width="567" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAT6FWm99a0At1UX8CRhTJnD2vTDHB3icfLoUMiQVtXlBhvnuhwbKDgqTnBZVM4iJ_lIrWWn3uelGuN7DXE9mDlLOXCkBqvIWtEA89kCeblDktEvdzN9zBewclY6_kIE8EQNAGfw/s640/citaenlafrontera.jpg" width="428" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">El
Vampiro</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1957, Fernando Méndez)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sombra
verde</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, Roberto Gavaldón</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 9 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">While this played
Downtown Independent last month, it’s back for a second helping at UCLA, as
with many of the screenings in this extensive Latin American Cinema in Los
Angeles retrospective. The first is a said to be a classic of midcentury
Mexican horror, but that’s not a thing on my radar, what is that?! Anyway, it’s
two people stranded at a train station at night, and boom, a carriage offers to
give them a ride and things will get bitey. Sounds like that Coppola <i style="mso-bidi-font-style: normal;">Dracula</i>. In the second film, we have
Ricardo Montalbán returning to Mexico to make a film, whilst already a major
star in the US. It’s a bit of an erotic jungle adventure film, but sounds
interesting. (First film 35mm, second film DCP.)</span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/12/09/vampiro-sombra-verde" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv31vDsWCTrpI7GShVevSB86mRq_e3s7Vu_OzfX9R-b5cb5rsxxUZbKEnLioTt-zYqEQkibNwP-1L28ubszwYDZEF0-PcAPTlFlgoIHxd51O3IjPnbcuHjYXgNxypESKhm514ZuA/s1600/Nov18ElVampiro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv31vDsWCTrpI7GShVevSB86mRq_e3s7Vu_OzfX9R-b5cb5rsxxUZbKEnLioTt-zYqEQkibNwP-1L28ubszwYDZEF0-PcAPTlFlgoIHxd51O3IjPnbcuHjYXgNxypESKhm514ZuA/s640/Nov18ElVampiro.jpg" width="640" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgImfOIJ7MurU_ZQNjACbKnPd4ucF03wXoXFmkyzugvCZcgYSntF9KBJJh9GxaUVGpks2Sz1fM3tird1oGxA1EqWkRPlAqt-qbI-b7g9fOQSihhyphenhyphenJfcIiKNVUDUzggeyjzJr2pHHA/s1600/sombraverde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgImfOIJ7MurU_ZQNjACbKnPd4ucF03wXoXFmkyzugvCZcgYSntF9KBJJh9GxaUVGpks2Sz1fM3tird1oGxA1EqWkRPlAqt-qbI-b7g9fOQSihhyphenhyphenJfcIiKNVUDUzggeyjzJr2pHHA/s640/sombraverde.jpg" width="640" /></a></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Great Escape</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1963, John Sturges)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec 9 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This is the ultimate
’60s all-star cast, fun action film, with a catchy as hell jaunty main theme.
This one really delivers on the popcorn entertainment angle with a dash of respectability
due to solid acting from the likes of Steve McQueen, along with James Garner,
Richard Attenborough, Charles Bronson, Donald Pleasance and James Coburn. In
35mm!</span></div>
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<a href="http://thenewbev.com/program/december-9-the-great-escape/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-9uDJYWa_O83XSv-_0MmHANgZr2DTadOUEIV5A3e5M4FHk5eRWWNcXZ43DPY75b5AxUvUcA-_91qgESglIqRIYi-epJzG7RNTD1LhFuXBonTYN3uqpCEQE1rTVNitjrJnyHF8ag/s1600/960__the_great_escape_blu-ray_02_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="408" data-original-width="960" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-9uDJYWa_O83XSv-_0MmHANgZr2DTadOUEIV5A3e5M4FHk5eRWWNcXZ43DPY75b5AxUvUcA-_91qgESglIqRIYi-epJzG7RNTD1LhFuXBonTYN3uqpCEQE1rTVNitjrJnyHF8ag/s640/960__the_great_escape_blu-ray_02_.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Get
Mean</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1975, Ferdinando Baldi)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 9 11:59 pm.</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Gosh, I don’t know
if this is good, but it sounds rare and fun. Especially at midnight! New Bev’s
description: “Hung by his heels… barbecued… shot with a cannon. Now it’s his
turn to <i>Get Mean</i>! Tony Anthony reprises his role as the Stranger in
Ferdinando Baldi’s wildly offbeat Spaghetti Western, playing an American cowboy
escorting a princess back to her home in Spain.” In 35mm.</span></div>
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<a href="http://thenewbev.com/program/december-9-get-mean-midnight-show/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiEhI7xfxV8-2rhzS34jP8KDZ8MByAtCzdN3LLISXnNatcSa3yswvFlIrpCLcL8-4H8jXnnA4GIlHE_X-Lj-4WZdf5yIIUATt8E7sX_Qco6uIQVgmIivPEpWwCIUQbVZh0KToBDQ/s1600/get-mean-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiEhI7xfxV8-2rhzS34jP8KDZ8MByAtCzdN3LLISXnNatcSa3yswvFlIrpCLcL8-4H8jXnnA4GIlHE_X-Lj-4WZdf5yIIUATt8E7sX_Qco6uIQVgmIivPEpWwCIUQbVZh0KToBDQ/s640/get-mean-poster-385x578.jpg" width="426" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Skin
Game</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1971, Paul Bogart)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Maverick</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1994, Richard Donner)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed. Dec. 13 7:30 pm/9:50 pm</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Dec. 14 7:30 pm/9:50 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I haven’t seen <i style="mso-bidi-font-style: normal;">Maverick</i> in ages and remember it as a
rollicking, fun star-driven ride (Jodie Foster, Mel Gibson, James Garner). The
first film sounds like it was an influence on Tarantino and stars James Garner
and Louis Gossett Jr. running a fake slave trader scheme where they split the
profits. The combination of the two totally different filmmaking eras seems
like a really fun double feature outing. Both in 35mm.</span></div>
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<a href="http://thenewbev.com/program/december-13-14-skin-game-maverick/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGLiidYE6h6tdstvfKZdP2SkpEQmVq40a2lqDizmqvPA_3O_Ls8P2ySQOdbYzONXjmX0suSqMqrObzUF6iKtVt-6z6rbEH8Bd8L9XxF1QK_MzBiy_CwOg1JwFchVZLMnrJJH8LMw/s1600/skingame.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="1024" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGLiidYE6h6tdstvfKZdP2SkpEQmVq40a2lqDizmqvPA_3O_Ls8P2ySQOdbYzONXjmX0suSqMqrObzUF6iKtVt-6z6rbEH8Bd8L9XxF1QK_MzBiy_CwOg1JwFchVZLMnrJJH8LMw/s640/skingame.jpg" width="640" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM0j8Da5B0f5fnJ87rWvXQJmWySbNPyAFS2x1e-LBpQGHOSiU7q4nFdh9LfxWYF_CikcWzxD5cjbwM2N5S_EODW18r4W61ZIqerukwisLBdHNydZ_55-dgZKYkDuLYt5typDkXug/s1600/maverick_gibson_garner_foster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="177" data-original-width="425" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM0j8Da5B0f5fnJ87rWvXQJmWySbNPyAFS2x1e-LBpQGHOSiU7q4nFdh9LfxWYF_CikcWzxD5cjbwM2N5S_EODW18r4W61ZIqerukwisLBdHNydZ_55-dgZKYkDuLYt5typDkXug/s640/maverick_gibson_garner_foster.jpg" width="640" /></a></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Some
Like it Hot</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1959, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Seven Year Itch</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1955, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>) Dec. 8 7:30 pm.</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Albeit both
screening in DCP, this is good stuff to see on the big screen at the Aero,
especially if you live on the West side. <i style="mso-bidi-font-style: normal;">Some
Like it Hot</i> is of course a broad comedy with some light caper elements
moving the plot along. <i style="mso-bidi-font-style: normal;">The Seven Year
Itch</i> I continue to go every seven years still without seeing it!</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/some-like-it-hot-the-seven-year-itch" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBY214NZdI64Z4bONWlaCFLP4IydYOtepjcDP39ZSL0zW_nl22EW1HrkTfNn6Klr2maMaRYjEMwCBwtcciJCfz3UalGGNnyzBt-mAeVtd3sT_nWSIHKJ96tU7pW2k_2iWgKzfzXQ/s1600/Some_Like_it_Hot.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="246" data-original-width="220" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBY214NZdI64Z4bONWlaCFLP4IydYOtepjcDP39ZSL0zW_nl22EW1HrkTfNn6Klr2maMaRYjEMwCBwtcciJCfz3UalGGNnyzBt-mAeVtd3sT_nWSIHKJ96tU7pW2k_2iWgKzfzXQ/s640/Some_Like_it_Hot.JPG" width="572" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_u5QTcFDJYb7u0c7dujxg7Q9VcDgp505qNZ6CI3qCxTghlOmE7XAuBS87UmuXDVtNuIgBzZ6ZVbXpm7osR1b5dtFSdC3L0AH4mxweMksEloaCcNM-C2l8qQq3eDwMCocY4vx8tw/s1600/sevenhed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="739" data-original-width="1100" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_u5QTcFDJYb7u0c7dujxg7Q9VcDgp505qNZ6CI3qCxTghlOmE7XAuBS87UmuXDVtNuIgBzZ6ZVbXpm7osR1b5dtFSdC3L0AH4mxweMksEloaCcNM-C2l8qQq3eDwMCocY4vx8tw/s640/sevenhed.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Double
Indemnity</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1944, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Lost Weekend</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1945, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 9 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Finally, some Billy
Wilder films with a little more edge than the other ones in the series. This is
again DCP. <i style="mso-bidi-font-style: normal;">Double Indemnity</i> is from
the James M. Cain novel, but the screenplay is punched up here by Raymond
Chandler. It’s the fastest-talking slick film noir gruesome nail-biter of a
Hollywood film ever, and Barbara Stanwyck is at her height in this film. Not
that she isn’t in every film, but this is near the pinnacle. Plus, plus you’ve
got the wonderful Edward G. Robinson doing frankly for me his most memorable
role, eclipsing <i style="mso-bidi-font-style: normal;">Little Caesar</i>. <i style="mso-bidi-font-style: normal;">The Lost Weekend</i> is Ray Milland
struggling to get over his alcoholism.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/double-indemnity-the-lost-weekend" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMQhkA-dF-iq8ulkL44BIWtdxRzqG2t9qJBuRzMMMY0G25tFor1hTJRFpmq_0ruxmMTvxmpziWXYIlPW71VBzrX_iUODSBpxQSMngbtdA4eKzEJM7Lpdsod46hnxjlZ2y_tSViPw/s1600/Double-Indemnity-spread.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="258" data-original-width="573" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMQhkA-dF-iq8ulkL44BIWtdxRzqG2t9qJBuRzMMMY0G25tFor1hTJRFpmq_0ruxmMTvxmpziWXYIlPW71VBzrX_iUODSBpxQSMngbtdA4eKzEJM7Lpdsod46hnxjlZ2y_tSViPw/s640/Double-Indemnity-spread.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeNDtbNVDMq8rHuEalh8OKExKAInRcxVWsP9wkrpnU2LUlGl-BcBRLi_-484FTaobMJRy_fj0iSLs-8F0gpdcntfj-ox66yIdIdA6JUr0lH-EJiys4DMG8aIQXNiku4WCc64DDPA/s1600/lost+weekend.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeNDtbNVDMq8rHuEalh8OKExKAInRcxVWsP9wkrpnU2LUlGl-BcBRLi_-484FTaobMJRy_fj0iSLs-8F0gpdcntfj-ox66yIdIdA6JUr0lH-EJiys4DMG8aIQXNiku4WCc64DDPA/s640/lost+weekend.jpg" width="640" /></a></b></div>
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Kiss
Kiss Bang Bang</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2005, Shane Black) <u>Shane Black in
person!</u></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and </span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Long Kiss Goodnight</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1996, Renny Harlin)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 10 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Both in 35mm! Not
maybe the highest echelon of art cinema, but I find <i style="mso-bidi-font-style: normal;">Long Kiss Goodnight</i> funny in its extremely over-the-top way. I
haven’t seen the first one, but some people are fans of it.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/kiss-kiss-bang-bang-the-long-kiss-goodnight" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzX-PhyvCGzilqVyiVP14Jy6jXZ19A7HkbUkhRbi-uvQM6Ktx0obegZdXF4u4fMNJ5YIXLP52kwI0zX7IKZpF5nFnbt8zk31myp-XlBEKNazhW4sDbf2wFxlYE8k5RTK-a38vcYg/s1600/kiss-kiss-bang-bang.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzX-PhyvCGzilqVyiVP14Jy6jXZ19A7HkbUkhRbi-uvQM6Ktx0obegZdXF4u4fMNJ5YIXLP52kwI0zX7IKZpF5nFnbt8zk31myp-XlBEKNazhW4sDbf2wFxlYE8k5RTK-a38vcYg/s640/kiss-kiss-bang-bang.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisR-MgUPfeVpSGIupPp4Zq0rciLzrCH4pkTtFe3rv4L-h-JhypnVwiNrWbZP4AJbN718lwkFuEkm98uFb1T2FPHg2V-m8il2942Qrvyiz2PhF1WcKlCJZ97Jiuu_aDw2PRCQRutw/s1600/longkiss.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisR-MgUPfeVpSGIupPp4Zq0rciLzrCH4pkTtFe3rv4L-h-JhypnVwiNrWbZP4AJbN718lwkFuEkm98uFb1T2FPHg2V-m8il2942Qrvyiz2PhF1WcKlCJZ97Jiuu_aDw2PRCQRutw/s640/longkiss.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Apartment</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1960, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">One,
Two, Three</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1961, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 10 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Yet more Billy
Wilder. If you hadn’t familiarized yourself and done a career retrospective of
his yet, then this week at the Aero has been served up with a bow for you for
the holidays. Big stars, prime Classic Hollywood, with scads of Billy Wilder’s cutting
humor. <i style="mso-bidi-font-style: normal;">One, Two, Three</i> features James
Cagney as the head of the Coca-Cola branch in West Berlin who gets annoyed by
some Communist infiltrations, played for laughs. <i style="mso-bidi-font-style: normal;">The Apartment</i> is an Oscar winner for best picture, so it might be
okay. Also <i style="mso-bidi-font-style: normal;">One, Two, Three</i> is in
35mm! (<i style="mso-bidi-font-style: normal;">The Apartment</i> is DCP.)</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/the-apartment-one-two-three" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO LINK</span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8oOn-3a-6WI-xBVB5DA-bv2bzCwuUGLiJYVEOuVVAyDGbkkTKosqPp6cAMR0vdDzRQU0Nwom1VsaeUIrX8LtFvPUyxQdTxmMfVmaCw4G8BdJ3eUwKROwHrnVKwKIYwMI-drF9SQ/s1600/the_apartment_390_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8oOn-3a-6WI-xBVB5DA-bv2bzCwuUGLiJYVEOuVVAyDGbkkTKosqPp6cAMR0vdDzRQU0Nwom1VsaeUIrX8LtFvPUyxQdTxmMfVmaCw4G8BdJ3eUwKROwHrnVKwKIYwMI-drF9SQ/s640/the_apartment_390_1.jpg" width="640" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuCWx3pzdsSWstsFoXF6041p6u5aa-ZT_Qtl271SCou3Ol3iMy-sdcSV9lQ_uk9PQ-t50WgZ-JQ_H-_Z0Rm4lz25nrsxaKV5K-4DcFrfv0DBFNJvTD8p2-JjU61vYsMZe10LAEcg/s1600/OneTwo2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="700" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuCWx3pzdsSWstsFoXF6041p6u5aa-ZT_Qtl271SCou3Ol3iMy-sdcSV9lQ_uk9PQ-t50WgZ-JQ_H-_Z0Rm4lz25nrsxaKV5K-4DcFrfv0DBFNJvTD8p2-JjU61vYsMZe10LAEcg/s640/OneTwo2.png" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA FILM & TV ARCHIVE</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Enamorada</span></i></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> <b>(1946, Emilio Fernández) </b></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and </span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Allá
en el rancho grande (Out on the Big Ranch</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">)
(1936, Fernando de Fuentes)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 10 7:00 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">A return engagement
for both these films, now at UCLA after previously playing the Downtown
Independent, here featuring very early films from Mexico in 35mm, with this
pretty famous (and I think very entertaining?) one, starring María Félix in
35mm!</span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/12/10/enamorada-alla-rancho-grande" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIsvqGRmzvzgIbv2wH2e7FsZCa2RdpN0c1L4oeetz7six0KnhUUj9WamQKl-wro6Z02aWWJdq5ezOC4l-B_cozWIMsJM0OUuTU1TN2CncudhQ6bNfH_b0MIWXPmqXVa6I-Ikhiw/s1600/enamorada.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="426" data-original-width="561" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIsvqGRmzvzgIbv2wH2e7FsZCa2RdpN0c1L4oeetz7six0KnhUUj9WamQKl-wro6Z02aWWJdq5ezOC4l-B_cozWIMsJM0OUuTU1TN2CncudhQ6bNfH_b0MIWXPmqXVa6I-Ikhiw/s640/enamorada.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI03JP9tuEkJdV3YNm2tZaP1HAlD-osXwAKLLZj20W0Enl57HHemS31VAfP0JtPshwk1hzwgU8RBS7pn5Ke8c_25tA9byhAkZNzrumKJ8yVpm_dfIqPR83tAxcoVSBJ4hFQkE5Ng/s1600/Oct6Allaenelrancho.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI03JP9tuEkJdV3YNm2tZaP1HAlD-osXwAKLLZj20W0Enl57HHemS31VAfP0JtPshwk1hzwgU8RBS7pn5Ke8c_25tA9byhAkZNzrumKJ8yVpm_dfIqPR83tAxcoVSBJ4hFQkE5Ng/s640/Oct6Allaenelrancho.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Nocturne</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1946, Edwin L. Marin)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 12 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Some more buried
treasure film noir screenings in 35mm at LACMA’s Tuesday 1:00 pm matinees.
Well, I haven’t seen this one, so I don’t know, but it is a noir starring
George Raft, Lynn Bari, and Virginia Huston. Their description says: “In 1940s
Los Angeles, when womanizing composer Keith Vincent is found dead, the inquest
concludes it was a suicide but police detective Joe Warne is not so sure.”
35mm, only $4, or even cheaper if you’re a member.</span></div>
<div class="MsoNormal">
<a href="http://www.lacma.org/event/nocturne" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4YscqfddfDxI05BveDEwmAI1qjxwFwGoqgMbn4LIyG2G8VjWVMsz1Y7EPegtnYRo4YyqZuiGKXvK7piNAR-fcEyw0bzuiMFuI4i25Eue0VS9WT8DxRDwGCwyKNVV3k6A1QW2OoQ/s1600/Nocturne.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="186" data-original-width="186" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4YscqfddfDxI05BveDEwmAI1qjxwFwGoqgMbn4LIyG2G8VjWVMsz1Y7EPegtnYRo4YyqZuiGKXvK7piNAR-fcEyw0bzuiMFuI4i25Eue0VS9WT8DxRDwGCwyKNVV3k6A1QW2OoQ/s640/Nocturne.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown Independent </span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">How
Heavy This Hammer</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2015, Kazik Radwanski)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Werewolf</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2016, Ashley McKenzie)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 12 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This is presented by
<a href="https://www.acropoliscinema.com/" target="_blank"><span style="mso-bidi-font-weight: normal;">Acropolis Cinema</span></a>, and I really dug that they screened the
new Hong Sang-soo in November, and they also mentioned this upcoming screening.
Since they had the good taste to bring the Hong Sang-soo film, I’d give
anything presented by Acropolis a look-see. These are two brand-new Canadian
films, and Acropolis recommends these as two examples of the resurgence in a
new cutting-edge Canadian cinema. So see if they’re right. Also, FYI, these are Los
Angeles premieres. (Presumably both shot and screened digitally.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/double-feature-new-canadian-independents-presented-by-acropolis" target="_blank"><span style="mso-bidi-font-weight: normal;">DOWNTOWN INDEPENDENT LINK</span></a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvzlBlA0dRzYF6Zj-U7Xy7T9BcU3FCZvF8eOK53BdDk8QOk9aAiqkAzwpzRHDCjLMia7rjDEHJemRfPHuPrQSGgaWkuTnT5BZCvbemZQerPR44VCpAWtJh7cCUaHeYHfBK7YxW6Q/s1600/howheavyhammer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvzlBlA0dRzYF6Zj-U7Xy7T9BcU3FCZvF8eOK53BdDk8QOk9aAiqkAzwpzRHDCjLMia7rjDEHJemRfPHuPrQSGgaWkuTnT5BZCvbemZQerPR44VCpAWtJh7cCUaHeYHfBK7YxW6Q/s640/howheavyhammer.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglbrAeh9rfTNkyC3XaLBqs09feInupBmU3cUsCuK7S8O4B77gLwEVacr8RH7NzZjZIpHRRo2KgltjsHZ12YIKTr4gAuKzajey_dVtcpr1JGEWT7UlPu-khdSGdhDLUy-PzIaWAnw/s1600/werewolf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglbrAeh9rfTNkyC3XaLBqs09feInupBmU3cUsCuK7S8O4B77gLwEVacr8RH7NzZjZIpHRRo2KgltjsHZ12YIKTr4gAuKzajey_dVtcpr1JGEWT7UlPu-khdSGdhDLUy-PzIaWAnw/s640/werewolf.jpg" width="640" /></a></span></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">
</span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><div class="separator" style="clear: both; text-align: center;">
</div>
</span><br />
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Maltese Falcon</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1941, John Huston)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Black Bird</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1975, David Giler)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 17 6:30 pm/8:40pm</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon Dec. 18 7:30 pm/9:40pm</span></b></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The Maltese Falcon </span></i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">is a perfect movie to me. Bogie at his
best, a unexpectedly deep twist in the knife of the heart in what is
not at all your average film noir, from the novel by the greatest hard-boiled
writer Dashiell Hammett. Mary Astor will melt you, plus Peter
Lorre, Sydney Greenstreet and Elisha Cook Jr. will blow you away with simply the best character-actor performances ever! Plus you get to
see the spoof <i style="mso-bidi-font-style: normal;">The Black Bird</i> with
George Segal and awesome French star Stéphane Audran (and Elisha Cook Jr.
again) by just staying in your seat after the first film, no extra charge. Both
35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-17-the-maltese-falcon-the-black-bird/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK Sun. Dec. 17</span></a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-18-the-maltese-falcon-the-black-bird/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK Mon. Dec. 18</span></a></span></div>
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<![endif]--><div class="MsoNormal">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieRwLIoWKiUnKxidKdUD2hcIvKn_YK2Ws6lJCB9wF-zc6l1-J4ukbWwJLLxrTY4YqQJJM8gU8bjln9iuK9UjoLyo30ffQTjWz1bzuSFsqDFbRf9mmdfi9biD46YjmvwJK979tSCw/s1600/maltese-falcon-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieRwLIoWKiUnKxidKdUD2hcIvKn_YK2Ws6lJCB9wF-zc6l1-J4ukbWwJLLxrTY4YqQJJM8gU8bjln9iuK9UjoLyo30ffQTjWz1bzuSFsqDFbRf9mmdfi9biD46YjmvwJK979tSCw/s640/maltese-falcon-poster-385x578.jpg" width="426" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9zjcLz30f7hq0-b0PuSA_xzT3btnj6FEcjtetxxlsgXnOVLCS7HLq2067CTcVHIlB0bJt6Yx-_IURJ87wsW6iUOJhxZHxCPiDPVnhyphenhyphen-sJEGZQ8nNwNWmTg8J3iprB8ICuLatTgg/s1600/black-bird-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9zjcLz30f7hq0-b0PuSA_xzT3btnj6FEcjtetxxlsgXnOVLCS7HLq2067CTcVHIlB0bJt6Yx-_IURJ87wsW6iUOJhxZHxCPiDPVnhyphenhyphen-sJEGZQ8nNwNWmTg8J3iprB8ICuLatTgg/s640/black-bird-poster-385x578.jpg" width="426" /></a></div>
<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Lawrence
of Arabia</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1962, David Lean) <u>in 70mm!</u></span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 15 7:30 pm<br />
Sat. Dec. 16 7:30 pm</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 17 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">As actual film gets harder
to see projected, it really should still be a treat to see this in 70mm if you haven’t already
seen it like 10 times before..! Which some may have. Do it justice and see this
film that was shot in 70mm projected on 70mm in a brand-new print on one of the
biggest, best screens in LA. It’s a wide sweeping tale with ramifications about
politics and the formation of governments that should intrigue even today. This
will also show Dec. 28, 29, and 30 at 7:30 pm.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/lawrence-of-arabia-28" target="_blank"><span style="mso-bidi-font-weight: normal;">EGYPTIAN LINK Fri. Dec. 15</span></a></span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/lawrence-of-arabia-29" target="_blank"><span style="mso-bidi-font-weight: normal;">EGYPTIAN LINK Sat. Dec. 16</span></a></span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/lawrence-of-arabia-30" target="_blank"><span style="mso-bidi-font-weight: normal;">EGYPTIAN LINK Sun Dec. 17</span></a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXDK8asNhsoquki1j4fEKuIWXhuF3bHGUlsX9Wt7xZbBCAREUVDlJh7JEwZ63V2ABLDKF8-5jTkQbTFMUIPDzMhh2N3pLTtH9NvT65wse_BV9qL5Rs9K58ZZtvaRz7jAkBSYAVNg/s1600/Lawrence+Allenby.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="349" data-original-width="800" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXDK8asNhsoquki1j4fEKuIWXhuF3bHGUlsX9Wt7xZbBCAREUVDlJh7JEwZ63V2ABLDKF8-5jTkQbTFMUIPDzMhh2N3pLTtH9NvT65wse_BV9qL5Rs9K58ZZtvaRz7jAkBSYAVNg/s640/Lawrence+Allenby.jpg" width="640" /></a></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s
a Wonderful Life</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1946, Frank Capra)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Dec. 21 7:30 pm</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 22 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">It’s the biggest,
best screen you can see this essential classic, heartwarming film on. Albeit
DCP, this is a worthy outing. This is such a sublime example of filmmaking that
even exceeds the wonderful trappings of classic Hollywood cinema to become
something even more iconic and enduring – and it's moving on first viewing, you don't even have to view it as "classic," it’s just that good!</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/it%E2%80%99s-a-wonderful-life-19" target="_blank"><span style="mso-bidi-font-weight: normal;">EGYPTIAN LINK Thur. Dec. 21</span></a></span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/it%E2%80%99s-a-wonderful-life-20" target="_blank"><span style="mso-bidi-font-weight: normal;">EGYPTIAN LINK Fri. Dec. 22</span></a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTtL5AJG43RHGVu_3Y8O3vZHMoqGDp6ishvDACF5dji-FTL7t7xhd6J2YB-0dazRLhYr66HIEXV70CiyAaFQj4Z04Ee5gmwbS-tCY7464NTQSIMzUq652m52MULLFK8JN_iJYnaw/s1600/wonderful+life.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="639" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTtL5AJG43RHGVu_3Y8O3vZHMoqGDp6ishvDACF5dji-FTL7t7xhd6J2YB-0dazRLhYr66HIEXV70CiyAaFQj4Z04Ee5gmwbS-tCY7464NTQSIMzUq652m52MULLFK8JN_iJYnaw/s640/wonderful+life.jpg" width="640" /></a></div>
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<b>Aero Theatre</b></span></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A
Star is Born</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, George Cukor)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 15 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This is such a stunningly
beautiful film on a big screen. It’s DCP and I so wish it was on film, but it
should still look luminous. Especially if it’s in its correct super-wide 2.55:1
aspect ratio! It’s such a moving film as well. I used to rarely like musicals
that had little or no dancing until I saw this one, and it really tugs at the
emotions very effectively. I’m doing an awful job describing this film! It’s
been a while since I saw it, but it’s essential to me.</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/a-star-is-born-3" target="_blank"><span style="mso-bidi-font-weight: normal;">AERO LINK</span></a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh70UGPjSa0LgWzSGXx4TSNmKVNCTtpidTfyE9pwEJnrFvtjNRkyWvI8vR42HtX19u5tH-5HpRwMNsvVqM1h38pBUhIjdEFLcMBcIuqAI7VvD4mVbNyIhLc0S-F8LODsHeehWPS6w/s1600/Starisborn3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="338" data-original-width="852" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh70UGPjSa0LgWzSGXx4TSNmKVNCTtpidTfyE9pwEJnrFvtjNRkyWvI8vR42HtX19u5tH-5HpRwMNsvVqM1h38pBUhIjdEFLcMBcIuqAI7VvD4mVbNyIhLc0S-F8LODsHeehWPS6w/s640/Starisborn3.jpg" width="640" /></a></div>
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<br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Academy</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Miracle
on 34<sup>th</sup> Street</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1947, George
Seaton)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 19 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I don’t really think
I would like this movie, but it’s a new 35mm print, and that’s special. Am I a Grinch?
I guess so! But this is on one of the biggest, best screens in Los Angeles (the
Academy’s Samuel Goldwyn Theater), for a bargain 5 bucks! And Maureen O’Hara,
John Payne, and Edmund Gwenn are no slouches as actors. Definitely
go if you like (or would like) this movie. Also enjoy holiday cookies and
pictures with Santa after the screening. Are you kidding?! Want an event!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.oscars.org/events/miracle-34th-street-70th-anniversary" target="_blank"><span style="mso-bidi-font-weight: normal;">ACADEMY LINK</span></a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgASfvQQ_3PGh7IoMrHqtL-U0GOLhx3QmmIzkFbSZqJrJShzItp24rFBqby7T2Icq6FSBSgyN4AsRat5u2Hg4lXtaXYuhQhxMQZX2T9Xb6UaRofpdMGYptrVOAuL-rzK7j_sRssXQ/s1600/miracle34thstreet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="665" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgASfvQQ_3PGh7IoMrHqtL-U0GOLhx3QmmIzkFbSZqJrJShzItp24rFBqby7T2Icq6FSBSgyN4AsRat5u2Hg4lXtaXYuhQhxMQZX2T9Xb6UaRofpdMGYptrVOAuL-rzK7j_sRssXQ/s640/miracle34thstreet.jpg" width="424" /></a></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre </span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Sound of Music</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1965, Robert Wise)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 16 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This isn’t <i style="mso-bidi-font-style: normal;">really</i> on my radar, but it seems to draw an
audience always, so this is just a public service announcement that this famous Rodgers
and Hammerstein film is playing near you. Albeit on DCP. But a nice big screen.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/the-sound-of-music-7" target="_blank"><span style="mso-bidi-font-weight: normal;">AERO LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz3zvMAkLyB-4b-dgcvVcsVlJOPoB8v8SnrniEVrMhTMRZJl___MC5pU7KXVMh0MupjzV-AIFRo7E-DKlIjTSdHQxQaLFgBkg414d6ZuqQ-rQl2fn7x5Tt5XgGMzwp_PJPfaRbBw/s1600/soundofmusic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="749" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz3zvMAkLyB-4b-dgcvVcsVlJOPoB8v8SnrniEVrMhTMRZJl___MC5pU7KXVMh0MupjzV-AIFRo7E-DKlIjTSdHQxQaLFgBkg414d6ZuqQ-rQl2fn7x5Tt5XgGMzwp_PJPfaRbBw/s640/soundofmusic.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">White
Christmas</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, Michael Curtiz)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Holiday
Inn</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1942, Mark Sandrich)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 17 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The convenience of
DCP I guess makes this holiday treat possible. Treat or terror?! I don’t know
because I haven’t seen either of these. (Your friendly neighborhood cinephile
Grinch here.) But it should be a great way to see these heartwarming classics on
the big screen for the holidays if you choose to.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/white-christmas-holiday-inn-0" target="_blank"><span style="mso-bidi-font-weight: normal;">AERO LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiYwml6oUy59FzH3qAFOCBICl8gkB1jAcLyZJHcZ4W_WvAT_VjyZ0b6ItexfCBnVs0vXYd71utYVeSx126hdXMwUR4nypFaMeRA1-VDUE0C_CWZQX8iILzyUwcrpmef6W_YehBcQ/s1600/whitechristmas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="806" data-original-width="1200" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiYwml6oUy59FzH3qAFOCBICl8gkB1jAcLyZJHcZ4W_WvAT_VjyZ0b6ItexfCBnVs0vXYd71utYVeSx126hdXMwUR4nypFaMeRA1-VDUE0C_CWZQX8iILzyUwcrpmef6W_YehBcQ/s640/whitechristmas.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrZ-sAlQXNoC-5nQFalEX34MrIiDPoKCH8PuLdaARb9Z-HpXuI5ADDfJ0jNWr-WuNQD252sInYz2zgAqF8qTKZHnfAz45ffXbeT2pUbAeTVsUrmxfqmCAMolryAgcCmz9HwbvahA/s1600/holidayinn_1942_movie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1511" height="508" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrZ-sAlQXNoC-5nQFalEX34MrIiDPoKCH8PuLdaARb9Z-HpXuI5ADDfJ0jNWr-WuNQD252sInYz2zgAqF8qTKZHnfAz45ffXbeT2pUbAeTVsUrmxfqmCAMolryAgcCmz9HwbvahA/s640/holidayinn_1942_movie.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Bad
Santa</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2003, Terry Zwigoff)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Trading
Places</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1983, John Landis)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Dec. 21 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This double feature is <u>far</u>
more pleasing to your neighborhood cinephile Grinch! I’d watch these.
Again, they are DCP, but this is a nice, big screen and these are some fun
films. See Eddie Murphy at his best and there's a lot to love about the dark comedic edge of Bad Santa embodied by Billy Bob Thornton and excellent cast including the late Bernie Mac, Brett Kelly, and Tony Cox.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/bad-santa-trading-places" target="_blank"><span style="mso-bidi-font-weight: normal;">AERO LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO5VIoSjnU7klWQH9k9MBCp-ltfzQviIqlpmKJPho6TUQsaiKSx_-1wfC-wy0QsNDHrDO_cP9HATSziodhMuvQouQZyn6kuvw0XhiWJtn3qoBRGz7MfqkNUEKFynf4pWPJq4OsiQ/s1600/Bad-Santa-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1250" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO5VIoSjnU7klWQH9k9MBCp-ltfzQviIqlpmKJPho6TUQsaiKSx_-1wfC-wy0QsNDHrDO_cP9HATSziodhMuvQouQZyn6kuvw0XhiWJtn3qoBRGz7MfqkNUEKFynf4pWPJq4OsiQ/s640/Bad-Santa-1.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb5P5Tu6hczzpndtUlDxDZNls18A3ktLnwlt53x8AljbJZ-RgelGzraxrVZQwzyjLiJ5fW8n2dCkecmdgSAQ-UHD_jiN2SIAfB0Wt7duZOHQjOXpTsGxAPpK8Anzz_zs88h_81fw/s1600/trading-places-denholm-elliott-jamie-lee-curtis-eddie-murphy.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="715" data-original-width="1280" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb5P5Tu6hczzpndtUlDxDZNls18A3ktLnwlt53x8AljbJZ-RgelGzraxrVZQwzyjLiJ5fW8n2dCkecmdgSAQ-UHD_jiN2SIAfB0Wt7duZOHQjOXpTsGxAPpK8Anzz_zs88h_81fw/s640/trading-places-denholm-elliott-jamie-lee-curtis-eddie-murphy.png" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Night
and the City</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1950, Jules Dassin) <u>Nitrate 35mm
print!</u></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 16 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Jules Dassin is
awesome! My favorite of his is really <i style="mso-bidi-font-style: normal;">Thieves’
Highway</i>, but Criterion likes this one a lot, so check out this amazing
London-set film noir starring Richard Widmark, Gene Tierney and more! This is a
nitrate 35mm film print, which is the highly flammable earlier iteration of film prints
(and why so many films are lost, they burned up!) but which looks sooo much
better, as the extra silver nitrate adds more sparkle to the luminous black
and white photography (here by Max Greene). Additionally, as if that wasn’t rare enough,
they are showing the British release version of the film which runs six minutes
longer than the U.S. release and features alternate opening and closing scenes
as well as different score by composer Benjamin Frankel. Plus there is a
nitrate newsreel “News of the Day” and a nitrate short.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/12/16/night-and-the-city" target="_blank"><span style="mso-bidi-font-weight: normal;">UCLA LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg15vl6pYCNFhD_akCaOmKsHPfD01IO4x5QPZPrARCpOC9_RWQgbYQMYxps04JcPuy7vh_ad4TPUTc-SEEx0xvvxHVveIuzVm1eIB8XCLFIdgDmiEjhuaaN5r34Ef4Bs3-5KXK56g/s1600/023-night-and-the-city-theredlist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="531" data-original-width="731" height="464" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg15vl6pYCNFhD_akCaOmKsHPfD01IO4x5QPZPrARCpOC9_RWQgbYQMYxps04JcPuy7vh_ad4TPUTc-SEEx0xvvxHVveIuzVm1eIB8XCLFIdgDmiEjhuaaN5r34Ef4Bs3-5KXK56g/s640/023-night-and-the-city-theredlist.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Ride
the Pink Horse</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1947, Robert Montgomery)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 19 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The lovely rare
screenings of film noir 35mm prints at LACMA’s Tuesday matinees continues this
week with a fairly good one from Robert Montgomery. There is some stupendous
stuff in this one, including, pay attention, the opening shot is one of those
super-long unbroken takes! I didn’t notice the first time I saw it, because it
works so seamlessly with the action that transpires. So watch how long the opening shot takes to cut. There are some <u>great</u>
characterizations in this film by Montgomery especially, and also Wanda Hendrix, Andrea
King, and Thomas Gomez. I feel like it doesn’t coalesce into the tightest of
all film noirs in the end, but it’s pretty damn good. Definitely something to try to see
in a theater on the big screen.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.lacma.org/event/ride-pink-horse" target="_blank"><span style="mso-bidi-font-weight: normal;">LACMA LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBRNEndtdOoNYMO9HuXgYsbLyfNmoZry5FQPh7OFyHsRBS1ckk7wnMxv2JZKk1BCWQ-ahRldrZQPkppFzj8xlK9OGkZ5__wGxvEXcKEY5adM07F34Z22uD7Q9ohX_iqZCYlT2pAw/s1600/ride-the-pink-horse-still3-526x284.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="284" data-original-width="526" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBRNEndtdOoNYMO9HuXgYsbLyfNmoZry5FQPh7OFyHsRBS1ckk7wnMxv2JZKk1BCWQ-ahRldrZQPkppFzj8xlK9OGkZ5__wGxvEXcKEY5adM07F34Z22uD7Q9ohX_iqZCYlT2pAw/s640/ride-the-pink-horse-still3-526x284.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Victor/Victoria</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1982, Blake Edwards)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Murphy’s
Romance</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1985, Martin Ritt)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 15 6:30 pm/9:15 pm</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 16 6:30 pm/9:15 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">More James Garner
stuff, little mini-festival going on I guess..! This is purely on my radar
because I never saw these, and seeing stuff like this in 35mm on the big screen
at the New Bev is the best way to check out anything you previously overlooked.
Martin Ritt has directed great films elsewhere, not sure he holds the same
appeal into the ’80s, but I’d give it a look. The <i style="mso-bidi-font-style: normal;">Victor/Victoria </i>one sounds more fun, as a musical comedy of fake
female impersonation. I don’t know, it may still suck. These are the films that
were aimed at my parents when I was growing up, so not too sure!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-15-16-victorvictoria-murphys-romance/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVJiq3Ha50DXsEhGz42YtDG0-CHAh-emETl-Fe6y5-fau8qiJOHyRBqI3VD4Pl7igWOIGOYJ8ON8U_k4LbvTR0XPVDz8WhBe_K7g0GmzF29sgHf-oPZ61_WWt0-UWENNfVhw1Fyw/s1600/victorvictoria_lejazzhot_FC_HD_2997_CC_470x264_121020150759.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="264" data-original-width="470" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVJiq3Ha50DXsEhGz42YtDG0-CHAh-emETl-Fe6y5-fau8qiJOHyRBqI3VD4Pl7igWOIGOYJ8ON8U_k4LbvTR0XPVDz8WhBe_K7g0GmzF29sgHf-oPZ61_WWt0-UWENNfVhw1Fyw/s640/victorvictoria_lejazzhot_FC_HD_2997_CC_470x264_121020150759.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNfefdiqC2sV3RaPtQNshgGfG7SLr79P1BN9WVlbnYyypFC3ZbofeOHKXv8zUjJ966rBv5SaMT_hL3IAX_LZotCGMSpBjoRTN34LkvQXO3XsiS42-uRcRNyPFqPSmUAfO2qX6zXg/s1600/sally-field-and-james-garner-in-murphys-romance-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1284" data-original-width="1600" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNfefdiqC2sV3RaPtQNshgGfG7SLr79P1BN9WVlbnYyypFC3ZbofeOHKXv8zUjJ966rBv5SaMT_hL3IAX_LZotCGMSpBjoRTN34LkvQXO3XsiS42-uRcRNyPFqPSmUAfO2qX6zXg/s640/sally-field-and-james-garner-in-murphys-romance-1.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Reservoir
Dogs</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1992, Quentin Tarantino)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 15 11:59 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I know I rarely bother to
point out these Tarantino midnight screenings, since they are almost every week, but, hey, reminder, they are always
35mm, and this one especially is a superb film. It'll have 'em laughing in the aisles! Or was it that it would have audience members running for the exits with heart troubles? Can't remember! Better watch and find out.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-15-reservoir-dogs-midnight-show/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_JvXQgdJs_HixrlnLbVS3FREDT6XwcUgvwikdTDlCPjQMJ4EKXcxP18BVAjkEpCcEX8agyeBCqOX1Tr4eRk_K1JnthlGyhCjC2LYmtTM-qWbpIMmPSgxPBcjH8biCTe9wFewonA/s1600/reservoir-dogs-09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_JvXQgdJs_HixrlnLbVS3FREDT6XwcUgvwikdTDlCPjQMJ4EKXcxP18BVAjkEpCcEX8agyeBCqOX1Tr4eRk_K1JnthlGyhCjC2LYmtTM-qWbpIMmPSgxPBcjH8biCTe9wFewonA/s640/reservoir-dogs-09.jpg" width="640" /></a></div>
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-91500697774287853832017-12-01T14:36:00.000-08:002017-12-01T14:37:15.365-08:00LA 35mm Film Screenings Week of Dec. 1, 2017<br />
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Your weekly LA 35mm film screenings list is
here! (Includes some digital screenings.) </span>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. You
can browse the LA Film Calendars links on my side bar to find even more!<span style="mso-spacerun: yes;"> </span>→ → →</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sometimes these choices are tonight, FYI, and
not necessarily listed first.</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Meyerowitz Stories</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2017, Noah Baumbach)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Begins Fri. Dec. 1, through Dec. 7 various
showtimes</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I love me some
Baumbach, haven’t actually seen his recent films, but loved <i style="mso-bidi-font-style: normal;">Kicking and Screaming </i>(1995). This film
was shot on Super 16mm Kodak (according to IMDB at least), which is a superb
format that translates to 35mm extremely well as the modernization of film
stocks took a leap forward about a decade or so ago (or maybe just five years
ago). I’ve seen many films shot Super 16mm and blown up. <i style="mso-bidi-font-style: normal;">The Walking Dead</i>, on TV, is another notable example (it’s
definitely 16mm, and I’m guessing Super 16). Super 16 is still 16mm, it’s just
the way you expose it to favor the aspect ratio, and actually you expose a
larger surface area by eliminating one side of sprockets, making the blow-up
great. Okay, lot of babbling there, long story short, <u>this should look
amazing</u>! Go help support a modern filmmaker shooting on film and projecting
on film, yay!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/schedule/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY MAIN CALENDAR</span></a> (Browse their full calendar for
multiple showtimes.) </span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcI86QTi0aIvzq8MmG4AStn2n2jerfpdpWf7YOcHRn_9885gJSJ_YpIRRfBeWXFn9tu7KO69Uhz-n_XQrbPmuCpcO_dkaIO8lNWVjlZR3pcaTTI0KHc_5FtknsSqzIpKUCsG3KZQ/s1600/meyerowitz-stories-adam-sandler-netflix-ben-stiller-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcI86QTi0aIvzq8MmG4AStn2n2jerfpdpWf7YOcHRn_9885gJSJ_YpIRRfBeWXFn9tu7KO69Uhz-n_XQrbPmuCpcO_dkaIO8lNWVjlZR3pcaTTI0KHc_5FtknsSqzIpKUCsG3KZQ/s640/meyerowitz-stories-adam-sandler-netflix-ben-stiller-1.jpg" width="640" /></a></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Contra
la corriente</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1936, Ramón Novarro)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">La
virgin que forjó una patria</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1942, Julio
Bracho)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 3 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">It’s a Ramón Novarro
Spanish-language double feature. He was a major Hollywood <u>silent</u> film
star (<i style="mso-bidi-font-style: normal;">Ben-Hur </i>[1925], <i style="mso-bidi-font-style: normal;">Scaramouche</i> [1924], <i style="mso-bidi-font-style: normal;">The Four Horsemen of the Apocalypse</i> [1921]<i style="mso-bidi-font-style: normal;">)</i>, so this is quite intriguing for fans of his. The first is a U.S.
production he directed, a romantic comedy set in Los Angeles, but in Spanish!
The second film is extra intriguing (to me at least) because of its historical
scope, religious subject (portrays the witness to Our Lady of Guadalupe) and
being billed here as a mega-production, ’cause I kind of love large-scale
history films. It navigates the history of Mexico from 1531 to the nation’s
fight for freedom in 1810. While this is screening in 16mm, it sounds rare,
plus that would match the correct aspect ratio anyway. And the first film is
35mm.</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/12/03/contra-corriente-virgen-que-forjo-patria" target="_blank"><span style="font-weight: normal;">UCLA LINK</span></a></span></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwOwad9B27utNlBLzOxnQJQZTVzAVH8FeR2bBrRnkT3RPqDQ2JXFmUZDNcgxHoRACZhZrLZQpU_w67xh6jTiNtgXsxQRMtTHBq4JEZcaARjUOzSaPs38mZcCTD6weGefw1hDFvZg/s1600/virgenqueforjo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwOwad9B27utNlBLzOxnQJQZTVzAVH8FeR2bBrRnkT3RPqDQ2JXFmUZDNcgxHoRACZhZrLZQpU_w67xh6jTiNtgXsxQRMtTHBq4JEZcaARjUOzSaPs38mZcCTD6weGefw1hDFvZg/s640/virgenqueforjo.jpg" width="640" /></a></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NuArt Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Other Side of Hope</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2017, Aki Kaurismäki) </span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Starting Fri. Dec. 1, showing all week</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The new film from
Aki Kaurismäki (<i style="mso-bidi-font-style: normal;">The Man Without a Past,
Le Havre, Leningrad Cowboys Go America</i>), generally worth a look in a
theater, as he is kind of a well-known auteur. In this one a Finnish traveling
salesman and a Syrian refugee cross paths. Be prepared, though, as this
director makes Wes Anderson look like he doesn’t know what deadpan even is.
(Presumably shot and screened digitally.)</span></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/the-other-side-of-hope" target="_blank"><span style="font-style: normal; font-weight: normal;">NUART LINK</span></a></span></i></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs-jNxYfJZq2EP48QFuSw_eKUcFEE1eIVZLSfjnO7yIs0mlyFA5Ja-0rRaItGzVBUnrdBKssKAXVQw1-mStRvZkybjWO0HKBMfF7xjflne8vty7YH__kebCx4WLRdv6wV6yZQlNw/s1600/othersideofhope.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1068" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs-jNxYfJZq2EP48QFuSw_eKUcFEE1eIVZLSfjnO7yIs0mlyFA5Ja-0rRaItGzVBUnrdBKssKAXVQw1-mStRvZkybjWO0HKBMfF7xjflne8vty7YH__kebCx4WLRdv6wV6yZQlNw/s640/othersideofhope.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Phantom
Lady</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1944, Robert Siodmak)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 5 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I feel fairly sure I
saw this a long time ago and it was good! While I guess a vague memory is not
much to solidly recommend a film, it is 35mm, a film noir, and has a stellar
cast! Franchot Tone, Ella Raines, plus character actors extraordinaire Elisha
Cook Jr. and Thomas Gomez. For only $4 at this matinee screening in 35mm!</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.lacma.org/event/phantom-lady-0" target="_blank"><span style="font-weight: normal;">LACMA LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_tXqw38EMWZyc-lxvWjhItvCBv3Pv1lDkh6wb9D2NjiDkzAY6RbKW2lSeOojKrc7xgoHNWRL4kreZJmhVxfU6hOnwnhB4NzyIwEMnYex11PfbFhQ5FzCW0zvJXUaGZ-eD0wP1qA/s1600/phantomladyellaraines.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="577" data-original-width="800" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_tXqw38EMWZyc-lxvWjhItvCBv3Pv1lDkh6wb9D2NjiDkzAY6RbKW2lSeOojKrc7xgoHNWRL4kreZJmhVxfU6hOnwnhB4NzyIwEMnYex11PfbFhQ5FzCW0zvJXUaGZ-eD0wP1qA/s640/phantomladyellaraines.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sunset
Boulevard</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1950, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Dec. 7 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Albeit DCP, this is
quite the classic to see on the big screen, especially convenient if you live
on the West side. A fading silent film star played by Gloria Swanson (who was a
silent film star) gets involved in a film noir murder mystery. This is quite
the tale.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/sunset-boulevard-0" target="_blank"><span style="mso-bidi-font-weight: normal;">AERO LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguf9hU0ax7IV_lDbx9n1cbUKHv7RTqk15gZAmX6gXzC77VpQEk4faI1hnnO9WgYSOznUDkE9RbK3R8GgYBsXq6Sl4tUbsDl-FtHAi45N8nySHegylZkzmupO2D97PY-MhIxbV_Lg/s1600/sunset_blvd_gloria_swanson_chaplin.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="720" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguf9hU0ax7IV_lDbx9n1cbUKHv7RTqk15gZAmX6gXzC77VpQEk4faI1hnnO9WgYSOznUDkE9RbK3R8GgYBsXq6Sl4tUbsDl-FtHAi45N8nySHegylZkzmupO2D97PY-MhIxbV_Lg/s640/sunset_blvd_gloria_swanson_chaplin.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Echo Park Film Center</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Il
Viadante – The Wayfarer</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (Jean-Marie
Straub, Danièle Huillet, 2001, 5 min)</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Rabbit Hunters</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (Pedro Costa, 2007, 23 min.)</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Amazing Transparent Man</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (Edgar Ulmer,
1960, 58 min.)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>) Dec. 1 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Presented by Kino
Slang, here is an excellent selection of rarely screened items. Straub-Huillet
films are always difficult to see, this one is just a short. I always adore
Edgar Ulmer, so it’s great to see in a theater. Ulmer was the genius of
bringing artistry to B-movie pictures and especially a deceptive look of high
production values while operating on a woeful budget. He was a true talent.
This film center is a bit like a classroom with couches, so make sure you’re up
for that type of vibe. One other short is showing: <i style="mso-bidi-font-style: normal;">The Singing Street</i> (The Teachers of Norton Park School, Edinburgh,
1951,17 min) which sounds very interesting too. (Screening format of films not
indicated.)</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.echoparkfilmcenter.org/events/kino-slang-presents/" target="_blank"><span style="font-weight: normal;">ECHO PARK FILM CENTER LINK</span></a></span></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHnnkBd-hd58N85LvyfO8DWW6Zg6Ukvox4WWh9RhZ_5UQeIFroVWl7tadBVBGQA7iR2rUR_XQnNLp10S9DS9UlbJhGpvs2o9lYIiE5gCjRCJR68r-JkDwwLEAoHKOg8_sG22z69g/s1600/amazing_transparent_man_poster_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1055" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHnnkBd-hd58N85LvyfO8DWW6Zg6Ukvox4WWh9RhZ_5UQeIFroVWl7tadBVBGQA7iR2rUR_XQnNLp10S9DS9UlbJhGpvs2o9lYIiE5gCjRCJR68r-JkDwwLEAoHKOg8_sG22z69g/s640/amazing_transparent_man_poster_01.jpg" width="422" /></a></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Arclight Hollywood</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Die
Hard</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1988, John McTiernan)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 5 8:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Some people live to
see this in a theater, so this is a pretty good opportunity. It’s an exciting
action film starring Bruce Willis, duh. (This screening DCP.)</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow" target="_blank"><span style="font-weight: normal;">ARCLIGHT HOLLYWOOD LINK</span></a></span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDeutxQyQFgoBV-ig6yuJqzASzyxldwXCMm9R2ICXvGy2LHIcV7cBcEU73j7RyBGkds83gxDtiIuLNPgLOWnfqIJhJoidIvF3HNU5s5S5Gzuz0GgcBFJ9LyQGm9HUg8MpaJSq44w/s1600/diehard.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1053" data-original-width="1404" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDeutxQyQFgoBV-ig6yuJqzASzyxldwXCMm9R2ICXvGy2LHIcV7cBcEU73j7RyBGkds83gxDtiIuLNPgLOWnfqIJhJoidIvF3HNU5s5S5Gzuz0GgcBFJ9LyQGm9HUg8MpaJSq44w/s640/diehard.png" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">National
Lampoon’s Christmas Vacation</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1989, Jeremiah
S. Chechik)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Scrooged</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1988, Richard Donner)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>) Dec. 1 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Just ’cause it’s
Christmas, maybe you’ll want to see these. Could be fun!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">(This screening DCP)</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/national-lampoon%E2%80%99s-christmas-vacation-scrooged-0" target="_blank"><span style="font-weight: normal;">EGYPTIAN LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYz4Bv2zqZxGqcjJ8nQqzQkBRfbTaYOIbF2Rba2K76IZq50lpKUDvceeI83FujUqwGth6_mTe9ClIxnO3n8tCCiRkM8g82KThcfUWT5_zzJEghhph-OL31PDCKXT54m1gN80ZVOw/s1600/xmasvacation.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYz4Bv2zqZxGqcjJ8nQqzQkBRfbTaYOIbF2Rba2K76IZq50lpKUDvceeI83FujUqwGth6_mTe9ClIxnO3n8tCCiRkM8g82KThcfUWT5_zzJEghhph-OL31PDCKXT54m1gN80ZVOw/s640/xmasvacation.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD6OWSaK7s41vhnTmQoHhyphenhyphenPcRR6EBOUtORP8UDliOSh0HEyEyVjm7qLFBXOSHwJMrwy5Mny8mrg0U-AHX25IuskS-VQQ3FcJouy8E2EbGW2UIn_KMEsW_ZYE7wI9AqmrYIu4UWJw/s1600/karen-allen-scrooged-615x363.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="363" data-original-width="615" height="376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD6OWSaK7s41vhnTmQoHhyphenhyphenPcRR6EBOUtORP8UDliOSh0HEyEyVjm7qLFBXOSHwJMrwy5Mny8mrg0U-AHX25IuskS-VQQ3FcJouy8E2EbGW2UIn_KMEsW_ZYE7wI9AqmrYIu4UWJw/s640/karen-allen-scrooged-615x363.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Arclight Hollywood</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Planes,
Trains and Automobiles </span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1987, John
Hughes)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon. Dec. 4 8:15 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Some people like to
see this one in a theater, so this is a pretty good opportunity at the
holidays. (This screening DCP.)</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow" target="_blank"><span style="font-weight: normal;">ARCLIGHT HOLLYWOD LINK</span></a></span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtAj0Ae__ik517pXFQGapC53lyW3HH7tHNuJVdXJaxz_CqPI2e3gLnld8JQtekxcODahBFYlkyvXA-lODUqjQT181iOQ9IlLFItqdcAIDTLy50M17A7VHLY69wyL9WxvS1fkRiSQ/s1600/planestrainsautomobiles390_0_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtAj0Ae__ik517pXFQGapC53lyW3HH7tHNuJVdXJaxz_CqPI2e3gLnld8JQtekxcODahBFYlkyvXA-lODUqjQT181iOQ9IlLFItqdcAIDTLy50M17A7VHLY69wyL9WxvS1fkRiSQ/s640/planestrainsautomobiles390_0_0.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Arclight Pasadena/Santa Monica</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Love
Actually</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2003, Richard Curtis)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 5 7:00 pm (Pasadena)/ 7:15 pm (Santa
Monica)</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">What, you don’t cry
during this?! Who are you!? I like British stuff, sue me. (This screening DCP.)</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow" target="_blank"><span style="font-weight: normal;">ARCLIGHT PASADENA LINK</span></a></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow" target="_blank"><span style="font-weight: normal;">ARCLIGHT SANTA MONICA LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpuXQuf6A5l4TW0OBaOPScHIBjeXwlX6cxzWtFu6seesspDNyneIsdchR7OKRouRWMLTQOCtHmVxJmfzf2s3KV00Sj6nAdtgHQqJk9bGzGEoJSqDfOQ5CLJiAwaAS9yU7eEJT-4Q/s1600/loveactually651.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="337" data-original-width="600" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpuXQuf6A5l4TW0OBaOPScHIBjeXwlX6cxzWtFu6seesspDNyneIsdchR7OKRouRWMLTQOCtHmVxJmfzf2s3KV00Sj6nAdtgHQqJk9bGzGEoJSqDfOQ5CLJiAwaAS9yU7eEJT-4Q/s640/loveactually651.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<br />
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Arclight Sherman Oaks</span></b>
<br />
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Scrooged</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1988, Richard Donner)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 5 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Also playing this
week at the Egyptian (see above), here’s one more opportunity to see this in a
theater. (This screening also DCP.)</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow" target="_blank"><span style="font-weight: normal;">ARCLIGHT SHERMAN OAKS LINK</span></a></span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIYAr0a_3H6sPXmqR8EL_EQ-xfp2qTuJZYvjb6X5bSfWJoaq573j08nyb3g40K0b_xjSIFy5e2f6C52bEO997FJNVrRGtMmZ8SyZ23nnSj-dq7xA4V4COx6ENINUfEE7SglgGYqg/s1600/scrooged2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIYAr0a_3H6sPXmqR8EL_EQ-xfp2qTuJZYvjb6X5bSfWJoaq573j08nyb3g40K0b_xjSIFy5e2f6C52bEO997FJNVrRGtMmZ8SyZ23nnSj-dq7xA4V4COx6ENINUfEE7SglgGYqg/s640/scrooged2.png" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">María
Candelaria</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1943, Emilio Fernández)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and </span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Cita
en la frontera</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1940, Mario Soffici)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 9 3:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The first film was
the Cannes Palme D’Or winner..! Well, technically it was so long ago it was
called the Grand Prix back then. Showing in 35mm, this is not something you get
to see every day. It’s a Mexican film that concerns the creation of a controversial
painting. The second film is from Argentina and is about two middle-aged
brothers who fall in love with a tango singer, a psychological drama unfolds as
things go wrong. Both films 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/12/09/maria-candelaria-cita-frontera" target="_blank"><span style="mso-bidi-font-weight: normal;">UCLA LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFT5zogBmplbgkiSZNbRn6ssBHA1lQEKnS_y276PwMLGQCXSZAhVNzpxZf31ojGjOuIYxmIK_AAU1nn6W5PlRnRi6tBhOtBM8qGRHWvNVHwkKx9kCUrAS5ewgv3aKDimp2973tmw/s1600/candelaria2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="407" height="502" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFT5zogBmplbgkiSZNbRn6ssBHA1lQEKnS_y276PwMLGQCXSZAhVNzpxZf31ojGjOuIYxmIK_AAU1nn6W5PlRnRi6tBhOtBM8qGRHWvNVHwkKx9kCUrAS5ewgv3aKDimp2973tmw/s640/candelaria2.jpg" width="640" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiQ6Kx9wLIKQxpSoTzoKp481AaP73r9QhQQr2XKpSknz5yoflsd0jCVp-JmdDY5x-pDvIjL19nzNk5G3fNQoFORazLPTJifOiKPxrmbn6OHaFre__jz81rcF60BEKxmmyt8f7Spw/s1600/citaenlafrontera.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="845" data-original-width="567" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiQ6Kx9wLIKQxpSoTzoKp481AaP73r9QhQQr2XKpSknz5yoflsd0jCVp-JmdDY5x-pDvIjL19nzNk5G3fNQoFORazLPTJifOiKPxrmbn6OHaFre__jz81rcF60BEKxmmyt8f7Spw/s640/citaenlafrontera.jpg" width="428" /></a></div>
<br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">El
Vampiro</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1957, Fernando Méndez)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sombra
verde</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, Roberto Gavaldón</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 9 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">While this played
Downtown Independent last month, it’s back for a second helping at UCLA, as with
many of the screenings in this extensive Latin American Cinema in Los Angeles
retrospective. The first is a said to be a classic of midcentury Mexican
horror, but that’s not a thing on my radar, what is that?! Anyway, it’s two
people stranded at a train station at night, and boom, a carriage offers to
give them a ride and things will get bitey. Sounds like that Coppola <i style="mso-bidi-font-style: normal;">Dracula</i>. In the second film, we have
Ricardo Montalbán returning to Mexico to make a film, whilst already a major
star in the US. It’s a bit of an erotic jungle adventure film, but sounds
interesting. (First film 35mm, second film DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/12/09/vampiro-sombra-verde" target="_blank"><span style="mso-bidi-font-weight: normal;">UCLA LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv31vDsWCTrpI7GShVevSB86mRq_e3s7Vu_OzfX9R-b5cb5rsxxUZbKEnLioTt-zYqEQkibNwP-1L28ubszwYDZEF0-PcAPTlFlgoIHxd51O3IjPnbcuHjYXgNxypESKhm514ZuA/s1600/Nov18ElVampiro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv31vDsWCTrpI7GShVevSB86mRq_e3s7Vu_OzfX9R-b5cb5rsxxUZbKEnLioTt-zYqEQkibNwP-1L28ubszwYDZEF0-PcAPTlFlgoIHxd51O3IjPnbcuHjYXgNxypESKhm514ZuA/s640/Nov18ElVampiro.jpg" width="640" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgImfOIJ7MurU_ZQNjACbKnPd4ucF03wXoXFmkyzugvCZcgYSntF9KBJJh9GxaUVGpks2Sz1fM3tird1oGxA1EqWkRPlAqt-qbI-b7g9fOQSihhyphenhyphenJfcIiKNVUDUzggeyjzJr2pHHA/s1600/sombraverde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgImfOIJ7MurU_ZQNjACbKnPd4ucF03wXoXFmkyzugvCZcgYSntF9KBJJh9GxaUVGpks2Sz1fM3tird1oGxA1EqWkRPlAqt-qbI-b7g9fOQSihhyphenhyphenJfcIiKNVUDUzggeyjzJr2pHHA/s640/sombraverde.jpg" width="640" /></a></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Great Escape</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1963, John Sturges)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec 9 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This is the ultimate
’60s all-star cast, fun action film, with a catchy as hell jaunty main theme.
This one really delivers on the popcorn entertainment angle with a dash of respectability
due to solid acting from the likes of Steve McQueen, along with James Garner,
Richard Attenborough, Charles Bronson, Donald Pleasance and James Coburn. In
35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-9-the-great-escape/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaG0A3WB0Qmaf2SH69qzcyOwVIBAjbl3aNeTppShwK7ybJQwyr7x8LXJ8kMEas2qqcCKNMf_2OEoE_ZRr3QLxZW4NzvpzDC7YCHO0fWdwDH05cPanTs3WFqdQqlauIzIo7YE8cYQ/s1600/960__the_great_escape_blu-ray_02_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="408" data-original-width="960" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaG0A3WB0Qmaf2SH69qzcyOwVIBAjbl3aNeTppShwK7ybJQwyr7x8LXJ8kMEas2qqcCKNMf_2OEoE_ZRr3QLxZW4NzvpzDC7YCHO0fWdwDH05cPanTs3WFqdQqlauIzIo7YE8cYQ/s640/960__the_great_escape_blu-ray_02_.jpg" width="640" /></a></b></div>
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Get
Mean</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1975, Ferdinando Baldi)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 9 11:59 pm.</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Gosh, I don’t know
if this is good, but it sounds rare and fun. Especially at midnight! New Bev’s
description: “Hung by his heels… barbecued… shot with a cannon. Now it’s his
turn to <i>Get Mean</i>! Tony Anthony reprises his role as the Stranger in
Ferdinando Baldi’s wildly offbeat Spaghetti Western, playing an American cowboy
escorting a princess back to her home in Spain.” In 35mm.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-9-get-mean-midnight-show/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhposgCLk4r-YF0OAGCTseI-zQhb49E3YG8QESApRnrqVzA0L3e5Gf6aNaNYhsYmZxoIdt933kQ1aLlQgRV9XjLQrCnQlzrYPs51Nf2QG1jl58tAOLWkZqg_4b5ytn7v2he6R9rFg/s1600/get-mean-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhposgCLk4r-YF0OAGCTseI-zQhb49E3YG8QESApRnrqVzA0L3e5Gf6aNaNYhsYmZxoIdt933kQ1aLlQgRV9XjLQrCnQlzrYPs51Nf2QG1jl58tAOLWkZqg_4b5ytn7v2he6R9rFg/s640/get-mean-poster-385x578.jpg" width="426" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Skin
Game</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1971, Paul Bogart)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Maverick</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1994, Richard Donner)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed. Dec. 13 7:30 pm/9:50 pm</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur. Dec. 14 7:30 pm/9:50 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I haven’t seen <i style="mso-bidi-font-style: normal;">Maverick</i> in ages and remember it as a
rollicking, fun star-driven ride (Jodie Foster, Mel Gibson, James Garner). The
first film sounds like it was an influence on Tarantino and stars James Garner
and Louis Gossett Jr. running a fake slave trader scheme where they split the
profits. The combination of the two totally different filmmaking eras seems like
a really fun double feature outing. Both in 35mm.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/december-13-14-skin-game-maverick/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHmWrp6Ed0YaahRUcXiFKDypHzgFffUh9nMhZ9C_QqJ0nn7U-vF5g2Xr_4sajtWt7hE5GJqT7KxJ3SLlZfsdUbCV9Dnf26VRtr4FkgiTujXRwnqIuF94rxB7Bpz57Rl2u2w2OyBA/s1600/skingame.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="1024" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHmWrp6Ed0YaahRUcXiFKDypHzgFffUh9nMhZ9C_QqJ0nn7U-vF5g2Xr_4sajtWt7hE5GJqT7KxJ3SLlZfsdUbCV9Dnf26VRtr4FkgiTujXRwnqIuF94rxB7Bpz57Rl2u2w2OyBA/s640/skingame.jpg" width="640" /></a></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih4s2MA-cl5icMDx6VMydUkExS1c-Hr3TFzJaHbAD5I0sT5c47ItaiXq-CZEoZo3TA4g7Dfw8JzO2nhI2vHFkqE1xF4Bdcdr4rzvrvNH1LZl2zKaOcP73iekvyms9ljP4no8KNHg/s1600/maverick_gibson_garner_foster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="177" data-original-width="425" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih4s2MA-cl5icMDx6VMydUkExS1c-Hr3TFzJaHbAD5I0sT5c47ItaiXq-CZEoZo3TA4g7Dfw8JzO2nhI2vHFkqE1xF4Bdcdr4rzvrvNH1LZl2zKaOcP73iekvyms9ljP4no8KNHg/s640/maverick_gibson_garner_foster.jpg" width="640" /></a></div>
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<b></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
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<br />
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Some
Like it Hot</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1959, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Seven Year Itch</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1955, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 8 7:30 pm.</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Albeit both screening
in DCP, this is good stuff to see on the big screen at the Aero, especially if
you live on the West side. <i style="mso-bidi-font-style: normal;">Some Like it
Hot</i> is of course a broad comedy with some light caper elements moving the
plot along. <i style="mso-bidi-font-style: normal;">The Seven Year Itch</i> I
continue to go every seven years still without seeing it!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/some-like-it-hot-the-seven-year-itch" target="_blank"><span style="mso-bidi-font-weight: normal;">AERO LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0-sEH18eHa0pID8sXcoL2x5FKxEDyeUapkVpXHQb3rnfpEDirN1YLf0375nIMJezRjxzfwyE3VT3tjgSPjimesanowLvLjqYcuNHnaLSqEVbK4JkKtyy0B7yu6Cx8oDpmULeCPw/s1600/Some_Like_it_Hot.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="246" data-original-width="220" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0-sEH18eHa0pID8sXcoL2x5FKxEDyeUapkVpXHQb3rnfpEDirN1YLf0375nIMJezRjxzfwyE3VT3tjgSPjimesanowLvLjqYcuNHnaLSqEVbK4JkKtyy0B7yu6Cx8oDpmULeCPw/s640/Some_Like_it_Hot.JPG" width="572" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUzOJ-J0IjhZNOMyrKN302bBdY9PL7pQ82QEtt5AUotJ4oAsF7MBIz0NB2n-fyvWX9j0IKPBXwfVPdd0NobSVKpazR7CXvK5IDW8zCe_ZBs7wu-nJLkzFjJf7qjhoEg-RUCsNYuQ/s1600/sevenhed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="739" data-original-width="1100" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUzOJ-J0IjhZNOMyrKN302bBdY9PL7pQ82QEtt5AUotJ4oAsF7MBIz0NB2n-fyvWX9j0IKPBXwfVPdd0NobSVKpazR7CXvK5IDW8zCe_ZBs7wu-nJLkzFjJf7qjhoEg-RUCsNYuQ/s640/sevenhed.jpg" width="640" /></a></div>
<br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Double
Indemnity</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1944, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Lost Weekend</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1945, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Dec. 9 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Finally, some Billy Wilder
films with a little more edge than the other ones in the series. This is again
DCP. <i style="mso-bidi-font-style: normal;">Double Indemnity</i> is from the
James M. Cain novel, but the screenplay is punched up here by Raymond Chandler.
It’s the fastest-talking slick film noir gruesome nail-biter of a Hollywood
film ever, and Barbara Stanwyck is at her height in this film. Not that she isn’t
in every film, but this is near the pinnacle. Plus, plus you’ve got the wonderful
Edward G. Robinson doing frankly for me his most memorable role, eclipsing <i style="mso-bidi-font-style: normal;">Little Caesar</i>. <i style="mso-bidi-font-style: normal;">The Lost Weekend</i> is Ray Milland struggling to get over his alcoholism.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/double-indemnity-the-lost-weekend" target="_blank"><span style="mso-bidi-font-weight: normal;">AERO LINK</span></a></span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJKf0yFCAp0lCiaMkGG7DmjXoWGf7HTII-CwhIDbd5ge_gWFNT0nr1rUvWa6-KX0uG-n41iYIbGPA6AtxhgggqgEt9yHSKM80N0NaNGGnndRZz4aXh3ObkiFwHChCyWfGGNGqw-A/s1600/Double-Indemnity-spread.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="258" data-original-width="573" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJKf0yFCAp0lCiaMkGG7DmjXoWGf7HTII-CwhIDbd5ge_gWFNT0nr1rUvWa6-KX0uG-n41iYIbGPA6AtxhgggqgEt9yHSKM80N0NaNGGnndRZz4aXh3ObkiFwHChCyWfGGNGqw-A/s640/Double-Indemnity-spread.jpg" width="640" /></a></b></div>
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUUbTOBKoLyeHKV2INCyfw97woXxP5dQnXDULHJU_9N_E2i2B-ZWbUqFjMFnmkt_7HxsqYVYmKmHy6gLsWSPYAzFmPHD95njDqlbxXoiiHwZXyESsI4RJit7aDfgxTWgvmPuBe5Q/s1600/lost+weekend.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUUbTOBKoLyeHKV2INCyfw97woXxP5dQnXDULHJU_9N_E2i2B-ZWbUqFjMFnmkt_7HxsqYVYmKmHy6gLsWSPYAzFmPHD95njDqlbxXoiiHwZXyESsI4RJit7aDfgxTWgvmPuBe5Q/s640/lost+weekend.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Kiss
Kiss Bang Bang</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2005, Shane Black) <u>Shane Black in
person!</u></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and </span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Long Kiss Goodnight</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1996, Renny Harlin)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 10 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Both in 35mm! Not
maybe the highest echelon of art cinema, but I find <i style="mso-bidi-font-style: normal;">Long Kiss Goodnight</i> funny in its extremely over-the-top way. I haven’t
seen the first one, but some people are fans of it.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/kiss-kiss-bang-bang-the-long-kiss-goodnight" target="_blank"><span style="mso-bidi-font-weight: normal;">EGYPTIAN LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQOBb7sMfbb_k7TVdRUfLZGCCNohxSfn0PomooWEBJjxtJ1Shiorts80gfppbIezTm0V0a66b-0zM1zFo8FGFhjb2lUqriPf_zf1FGKu-ep3tt3aI_ryO5l71I9NMI36LivFvhvw/s1600/kiss-kiss-bang-bang.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQOBb7sMfbb_k7TVdRUfLZGCCNohxSfn0PomooWEBJjxtJ1Shiorts80gfppbIezTm0V0a66b-0zM1zFo8FGFhjb2lUqriPf_zf1FGKu-ep3tt3aI_ryO5l71I9NMI36LivFvhvw/s640/kiss-kiss-bang-bang.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPml6U3YoFl2KXDj8oWxXJjn9S-jxnBNq1yenZcaeneJjv5p0R-xloLJuu_24yeLQWtsenhVbqnI6QF9ECSfAmgy24wbR-PhQ6tmkPVHx4LxeH56J2wlVFNxAc1kelceNeRHiTvQ/s1600/longkiss.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPml6U3YoFl2KXDj8oWxXJjn9S-jxnBNq1yenZcaeneJjv5p0R-xloLJuu_24yeLQWtsenhVbqnI6QF9ECSfAmgy24wbR-PhQ6tmkPVHx4LxeH56J2wlVFNxAc1kelceNeRHiTvQ/s640/longkiss.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Apartment</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1960, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">One,
Two, Three</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1961, Billy Wilder)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 10 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Yet more Billy
Wilder. If you hadn’t familiarized yourself and done a career retrospective of
his yet, then this week at the Aero has been served up with a bow for you for
the holidays. Big stars, prime Classic Hollywood, with scads of Billy Wilder’s cutting
humor. <i style="mso-bidi-font-style: normal;">One, Two, Three</i> features James
Cagney as the head of the Coca-Cola branch in West Berlin who gets annoyed by
some Communist infiltrations, played for laughs. <i style="mso-bidi-font-style: normal;">The Apartment</i> is an Oscar winner for best picture, so it might be
okay. Also <i style="mso-bidi-font-style: normal;">One, Two, Three</i> is in
35mm! (<i style="mso-bidi-font-style: normal;">The Apartment</i> is DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/the-apartment-one-two-three" target="_blank"><span style="mso-bidi-font-weight: normal;">AERO LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE2bFmIpj8LTCS5F7uaDOZ2HDf6032YyKNHDRT_U6xdmhg5IvIeoPuhGjSNHqMfI1Fw2jY2AOR81rBc_gBSo70E5_bgPyLq1y03X2lhIurqTYXYEKHlzDyLG6KTPu6kAS9iPxRFw/s1600/the_apartment_390_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE2bFmIpj8LTCS5F7uaDOZ2HDf6032YyKNHDRT_U6xdmhg5IvIeoPuhGjSNHqMfI1Fw2jY2AOR81rBc_gBSo70E5_bgPyLq1y03X2lhIurqTYXYEKHlzDyLG6KTPu6kAS9iPxRFw/s640/the_apartment_390_1.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfPaUpJIHkojCtEdzvC0ZflEyJEEYfi6sV7gExojZCRchxOkGIDfFDcR5Qsd3xjoSpZpZ6FrmqCq1K3CSLMA420rn8IqzupWykJ4hgxHvU2DwobaNGZv7p2PRkkYHFY7hjiEpBuw/s1600/OneTwo2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="700" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfPaUpJIHkojCtEdzvC0ZflEyJEEYfi6sV7gExojZCRchxOkGIDfFDcR5Qsd3xjoSpZpZ6FrmqCq1K3CSLMA420rn8IqzupWykJ4hgxHvU2DwobaNGZv7p2PRkkYHFY7hjiEpBuw/s640/OneTwo2.png" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA FILM & TV ARCHIVE</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Enamorada</span></i></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> <b>(1946, Emilio Fernández) </b></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and </span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Allá
en el rancho grande (Out on the Big Ranch</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">)
(1936, Fernando de Fuentes)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 10 7:00 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">A return engagement
for both these films, now at UCLA after previously playing the Downtown Independent,
here featuring very early films from Mexico in 35mm, with this pretty famous
(and I think very entertaining?) one, starring María Félix in 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/12/10/enamorada-alla-rancho-grande" target="_blank"><span style="mso-bidi-font-weight: normal;">UCLA LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIsvqGRmzvzgIbv2wH2e7FsZCa2RdpN0c1L4oeetz7six0KnhUUj9WamQKl-wro6Z02aWWJdq5ezOC4l-B_cozWIMsJM0OUuTU1TN2CncudhQ6bNfH_b0MIWXPmqXVa6I-Ikhiw/s1600/enamorada.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="426" data-original-width="561" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIsvqGRmzvzgIbv2wH2e7FsZCa2RdpN0c1L4oeetz7six0KnhUUj9WamQKl-wro6Z02aWWJdq5ezOC4l-B_cozWIMsJM0OUuTU1TN2CncudhQ6bNfH_b0MIWXPmqXVa6I-Ikhiw/s640/enamorada.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI03JP9tuEkJdV3YNm2tZaP1HAlD-osXwAKLLZj20W0Enl57HHemS31VAfP0JtPshwk1hzwgU8RBS7pn5Ke8c_25tA9byhAkZNzrumKJ8yVpm_dfIqPR83tAxcoVSBJ4hFQkE5Ng/s1600/Oct6Allaenelrancho.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI03JP9tuEkJdV3YNm2tZaP1HAlD-osXwAKLLZj20W0Enl57HHemS31VAfP0JtPshwk1hzwgU8RBS7pn5Ke8c_25tA9byhAkZNzrumKJ8yVpm_dfIqPR83tAxcoVSBJ4hFQkE5Ng/s640/Oct6Allaenelrancho.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Nocturne</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1946, Edwin L. Marin)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 12 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Some more buried treasure
film noir screenings in 35mm at LACMA’s Tuesday 1:00 pm matinees. Well, I haven’t
seen this one, so I don’t know, but it is a noir starring George Raft, Lynn
Bari, and Virginia Huston. Their description says: “In 1940s Los Angeles, when
womanizing composer Keith Vincent is found dead, the inquest concludes it was a
suicide but police detective Joe Warne is not so sure.” 35mm, only $4, or even
cheaper if you’re a member.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.lacma.org/event/nocturne" target="_blank"><span style="mso-bidi-font-weight: normal;">LACMA LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdrCK6C6zoDZWsd7ZrIvj1nejVidm06aqj5aFmiPaOMnMzg7Rn6PPAfO2T7v-VLB_4n_TteW0aMIETENQdzBttJQixHRWOYl94Xtwpik5Cv9JyE9FrX0BN9c41KjU6Xk9Dt91bQg/s1600/Nocturne.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="186" data-original-width="186" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdrCK6C6zoDZWsd7ZrIvj1nejVidm06aqj5aFmiPaOMnMzg7Rn6PPAfO2T7v-VLB_4n_TteW0aMIETENQdzBttJQixHRWOYl94Xtwpik5Cv9JyE9FrX0BN9c41KjU6Xk9Dt91bQg/s400/Nocturne.jpg" width="400" /></a></div>
<br />The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-70346984687248084572017-11-24T14:45:00.003-08:002017-11-24T14:46:24.252-08:00LA 35mm Film Screenings Week of Nov. 24, 2017<br />
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Your weekly LA 35mm film screenings list is
here! (Includes some digital screenings.) </span><br />
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. You
can browse the LA Film Calendars links on my side bar to find even more!<span style="mso-spacerun: yes;"> </span>→ → →</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sometimes these choices are tonight, FYI, and
not necessarily listed first.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On the Beach at Night Alone</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2017, Hong Sang-soo)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
(<u>tonight</u>) Nov. 24 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Where are today’s current auteurs, the
Fellinis, Antonionis and French New Wave directors of today? They’re here, in
the body of Hong Sang-soo, an amazing director. Okay there are others, but this
is a big director you really should be watching if you care about art cinema
anymore. My favorite film of his is <i style="mso-bidi-font-style: normal;">The
Turning Gate</i>, also known as <i style="mso-bidi-font-style: normal;">On the
Occasion of Remembering the Turning Gate</i> (what a great long title!), and he
also directed a nice one with Isabelle Huppert, <i style="mso-bidi-font-style: normal;">In Another Country</i>. Lead actress Kim Min-hee won the Silver Bear at
the Berlin International Film Festival this year for her performance. This is
his latest and looks like it’s appearing just twice here in LA. Screw the
foreign language film Oscars, this is what you should really be seeing. No idea
why actual art films are shunned at Oscar time. Go see the real shit.
(Presumably shot and screened digital.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/on-the-beach-at-night-alone-presented-by-acropolis-cinema-1" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKgpEs4amxnGkwFJIhOTzxfRcJLwE1r0pgwyGLNlfrhvygC6F85ouRez92YTi-tjp7M5135CK8H750HecYHy8b9ZndRF4dNh3xeTWfMyHCksMiD-brf2szbXiCqh0or1-5CwUVnA/s1600/On_the_Beach_at_Night_Alone.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="314" data-original-width="220" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKgpEs4amxnGkwFJIhOTzxfRcJLwE1r0pgwyGLNlfrhvygC6F85ouRez92YTi-tjp7M5135CK8H750HecYHy8b9ZndRF4dNh3xeTWfMyHCksMiD-brf2szbXiCqh0or1-5CwUVnA/s640/On_the_Beach_at_Night_Alone.jpg" width="448" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Prison on Fire</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1987, Ringo Lam)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Victim</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1999, Ringo Lam)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Nov. 28 7:30 pm/9:40 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">I was a huge fan of the <i style="mso-bidi-font-style: normal;">Prison on Fire</i> films and really almost anything Chow Yun-Fat was in
once I first came across him in the ’90s. Very interested to see how this film
has aged. It had a sequel, <i style="mso-bidi-font-style: normal;">Prison on Fire
II</i> (1991), not showing here. But instead we have a 1999 Ringo Lam film, <i style="mso-bidi-font-style: normal;">Victim</i>, starring a very awesome Hong
Kong actor, Lau Ching-Wan. I can’t recall if I ever watched this movie or not.
A lot of post-handover Hong Kong films just weren’t as good (the hand-over of
sovereignty from the United Kingdom to China in 1997). The highly endearing
lower-budget attempts to exceed Hollywood excess just weren’t there anymore and
the films, perhaps unrelated to the handover, were trying to get more
respectable. See <i style="mso-bidi-font-style: normal;">Crouching Tiger, Hidden
Dragon</i> for more evidence. Anyway, so you’re seeing a gap bridged here, the
before and after. Prime excess ’80s Hong Kong awesomeness vs. ’90s, with the
same director even. Although given that this is Grindhouse night, the second
film definitely shouldn’t be too respectable! See if you notice a difference. Plus
Chow Yun-Fat is the most charismatic actor in a generation, the reincarnation
of Cary Grant, definitely see that film!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-28-prison-on-fire-the-victim/" target="_blank">NEW BEVERLY LINK</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpfpCK18C_xe4Efb3j_lLivX8n6eZAMjyAllXgeFcggQDQrQu65eXtzPrtzeAV4k5R8nyTLNMJFcoGaqdujUB0pLk6JwGR-4qfX8sro8lb_R50oqkqedRd3S_6ZMo_QJt-m0D1zQ/s1600/prisononfire.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1272" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpfpCK18C_xe4Efb3j_lLivX8n6eZAMjyAllXgeFcggQDQrQu65eXtzPrtzeAV4k5R8nyTLNMJFcoGaqdujUB0pLk6JwGR-4qfX8sro8lb_R50oqkqedRd3S_6ZMo_QJt-m0D1zQ/s640/prisononfire.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB1qo3Wj6DMbuTVUWFn7TbxK2BvZNrgN9sH4YebJjNiBVxdmFDtoDf3wUbC1bPMmwgodY_V5Gn8IIQpoTVPsN6ywiEDFlC6dXRTTbDRFSPIQHvD-OOqQkpg-tr670wECV1M-ST2Q/s1600/Victim-lau-ching-wan3_f0e674ac892850b0c329db2dc28d146b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="341" data-original-width="600" height="362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB1qo3Wj6DMbuTVUWFn7TbxK2BvZNrgN9sH4YebJjNiBVxdmFDtoDf3wUbC1bPMmwgodY_V5Gn8IIQpoTVPsN6ywiEDFlC6dXRTTbDRFSPIQHvD-OOqQkpg-tr670wECV1M-ST2Q/s640/Victim-lau-ching-wan3_f0e674ac892850b0c329db2dc28d146b.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Echo
Park Film Center</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Renaldo and Clara</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1978, Bob Dylan)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 25 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Four-hour-long film directed by Bob Dylan,
with some scenes written by Sam Shepard. Here it is being shown on a VHS
recording of a 4-hour broadcast. Hmm, well, depends how badly you want to see
this, I guess, although it is in a lovely friendly and communal atmosphere. If
it’s up your alley, definitely check this unique event out.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.echoparkfilmcenter.org/events/thanksgiving-weekend-special-renaldo-and-clara/" target="_blank">ECHO PARK FILM CENTER LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiwynhN5w2DVXaZOeDDTz6cljPbszZMnb7lnvni0fmxQpoljrBqgYFAgVQU8SAlb5BgKt0fl5YzeQXR_tOerafVtUFTG50uV4xNEKlt5vXNp8an6NjAY4LoQP5GeGtmop1Jjl_Gw/s1600/RenaldoClara-370x247.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="247" data-original-width="370" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiwynhN5w2DVXaZOeDDTz6cljPbszZMnb7lnvni0fmxQpoljrBqgYFAgVQU8SAlb5BgKt0fl5YzeQXR_tOerafVtUFTG50uV4xNEKlt5vXNp8an6NjAY4LoQP5GeGtmop1Jjl_Gw/s640/RenaldoClara-370x247.jpeg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">2001: A Space Odyssey</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1968, Stanley Kubrick) in 70mm!</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
(<u>tonight</u>) Nov. 24 7:30 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 25 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">What can I tell you, this plays all the
fricking time. But it was shot on 70mm and is being screened on 70mm. As
opposed to seeing some 35mm film blown up to 70mm, this is the real deal, and
there’s a big difference. So, if you haven’t seen it, really this is the ideal
way! It has some slowness to modern audiences in certain sections by taking too
much time showing off special effects that were brand-new at the time, and the
closed-off behaviors of the lead astronauts may seem a bit obtuse at times, but
by the end, you’ll be deep in thought contemplating the ideas it brings up on
such a wondrous journey, and in the thrall of A.I.'s biggest star of them all,
Hal 9000. Your only excuse not to go? If you have already seen it more than
once on 70mm, otherwise, you better go.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-27" target="_blank">EGYPTIAN LINK Fri</a> </span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-26" target="_blank">EGYPTIAN LINK Sat</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHwCLZ84ThKTwgP5jT5EhTj9Jt3olIrOsZl18Zh9qGWx46MILfBmPQFuIsJrrwdzLtyQAvorSE-S6xiz3LslaWsk3XhjudLl-tkIKKETRNNUrT87sss5yxWvzBZGak4HZxl_B56g/s1600/primate-ancestor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="571" data-original-width="1255" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHwCLZ84ThKTwgP5jT5EhTj9Jt3olIrOsZl18Zh9qGWx46MILfBmPQFuIsJrrwdzLtyQAvorSE-S6xiz3LslaWsk3XhjudLl-tkIKKETRNNUrT87sss5yxWvzBZGak4HZxl_B56g/s640/primate-ancestor.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">West Side Story</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1961, Robert Wise, Jerome Robbins)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 25 11:59 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A midnight screening of <i style="mso-bidi-font-style: normal;">West Side Story</i>?!? Methinks you misjudge your audience for this
film! But it’s a great, fun film. Well worth seeing. Especially in 35mm.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-25-west-side-story-midnight-show/" target="_blank">NEW BEVERLY LINK</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjFVUFGRcbzvq-XKdr37178Dl8FU0tACGl6ucAHyyU_ch6V2QELiwIiV0TCNLnt1YsQxjOqPVl8_LsmgZQX29FicxYt71DMKyjP1Pznlo3n0gjtPlRkvasRGDncdDtRYrWDLLcsw/s1600/westside.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="1023" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjFVUFGRcbzvq-XKdr37178Dl8FU0tACGl6ucAHyyU_ch6V2QELiwIiV0TCNLnt1YsQxjOqPVl8_LsmgZQX29FicxYt71DMKyjP1Pznlo3n0gjtPlRkvasRGDncdDtRYrWDLLcsw/s640/westside.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Singing in the Rain</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1952, Gene Kelly, Stanley Donen)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
(<u>tonight</u>) Nov. 24 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Played recently, but it’s back again. Oh,
darn, it’s in DCP. Well, still great! Always enjoyed seeing a musical on the
big screen at the Aero.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/singin-in-the-rain-10" target="_blank">AERO THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdBCKa5mTsDDtTGAeDtvrMBAjhyphenhyphenDRRoI5JSjrsMjxNhC5SonQzUyiU6lK2FjxzcE-KJhc0ExkaRfLccBkLesiGZ9sU17hlbFitEK-EayrsbNKyYNb2z9P_6G4B3SwPb6rJa7FXnQ/s1600/Singing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="720" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdBCKa5mTsDDtTGAeDtvrMBAjhyphenhyphenDRRoI5JSjrsMjxNhC5SonQzUyiU6lK2FjxzcE-KJhc0ExkaRfLccBkLesiGZ9sU17hlbFitEK-EayrsbNKyYNb2z9P_6G4B3SwPb6rJa7FXnQ/s640/Singing.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Meyerowitz Stories</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2017, Noah Baumbach)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Begins Fri. Dec. 1, through Dec. 7 various
showtimes</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I love me some
Baumbach, haven’t actually seen his recent films, but loved <i style="mso-bidi-font-style: normal;">Kicking and Screaming </i>(1995). This film
was shot on Super 16mm Kodak (according to IMDB at least), which is a superb
format that translates to 35mm extremely well as the modernization of film
stocks took a leap forward about a decade or so ago (or maybe just five years
ago). I’ve seen many films shot Super 16mm and blown up. <i style="mso-bidi-font-style: normal;">The Walking Dead</i>, on TV, is another notable example (it’s definitely
16mm, and I’m guessing Super 16). Super 16 is still 16mm, it’s just the way you
expose it to favor the aspect ratio, and actually you expose a larger surface
area by eliminating one side of sprockets, making the blow-up great. Okay, lot
of babbling there, long story short, <u>this should look amazing</u>! Go help
support a modern filmmaker shooting on film and projecting on film, yay!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/schedule/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY MAIN CALENDAR</span></a> (Browse their full calendar for multiple
showtimes.)</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjl8gvQVH76e9tvmMHX949ZQihGV6R-VkjOI4f7O8KfXpTuPphMAXAyZLuDZeyj7phvHQQ4uwwSQDScAg4g3njHaHfZteKX43feOTTjv6-1pRVuoo0HHaiOXy1FmprwVxL-9Bp-A/s1600/meyerowitz-stories-adam-sandler-netflix-ben-stiller-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjl8gvQVH76e9tvmMHX949ZQihGV6R-VkjOI4f7O8KfXpTuPphMAXAyZLuDZeyj7phvHQQ4uwwSQDScAg4g3njHaHfZteKX43feOTTjv6-1pRVuoo0HHaiOXy1FmprwVxL-9Bp-A/s640/meyerowitz-stories-adam-sandler-netflix-ben-stiller-1.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Contra
la corriente</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1936, Ramón Novarro)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">La
virgin que forjó una patria</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1942, Julio
Bracho)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Dec. 3 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">It’s a Ramón Novarro
Spanish-language double feature. He was a major Hollywood <u>silent</u> film
star (<i style="mso-bidi-font-style: normal;">Ben-Hur </i>[1925], <i style="mso-bidi-font-style: normal;">Scaramouche</i> [1924], <i style="mso-bidi-font-style: normal;">The Four Horsemen of the Apocalypse</i> [1921]<i style="mso-bidi-font-style: normal;">)</i>, so this is quite intriguing for fans of his. The first is a U.S.
production he directed, a romantic comedy set in Los Angeles, but in Spanish! The
second film is extra intriguing (to me at least) because of its historical
scope, religious subject (portrays the witness to Our Lady of Guadalupe) and
being billed here as a mega-production, ’cause I kind of love large-scale
history films. It navigates the history of Mexico from 1531 to the nation’s
fight for freedom in 1810. While this is screening in 16mm, it sounds rare,
plus that would match the correct aspect ratio anyway. And the first film is
35mm.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/12/03/contra-corriente-virgen-que-forjo-patria" target="_blank"><span style="mso-bidi-font-weight: normal;">UCLA LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgUhMy0XTzCEZjrTBHoUrwbLylfs2AZHSwhcStPNBVyiGIy0CJxY-yjg8X30OcjRvVLZ9MkOxSj3elTPhqAzc-MC4mpr10IM6yyh0yaou3DyKu2d6U17MjRcbAkjFAohwFSbJEEg/s1600/virgenqueforjo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgUhMy0XTzCEZjrTBHoUrwbLylfs2AZHSwhcStPNBVyiGIy0CJxY-yjg8X30OcjRvVLZ9MkOxSj3elTPhqAzc-MC4mpr10IM6yyh0yaou3DyKu2d6U17MjRcbAkjFAohwFSbJEEg/s640/virgenqueforjo.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NuArt Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Other Side of Hope</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2017, Aki Kaurismäki) </span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Starting Fri. Dec. 1, showing all week</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">The new film from
Aki Kaurismäki (<i style="mso-bidi-font-style: normal;">The Man Without a Past,
Le Havre, Leningrad Cowboys Go America</i>), generally worth a look in a
theater, as he is kind of a well-known “auteur.” In this one a Finnish
traveling salesman and a Syrian refugee cross paths. Be prepared, though, as this
director makes Wes Anderson look like he doesn’t know what deadpan even is. (Presumably
shot and screened digitally.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/the-other-side-of-hope" target="_blank"><span style="mso-bidi-font-weight: normal;">NUART LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFORrUjMCOPuxc-DiO2vrA_f4_MieNqql8___XSp2BO81UQKkSVQN0Gcj0qyTCgqXGZuOy3oiYDQxFT76JEvB1_us0Cw_mi1xtmYFsUXr2zVuvmjX1-Ia2RFtViDBIJhgEkQAklA/s1600/othersideofhope.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1068" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFORrUjMCOPuxc-DiO2vrA_f4_MieNqql8___XSp2BO81UQKkSVQN0Gcj0qyTCgqXGZuOy3oiYDQxFT76JEvB1_us0Cw_mi1xtmYFsUXr2zVuvmjX1-Ia2RFtViDBIJhgEkQAklA/s640/othersideofhope.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Phantom
Lady</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1944, Robert Siodmak)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 5 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I feel fairly sure I
saw this a long time ago and it was good! While I guess a vague memory is not
much to solidly recommend a film, it is 35mm, a film noir, and has a stellar
cast! Franchot Tone, Ella Raines, plus character actors extraordinaire Elisha
Cook Jr. and Thomas Gomez. For only $4 at this matinee screening in 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.lacma.org/event/phantom-lady-0" target="_blank"><span style="mso-bidi-font-weight: normal;">LACMA LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjowiwAEKrj01fJ40mYwdl8UOOhqIRLPZ_2X3HGlcGh3ezK0JjmoIsvD9BUHV86ETTuFiWR8OSSQd6FqLhzj3_FZRRaleatzNvU_LYJbfOeUnWbIRw6n6o1SqL-IR5HxW1UhRV-xw/s1600/phantomladyellaraines.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="577" data-original-width="800" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjowiwAEKrj01fJ40mYwdl8UOOhqIRLPZ_2X3HGlcGh3ezK0JjmoIsvD9BUHV86ETTuFiWR8OSSQd6FqLhzj3_FZRRaleatzNvU_LYJbfOeUnWbIRw6n6o1SqL-IR5HxW1UhRV-xw/s640/phantomladyellaraines.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Echo Park Film Center</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Il
Viadante – The Wayfarer</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (Jean-Marie
Straub, Danièle Huillet, 2001, 5 min)</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Rabbit Hunters</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (Pedro Costa, 2007, 23 min.)</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Amazing Transparent Man</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (Edgar Ulmer,
1960, 58 min.)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 1 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Presented by Kino
Slang, here is an excellent selection of rarely screened items. Straub-Huillet
films are always difficult to see, this one is just a short. I always adore
Edgar Ulmer, so it’s great to see in a theater. Ulmer was the genius of
bringing artistry to B-movie pictures and especially a deceptive look of high
production values while operating on a woeful budget. He was a true talent.
This film center is a bit like a classroom with couches, so make sure you’re up
for that type of vibe. One other short is showing: <i style="mso-bidi-font-style: normal;">The Singing Street</i> (The Teachers of Norton Park School, Edinburgh,
1951,17 min) which sounds very interesting too. (Screening format of films not indicated.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.echoparkfilmcenter.org/events/kino-slang-presents/" target="_blank"><span style="mso-bidi-font-weight: normal;">ECHO PARK FILM CENTER LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB1-K1nutdJJJaZ_rPdN8r5NRF53cXstJx50eR4kGv2GK2HlOsqG4wKt43Tz8_K00zxO263Q9ss9LVQD6vgDFOV8_sB5UI-JcsA1OUuMPci-iKLzzGnZOLWi4j6XMPF-6ls9kebg/s1600/amazing_transparent_man_poster_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1055" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB1-K1nutdJJJaZ_rPdN8r5NRF53cXstJx50eR4kGv2GK2HlOsqG4wKt43Tz8_K00zxO263Q9ss9LVQD6vgDFOV8_sB5UI-JcsA1OUuMPci-iKLzzGnZOLWi4j6XMPF-6ls9kebg/s640/amazing_transparent_man_poster_01.jpg" width="422" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Arclight Hollywood</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Die
Hard</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1988, John McTiernan)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 5 8:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Some people live to
see this in a theater, so this is a pretty good opportunity. (This screening
DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow" target="_blank">ARCLIGHT HOLLYWOOD LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgweKx9xrZBj0JoQugIUfue6FlZlZAFZ7uKTG9t811oZP4PuQE6r79q-ogSb1CP5owElIYnh3veQzCnj1DQhtmNvlo8qfg1rj7us1PWoFtu3dnO1iHoA8GGvkCUPG84ABoZ_z-Wlw/s1600/diehard.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1053" data-original-width="1404" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgweKx9xrZBj0JoQugIUfue6FlZlZAFZ7uKTG9t811oZP4PuQE6r79q-ogSb1CP5owElIYnh3veQzCnj1DQhtmNvlo8qfg1rj7us1PWoFtu3dnO1iHoA8GGvkCUPG84ABoZ_z-Wlw/s640/diehard.png" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">National
Lampoon’s Christmas Vacation</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1989, Jeremiah
S. Chechik)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Scrooged</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1988, Richard Donner)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Dec. 1 8:00 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Just ’cause it’s
Christmas, maybe you’ll want to see these. Could be fun!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">(This screening DCP)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/national-lampoon%E2%80%99s-christmas-vacation-scrooged-0" target="_blank"><span style="mso-bidi-font-weight: normal;">EGYPTIAN LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuFzb1-pcUbdSWfGqsxON50ZIh10tpZ07wyaO2kEoHvacngRfonnxH-c5Q2SQtGmCfYGZuyXg0-cfUlkJJPA5-nVRP7eqp5Fmxk5yVjgfdkZQ4XRcS8d3QnWrI31etuUOmgk_hew/s1600/xmasvacation.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuFzb1-pcUbdSWfGqsxON50ZIh10tpZ07wyaO2kEoHvacngRfonnxH-c5Q2SQtGmCfYGZuyXg0-cfUlkJJPA5-nVRP7eqp5Fmxk5yVjgfdkZQ4XRcS8d3QnWrI31etuUOmgk_hew/s640/xmasvacation.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHAkR7uDsocmhp5-i0Nr0GfBaH4MaVLgcN5lCTOn6c7sW_4XIclNU5cUkmBwTTUYYu_qbWmutUBCNgCjvyiFceZPN7w56ByHz541Dgrnq_JhxXqn9ZSCSV0C9URuZCMYzkP3yJXA/s1600/karen-allen-scrooged-615x363.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="363" data-original-width="615" height="376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHAkR7uDsocmhp5-i0Nr0GfBaH4MaVLgcN5lCTOn6c7sW_4XIclNU5cUkmBwTTUYYu_qbWmutUBCNgCjvyiFceZPN7w56ByHz541Dgrnq_JhxXqn9ZSCSV0C9URuZCMYzkP3yJXA/s640/karen-allen-scrooged-615x363.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Arclight Hollywood</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Planes,
Trains and Automobiles </span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1987, John Hughes)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon. Dec. 4 8:15 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Some people like to
see this one in a theater, so this is a pretty good opportunity at the holidays.
(This screening DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow" target="_blank"><span style="mso-bidi-font-weight: normal;">ARCLIGHT HOLLYWOD LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtAj0Ae__ik517pXFQGapC53lyW3HH7tHNuJVdXJaxz_CqPI2e3gLnld8JQtekxcODahBFYlkyvXA-lODUqjQT181iOQ9IlLFItqdcAIDTLy50M17A7VHLY69wyL9WxvS1fkRiSQ/s1600/planestrainsautomobiles390_0_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtAj0Ae__ik517pXFQGapC53lyW3HH7tHNuJVdXJaxz_CqPI2e3gLnld8JQtekxcODahBFYlkyvXA-lODUqjQT181iOQ9IlLFItqdcAIDTLy50M17A7VHLY69wyL9WxvS1fkRiSQ/s640/planestrainsautomobiles390_0_0.jpg" width="640" /></a></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Love
Actually</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2003, Richard Curtis)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 5 7:00 pm (Pasadena)/ 7:15 pm (Santa
Monica)</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">What, you don’t cry
during this?! Who are you!? I like British stuff, sue me. (This screening DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow"><span style="mso-bidi-font-weight: normal;">ARCLIGHT PASADENA LINK</span></a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow" target="_blank"><span style="mso-bidi-font-weight: normal;">ARCLIGHT SANTA MONICA LINK</span></a></span></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Scrooged</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1988, Richard Donner)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Dec. 5 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Also playing this
week at the Egyptian (see above), here’s one more opportunity to see this in a
theater. (This screening also DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.arclightcinemas.com/en/news/arclight-presents-let-it-snow" target="_blank"><span style="mso-bidi-font-weight: normal;">ARCLIGHT SHERMAN OAKS LINK</span></a></span></div>
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-23808928729412927142017-11-17T11:58:00.000-08:002017-11-17T12:01:22.798-08:00LA 35mm Top-Secret Film Screenings Week of Nov. 17, 2017<!--[if gte mso 9]><xml>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Extra! Extra! Your weekly LA 35mm film
screenings paper appearing on social media newsstands today! (Includes some
digital screenings.) I just watched Samuel Fuller’s <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Park Row</i></b> (1952) last
night, so I feel really newspapery today.</span>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Side note, okay, shoot, I totally missed that
AFI Fest was going on. How the hell?! I don’t even know if stuff was 35mm, but
they were showing a healthy amount of classic movies, even if the point of such
a festival should really be new movies. Anyway, hopefully you saw what you
wanted. Somehow it wasn’t on the Egyptian’s Web site until I looked today,
after it ended.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. You can browse the LA Film Calendars links on my side bar to find even more! <span style="mso-spacerun: yes;"> </span>→ → →</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sometimes these choices are tonight, FYI, and
not necessarily listed first.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On the Beach at Night Alone</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2017, Hong Sang-soo)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Nov. 21 8:00 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Nov. 24 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Where are today’s current auteurs, the
Fellinis, Antonionis and French New Wave directors of today? They’re here, in
the body of Hong Sang-soo, an amazing director. Okay there are others, but this
is a big director you really should be watching if you care about art cinema
anymore. My favorite film of his is <i style="mso-bidi-font-style: normal;">The
Turning Gate</i>, also known as <i style="mso-bidi-font-style: normal;">On the
Occasion of Remembering the Turning Gate</i> (what a great long title!), and he
also directed a nice one with Isabelle Huppert, <i style="mso-bidi-font-style: normal;">In Another Country</i>. Lead actress Kim Min-hee won the Silver Bear at
the Berlin International Film Festival this year for her performance. This is
his latest and looks like it’s appearing just twice here in LA. Screw the
foreign language film Oscars, this is what you should really be seeing. No idea
why actual art films are shunned at Oscar time. Go see the real shit.
(Presumably shot and screened digital.)</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/on-the-beach-at-night-alone-presented-by-acropolis-cinema" target="_blank"><span style="font-weight: normal;">DOWNTOWN INDEPENDENT LINK Tue</span></a></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Academy</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Amores Perros</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2000, Alejandro González Iñárritu)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Nov. 20 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is <u>the</u> film that put Alejandro
González Iñárritu on the map in the US, and he hasn’t looked back since (<i style="mso-bidi-font-style: normal;">Birdman, The Revenant</i>). This is well
worth seeing in 35mm on the big screen, especially because of its unique film processing.
While not the first, it’s a very prominent example of using the bleach-bypass
processing method to get that silvery desaturated look. More silver is
preserved in the processing of the film elements for what’s sometimes described
as a “black and white in color” look, like with the grain and grittiness of
black and white, but in color. It’s expensive due to the silver retention(!),
but creates this unique, gritty look. Plus it’s Rodrigo Prieto I almost failed
to mention, ha, the cinematography genius who after this collaboration has
D.P.’d some of the most famous recent Hollywood movies. I never loved this
movie entirely, however, as there’s good and bad things about Iñárritu’s
approach to cinema in general. He’s a bit more mainstream of a Hollywood auteur
than art film auteur, but I think this is a good screening to attend and
reevaluate.<span style="mso-spacerun: yes;"> </span>Especially in this ginormous
state-of-the-art theater at the Academy for only 5 bucks?!</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://pstlala.oscars.org/event/amores-perros-2000/" target="_blank"><span style="font-weight: normal;">ACADEMY LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH7DtQGvd5mdqf2U_lnQdTMh9u4aDRW1e5SxC55CGmU7qqcoRsOwi0xvXu5ziJvNwWreJ-zMugkgSY55IApZWk_6MSLR9PHF0ktrTFgNMywQQf3WvIz8iNYW_O3Qcur8yAP5Iupw/s1600/Amores-Perros.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="1199" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH7DtQGvd5mdqf2U_lnQdTMh9u4aDRW1e5SxC55CGmU7qqcoRsOwi0xvXu5ziJvNwWreJ-zMugkgSY55IApZWk_6MSLR9PHF0ktrTFgNMywQQf3WvIz8iNYW_O3Qcur8yAP5Iupw/s640/Amores-Perros.png" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Vengeance of the Phoenix Sisters</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1968, Chen Hung-min)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Moon Fascinating, Bird Sweet</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1978, Chen Yao-chi)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Nov. 19 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wow just based on these titles alone, let’s
go! The first is a swordplay film, described as having balletic editing. UCLA
goes so far as to say this period in Taiwan rivals Shaw Brothers films of the era,
but then I think we would have heard of them before now. However, the second
film is a very early Brigitte Lin (Chin-shia) film! I had no idea she had a
pre-Hong Kong career in Taiwan, and that it started this far back, man, 1978,
that’s a long time ago. Big fan of hers, so seeing her in her earlier phase in
Taiwanese films sounds like a can’t-miss very rare screening. This is not a
martial arts film, it’s a steamy melodrama. (Okay, maybe not steamy, I made
that up, but the screen grab looks kind of steamy.) You may know her from <i style="mso-bidi-font-style: normal;">Chungking Express, The Bride with White
Hair, Dream Lovers</i> (w/Chow Yun-Fat), <i style="mso-bidi-font-style: normal;">Swordsman
II</i>, (This screening DCP.)</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/11/19/vengeance-phoenix-sisters-moon-fascinating" target="_blank"><span style="font-weight: normal;">UCLA LINK</span></a></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd2I3nIGAi22lKbthhOboIJIPYVQKIQo0pwqVceBYFp8VRDian9ZuhMDv61RKkzQXLPupe_R6Ti3_sTXF4jdn7011pOZiG3IbbLFk7ZbTAtZeb2oFbZZxBbZ1iFSL9cbTWP5qsNw/s1600/moonfascinating.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd2I3nIGAi22lKbthhOboIJIPYVQKIQo0pwqVceBYFp8VRDian9ZuhMDv61RKkzQXLPupe_R6Ti3_sTXF4jdn7011pOZiG3IbbLFk7ZbTAtZeb2oFbZZxBbZ1iFSL9cbTWP5qsNw/s640/moonfascinating.jpg" width="640" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Thin Man</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1934, W.S. Van Dyke)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Another Thin Man</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1939, W.S. Van Dyke)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Nov. 19 6:30 pm/8:30 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Nov. 20 7:30 pm/9:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">William Powell and Myrna Loy dazzle with chemistry
in this early sound-era classic from a Dashiell Hammett novel, with some of the
hard-boiled grit scrubbed off in favor of Hollywood sparkle. But still so worth
it! I haven’t seen the second one. Is it good? Well, you’re sitting there
anyway for a double feature. It’s the third film in the series. Both 35mm!</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-19-the-thin-man-another-thin-man/" target="_blank"><span style="font-weight: normal;">NEW BEVERLY LINK Sun</span></a></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-20-the-thin-man-another-thin-man/" target="_blank"><span style="font-weight: normal;">NEW BEVERLY LINK Mon</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXipwUXm1cojWAY6sgknCl1VwIijxDw-ViYNl7AgsmLUOEqq1g2zgozCav-Q-XAtyq756_hRqTix2wTEuhgM-yhPu6xHIiG171E8fe-UCjWdytPm2eMZ7767dRVQbrBKnltdLAVQ/s1600/thinman.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="563" data-original-width="736" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXipwUXm1cojWAY6sgknCl1VwIijxDw-ViYNl7AgsmLUOEqq1g2zgozCav-Q-XAtyq756_hRqTix2wTEuhgM-yhPu6xHIiG171E8fe-UCjWdytPm2eMZ7767dRVQbrBKnltdLAVQ/s640/thinman.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFjmK4gm5QNvTX9Y0nT20uVyifxWfYC_vL0U2FnDvW6SYMPg07Mqv5IOo_zGiuRcF3sMK784aB4fhMuD2Yvlpi02ospIjFEGlBj6a2hKowJGu5QZhAUmC5BWqBeIZIRziug0tq7Q/s1600/another-thin-man-lobby-card-title-large.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="759" data-original-width="970" height="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFjmK4gm5QNvTX9Y0nT20uVyifxWfYC_vL0U2FnDvW6SYMPg07Mqv5IOo_zGiuRcF3sMK784aB4fhMuD2Yvlpi02ospIjFEGlBj6a2hKowJGu5QZhAUmC5BWqBeIZIRziug0tq7Q/s640/another-thin-man-lobby-card-title-large.JPG" width="640" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">2001: A Space Odyssey</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1968, Stanley Kubrick) <u>in 70mm!</u></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Nov. 19 7:30 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Nov. 22 7:30 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Nov. 24 7:30 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 25 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">What can I tell you, this plays all the
fricking time. But it was shot on 70mm and is being screened on 70mm. As opposed
to seeing some 35mm film blown up to 70mm, this is the real deal, and there’s a
big difference. So, if you haven’t seen it, really this is the ideal way! It
has some slowness to modern audiences in certain sections by taking too much
time showing off special effects that were brand-new at the time, and the
closed-off behaviors of the lead astronauts may seem a bit obtuse at times, but
by the end, you’ll be deep in thought contemplating the ideas it brings up on
such a wondrous journey, and in the thrall of A.I.'s biggest star of them all,
Hal 9000. Your only excuse not to go? If you have already seen it more than
once on 70mm, otherwise, you better go.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-29" target="_blank"><span style="font-weight: normal;">EGYPTIAN LINK Sun</span></a></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-28" target="_blank"><span style="font-weight: normal;">EGYPTIAN LINK Wed</span></a></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-27" target="_blank"><span style="font-weight: normal;">EGYPTIAN LINK Fri Nov. 24</span></a></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-26" target="_blank"><span style="font-weight: normal;">EGYPTIAN LINK Sat. Nov. 25</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHwCLZ84ThKTwgP5jT5EhTj9Jt3olIrOsZl18Zh9qGWx46MILfBmPQFuIsJrrwdzLtyQAvorSE-S6xiz3LslaWsk3XhjudLl-tkIKKETRNNUrT87sss5yxWvzBZGak4HZxl_B56g/s1600/primate-ancestor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="571" data-original-width="1255" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHwCLZ84ThKTwgP5jT5EhTj9Jt3olIrOsZl18Zh9qGWx46MILfBmPQFuIsJrrwdzLtyQAvorSE-S6xiz3LslaWsk3XhjudLl-tkIKKETRNNUrT87sss5yxWvzBZGak4HZxl_B56g/s640/primate-ancestor.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Autry
Museum (w/Los Angeles Film Forum)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Amérika Trilogy, part 2: <i>Orinoko, Nueva
Mundo </i>(1984, Diego Rísquez)</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Nov. 19 4:00 pm</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">35mm screening! This
is an experimental film, part 1 of which (see prior week) was the first Super 8
film to be selected for the Directors Fortnight at the Cannes Film Festival.
Part 2 also played Cannes but was never distributed in the US. This trilogy is
about the real and mythical histories of the Latin American continent. The film
is said to be surreal, a speechless vision of the history of Venezuela and the
Orinoco River basin before and after conquest. Appearing in some form are
historical figures such as Columbus, but through the eyes of the indigenous
peoples. This is a fascinating subject for me as I just read a whole book on
Trinidad’s entire history (just off the coast of Venezuela). Director Diego
Rísquez in person at these, a filmmaker from Venezuela. Sounds amazing! Part 1
already played. <a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-3-amerika-terra-incognita/" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 3 is Nov. 20</span></a>
at REDCAT at 8:30 pm. </span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-2-orinoko-nueva-mundo/" target="_blank"><span style="font-weight: normal;">LOS ANGELES FILM FORUM LINK</span></a></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJJhfwyXYWBGsYubvU5jz5pjhqjBymPP8PH9W0gmb_6iXL7vN_WgBkokEA27ga8W-jMs4eD-zSt4lEJqAxShcZORHm-bMLrVTnoC2qZOiS46Pf9zM5wlv5GVmbOMghAcvEPLdriw/s1600/Orinoko-3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="250" data-original-width="380" height="420" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJJhfwyXYWBGsYubvU5jz5pjhqjBymPP8PH9W0gmb_6iXL7vN_WgBkokEA27ga8W-jMs4eD-zSt4lEJqAxShcZORHm-bMLrVTnoC2qZOiS46Pf9zM5wlv5GVmbOMghAcvEPLdriw/s640/Orinoko-3.png" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">REDCAT
(w/Los Angeles Film Forum)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Amérika Trilogy, part 3: <i>Amérika, Terra
Incógnita </i>(1988, Diego Rísquez)</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon. Nov. 20 8:30 pm</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Originally shot on
Super 16mm and blown up to 35mm. (Presented here on 35mm.) This is an
experimental film, part 1 of which (see above) was the first Super 8 film to be
selected for the Directors Fortnight at the Cannes Film Festival. This trilogy
is about the real and mythical histories of the Latin American continent.
Sounds very interesting. Director Diego Rísquez in person at these, a filmmaker
from Venezuela. Part 1 already played last week. <a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-2-orinoko-nueva-mundo/" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 2 is Nov. 19</span></a>
at the Autry Museum at 4:00 pm. </span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.redcat.org/event/diego-r-squez-american-trilogy-am-rika-terra-inc-gnita" target="_blank"><span style="font-weight: normal;">REDCAT LINK</span></a></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-3-amerika-terra-incognita/" target="_blank"><span style="font-weight: normal;">LOS ANGELES FILM FORUM LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXRmPyEn3rtNyFRe0rJr9xTX5UMw5Fd7W5DRw8vmsqAeJaHH6cFYbSreLAm3Y6-jDAlF1YcjqONE_tkk7ypnf1h6-9oXulgf9f-LTnumxosI7exgT4lF_mSFxM55TYPDOXMbmaIQ/s1600/Rizquez_Amerika.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="337" data-original-width="494" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXRmPyEn3rtNyFRe0rJr9xTX5UMw5Fd7W5DRw8vmsqAeJaHH6cFYbSreLAm3Y6-jDAlF1YcjqONE_tkk7ypnf1h6-9oXulgf9f-LTnumxosI7exgT4lF_mSFxM55TYPDOXMbmaIQ/s640/Rizquez_Amerika.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">El Vampiro</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1957, Fernando Méndez)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sombra verde</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1954, Roberto Gavaldón</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 18 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The first is a said to be a classic of
midcentury Mexican horror, but that’s not a thing on my radar, what is that?!
Anyway, it’s two people stranded at a train station at night, and boom, a
carriage offers to give them a ride and things will get bitey. Sounds like that
Coppola <i style="mso-bidi-font-style: normal;">Dracula</i>. In the second film,
we have Ricardo Montalbán returning to Mexico to make a film, whilst already a
major star in the US. It’s a bit of an erotic jungle adventure film, but sounds
interesting. (First film 35mm, second film DCP.)</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-el-vampiro-sombra-verde" target="_blank"><span style="font-weight: normal;">DOWNTOWN INDEPENDENT LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv31vDsWCTrpI7GShVevSB86mRq_e3s7Vu_OzfX9R-b5cb5rsxxUZbKEnLioTt-zYqEQkibNwP-1L28ubszwYDZEF0-PcAPTlFlgoIHxd51O3IjPnbcuHjYXgNxypESKhm514ZuA/s1600/Nov18ElVampiro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv31vDsWCTrpI7GShVevSB86mRq_e3s7Vu_OzfX9R-b5cb5rsxxUZbKEnLioTt-zYqEQkibNwP-1L28ubszwYDZEF0-PcAPTlFlgoIHxd51O3IjPnbcuHjYXgNxypESKhm514ZuA/s640/Nov18ElVampiro.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgImfOIJ7MurU_ZQNjACbKnPd4ucF03wXoXFmkyzugvCZcgYSntF9KBJJh9GxaUVGpks2Sz1fM3tird1oGxA1EqWkRPlAqt-qbI-b7g9fOQSihhyphenhyphenJfcIiKNVUDUzggeyjzJr2pHHA/s1600/sombraverde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgImfOIJ7MurU_ZQNjACbKnPd4ucF03wXoXFmkyzugvCZcgYSntF9KBJJh9GxaUVGpks2Sz1fM3tird1oGxA1EqWkRPlAqt-qbI-b7g9fOQSihhyphenhyphenJfcIiKNVUDUzggeyjzJr2pHHA/s640/sombraverde.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span><br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The War of the Gargantuans</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1966, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 18 11:59 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s back! In case you missed it before. I
didn’t see it yet, so I don’t know, it seemed pretty popular if you like weird
giant monster cinema from the director of <i style="mso-bidi-font-style: normal;">Godzilla</i>.
This probably does go down better at midnight!</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-18-war-of-the-gargantuas-midnight-show/" target="_blank"><span style="font-weight: normal;">NEW BEVERLY LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2At9FqtQBTiO0JcNaUeRd22DBxzvMiut7szaWs_JQwcCWeLCIBLJKfFyHfe2GTLx12lYcuZ016VWdwCjWW7_nhrPEbFKeqwzY6roUIHGgFu8tyO-z6iFMr_uxq_BXdUP20l8P3A/s1600/war-of-the-gargantuas-poste-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2At9FqtQBTiO0JcNaUeRd22DBxzvMiut7szaWs_JQwcCWeLCIBLJKfFyHfe2GTLx12lYcuZ016VWdwCjWW7_nhrPEbFKeqwzY6roUIHGgFu8tyO-z6iFMr_uxq_BXdUP20l8P3A/s640/war-of-the-gargantuas-poste-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">His Kind of Woman!</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1951, John Farrow)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thunder Road</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1958, Arthur Ripley)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Nov. 21 7:30 pm/10:00 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Nov. 22 7:30 pm/10:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Get your Mitchum on with a double feature. My spidey
sense says these are not the all-time best Robert Mitchum films ever, but hey
you got Jane Russell, Vincent Price and Raymond Burr in the first film, plus
Mitchum sings the theme song in the second (see the trailer on the site link).
Given the dearth of old-timey films screening in 35mm, it could be worth going
and maybe fun.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/his-kind-of-woman-thunder-road/" target="_blank"><span style="font-weight: normal;">NEW BEVERLY LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge1ha2wuHIp4XftBZgXpaYWNpCHf8tVD6CS_XH5S9GBIc_hAp_04zwgcIhRG0ewjwH1JToJLFx4f3ISjCxwY6750GuGA6z6KNNjdMt6rVQpvyVoGTOnYyE2UCvSHe3MVxtC6Rf8w/s1600/his-kind-of-woman-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge1ha2wuHIp4XftBZgXpaYWNpCHf8tVD6CS_XH5S9GBIc_hAp_04zwgcIhRG0ewjwH1JToJLFx4f3ISjCxwY6750GuGA6z6KNNjdMt6rVQpvyVoGTOnYyE2UCvSHe3MVxtC6Rf8w/s640/his-kind-of-woman-poster-385x578.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxGMrdMzN4SRCgdLaDQ-WhO8IpWHn27Jd2-Zp6EZcrYK0BdyDEC_9CWe2MpYw5-YFEjKY96rHQ6Z73JLU-YZbofNrX11gHwTZ0fkE6QVZbNFwJrUgNVC2tlMjWPBQjrE4zGmERoA/s1600/thunder-road-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxGMrdMzN4SRCgdLaDQ-WhO8IpWHn27Jd2-Zp6EZcrYK0BdyDEC_9CWe2MpYw5-YFEjKY96rHQ6Z73JLU-YZbofNrX11gHwTZ0fkE6QVZbNFwJrUgNVC2tlMjWPBQjrE4zGmERoA/s640/thunder-road-poster-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NuArt
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Suspiria</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(Extended) (1977, Dario Argento)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
(<u>tonight</u>) Nov. 17 11:59 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A 4k restoration. Extended version. Jessica
Harper is always awesome!</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/suspiria-extended" target="_blank"><span style="font-weight: normal;">NUART LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghWcxQxvp7H5ncL2HAu6z1XbtkTn5NSP_Rb_0HYLGXw95kSYQhXDa5p5mHj2tA3ZSdn6W0pQ_AvbvTx8TPgEKQfREuiJ6b-dHcduX9Wr8xaDF8pexdAHV71UzqEBOXAT2u3kaDVA/s1600/suspiria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="426" data-original-width="1000" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghWcxQxvp7H5ncL2HAu6z1XbtkTn5NSP_Rb_0HYLGXw95kSYQhXDa5p5mHj2tA3ZSdn6W0pQ_AvbvTx8TPgEKQfREuiJ6b-dHcduX9Wr8xaDF8pexdAHV71UzqEBOXAT2u3kaDVA/s640/suspiria.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Echo Park Film Center</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
House is Black</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1963, Forough Farrokhzad) </span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Nov. 18 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Iranian cinema has
been amazing since about the 1960s through today with such luminaries as Abbas
Kiarostami (recently deceased), Mohsen Makhmalbaf, Majid Majidi, and Samira
Makhmalbaf just to name a few of the best. Their fruitful forbears in the 1960s
influenced their more well-known ’90s followers and that is what this screening
is about. Some bridged the entire period, such as Dariush Mehrjui, who worked
from the ’60s through the ’90s, even to today. This short film here from 1963
is by a famed poet and is said to have heavily influenced the later cinema
figures. I’m a huge Iranian cinema enthusiast, especially of Abbas Kiarostami,
and somehow have not seen this film! (Screening format not disclosed, short
film 20 minutes.)</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.echoparkfilmcenter.org/events/action-cinema-as-catalyst/" target="_blank"><span style="font-weight: normal;">ECHO PARK FILM CENTER LINK</span></a></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEintIyC9qAoNZMevYsa9zH8g8CcgIlikdfXC3GRP16kqgx2sAYp08Ms2unBdfZAC43IUozKjCCJxJS4vTk6C_rNBGJzm7GsBtQF9q72qvtAOcYerNoyNmcmGe8qQ-UrlVMkvfvk9A/s1600/houseisblack.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="247" data-original-width="370" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEintIyC9qAoNZMevYsa9zH8g8CcgIlikdfXC3GRP16kqgx2sAYp08Ms2unBdfZAC43IUozKjCCJxJS4vTk6C_rNBGJzm7GsBtQF9q72qvtAOcYerNoyNmcmGe8qQ-UrlVMkvfvk9A/s640/houseisblack.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Prison
on Fire</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1987, Ringo Lam)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Victim</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1999, Ringo Lam)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue. Nov. 28 7:30 pm/9:40 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">I was a huge fan of
the <i style="mso-bidi-font-style: normal;">Prison on Fire </i>films and really almost
anything Chow Yun-Fat was in once I first came across him in the ’90s. Very interested
to see how this film has aged. It had a sequel, <i style="mso-bidi-font-style: normal;">Prison on Fire II</i> (1991), not showing here. But instead we have a
1999 Ringo Lam film, <i style="mso-bidi-font-style: normal;">Victim</i>, starring
a very awesome Hong Kong actor, Lau Ching-Wan. I can’t recall if I ever watched
this movie or not. A lot of post-handover Hong Kong films just weren’t as good
(the hand-over of sovereignty from the United Kingdom to China in 1997). The highly
endearing lower-budget attempts to exceed Hollywood excess just weren’t there
anymore and the films, perhaps unrelated to the handover, were trying to get
more respectable. See <i style="mso-bidi-font-style: normal;">Crouching Tiger,
Hidden Dragon</i> for more evidence. Anyway, so you’re seeing a gap bridged
here, the before and after. Prime excess ’80s Hong Kong awesomeness vs. ’90s
with the same director even. Although given that this is Grindhouse night, the
second film definitely shouldn’t be too respectable! See if you notice a
difference. And Chow Yun-Fat is the most charismatic actor in a generation, the
reincarnation of Cary Grant, definitely see that film!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-28-prison-on-fire-the-victim/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkuGhhSG4OXOX_f3Ujv3TJ2-hEe9ERNR2YHLct6Ix3i6KeliqyoGCZ6sgJRIA2nvmedqpb1f5cz4r5G1UgsIX-BR12xWzrcHcuJkqP3FE_6sQElXIf7lLRfAmN0vzsjCMyTUI3FQ/s1600/prisononfire.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1272" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkuGhhSG4OXOX_f3Ujv3TJ2-hEe9ERNR2YHLct6Ix3i6KeliqyoGCZ6sgJRIA2nvmedqpb1f5cz4r5G1UgsIX-BR12xWzrcHcuJkqP3FE_6sQElXIf7lLRfAmN0vzsjCMyTUI3FQ/s640/prisononfire.jpg" width="640" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOOTFTlMZp9sMgqjAJpTTiM9Ft4wP8NlA6c-1ab5EOQL-RODKdnJp5HlOS0c3DFOkA4RTWruv-cL1-P4N02uVljjqCV2SoxUwK8ajUob3OU5ux1e_AmLLMpi9ZKTIFAcOQJumNnQ/s1600/Victim-lau-ching-wan3_f0e674ac892850b0c329db2dc28d146b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="341" data-original-width="600" height="362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOOTFTlMZp9sMgqjAJpTTiM9Ft4wP8NlA6c-1ab5EOQL-RODKdnJp5HlOS0c3DFOkA4RTWruv-cL1-P4N02uVljjqCV2SoxUwK8ajUob3OU5ux1e_AmLLMpi9ZKTIFAcOQJumNnQ/s640/Victim-lau-ching-wan3_f0e674ac892850b0c329db2dc28d146b.jpg" width="640" /></a></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">West
Side Story</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1961, Robert Wise, Jerome Robbins)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Nov. 25 11:59 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">A midnight screening
of <i style="mso-bidi-font-style: normal;">West Side Story</i>?!? Methinks you
misjudge your audience for this film! But it’s a great, fun film. Well worth
seeing. Especially in 35mm.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-25-west-side-story-midnight-show/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCapbTMOHf6Xhh4kt6SS4Q52XBwZfYYAqGY-XMHaLloKfe2XXI6Wq-ixajaZrc3T_17KksTnhn4LsiqHIxaMzN4gVehaj_GQmJpjNy9Wjj8DU4f5P0n6QAg9PDVMBwZmVNmRVDPg/s1600/westside.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="1023" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCapbTMOHf6Xhh4kt6SS4Q52XBwZfYYAqGY-XMHaLloKfe2XXI6Wq-ixajaZrc3T_17KksTnhn4LsiqHIxaMzN4gVehaj_GQmJpjNy9Wjj8DU4f5P0n6QAg9PDVMBwZmVNmRVDPg/s640/westside.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Singing
in the Rain</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1952, Gene Kelly, Stanley Donen)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. Nov. 24 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Played recently, but
it’s back again. Oh, darn, it’s in DCP. Well, still great! Always enjoyed
seeing a musical on the big screen at the Aero.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/singin-in-the-rain-10" target="_blank"><span style="mso-bidi-font-weight: normal;">AERO THEATRE LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdBCKa5mTsDDtTGAeDtvrMBAjhyphenhyphenDRRoI5JSjrsMjxNhC5SonQzUyiU6lK2FjxzcE-KJhc0ExkaRfLccBkLesiGZ9sU17hlbFitEK-EayrsbNKyYNb2z9P_6G4B3SwPb6rJa7FXnQ/s1600/Singing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="720" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdBCKa5mTsDDtTGAeDtvrMBAjhyphenhyphenDRRoI5JSjrsMjxNhC5SonQzUyiU6lK2FjxzcE-KJhc0ExkaRfLccBkLesiGZ9sU17hlbFitEK-EayrsbNKyYNb2z9P_6G4B3SwPb6rJa7FXnQ/s640/Singing.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><br /></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Echo Park Film Center</span></b>
</div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Renaldo
and Clara</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1978, Bob Dylan)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Nov. 25 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Four-hour-long film
directed by Bob Dylan, with some scenes written by Sam Shepard. Here it is
being shown on a VHS recording of a 4-hour broadcast. Hmm, well, depends how
badly you want to see this, although it is in a lovely friendly and communal
atmosphere. If it’s up your alley, definitely check this unique event out.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.echoparkfilmcenter.org/events/thanksgiving-weekend-special-renaldo-and-clara/" target="_blank"><span style="mso-bidi-font-weight: normal;">ECHO PARK FILM CENTER LINK</span></a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc0y70PEeTfxvmtIZc9c9Myp7fgHz5bTa1oO6YLKEO9pVA-2q9uRBJOxr5uaD94xVQMwp4SRmGudyqpSgHmfaWOJgeZKo5OocvLnIp13W8YbY4-sA0p80jT4N_a29vy83T9bhQWA/s1600/RenaldoClara-370x247.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="247" data-original-width="370" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc0y70PEeTfxvmtIZc9c9Myp7fgHz5bTa1oO6YLKEO9pVA-2q9uRBJOxr5uaD94xVQMwp4SRmGudyqpSgHmfaWOJgeZKo5OocvLnIp13W8YbY4-sA0p80jT4N_a29vy83T9bhQWA/s640/RenaldoClara-370x247.jpeg" width="640" /></a></div>
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<br /></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Note: Some of the
Aero screenings didn’t seem filled in past Nov. 24, so check their site for
more updated info.</span></div>
The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-69477937469385178362017-11-10T14:47:00.001-08:002017-11-10T14:55:23.535-08:00LA 35mm Film Screenings Dossier for Week of Nov. 10, 2017<!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Extra! Extra! Your weekly LA 35mm film
screenings paper appearing on FB newsstands today! (Includes some digital
screenings.)</span><br />
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<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. So
browse the LA Film Calendars links on my side bar to find even more! <span style="mso-spacerun: yes;"> </span>→ → →</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sometimes these choices are tonight, FYI, and
not necessarily listed first.</span></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NuArt Theatre</span></b></div>
<div class="MsoNormal">
<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Eraserhead</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1977, David Lynch)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight</u>) Nov. 10 11:59pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Alert: in 35mm! Good
ol’ David Lynch classic at midnight, probably the only instance of a major
filmmaker breaking through via the midnight movie circuit of the time. And here
you can replicate that experience by going to see it probably exactly where it
played at midnight when it first came out. Also, if you don’t like truly weird
movies, don’t watch this one.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/eraserhead" target="_blank"><span style="mso-bidi-font-weight: normal;">NUART LINK</span></a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXj-PEZhjB-Y9nMh_rbKxq5WP1xsnc8IzkytlwkKGReb-bUB4eht1e4bRaS2Hmatft9UMMCH7XFZlBx6KkQC9cC_Tt_GHqHO9aKvkDCYtoAaFFmB0GPjeuzl_lC0G3QM1FNWvaug/s1600/Eraserhead.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1215" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXj-PEZhjB-Y9nMh_rbKxq5WP1xsnc8IzkytlwkKGReb-bUB4eht1e4bRaS2Hmatft9UMMCH7XFZlBx6KkQC9cC_Tt_GHqHO9aKvkDCYtoAaFFmB0GPjeuzl_lC0G3QM1FNWvaug/s640/Eraserhead.jpg" width="484" /></a></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown Independent (w/Los Angeles Film
Forum)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Amérika Trilogy, part 1: <i>Bolivar, Tropikal
Symphony</i> (1979, Diego Rísquez)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed. Nov. 15 8:00 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This is an
experimental film, the first Super 8 film to be selected for the Directors
Fortnight at the Cannes Film Festival. This trilogy is about the real and
mythical histories of the Latin American continent. Sounds very interesting.
Director Diego Rísquez is in person at these, a filmmaker from Venezuela. Here
the Super 8 has been blown up to 35mm. <a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-2-orinoko-nueva-mundo/" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 2 is Nov. 19</span></a>
at the Autry Museum at 4:00 pm, and <a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-3-amerika-terra-incognita/" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 3 is Nov. 20</span></a>
at REDCAT at 8:30 pm.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/bolivar-a-tropikal-symphony-dir-diego-r-squez-1979" target="_blank"><span style="mso-bidi-font-weight: normal;">DOWNTOWN INDEPENDENT LINK</span></a> (Except note it’s at 8:00 pm, it lists wrong time in one place)</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-M83msyjTAxyK-MEs4EqXOhqS1V4xpZFzD7vKSoQxvCNcAOvpXZTeYnrWayVpNg-xZIgEpGD0Zbt6nGcS8i725aDXc_0TOuo6rgT2g2zxvtA4UbGM8FxwuMU0UwgatUk9f9lrfQ/s1600/bolivar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="253" data-original-width="450" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-M83msyjTAxyK-MEs4EqXOhqS1V4xpZFzD7vKSoQxvCNcAOvpXZTeYnrWayVpNg-xZIgEpGD0Zbt6nGcS8i725aDXc_0TOuo6rgT2g2zxvtA4UbGM8FxwuMU0UwgatUk9f9lrfQ/s640/bolivar.jpg" width="640" /></a></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Female Bunch</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1971, Al Adamson)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Murder Gang</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1976, Al Adamson)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Nov. 14 7:30pm/9:25pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">These sound like pure grindhouse fare, if
you’re into it. Both have Russ Tamblyn in them. The first is a western where
the women live by their own rules and features the final screen performance of
Lon Chaney Jr. The second is a Las Vegas cop gone a bit badass while trying to
fight Russ Tamblyn’s criminal overlord..!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-14-the-female-bunch-the-murder-gang/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimymAnS-CIF1oLo0zjAogtUybu-z8YHiUFXlhGWuvlebfoaWVMaxNyGEZUlayq1CH5k3E0G0Sp_ghmjy5VopSjrw5IFbcCbUu0SH4Ypv8ZQ7hJXORL0wd1DG5t4AOXtkQn2Q_kFA/s1600/female-bunch-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimymAnS-CIF1oLo0zjAogtUybu-z8YHiUFXlhGWuvlebfoaWVMaxNyGEZUlayq1CH5k3E0G0Sp_ghmjy5VopSjrw5IFbcCbUu0SH4Ypv8ZQ7hJXORL0wd1DG5t4AOXtkQn2Q_kFA/s640/female-bunch-poster-385x578.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGNa5ImsT_y4w5Y6AA6kHyKJp4ChmtKrRk28PQCV4y6MwS0LSXg1AtEfUsUS7ee8a0PjdRzv86TBkGsBydAsG5-tEYSLtd-kMR9VS5h5073jMIrG50wpfDyQfc3ikvlgz30fRyYw/s1600/murder-gang-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGNa5ImsT_y4w5Y6AA6kHyKJp4ChmtKrRk28PQCV4y6MwS0LSXg1AtEfUsUS7ee8a0PjdRzv86TBkGsBydAsG5-tEYSLtd-kMR9VS5h5073jMIrG50wpfDyQfc3ikvlgz30fRyYw/s640/murder-gang-poster-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mrs. Miniver</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1942, William Wyler)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Nov. 15 2:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">More afternoon classics in 35mm here. (Check
schedule for others.) I haven’t seen this, but as 35mm becomes somewhat rare to
see projected, it’s great to go see some William Wyler, who is sometimes a
stupendous director (I love<i style="mso-bidi-font-style: normal;"> The Heiress</i>
[1949] and <i style="mso-bidi-font-style: normal;">Dodsworth</i> [1936]). Seems
worth a look if you have the daytime free.</span></div>
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<span style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-15-mrs-miniver-afternoon-classics/" target="_blank">NEW BEVERLY LINK</a></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPPBGQYNdAmXO77r0S4PErpV71U4BRgu1bpHyj_662b9RpxWBNGbuY9wLKPK-jXeGpTd-Kt_R7HpXSuwIf2FDgGOCnKq8tr3bTnLJ-vb0V9YvndjX7CnAKI1i9SJPLa90Ofbi1aA/s1600/Mrs-Miniver-2-16x9-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="641" data-original-width="1140" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPPBGQYNdAmXO77r0S4PErpV71U4BRgu1bpHyj_662b9RpxWBNGbuY9wLKPK-jXeGpTd-Kt_R7HpXSuwIf2FDgGOCnKq8tr3bTnLJ-vb0V9YvndjX7CnAKI1i9SJPLa90Ofbi1aA/s640/Mrs-Miniver-2-16x9-1.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Academy</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Strawberry and Chocolate</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1993, Tomás Gutiérrez Alea, Juan Carlos Tabío)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Nov. 13 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">One of this town’s most amazing theaters,
showing a foreign “classic” on 35mm. I put that in quotes because I haven’t yet
seen this film, although I am a fan of Alea’s early Cuban black and white
films, which are quite amazing. (This seems a bit more mainstream.) At the
Academy’s amazingly huge theater for only 5 bucks.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://pstlala.oscars.org/event/fresa-chocolate-strawberry-chocolate-1993/" target="_blank">ACADEMY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjL3Z24FjKdr-n_3M-lwx_YiW2Wq1GATD6iWxDx2CJbTtzjjAFZwwntggjXhf3NBMV-mO9xWPq5PjFGjc82BxgRQiJKJY6ZhbdsSJmCeLQO6tmQrspPmive8dQd6DSheJhpyvpnQ/s1600/strawberrychocolate.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1017" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjL3Z24FjKdr-n_3M-lwx_YiW2Wq1GATD6iWxDx2CJbTtzjjAFZwwntggjXhf3NBMV-mO9xWPq5PjFGjc82BxgRQiJKJY6ZhbdsSJmCeLQO6tmQrspPmive8dQd6DSheJhpyvpnQ/s640/strawberrychocolate.jpg" width="406" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Planes, Trains and Automobiles</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1987, John Hughes)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thu.
Nov. 16 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s DCP, but a lot of fun in a theater with a
lot of people and it’s a Thanksgiving favorite! Come get yourself in the
holiday mood.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/planes-trains-and-automobiles-0" target="_blank">AERO THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8tlj00GI1i7tNzG5DC5Kmn51hkaeQRiFRJt_dsVgJN8INWE8hUmAXIMmQ0Z9nrjdRdIaY1_olJDqvc0D3L2P91kDaX4VF_MWRTdMkcjSyjztN2atd0vEZs4WBBSQ6ydCseFdQXg/s1600/planestrainsautomobiles390_0_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8tlj00GI1i7tNzG5DC5Kmn51hkaeQRiFRJt_dsVgJN8INWE8hUmAXIMmQ0Z9nrjdRdIaY1_olJDqvc0D3L2P91kDaX4VF_MWRTdMkcjSyjztN2atd0vEZs4WBBSQ6ydCseFdQXg/s640/planestrainsautomobiles390_0_0.jpg" width="640" /></a> </div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On the Beach at Night Alone</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2017, Hong Sang-soo)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Nov. 21 8:00 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Nov. 24 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Where are today’s current auteurs, the
Fellinis, Antonionis and French New Wave directors of today? They’re here, in
the body of Hong Sang-soo, an amazing director. Okay there are others, but this
is a big director <span style="mso-spacerun: yes;"> </span>you really should be
watching if you care about art cinema anymore. My favorite film of his is <i style="mso-bidi-font-style: normal;">The Turning Gate</i>, also known as <i style="mso-bidi-font-style: normal;">On the Occasion of Remembering the Turning
Gate</i> (what a great long title!), and he also directed a nice one with Isabelle
Huppert, <i style="mso-bidi-font-style: normal;">In Another Country</i>. Lead
actress Kim Min-hee won the Silver Bear at the Berlin International Film
Festival this year for her performance. This is his latest and looks like it’s
appearing just twice here in LA. Screw the foreign language film Oscars, this
is what you should really be seeing. No idea why actual art films are shunned
at Oscar time. Go see the real shit. (Presumably shot and screened digital.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/on-the-beach-at-night-alone-presented-by-acropolis-cinema" target="_blank">DOWNTOWN INDEPENDENT LINK Tue</a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/on-the-beach-at-night-alone-presented-by-acropolis-cinema-1" target="_blank">DOWNTOWN INDEPENDENT LINK Fri</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMkTRBfoz6_ri5Wkv556i_ckZvGjzOnyipX3LgBKye5jxfUHdHArCXwOn2p0cGwk3exFsRuPoYzDtcviMk26ff9NRrhU6diuWMTcZ6S3KvuZrYdXuid50nNYETLcl7ahKL0BAogQ/s1600/On_the_Beach_at_Night_Alone.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="314" data-original-width="220" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMkTRBfoz6_ri5Wkv556i_ckZvGjzOnyipX3LgBKye5jxfUHdHArCXwOn2p0cGwk3exFsRuPoYzDtcviMk26ff9NRrhU6diuWMTcZ6S3KvuZrYdXuid50nNYETLcl7ahKL0BAogQ/s640/On_the_Beach_at_Night_Alone.jpg" width="448" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Academy</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Amores Perros</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2000, Alejandro González Iñárritu)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Nov. 20 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is <u>the</u> film that put Alejandro
González Iñárritu on the map in the US, and he hasn’t looked back since. This
is well worth seeing in 35mm on the big screen, especially because of its
unique film processing. While not the first, it’s a very prominent example of
using the bleach-bypass processing method to get that silvery desaturated look.
More silver is preserved in the processing of the film elements for what’s
sometimes described as a “black and white in color” look, like with the grain
and grittiness of black and white, but in color. It’s expensive due to the
silver retention(!), but creates this unique, gritty look they wanted. Plus it’s
Rodrigo Prieto I almost failed to mention, ha, the cinematography genius who after
this collaboration has D.P.’d some of the most famous recent Hollywood movies.
I never loved this movie entirely, however, as there’s good and bad things
about Iñárritu’s approach to cinema in general. He’s a bit more mainstream of a
Hollywood auteur than art film auteur, but I think this is a good screening to
attend and reevaluate.<span style="mso-spacerun: yes;"> </span>Especially in
this ginormous state-of-the-art theater at the Academy for only 5 bucks?!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://pstlala.oscars.org/event/amores-perros-2000/" target="_blank">ACADEMY LINK</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuj-Jlk6kpy_d_u0EKZqdcKlfF45BPXM658OmRR3jnUtD4iEz-w6feute58DjuTqQEcnt1n0LtZHzeSXIVSTJKBTtNDRgPSEGzGEkRkHCoAo-KCuxtZyXcEHeAiXno9iEs31B_MA/s1600/Amores-Perros.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="1199" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuj-Jlk6kpy_d_u0EKZqdcKlfF45BPXM658OmRR3jnUtD4iEz-w6feute58DjuTqQEcnt1n0LtZHzeSXIVSTJKBTtNDRgPSEGzGEkRkHCoAo-KCuxtZyXcEHeAiXno9iEs31B_MA/s640/Amores-Perros.png" width="640" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Vengeance of the Phoenix Sisters</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1968, Chen Hung-min)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Moon Fascinating, Bird Sweet</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1978, Chen Yao-chi)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Nov. 19 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wow just based on these titles alone, let’s go!
The first is a swordplay film, described as having balletic editing. UCLA goes
so far as to say this period in Taiwan rivals Shaw Brothers films of the era,
but then I think we would have heard of them before now. However, the second
film is a very early Brigitte Lin (Chin-shia) film! I had no idea she had a pre-Hong
Kong career, and that it started this far back, man, 1978, that’s a long time
ago. Big fan of hers, so seeing her in her earlier phase in Taiwanese films
sounds like a can’t-miss very rare screening. This is not a martial arts film,
it’s a steamy melodrama. (Okay, maybe not even steamy, I made that up, but even
the screen grab looks steamy.) You may know her from <i style="mso-bidi-font-style: normal;">Chungking Express, The Bride with White Hair, Dream Lovers</i> (w/Chow
Yun-Fat), <i style="mso-bidi-font-style: normal;">Swordsman II</i>, (This
screening DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/11/19/vengeance-phoenix-sisters-moon-fascinating" target="_blank">UCLA LINK</a></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY9ZYxPstvB7QaG_VTL1dWsjaUbN3VMdNyHMWpfQY6jtZh3Acvn-a0_qJ_vA8xaK_gA4nxwa9tWotUQi4Y8T6Sz4oCt1CaifpxH7QtCKjS26sIJx4hY6_DOxHJ4Vk_UnzZKJeRGA/s1600/Vengeance-of-the-Phoenix-Sisters-1968_stills13_600.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="251" data-original-width="600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY9ZYxPstvB7QaG_VTL1dWsjaUbN3VMdNyHMWpfQY6jtZh3Acvn-a0_qJ_vA8xaK_gA4nxwa9tWotUQi4Y8T6Sz4oCt1CaifpxH7QtCKjS26sIJx4hY6_DOxHJ4Vk_UnzZKJeRGA/s640/Vengeance-of-the-Phoenix-Sisters-1968_stills13_600.png" width="640" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL95EX9ioPYdAvLVl44S5-qZfb1L1DbFFgaI3doP44FAk4P1Xk_BLepjAgljXGJOWaAi3JDSx9r6HKRTIYZoZBeQsjaYKuzYZPWf_pVlUaRbe59mVshDqhQOUi5V6_seaVhUz_Cw/s1600/moonfascinating.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL95EX9ioPYdAvLVl44S5-qZfb1L1DbFFgaI3doP44FAk4P1Xk_BLepjAgljXGJOWaAi3JDSx9r6HKRTIYZoZBeQsjaYKuzYZPWf_pVlUaRbe59mVshDqhQOUi5V6_seaVhUz_Cw/s640/moonfascinating.jpg" width="640" /></a></b></div>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Thin Man</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1934, W.S. Van Dyke)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Another Thin Man</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1939, W.S. Van Dyke)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Nov. 19 6:30 pm/8:30 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Nov. 20 7:30 pm/9:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">William Powell and Myrna Loy dazzle with
chemistry in this early sound-era classic from a Dashiell Hammett novel, with
some of the hard-boiled grit scrubbed off in favor of Hollywood sparkle. But
still so worth it! I haven’t seen the second one. Is it good? Well, you’re sitting
there anyway for a double feature. It’s the third film in the series. Both
35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-19-the-thin-man-another-thin-man/" target="_blank">NEW BEVERLY LINK Sun</a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-20-the-thin-man-another-thin-man/" target="_blank">NEW BEVERLY LINK Mon</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo8sNmPnMXKPJWvEVj8AEdWvwpxvIQgBjckssa2OuW823dMyrDA0SC-T4-m9vBDPyJf2wsJL1_cux3EmhnZpguNWyJjDB7GHg3Dcww_XNxLwFor1LuRhGudD1R_vnfzWsrAifTqg/s1600/thinman.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="563" data-original-width="736" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo8sNmPnMXKPJWvEVj8AEdWvwpxvIQgBjckssa2OuW823dMyrDA0SC-T4-m9vBDPyJf2wsJL1_cux3EmhnZpguNWyJjDB7GHg3Dcww_XNxLwFor1LuRhGudD1R_vnfzWsrAifTqg/s640/thinman.jpg" width="640" /></a></b></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUHye4SqleUjjkMLzEyrDe3Cba1D2Fzne6U-04kw1yInbazW2O-CFAV-nQCkDKBRLEuDfbUywNtMB5LEo5VcTj4OUH6UB-nMF9iNl2sIkXn4BK3QaZxkM98y82SlyGoD7r_s6E6g/s1600/another-thin-man-lobby-card-title-large.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="759" data-original-width="970" height="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUHye4SqleUjjkMLzEyrDe3Cba1D2Fzne6U-04kw1yInbazW2O-CFAV-nQCkDKBRLEuDfbUywNtMB5LEo5VcTj4OUH6UB-nMF9iNl2sIkXn4BK3QaZxkM98y82SlyGoD7r_s6E6g/s640/another-thin-man-lobby-card-title-large.JPG" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">2001: A Space Odyssey</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1968, Stanley Kubrick) <u>in 70mm!</u></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Nov. 19 7:30 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Nov. 22 7:30 pm</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Nov. 24 7:30 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 25 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">What can I tell you, this plays all the
fricking time. But it was shot on 70mm and is being screened on 70mm. As
opposed to seeing some 35mm film blown up to 70mm, this is the real deal, and
there’s a big difference. So, if you haven’t seen it, really this is the ideal
way! It has some slowness to modern audiences in certain sections by taking too
much time showing off special effects that were brand-new at the time, and the
closed-off behaviors of the lead astronauts may seem a bit obtuse at times, but
by the end, you’ll be deep in thought contemplating the ideas it brings up on such a
wondrous journey, and in the thrall of A.I.'s biggest star of them all, Hal 9000. Your only excuse
not to go? If you have already seen it more than once on 70mm, otherwise, you
better go.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-29" target="_blank">EGYPTIAN LINK Sun</a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-28" target="_blank">EGYPTIAN LINK Wed</a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-27" target="_blank">EGYPTIAN LINK Fri Nov. 24</a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-26" target="_blank">EGYPTIAN LINK Sat. Nov. 25</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ962QASM-dM4pYw_9nU-uK3FPCI069osvFKTFGcHF0IAa9TWAC-w890mIHg4bMP23onTiPYXqqHaR7c-n-yxCTkJ9AaCCOqT5GWXvtS7O87vOCAUtcphCeh1gJnx_5ic0hHf5Og/s1600/primate-ancestor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="571" data-original-width="1255" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ962QASM-dM4pYw_9nU-uK3FPCI069osvFKTFGcHF0IAa9TWAC-w890mIHg4bMP23onTiPYXqqHaR7c-n-yxCTkJ9AaCCOqT5GWXvtS7O87vOCAUtcphCeh1gJnx_5ic0hHf5Og/s640/primate-ancestor.jpg" width="640" /></a></b></div>
<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Autry
Museum (w/Los Angeles Film Forum)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Amérika Trilogy, part 2: <i>Orinoko, Nueva
Mundo </i>(1984, Diego Rísquez)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun. Nov. 19 4:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">35mm screening! This
is an experimental film, part 1 of which (see above) was the first Super 8 film
to be selected for the Directors Fortnight at the Cannes Film Festival. Part 2
also played Cannes but was never distributed in the US. This trilogy is about
the real and mythical histories of the Latin American continent. The film is
said to be surreal, a speechless vision of the history of Venezuela and the
Orinoco River basin before and after conquest. Appearing in some form are
historical figures such as Columbus, but through the eyes of the indigenous
peoples. This is a fascinating subject for me as I just read a whole book on
Trinidad’s entire history (just off the coast of Venezuela). Director Diego
Rísquez in person at these, a filmmaker from Venezuela. Sounds amazing! <a href="http://www.downtownindependent.com/events/bolivar-a-tropikal-symphony-dir-diego-r-squez-1979" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 1 is Nov. 15</span></a></span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
at Downtown Independent<span style="mso-bidi-font-weight: bold;"> at 8:00 pm. <a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-3-amerika-terra-incognita/" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 3 is Nov. 20</span></a> at REDCAT at 8:30
pm. </span></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-2-orinoko-nueva-mundo/" target="_blank"><span style="mso-bidi-font-weight: normal;">LOS ANGELES FILM FORUM LINK</span></a></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLO1z0iZrJXJJ6Omt73sgY_CC7DaG6AbBIxrSIK62Du-qkIgJwPtZTRZBEAlrmEtkh8wWcNkksZyTgW5iFsSPzCvifbLJfHJPSCYax_5ZrsopW7V5RzvIcUoUbHtHQvvLpHzRjXA/s1600/Orinoko-3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="250" data-original-width="380" height="420" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLO1z0iZrJXJJ6Omt73sgY_CC7DaG6AbBIxrSIK62Du-qkIgJwPtZTRZBEAlrmEtkh8wWcNkksZyTgW5iFsSPzCvifbLJfHJPSCYax_5ZrsopW7V5RzvIcUoUbHtHQvvLpHzRjXA/s640/Orinoko-3.png" width="640" /></a></b></div>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><br />
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">REDCAT
(w/Los Angeles Film Forum)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Amérika Trilogy, part 3: <i>Amérika, Terra
Incógnita </i>(1988, Diego Rísquez)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon. Nov. 20 8:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Originally shot on
Super 16mm and blown up to 35mm. (Presented here on 35mm.) This is an
experimental film, part 1 of which (see above) was the first Super 8 film to be
selected for the Directors Fortnight at the Cannes Film Festival. This trilogy
is about the real and mythical histories of the Latin American continent.
Sounds very interesting. Director Diego Rísquez in person at these, a filmmaker
from Venezuela. <a href="http://www.downtownindependent.com/events/bolivar-a-tropikal-symphony-dir-diego-r-squez-1979" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 1 is Nov. 15</span></a></span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
at Downtown Independent<span style="mso-bidi-font-weight: bold;"> at 8:30 pm. <a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-2-orinoko-nueva-mundo/" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 2 is Nov. 19</span></a>
at the Autry Museum at 4:00 pm. </span></span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.redcat.org/event/diego-r-squez-american-trilogy-am-rika-terra-inc-gnita" target="_blank">REDCAT LINK</a></span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-3-amerika-terra-incognita/" target="_blank">LOS ANGELES FILM FORUM LINK</a></span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0m61ROnNy4IjZMUZ1fP4x5c9WQNzwsxydLcySsrvIrbFnIdk41bWgp4i3GqB2JPHKQ_BRVCpFE2hm09ZT13VicweLdMlHtHF3AnztuR2BkG8-Insx5Kr0tlBwpw27IxJdcRhblA/s1600/Rizquez_Amerika.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="337" data-original-width="494" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0m61ROnNy4IjZMUZ1fP4x5c9WQNzwsxydLcySsrvIrbFnIdk41bWgp4i3GqB2JPHKQ_BRVCpFE2hm09ZT13VicweLdMlHtHF3AnztuR2BkG8-Insx5Kr0tlBwpw27IxJdcRhblA/s640/Rizquez_Amerika.jpg" width="640" /></a></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><br />
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">El Vampiro</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1957, Fernando Méndez)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sombra verde</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1954, Roberto Gavaldón</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 18 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The first is a said to be a classic of
midcentury Mexican horror, but that’s not a thing on my radar, what is that?!
Anyway, it’s two people stranded at a train station at night, and boom, a carriage
offers to give them a ride and things will get bitey. Sounds like that Coppola <i style="mso-bidi-font-style: normal;">Dracula</i>. In the second film, we have Ricardo
Montalbán returning to Mexico to make a film, whilst already a major star in
the US. It’s a bit of an erotic jungle adventure film, but sounds interesting. (First
film 35mm, second film DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-el-vampiro-sombra-verde" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcP1Gt33euCfoGvHWZtYGCvROCxG2OGDTU2UDKqxhrig5iTrSWpWNqET4vU2m8cqEoRwKZZYd1mrhrYosHhz0mfX0EgpwpGT1k96Q_nQwjuOR16z0BJQ_K5jDTP1iShAMEszK8Rw/s1600/sombraverde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcP1Gt33euCfoGvHWZtYGCvROCxG2OGDTU2UDKqxhrig5iTrSWpWNqET4vU2m8cqEoRwKZZYd1mrhrYosHhz0mfX0EgpwpGT1k96Q_nQwjuOR16z0BJQ_K5jDTP1iShAMEszK8Rw/s640/sombraverde.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The War of the Gargantuans</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1966, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 18 11:59 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s back! In case you missed it before. I
didn’t see it yet, so I don’t know, it seemed pretty popular in the realm of
fascination with weird giant monster cinema from the director of <i style="mso-bidi-font-style: normal;">Godzilla</i>.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-18-war-of-the-gargantuas-midnight-show/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2At9FqtQBTiO0JcNaUeRd22DBxzvMiut7szaWs_JQwcCWeLCIBLJKfFyHfe2GTLx12lYcuZ016VWdwCjWW7_nhrPEbFKeqwzY6roUIHGgFu8tyO-z6iFMr_uxq_BXdUP20l8P3A/s1600/war-of-the-gargantuas-poste-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2At9FqtQBTiO0JcNaUeRd22DBxzvMiut7szaWs_JQwcCWeLCIBLJKfFyHfe2GTLx12lYcuZ016VWdwCjWW7_nhrPEbFKeqwzY6roUIHGgFu8tyO-z6iFMr_uxq_BXdUP20l8P3A/s640/war-of-the-gargantuas-poste-385x578.jpg" width="426" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">His Kind of Woman!</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1951, John Farrow)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thunder Road</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1958, Arthur Ripley)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Nov. 21 7:30 pm/10:00 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Nov. 22 7:30 pm/10:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Get your Mitchum on with a double feature. My
spidey sense says these are not the all-time best Robert Mitchum films ever,
but hey you got Jane Russell, Vincent Price and Raymond Burr in the first film,
plus Mitchum sings the theme song in the second (see the trailer on the site
link). Given the dearth of old-timey films screening in 35mm, it could be worth
going and maybe fun.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/his-kind-of-woman-thunder-road/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUp3_WbO87-f8vO7i_n6_egpHjWSgmhVD81xjB2zO-QB0RWwdpHpE_tOWXTUhiw6-8iz8pLAS5SsiNrECXLrTWm2T0yqTuEiUhyphenhyphengNckUyTdJaX6poxiBAdo4wrRMgf4TTM6wPN6g/s1600/his-kind-of-woman-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUp3_WbO87-f8vO7i_n6_egpHjWSgmhVD81xjB2zO-QB0RWwdpHpE_tOWXTUhiw6-8iz8pLAS5SsiNrECXLrTWm2T0yqTuEiUhyphenhyphengNckUyTdJaX6poxiBAdo4wrRMgf4TTM6wPN6g/s640/his-kind-of-woman-poster-385x578.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyw8sRTALmRVFs6v3uVP0ucokBZVihrfQWi7K4j_ihQQcXsAmuES1m_BEieVa0RD7RuGLMy7r6fZ8JhZldtJ3y-U2Yy4L4bK3mdNebQNdOw9CUBe6xm1pYRkZGxvRkmDHiwWGJJA/s1600/thunder-road-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyw8sRTALmRVFs6v3uVP0ucokBZVihrfQWi7K4j_ihQQcXsAmuES1m_BEieVa0RD7RuGLMy7r6fZ8JhZldtJ3y-U2Yy4L4bK3mdNebQNdOw9CUBe6xm1pYRkZGxvRkmDHiwWGJJA/s640/thunder-road-poster-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NuArt
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Suspiria</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(Extended) (1977, Dario Argento)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Nov. 17 11:59 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A 4k restoration. Extended version. Jessica
Harper is always awesome!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/suspiria-extended" target="_blank">NUART LINK</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghWcxQxvp7H5ncL2HAu6z1XbtkTn5NSP_Rb_0HYLGXw95kSYQhXDa5p5mHj2tA3ZSdn6W0pQ_AvbvTx8TPgEKQfREuiJ6b-dHcduX9Wr8xaDF8pexdAHV71UzqEBOXAT2u3kaDVA/s1600/suspiria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="426" data-original-width="1000" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghWcxQxvp7H5ncL2HAu6z1XbtkTn5NSP_Rb_0HYLGXw95kSYQhXDa5p5mHj2tA3ZSdn6W0pQ_AvbvTx8TPgEKQfREuiJ6b-dHcduX9Wr8xaDF8pexdAHV71UzqEBOXAT2u3kaDVA/s640/suspiria.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Echo Park Film Center</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
House is Black</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1963, Forough Farrokhzad) </span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Nov. 18 8:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Iranian cinema has
been amazing since about the 1960s through today with such luminaries as Abbas
Kiarostami (recently deceased), Mohsen Makhmalbaf, Majid Majidi, and Samira
Makhmalbaf just to name a few of the best. Their fruitful forbears in the 1960s influenced
their more well-known ’90s followers and that is what this screening is about. Some
bridged the entire period, such as Dariush Mehrjui, who worked from the ’60s
through the ’90s, even to today. This short film here from 1963 is by a famed poet
and is said to have heavily influenced the later cinema figures. I’m a huge
Iranian cinema enthusiast, especially of Abbas Kiarostami, and somehow have not
seen this film! (Screening format not disclosed, short film 20 minutes.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://www.echoparkfilmcenter.org/events/action-cinema-as-catalyst/" target="_blank"><span style="mso-bidi-font-weight: normal;">ECHO PARK FILM CENTER LINK</span></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4PnC9WtJxneIF1eKV5cMMOcF0nmuPcm4AOZlLXYA9kPpzMrJnoi87TJjXG36zVbInHFpeZCx3B-xBi_-PDw2Q1AqHRF3Te8-j-jGgDROhI5qToaj4KqgteBYRi1ebHeQoQYyxxA/s1600/houseisblack.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="247" data-original-width="370" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4PnC9WtJxneIF1eKV5cMMOcF0nmuPcm4AOZlLXYA9kPpzMrJnoi87TJjXG36zVbInHFpeZCx3B-xBi_-PDw2Q1AqHRF3Te8-j-jGgDROhI5qToaj4KqgteBYRi1ebHeQoQYyxxA/s640/houseisblack.jpg" width="640" /></a></div>
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-65486083830447016892017-11-03T15:31:00.004-07:002017-11-03T15:40:58.783-07:00Lovely 35mm Film Screening o’ the Week in LA<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
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<![endif]--><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Here’s what's in store for LA 35mm film
screening lovers this week. And some digital. </span>
<br />
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<br /></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. So
browse the LA Film Calendars links on my side bar to find even more! <span style="mso-spacerun: yes;"> </span>→ → →</span></div>
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<br />
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span><br />
<br />
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(You may want to note the current entries in
the “Latin American Cinema in Los Angeles” series at <a href="https://www.cinema.ucla.edu/calendar" target="_blank">UCLA</a>/<a href="http://www.downtownindependent.com/events/event/listUpcoming" target="_blank">Downtown Independent</a>, or the <a href="http://www.arpafilmfestival.com/schedule-and-program-2017-arpa-iff/" target="_blank">Arpa International Film Festival</a> at the Egyptian, or foreign-language Oscar submissions
at the <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank">Aero</a>.)</span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero Theatre</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Singing in the Rain </span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1952,
Gene Kelly, Stanley Donen)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Nov. 4 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Oh, darn, it’s in DCP. Well, still great! Always
enjoyed seeing a musical on the big screen at the Aero.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/singin-in-the-rain-9" target="_blank">AERO THEATRE LINK</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdBCKa5mTsDDtTGAeDtvrMBAjhyphenhyphenDRRoI5JSjrsMjxNhC5SonQzUyiU6lK2FjxzcE-KJhc0ExkaRfLccBkLesiGZ9sU17hlbFitEK-EayrsbNKyYNb2z9P_6G4B3SwPb6rJa7FXnQ/s1600/Singing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="720" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdBCKa5mTsDDtTGAeDtvrMBAjhyphenhyphenDRRoI5JSjrsMjxNhC5SonQzUyiU6lK2FjxzcE-KJhc0ExkaRfLccBkLesiGZ9sU17hlbFitEK-EayrsbNKyYNb2z9P_6G4B3SwPb6rJa7FXnQ/s640/Singing.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA Film & TV Archive</span></b></div>
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<b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Romance tropical</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1934, Juan E. Viguié)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat. Nov. 4 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Puerto Rico’s
first-ever sound film. More timely than ever, what a wondrous opportunity to go
see a historic film from Puerto Rico on 35mm! “The film presents a parable of
colonialist exploitation of third world peoples, ironically wrapped in an
exotic adventure narrative.”</span><br />
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/11/04/romance-tropical" target="_blank">UCLA LINK</a> </span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New Beverly</span></b></div>
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<b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">McQ</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1974, John Sturges)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Brannigan</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1975, Douglas Hickox)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed Nov. 8 7:30 pm and 9:50 pm</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur Nov. 9 7:30 pm and 9:50 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This is kind of in
the "movies I would never usually watch" category, but in 35mm, and
at the super-fun New Beverly, I am interested to see these very late John Wayne
movies which I never took a gander at before. I guess this is his detective
phase. Again, seen zero of those. Plus <i>McQ</i> is an I.B. Technicolor print.
(Something which nerdy film people care about A LOT regarding the color
process.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-8-9-mcq-brannigan/" target="_blank"><span style="mso-bidi-font-weight: normal;">NEW BEVERLY LINK</span></a></span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NOTE: The Egyptian’s listings weren’t super
updated and they perhaps may add more, so check their site.</span></div>
</div>
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<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown Independent (w/Los Angeles Film
Forum)</span></b></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Amérika Trilogy, part 1: <i>Bolivar, Tropikal
Symphony</i></span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> <b>(1979,</b> <b>Diego
Rísquez)</b></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed. Nov. 15 8:00 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">This is an experimental film, the first Super
8 film to be selected for the Directors Fortnight at the Cannes Film Festival.
This trilogy is about the real and mythical histories of the Latin American
continent. Sounds very interesting. Director Diego Rísquez in person at these, a filmmaker from Venezuela. Here the Super 8 has been blown up to 35mm.
<a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-2-orinoko-nueva-mundo/" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 2 is Nov. 19</span></a> at the Autry
Museum at 4:00 pm, and <a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-diego-risquez-amerika-trilogy-part-3-amerika-terra-incognita/" target="_blank"><span style="mso-bidi-font-weight: normal;">Part 3 is Nov. 20</span></a> at REDCAT at 8:00
pm.</span></div>
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<a href="http://www.downtownindependent.com/events/bolivar-a-tropikal-symphony-dir-diego-r-squez-1979" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">DOWNTOWN INDEPENDENT LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZqsIBhEYOnQdiSHG6nCacLZf3pTqsLYfPhBAGEFUbypFXy4ByXiBj0U76adVYRhib-KEMu5HMyFiSFdtg1LVeZiehL6Fd7R7__N-it-CZ3u6-kdMNdovI7Ifwi7wmH647xqAFYg/s1600/bolivar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="253" data-original-width="450" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZqsIBhEYOnQdiSHG6nCacLZf3pTqsLYfPhBAGEFUbypFXy4ByXiBj0U76adVYRhib-KEMu5HMyFiSFdtg1LVeZiehL6Fd7R7__N-it-CZ3u6-kdMNdovI7Ifwi7wmH647xqAFYg/s640/bolivar.jpg" width="640" /></a></div>
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<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Female Bunch</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1971, Al Adamson)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Murder Gang</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1976, Al Adamson)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Nov. 14 7:30pm/9:25pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">These sound like pure grindhouse
fare, if you’re into it. Both have Russ Tamblyn in them. The first is a western
where the women live by their own rules and features the final screen
performance of Lon Chaney Jr. The second is a Las Vegas cop gone a bit badass
while trying to fight Russ Tamblyn’s criminal overlord..!</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-14-the-female-bunch-the-murder-gang/" target="_blank">NEW BEVERLY LINK</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUWHpIn19OVrwwyLHlLEZIv3rq3xQl-XFvizyA8j6_NfD1v2Z7C6zbqkWRprOnEzG7fUFt1xSQ8rn_q3uLq3B_GXDFRgqrbh8nvRl9ekxZdTdLvN6UeCDkjZ5-ytFW-yBxScdJIA/s1600/female-bunch-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUWHpIn19OVrwwyLHlLEZIv3rq3xQl-XFvizyA8j6_NfD1v2Z7C6zbqkWRprOnEzG7fUFt1xSQ8rn_q3uLq3B_GXDFRgqrbh8nvRl9ekxZdTdLvN6UeCDkjZ5-ytFW-yBxScdJIA/s640/female-bunch-poster-385x578.jpg" width="426" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj72JoDnDC_2BqBTAunpJ5_T09EsqwCnvedJxeATNd7r0V3rrE_p2TNPgZM4bpY_920HCBsoYXTYKFuM-duUnsdUxJrDIhYbvQCzmqKCrQlq2zoNV0ngh1j04F_XadTa2ZCRUATqA/s1600/murder-gang-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj72JoDnDC_2BqBTAunpJ5_T09EsqwCnvedJxeATNd7r0V3rrE_p2TNPgZM4bpY_920HCBsoYXTYKFuM-duUnsdUxJrDIhYbvQCzmqKCrQlq2zoNV0ngh1j04F_XadTa2ZCRUATqA/s640/murder-gang-poster-385x578.jpg" width="426" /></a></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mrs. Miniver</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1942, William Wyler)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Nov. 15 2:00 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">More afternoon classics in 35mm here. (Check
schedule for others.) I haven’t seen this, but as 35mm becomes somewhat rare to see projected,
it’s great to go see some William Wyler, who is sometimes a stupendous director
(I love<i style="mso-bidi-font-style: normal;"> The Heiress</i> [1949] and <i style="mso-bidi-font-style: normal;">Dodsworth</i> [1936]). Seems worth a look if
you have the daytime free.</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-15-mrs-miniver-afternoon-classics/" target="_blank">NEW BEVERLY LINK</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfFQP-oYN1CgGGDB7iKTl6-5VpoeJQ2r4KZCyw2wEXZ-OVkpjkmAKwtRWiZMPmvfcxXnA500H5G4b0zdhAv32MzduSwDdcuS9iW0rkS6c-x-TBbd-cz2sjEH2CibC8Mt2t63ecA/s1600/Mrs-Miniver-2-16x9-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="641" data-original-width="1140" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfFQP-oYN1CgGGDB7iKTl6-5VpoeJQ2r4KZCyw2wEXZ-OVkpjkmAKwtRWiZMPmvfcxXnA500H5G4b0zdhAv32MzduSwDdcuS9iW0rkS6c-x-TBbd-cz2sjEH2CibC8Mt2t63ecA/s640/Mrs-Miniver-2-16x9-1.jpg" width="640" /></a></div>
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
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<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NOTE: The Egyptian’s listings weren’t super
updated and they perhaps may add more, so check their site.</span></div>
The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-6645166785140535672017-10-27T18:02:00.000-07:002017-10-27T21:33:38.424-07:00Superb 35mm LA Film Screening o’ the Week<!--[if gte mso 9]><xml>
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</xml><![endif]--><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Here’s what's in store for LA 35mm film
screening lovers this week. A lot 35mm and some regular digital. </span>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. So
browse the LA Film Calendars links on my side bar to find even more! <span style="mso-spacerun: yes;"> </span>→ → →</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(In particular, you may want to note the Taiwanese
spotlight at UCLA.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sometimes these choices are tonight, FYI, and
not necessarily listed first.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Repulsion</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1965, Roman Polanski)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Tenant</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1976, Roman Polanski)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Oct. 31 7:30 pm/9:45 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A double dose of actual “quality” horror
films. More psychological in both cases, and directed by a deft hand at cinema rather than being pure grindhouse. <i style="mso-bidi-font-style: normal;">Repulsion</i>
is Catherine Deneuve alone with her thoughts and not handling them too well
(seeing things?!) and <i style="mso-bidi-font-style: normal;">The Tenant</i> is
great, kind of overlooked, pretty dark, twisted tale with Polanski himself
starring in it with the lovely Isabelle Adjani. I think he's the creepy-ass tenant 'cause it wouldn't be Adjani.</span></div>
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<a href="http://thenewbev.com/program/october-31-repulsion-the-tenant/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHqmc6D4INGg3A8-lBrJcWPAO9hks1apPfAd5gWMDfDib_TYLziOHUSDk3Sg3XdQt0gQ5tXoIyseDu9x9-6nsiPA09_WnUR2xItTBYFejcvPjhNttC0vrhkwNx_QK6mKnAFgya6Q/s1600/Repulsion+6.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHqmc6D4INGg3A8-lBrJcWPAO9hks1apPfAd5gWMDfDib_TYLziOHUSDk3Sg3XdQt0gQ5tXoIyseDu9x9-6nsiPA09_WnUR2xItTBYFejcvPjhNttC0vrhkwNx_QK6mKnAFgya6Q/s640/Repulsion+6.png" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc_NAGMqmyHPEvZJ1r_tMSmYVWAXBLhzCoAxKYF-RBD82PRQ6K4AU9pjnnzrXh5W8gSw4xpdo7f7LIH01syTtkg7tFaRU7LC0JCGf4A_Zib4pC0hU72KQXRu1qLoinmxQQaw7O1w/s1600/tenant1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="349" data-original-width="640" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc_NAGMqmyHPEvZJ1r_tMSmYVWAXBLhzCoAxKYF-RBD82PRQ6K4AU9pjnnzrXh5W8gSw4xpdo7f7LIH01syTtkg7tFaRU7LC0JCGf4A_Zib4pC0hU72KQXRu1qLoinmxQQaw7O1w/s640/tenant1.jpg" width="640" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Texas Chainsaw Massacre</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1974, Tobe Hooper)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Eaten Alive</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1976, Tobe Hooper)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight!</u>)
Oct. 27 7:30 pm/9:25 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 28 7:30 pm/9:25 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Great way to see this in 35mm and pay tribute
to recently deceased Tobe Hooper. This is on my radar because I haven’t seen
the first, quite famous one. The second sounds like a great twofer of exposure
to this director of my least favorite genre, but maybe I’ll give it a go.</span></div>
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<a href="http://thenewbev.com/program/october-27-28-the-texas-chain-saw-massacre-eaten-alive/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6G43_3AOhYxovBHabA4Sae8mR3a3ABhEVmYtFWRjzPVeUmuxgFN3GQVtRaLX7nIWUVbjuaUf3L8qJ80JSDHA8vGBaDpRv2jGz2xgmNyBQlgHXvoyIaeWKTWAJiNOfKv3HHjrabw/s1600/eaten-alive-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6G43_3AOhYxovBHabA4Sae8mR3a3ABhEVmYtFWRjzPVeUmuxgFN3GQVtRaLX7nIWUVbjuaUf3L8qJ80JSDHA8vGBaDpRv2jGz2xgmNyBQlgHXvoyIaeWKTWAJiNOfKv3HHjrabw/s640/eaten-alive-poster-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Still Walking</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2008, Kore-eda Hirokazu)<span style="mso-spacerun: yes;"> </span><u>Kore-eda
Hirokazu in person</u></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri. (<u>tonight!</u>)
Oct. 27 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Kore-eda Hirokazu is a very interesting filmmaker who has carved out a modest spot in the art film director world, periodically
playing Cannes and having a smattering of international awards, and this is one
of his older good ones. Check it out, plus he’s in person. And it’s 35mm!</span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/10/27/still-walking" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc7Izcae1TAdTs39Zawi0lzc0LuVM8ew7hlP9N6uJ1hScwaVBkPmpzEhF676iI0Xszt_WrIeaotCQ1IoFgU5Xup1uT7W_wYs_6yhW1znxx7a-G0vyIllJlJ3NPUFv7Ass3uoUA1w/s1600/stillwalking.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc7Izcae1TAdTs39Zawi0lzc0LuVM8ew7hlP9N6uJ1hScwaVBkPmpzEhF676iI0Xszt_WrIeaotCQ1IoFgU5Xup1uT7W_wYs_6yhW1znxx7a-G0vyIllJlJ3NPUFv7Ass3uoUA1w/s640/stillwalking.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Maborosi </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1995,
Kore-eda Hirozaku) <u>Kore-eda Hirozaku in person!</u></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 28 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wait there’s another Hirozaku film with him in
person! This one might be even better, I remember this one from a while back.
Again this is in 35mm, and this is that arthouse director of some note from
Korea. Check him out!</span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/10/28/maborosi" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Air Doll </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(2009,
Kore-eda Hirozaku)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Oct. 29 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">I’ll let their description sell this one:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“Unlike
anything else in Kore-eda’s filmography, this story of an inflatable sex doll
that comes to life in the middle of Tokyo strikes a whimsical tone that renders
its reflections on loneliness, love, the movies and what it really means to be
human all the more bittersweet.”</span></i></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sounds goooood. Plus in 35mm!</span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/10/29/air-doll" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHEBLz1A618fgpeeyczXTCmgxXqg8rAHBeWfTqqzpjFcWHOg_T5fBagyu1ebFmIormg5ow_kphmlXZ9Eczk6kgqa2iiNR53j64zJe18hZQy11v4A8uQ4ZHlZ88KBczP2kFqBmo0Q/s1600/AirDoll-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHEBLz1A618fgpeeyczXTCmgxXqg8rAHBeWfTqqzpjFcWHOg_T5fBagyu1ebFmIormg5ow_kphmlXZ9Eczk6kgqa2iiNR53j64zJe18hZQy11v4A8uQ4ZHlZ88KBczP2kFqBmo0Q/s640/AirDoll-small.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Invisible Man Returns</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1940, Joe May)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Invisible Agent</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1942, Edwin L. Marin)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Oct. 30 7:30 pm/9:20 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Nothing
I like more than the curiosity of obscure sequels to some very famous
originals. Here we get a double dose of the continuing
story of the <i style="mso-bidi-font-style: normal;">Invisible Man</i>, now taken
over by Vincent Price (from Claude Rains). Interestingly directed by Joe May of
German silent films such as <i style="mso-bidi-font-style: normal;">Asphalt </i>(1929).
The second film has no Vincent Price, but has a World War II propaganda angle,
using the invisible man technology, so might be pretty cool (or pretty awful!).</span></div>
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<a href="http://thenewbev.com/program/october-30-the-invisible-man-returns-invisible-agent/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NEW BEVERLY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiz3wanHIg1UwoCjrrVxZSPTeFAgbtUMYm3uOt2jPXUe0EHwqIyPO4dcQk1ucN4prAta1TVxW4rASquuJbR-XvGUf-7T2DnZL4LErmEJ_MY_6xcYsM6_8mUrT-xWyiCVZQL5bCbTg/s1600/invisible-man-returns-poste-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiz3wanHIg1UwoCjrrVxZSPTeFAgbtUMYm3uOt2jPXUe0EHwqIyPO4dcQk1ucN4prAta1TVxW4rASquuJbR-XvGUf-7T2DnZL4LErmEJ_MY_6xcYsM6_8mUrT-xWyiCVZQL5bCbTg/s640/invisible-man-returns-poste-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkWSoMn0KqTgkhK0ASK-ZZsn8LL5lvNjOvK6jlEj7QF0kPgRnmn57bU6dETkCzBR5nBr7SA6kYvH-5B1fJbz0wrQNNuaCr2BPBMbdE0ZOz6dsIKNJQTzC5HybEyyX7Nxp8Xt2X2Q/s1600/Invisible-Agent-1942-1-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkWSoMn0KqTgkhK0ASK-ZZsn8LL5lvNjOvK6jlEj7QF0kPgRnmn57bU6dETkCzBR5nBr7SA6kYvH-5B1fJbz0wrQNNuaCr2BPBMbdE0ZOz6dsIKNJQTzC5HybEyyX7Nxp8Xt2X2Q/s640/Invisible-Agent-1942-1-385x578.jpg" width="426" /></a></b></div>
<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">La Virgen de la Caridad</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1930, Ramón Peón) </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Casta de roble</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1954, Manolo Alonso)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
(<u>tonight!</u>) Oct. 27 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">While this just played last week at UCLA, it’s silent film nerd alert again! Wow, a 1930 silent
film from Cuba with live musical accompaniment, in 35 mm. Should be unique,
definitely rare. The site says:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“This
Cuban silent film was highly praised and extremely popular at the time of its
release, because of its socially critical view of the plight of peasants, and
its religious themes.” </span></i></div>
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<br /></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On the second film, the site says:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“A
young peasant girl… has a baby by the master of the plantation, which is taken
away from her. She marries and has another son, but the loss of the child has
scarred her for life. Shot mostly on location in Pinar del Rio, Cuba…” </span></i></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The difference in location is the downtown
screenings are part of showing them in (or near) the original LA venues they
played in way back when. Both in 35mm!</span></div>
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<a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-la-virgen-de-la-caridad" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">DOWNTOWN INDEPENDENT LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTkNjuYDP3d3N4EM7Ts3EAx_-8pMK9DtZCdF85lV70tiB2xE8sOzEuO83VFKk4YUVR23br5glmUzmlgV3I9LpdzzcnQrM1AJX0fpRmBlLeH2yqua66aAB1_xPGIWUL0_6AnNXHyQ/s1600/Virgen_de_la_Caridad.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="755" data-original-width="1000" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTkNjuYDP3d3N4EM7Ts3EAx_-8pMK9DtZCdF85lV70tiB2xE8sOzEuO83VFKk4YUVR23br5glmUzmlgV3I9LpdzzcnQrM1AJX0fpRmBlLeH2yqua66aAB1_xPGIWUL0_6AnNXHyQ/s400/Virgen_de_la_Caridad.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjtrGPrnkZhtMK2jOIdRyiGIsRggFHNPAmo-ltLJHN6_7af3643jUzA0yYrB303fJQs_fEGBHmziQq0gPdudRyo6oF016Bi8KlQFzMwLaiVf9m1P9eYHpz1mhJRXqoiiI0U1yM8g/s1600/CASTADEROBLE-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjtrGPrnkZhtMK2jOIdRyiGIsRggFHNPAmo-ltLJHN6_7af3643jUzA0yYrB303fJQs_fEGBHmziQq0gPdudRyo6oF016Bi8KlQFzMwLaiVf9m1P9eYHpz1mhJRXqoiiI0U1yM8g/s640/CASTADEROBLE-small.jpg" width="640" /></a></div>
<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Godzilla: The Japanese Original</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">And</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The H-Man</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1958, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
(<u>tonight!</u>) Oct. 27 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s <i style="mso-bidi-font-style: normal;">Godzilla</i>
without the Raymond Burr American scenes, all in Japanese with English subtitles.
<i style="mso-bidi-font-style: normal;">H-Man</i> is a gangster film: “genre-blending
sci-fi thriller is a mix of detectives, hoods, radioactive goblins and atomic
paranoia.” Sounds like <i style="mso-bidi-font-style: normal;">The World’s End</i>?
I can’t honestly say I recommend this, as I don’t know anything about it. But <i style="mso-bidi-font-style: normal;">H-Man</i> is in 35mm, and <i style="mso-bidi-font-style: normal;">Godzilla</i> is a nerd-culture phenomenon to
maybe check out. (<i style="mso-bidi-font-style: normal;">Godzilla</i> is DCP).</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/godzilla-the-japanese-original-the-h-man" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq3sY7E0Fmh-xad5-7-cd5Lss-DMoDyPSh592JgJZcup-OmAECcklTpnqMZjtDI-2fhpsdkaAOXn3XeXiO99vQsvNV_PkeGMuSy30CdVC-bmR_cSpBkoKmvbInWJsYAYGpX0Nigw/s1600/Godzilla-1954.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq3sY7E0Fmh-xad5-7-cd5Lss-DMoDyPSh592JgJZcup-OmAECcklTpnqMZjtDI-2fhpsdkaAOXn3XeXiO99vQsvNV_PkeGMuSy30CdVC-bmR_cSpBkoKmvbInWJsYAYGpX0Nigw/s640/Godzilla-1954.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-h8TQSzJaKqDTFjLhBI42nVKIt3DALAOOYASv_NMwW0dtICULuZeH5_rf6lJcNFYKpqKQJS12OENLZas49ahv5SvS_vjmUcH-Cf0YL8BKQeMxfqDj19i0CyX-jaYHfz5qNtpNJA/s1600/SPHE_H-Man-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="550" data-original-width="450" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-h8TQSzJaKqDTFjLhBI42nVKIt3DALAOOYASv_NMwW0dtICULuZeH5_rf6lJcNFYKpqKQJS12OENLZas49ahv5SvS_vjmUcH-Cf0YL8BKQeMxfqDj19i0CyX-jaYHfz5qNtpNJA/s640/SPHE_H-Man-3.jpg" width="522" /></a></div>
<br />
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Ghostbusters</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1984, Ivan Reitman)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Oct. 29 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">In 70mm. Probably worse ways to spend your
Sunday.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/ghostbusters-6" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwS-2CJ3b5Wf9yys0zh1wMyb37ZURfV19rx6N01750iZu7rAs1UYD9yxHCsUlD_Y-Ui6w-98_KsHzR6DsA55SYvamAaTopm3FYR-mN6BvlcZGkMaxpTZcZhCWHGFAUqh8zPLYLxQ/s1600/ghostbusters21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="238" data-original-width="475" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwS-2CJ3b5Wf9yys0zh1wMyb37ZURfV19rx6N01750iZu7rAs1UYD9yxHCsUlD_Y-Ui6w-98_KsHzR6DsA55SYvamAaTopm3FYR-mN6BvlcZGkMaxpTZcZhCWHGFAUqh8zPLYLxQ/s640/ghostbusters21.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">All-Night
Horrorthon</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 28 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">You horror nerds can knock yourselves out with
another all-night horror marathon. Happily the screening format is
35mm for all films except <i style="mso-bidi-font-style: normal;">Death Bed: The
Bed That Eats</i>. So that’s a lot of awesome 35mm. Films include <i style="mso-bidi-font-style: normal;">An American Werewolf in London</i> (1981,
John Landis), <i style="mso-bidi-font-style: normal;">Popcorn</i> ( 1991, Mark
Herrier), <i style="mso-bidi-font-style: normal;">The Tingler</i> (1959, William
Castle), <i style="mso-bidi-font-style: normal;">Hack-O-Lantern</i> (1988, Jag
Mundhra), <i style="mso-bidi-font-style: normal;">Shocker</i> (1989, Wes Craven),
<i style="mso-bidi-font-style: normal;">Brainscan</i> (1994, John Flynn). Plus
the 40<sup>th</sup> anniversary of <i style="mso-bidi-font-style: normal;">Death
Bed: The Bed That Eats</i> (1977, George Barry), which sounds interesting: </span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“After
a woman dies on a bed while making love to a demon, the bed comes to life with
a hunger for human victims (including the film’s narrator, an artist trapped in
a painting). Whatever you do, don’t sleep through this surreal cult favorite!”</span></i></div>
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<a href="http://www.americancinemathequecalendar.com/content/all-night-horrorthon-0" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">El vampiro negro</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1953, Román Viñoly Barreto)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Los tallos amargos</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1956, Fernando Ayala)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 28 3:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">An Argentinian version of Fritz Lang’s <i style="mso-bidi-font-style: normal;">M</i> (1931) as part of the ongoing Latin
American Cinema in Los Angeles series spearheaded by UCLA. And nicely, both of
these are on 35mm. The second is “a film noir tale of paranoia, shot in stark
expressionist images” about a journalist who starts a fake journalism
correspondence school (fake news?! How timely) but becomes suspicious of his
business partner. The cinematography of the second film is highly acclaimed: It
was included in the “Best Shot Films” list in <i style="mso-bidi-font-style: normal;">American Cinematographer</i> and was “long available only in
substandard prints,” this is now finally a restored version by UCLA Film &
Television Archive from the original negative found in a Buenos Aires home in
late 2014! Both 35mm. Also Free Admission!</span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/10/28/vampiro-negro-tallos-amargos" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDiMmTuucgckm9bK0cerLAwYd6PPrtNlDBGHZKODKWUxiqGYmtPEKEK6ad452wrxtBK3T3YwlU1MRlFZFFCl806ZiBtsoTTBi4kY4fBMQo7117pb4ALJEGzSt5T7iNXJhe9queQA/s1600/los-tallos-amargos-9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="478" data-original-width="700" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDiMmTuucgckm9bK0cerLAwYd6PPrtNlDBGHZKODKWUxiqGYmtPEKEK6ad452wrxtBK3T3YwlU1MRlFZFFCl806ZiBtsoTTBi4kY4fBMQo7117pb4ALJEGzSt5T7iNXJhe9queQA/s640/los-tallos-amargos-9.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Ahí está el detalle</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"> </span>(<i style="mso-bidi-font-style: normal;">You’re Missing the Point</i>) (1940, Juan Bustillo Oro)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Calabacitas tiernas</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1949, Gilberto Martínez Solares)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Oct. 30 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This played recently at Downtown Independent,
but West side denizens get a chance to see it at UCLA’s Billy Wilder Theater.
Two from Mexico here, the first with Cantinflas apparently made him the most
bankable star in Mexico, and the plot is apparently too convoluted for words,
so it might be funny. Then in <i>Calabacitas tiernas</i> Tin-Tan puts on an
international music show to alleviate financial woes. Both in 35mm!</span></div>
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<a href="https://www.cinema.ucla.edu/events/2017/10/30/ahi-esta-detalle-calabacitas-tiernas" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNiigSD0U6M8kLRxEYmnXB9cziWHBUzyJMKqxeedJ1m7IUbnzbbZTyrGfh3WkOqgIkC4j93pt7OfFHX7CeOcPY2FJ319VYGRcUYetO6tnlmlIL3ZqWhGegFQ1rM4H4CLPaYYBFgA/s1600/ahiestalasdetailles.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="642" data-original-width="858" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNiigSD0U6M8kLRxEYmnXB9cziWHBUzyJMKqxeedJ1m7IUbnzbbZTyrGfh3WkOqgIkC4j93pt7OfFHX7CeOcPY2FJ319VYGRcUYetO6tnlmlIL3ZqWhGegFQ1rM4H4CLPaYYBFgA/s640/ahiestalasdetailles.jpeg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlU5rghbSwVXdQqKdV8PvHhCDIz9N2dTWNsK4U6JxxyGMgyVazHkIgZ3j_sRt4AP_Swe6aHxYNbn5VhqV4MPW5HZ26Sd2kKQ3adMCvl2Cr6dklPwFkIvHRh0FKxKvv3yFNySIa1Q/s1600/Oct14Calabcitas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlU5rghbSwVXdQqKdV8PvHhCDIz9N2dTWNsK4U6JxxyGMgyVazHkIgZ3j_sRt4AP_Swe6aHxYNbn5VhqV4MPW5HZ26Sd2kKQ3adMCvl2Cr6dklPwFkIvHRh0FKxKvv3yFNySIa1Q/s640/Oct14Calabcitas.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Creature from the Black Lagoon</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, Jack Arnold)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Oct. 31 1:00 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">More 35mm horror classics at LACMA’s $4
matinees. Great deal for 35mm films if you like these old genre standards.</span></div>
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<a href="http://www.lacma.org/event/creature-black-lagoon" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6lo0PIi5YDlVqF3vuBWo41YlvVSxNXek12lDpkv36NCt5dMpibBORnCSjSAw8UvaS49M6r5wYLUiJmhx8wAn3nZrYZkM7VJp-hHla3-RHIx03Xxl_QuX7hp5dSb8WXHguu7yrkQ/s1600/creaturefromblacklagoon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="739" data-original-width="1100" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6lo0PIi5YDlVqF3vuBWo41YlvVSxNXek12lDpkv36NCt5dMpibBORnCSjSAw8UvaS49M6r5wYLUiJmhx8wAn3nZrYZkM7VJp-hHla3-RHIx03Xxl_QuX7hp5dSb8WXHguu7yrkQ/s640/creaturefromblacklagoon.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">ACADEMY</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Pan’s Labyrinth</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2006, Guillermo del Toro)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Oct. 30 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">In 35mm. This is an amazing huge theater run
by the Academy and it’s only $5. Great place to see a movie.</span></div>
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<a href="http://pstlala.oscars.org/event/pans-labyrinth-2006/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">ACADEMY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuNfrpS7NBDFP1PsFLNrX12hDn9kh9tyNerf8SONq5a9QTKaRoFtCtN79EcTe0NCV1atDH2IUYDdCC1SPVGVPiyMjh4VjD5Y3sOsFzOBCQSt5vxAX4IAQLYJFlpIAxSRpmRQhpaA/s1600/panhed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="739" data-original-width="1100" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuNfrpS7NBDFP1PsFLNrX12hDn9kh9tyNerf8SONq5a9QTKaRoFtCtN79EcTe0NCV1atDH2IUYDdCC1SPVGVPiyMjh4VjD5Y3sOsFzOBCQSt5vxAX4IAQLYJFlpIAxSRpmRQhpaA/s640/panhed.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Arclight
Cinemas (Various)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br />
<b>"It's Alive!" -- film's favorite monsters terrorize the big screen</b><br />
<b>through Oct. 31</b><br />There was a pretty good selection here all month at various Arclights, but only
three left!
</span><a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">ARCLIGHT LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 30 – <a href="https://www.arclightcinemas.com/movie/arclight-presentsthe-bride-of-frankenstein?lid=1001" target="_blank">TheBride of Frankenstein (1935) – Hollywood 8:00 pm (DCP)</a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 31 –
<a href="https://www.arclightcinemas.com/movie/arclight-presentshalloween-1978?lid=1002" target="_blank">Halloween – Sherman Oaks 8:00 pm</a> (DCP)</span><br />
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 31 </span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">– </span><a href="https://www.arclightcinemas.com/movie/arclight-presentsnight-of-the-living-dead?lid=1001" target="_blank">Night of the Living Dead </a></span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="https://www.arclightcinemas.com/movie/arclight-presentsnight-of-the-living-dead?lid=1001" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">–</span> Hollywood 8:00 pm (DCP)</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Aero
Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Singing in the Rain </span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1952, Gene Kelly, Stanley Donen)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat.
Nov. 4 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Oh, darn, it’s in DCP. Well, still great!
Always enjoyed seeing a musical on the big screen at the Aero.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/singin-in-the-rain-9" target="_blank">AERO THEATRE LINK</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Romance tropical</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1934, Juan E. Viguié)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Nov. 4 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Puerto Rico’s first-ever sound film. More
timely than ever, what a wondrous opportunity to go see a historic film from
Puerto Rico on 35mm! “The film presents a parable of colonialist exploitation
of third world peoples, ironically wrapped in an exotic adventure narrative.”</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/11/04/romance-tropical" target="_blank">UCLA LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6QHZMwIopNB3tnDVDs8R6hwGDWf-EGx9nJr_4g_4UOHvUBsgclbOFKWhfXXRbsuA7bGJ8g35MhvgTYMqVvwzqTifrCnNRoe7x6xuueXYO4VHix75Huko3ModJfFbsuPcUZvTYmg/s1600/RomanceTropical-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6QHZMwIopNB3tnDVDs8R6hwGDWf-EGx9nJr_4g_4UOHvUBsgclbOFKWhfXXRbsuA7bGJ8g35MhvgTYMqVvwzqTifrCnNRoe7x6xuueXYO4VHix75Huko3ModJfFbsuPcUZvTYmg/s640/RomanceTropical-small.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">McQ</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1974, John Sturges)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Brannigan</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1975, Douglas Hickox)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed
Nov. 8 7:30 pm and 9:50 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur
Nov. 9 7:30 pm and 9:50 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is kind of in the "movies I would never usually
watch" category, but in 35mm, and at the super-fun New Beverly, I am interested
to see these very late John Wayne movies I never took a gander at before. I
guess this is his detective phase. Again, seen zero of those! Plus <i style="mso-bidi-font-style: normal;">McQ</i> is an I.B. Technicolor print. (Something which nerdy film
people care about A LOT regarding the color process.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/november-8-9-mcq-brannigan/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPanTvhb1wxXP2Sos6yp5JSzwjWK0KlTqpvEZaOeujhxE_MjLajFE0jmIoisSpLNfZ7SE1LoTfLWXuEY_gxb9SgHjRur1jK41JnnrTWh2joP2sn3ra28FEAZU_7aCxgExPesmklQ/s1600/mcq-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPanTvhb1wxXP2Sos6yp5JSzwjWK0KlTqpvEZaOeujhxE_MjLajFE0jmIoisSpLNfZ7SE1LoTfLWXuEY_gxb9SgHjRur1jK41JnnrTWh2joP2sn3ra28FEAZU_7aCxgExPesmklQ/s640/mcq-poster-385x578.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8F9d2erAj1X96mpsFiPINBOZdMz2AMk_cFHWSLb_q-LS19naTdydubCnELCj9AtZXpkVd8CCdAt8ATTwDcra0Uw9Cf0b4e6sC-beQKquT_rqxhbc-P4PImc3ycXBHfsnGRWCRdw/s1600/brannigan-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8F9d2erAj1X96mpsFiPINBOZdMz2AMk_cFHWSLb_q-LS19naTdydubCnELCj9AtZXpkVd8CCdAt8ATTwDcra0Uw9Cf0b4e6sC-beQKquT_rqxhbc-P4PImc3ycXBHfsnGRWCRdw/s640/brannigan-poster-385x578.jpg" width="426" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NOTE: The Egyptian and Aero’s listings weren’t
super updated and they perhaps may add more, so check their sites.</span></span></div>
The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-52862748702576406652017-10-20T17:59:00.002-07:002017-10-20T18:23:38.462-07:00Yummy 35mm LA Film Screening This Week<br />
H<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">ere’s what's in store for LA 35mm film
screening lovers this week. A lot 35mm and some regular digital. </span>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. So
browse the LA Film Calendars links on my side bar to find even more! <span style="mso-spacerun: yes;"> </span>→ → →</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(You may want to note the
recent Spanish cinema series at the Egyptian, or a Taiwanese spotlight at UCLA.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">As usual, a couple of these choices are
tonight, FYI, and not necessarily listed first.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Magic</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1978, Richard Attenborough)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Silence of the Lambs</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1991, Jonathan Demme)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
(<u>tonight</u>) Oct. 20 6:30 pm/8:50 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 21 6:30 pm/8:50 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A classic double feature in 35mm—oh, wait,
what the hell is <i style="mso-bidi-font-style: normal;">Magic</i>? Oh, well, <i style="mso-bidi-font-style: normal;">The Silence of the Lambs</i> is playing in
35mm at a great local theater. So that’s worth seeing..! <i style="mso-bidi-font-style: normal;">Magic </i>is Anthony Hopkins as failed ventriloquist Corky Withers,
from a script by William Goldman, based on his novel. Also, have you not seen
Oscar-winner <i style="mso-bidi-font-style: normal;">The Silence of the Lambs</i>?!?</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/october-20-21-magic-the-silence-of-the-lambs/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxjsSke39x_jbib3wzEKWH50dlhXK-BMWkoWUIr_NxKTm6pE-Y1NzOKFTYf-izgydzMhUwMIh_chnosYbPhIKZdSqfFnaw2xWBT5SF6ajkLthuaaWE5FbRFgt0TJK0iPOhGmvkqw/s1600/silence-jog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="1155" height="346" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxjsSke39x_jbib3wzEKWH50dlhXK-BMWkoWUIr_NxKTm6pE-Y1NzOKFTYf-izgydzMhUwMIh_chnosYbPhIKZdSqfFnaw2xWBT5SF6ajkLthuaaWE5FbRFgt0TJK0iPOhGmvkqw/s640/silence-jog.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NuArt
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Halloween</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1978, John Carpenter)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri
(<u>tonight</u>) Oct. 20 Midnight (11:59pm) </span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s <i style="mso-bidi-font-style: normal;">Halloween</i>
on the big screen at the NuArt. Should be fun, probably DCP.</span></div>
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<a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/halloween" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NUART LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAi4rCqHNW8kjTBvrEXr5p_7h7Y-6VgvezSpX_Fkzq2vKwzTfYvFbqMBR0Dc-p_N7XCRGDraMzlPF-7sxyQp2zkD8-Kw4azxSDpEqJ2Q5GAHS90qb2u6i1eGU3XRnhBXBjsKcPLA/s1600/halloween-featured.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="333" data-original-width="500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAi4rCqHNW8kjTBvrEXr5p_7h7Y-6VgvezSpX_Fkzq2vKwzTfYvFbqMBR0Dc-p_N7XCRGDraMzlPF-7sxyQp2zkD8-Kw4azxSDpEqJ2Q5GAHS90qb2u6i1eGU3XRnhBXBjsKcPLA/s640/halloween-featured.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Black Cat</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1934, Edgar G. Ulmer)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Raven</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1935, Lew Landers)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Oct. 25 2:00 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">More great Wednesday matinee 35mm goodness at
the New Beverly. Never miss a chance to see an Edgar G. Ulmer picture, one of
the world’s greatest directors, a master at achieving high-level quality on
shoestring budgets. (He had slightly bigger budget on this one.) Plus <i>Black Cat</i> features Karloff and Lugosi together! Actually, so does <i>The Raven</i>!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/october-25-the-black-cat-the-raven-afternoon-classics/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2d72RycdRZ5TZ_q7D8_KKvwLygAd0uotdRoLjyA0x3g5EfT4l7TMd_46vW_gU0TNOWxYW03zXVyVLG27aBPuuNFNshJE4_2oVzJY3P6HjpQyR4PXIbIa9Dw-85G6kuwXo7912ZQ/s1600/blackcat.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="1600" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2d72RycdRZ5TZ_q7D8_KKvwLygAd0uotdRoLjyA0x3g5EfT4l7TMd_46vW_gU0TNOWxYW03zXVyVLG27aBPuuNFNshJE4_2oVzJY3P6HjpQyR4PXIbIa9Dw-85G6kuwXo7912ZQ/s640/blackcat.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6hz2aBr-4kfcha8pn8kBTAZcm9M6zC8hAbChgwLUZCFcTkvdEzO6FNgvDXQ3ltrrN3Sx5oeUCM8mW2_Wyw1ockTvA9oX9v140ddkyBdJ43m_ZFUA4O_KaLiCCC2trWUsxBUUKpg/s1600/karloff-lugosi-raven-publicity-still.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1276" data-original-width="1600" height="510" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6hz2aBr-4kfcha8pn8kBTAZcm9M6zC8hAbChgwLUZCFcTkvdEzO6FNgvDXQ3ltrrN3Sx5oeUCM8mW2_Wyw1ockTvA9oX9v140ddkyBdJ43m_ZFUA4O_KaLiCCC2trWUsxBUUKpg/s640/karloff-lugosi-raven-publicity-still.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & Television Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">La Virgen de la Caridad</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1930, Ramón Peón) </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Casta de roble</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1954, Manolo Alonso)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Oct. 23 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Silent film nerd alert! Wow, a 1930 silent
film from Cuba with live musical accompaniment, in 35 mm. Should be unique, definitely
rare. The site says:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“This
Cuban silent film was highly praised and extremely popular at the time of its
release, because of its socially critical view of the plight of peasants, and
its religious themes.” </span></i></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On the second film, the site says:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“A
young peasant girl… has a baby by the master of the plantation, which is taken
away from her. She marries and has another son, but the loss of the child has
scarred her for life. Shot mostly on location in Pinar del Rio, Cuba…” </span></i></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Both in 35mm!</span></div>
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<span style="font-size: 12.0pt;"><a href="https://www.cinema.ucla.edu/events/2017/10/23/virgen-caridad-casta-roble" target="_blank"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a></span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTkNjuYDP3d3N4EM7Ts3EAx_-8pMK9DtZCdF85lV70tiB2xE8sOzEuO83VFKk4YUVR23br5glmUzmlgV3I9LpdzzcnQrM1AJX0fpRmBlLeH2yqua66aAB1_xPGIWUL0_6AnNXHyQ/s1600/Virgen_de_la_Caridad.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="755" data-original-width="1000" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTkNjuYDP3d3N4EM7Ts3EAx_-8pMK9DtZCdF85lV70tiB2xE8sOzEuO83VFKk4YUVR23br5glmUzmlgV3I9LpdzzcnQrM1AJX0fpRmBlLeH2yqua66aAB1_xPGIWUL0_6AnNXHyQ/s400/Virgen_de_la_Caridad.jpg" width="400" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjtrGPrnkZhtMK2jOIdRyiGIsRggFHNPAmo-ltLJHN6_7af3643jUzA0yYrB303fJQs_fEGBHmziQq0gPdudRyo6oF016Bi8KlQFzMwLaiVf9m1P9eYHpz1mhJRXqoiiI0U1yM8g/s1600/CASTADEROBLE-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjtrGPrnkZhtMK2jOIdRyiGIsRggFHNPAmo-ltLJHN6_7af3643jUzA0yYrB303fJQs_fEGBHmziQq0gPdudRyo6oF016Bi8KlQFzMwLaiVf9m1P9eYHpz1mhJRXqoiiI0U1yM8g/s640/CASTADEROBLE-small.jpg" width="640" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mothra</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1961, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Battle in Outer Space</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1959, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur
Oct. 26 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Some good ol’ Japanese monster movies on the
big screen. Also the next day, Friday, they’ll have the original <i style="mso-bidi-font-style: normal;">Godzilla</i> with <i style="mso-bidi-font-style: normal;">The H-Man</i>, part of an Ishiro Honda tribute. (<i style="mso-bidi-font-style: normal;">Mothra </i>DCP, <i style="mso-bidi-font-style: normal;">Battle in Outer
Space</i> 35mm.)</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/mothra-battle-in-outer-space" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">EGYPTIAN THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4BohV0Tyv3HCg8VlbuARgmmLiPhh1zdDcUSO4eoEpEfx9qMWtFdbIzyR8njQ_DQomfcBHBI6MRCXufPbEUYjyx8j-BwZCtqNV5-lZyuycs5nNitg1jhJrTpQPoImi-bjlenvu9Q/s1600/mothra_1962_poster_02-1170x916.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="916" data-original-width="1170" height="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4BohV0Tyv3HCg8VlbuARgmmLiPhh1zdDcUSO4eoEpEfx9qMWtFdbIzyR8njQ_DQomfcBHBI6MRCXufPbEUYjyx8j-BwZCtqNV5-lZyuycs5nNitg1jhJrTpQPoImi-bjlenvu9Q/s640/mothra_1962_poster_02-1170x916.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqgypCYaSDwH1w2aneSQkX-1EzShJ2VWX3iQHk9oeToRLaB9wd_AZay5FDsIA614ui0Zn8MDjcbl7lNhyphenhyphen9CmjBZcDSyZqM0YXkheqEOti_Q0P_P6Ff7bdNOBU3D0jADhz8xw-I-A/s1600/Battle_in_Outer_Space-film-poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="309" data-original-width="220" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqgypCYaSDwH1w2aneSQkX-1EzShJ2VWX3iQHk9oeToRLaB9wd_AZay5FDsIA614ui0Zn8MDjcbl7lNhyphenhyphen9CmjBZcDSyZqM0YXkheqEOti_Q0P_P6Ff7bdNOBU3D0jADhz8xw-I-A/s640/Battle_in_Outer_Space-film-poster.jpg" width="455" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Twister</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1996, Jan De Bont)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Minority Report</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2002, Spielberg)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Oct. 20 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Both in 35mm! I never saw either of those,
so maybe it's time to rectify that with both being in 35mm. Or I could have seen them when they came out and <u>everything</u> was in 35mm like it should be!</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/twister-minority-report" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1tMLp9dNLVM2pRN_VBxPK2ZvjcdYr-WCy9oeRESIUXk3FQ10FOtRrX7Is05R9yCXpAtVr-3abXR0trtd-DSVQ7NVtcuupVn5r4apysG4V6FtIByWvtfMJKHIl5RlnYDhCyieu9Q/s1600/twister.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="308" data-original-width="600" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1tMLp9dNLVM2pRN_VBxPK2ZvjcdYr-WCy9oeRESIUXk3FQ10FOtRrX7Is05R9yCXpAtVr-3abXR0trtd-DSVQ7NVtcuupVn5r4apysG4V6FtIByWvtfMJKHIl5RlnYDhCyieu9Q/s640/twister.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl6DcrLPWMSttxtxmI13n989UfhpwtNRMxVWp7ZNA2orY9HUD7ry2wkMfmvXYpEtX-X_y5YwX1TpX_Revm8lQtt7VApsUY8nca_d3OIssYOZ6TDD2D113yvA08gpLGkvcuarp9jw/s1600/minorityreport.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl6DcrLPWMSttxtxmI13n989UfhpwtNRMxVWp7ZNA2orY9HUD7ry2wkMfmvXYpEtX-X_y5YwX1TpX_Revm8lQtt7VApsUY8nca_d3OIssYOZ6TDD2D113yvA08gpLGkvcuarp9jw/s640/minorityreport.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">La cruz y la espada </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1934, Frank Strayer)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">El rey de los gitanos</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1933, Frank Strayer)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri
(<u>tonight</u>) Oct. 20 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">These are two Spanish-language releases from
Fox in the US<span style="mso-spacerun: yes;"> </span>during the ’30s intended
to compete with a burgeoning Mexican film industry. Both starring Mexican tenor
José Mojica, I like the description of the first one: “A Franciscan monk in old
California rescues his best friend’s fiancée from bandits, but then must battle
his reawakened sexual desire.” The first film in 35mm, second in DCP.</span></div>
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<a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-la-cruz-y-la" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">DOWNTOWN INDEPENDENT LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWbwbwQbkYugCGFEYhVM9inEUntj2NrgPYYIh0nxDnUAq51WBcKTTLhvZlXN0EG427kO3UsyKFwVZrHjCaOMKaL1Ja0-fV7fWAA_-prI6791cNhZUH5oclPxa1wJvCoISeXQej0w/s1600/La+cruz+y+la+espada.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="738" data-original-width="526" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWbwbwQbkYugCGFEYhVM9inEUntj2NrgPYYIh0nxDnUAq51WBcKTTLhvZlXN0EG427kO3UsyKFwVZrHjCaOMKaL1Ja0-fV7fWAA_-prI6791cNhZUH5oclPxa1wJvCoISeXQej0w/s640/La+cruz+y+la+espada.jpg" width="456" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP69nl7BlRsID9ZJ4lzdn75DNliCCZx6VxT8-kvsk4yHkMOt_5jfvM87UwH5NSNGL_ySNRgyWIw-lHqVByb1krSeCEdpNS6lt57qbHn7GkhMo9puUNZQ6FUzWVHYioOLXorOPkYw/s1600/Oct20ElRey.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP69nl7BlRsID9ZJ4lzdn75DNliCCZx6VxT8-kvsk4yHkMOt_5jfvM87UwH5NSNGL_ySNRgyWIw-lHqVByb1krSeCEdpNS6lt57qbHn7GkhMo9puUNZQ6FUzWVHYioOLXorOPkYw/s640/Oct20ElRey.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Downtown
Independent</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span>
</div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">¡Asegure a su
mujer!</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (<i style="mso-bidi-font-style: normal;">Insure
Your Wife!)</i> (1935, Lewis Seiler)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br />
<b style="mso-bidi-font-weight: normal;">and<i> </i></b><br />
<b style="mso-bidi-font-weight: normal;"><i>Nada más que una mujer</i> (1934,
Harry Lachman)</b><br />
<b style="mso-bidi-font-weight: normal;">Sat Oct 21 7:30 pm</b><br />
Two Spanish-language film releases of the 1930s (!) from Fox, something you maybe
weren't aware of, in this continuing Latin American Cinema in Los Angeles
series.<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> </i></b>Both 35mm! Originally this played at UCLA, but now it’s a
reprise in the type of downtown LA location they would have originally played
in.</span></div>
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<a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-asegure-a-su" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">DOWNTOWN INDEPENDENT LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrIuyw2yostcrSMG5M34c-byrVxh2VFyHMK54FvEfcO5EJ18pfPVdKl3-R5TPzoZwpX9ulsiaDN9fQQ8x63SseZMq7fxRZzRmk45YNQDhuBUXLuxJqVB2GBoVXc5lqfy7Qd163tA/s1600/Asegure-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrIuyw2yostcrSMG5M34c-byrVxh2VFyHMK54FvEfcO5EJ18pfPVdKl3-R5TPzoZwpX9ulsiaDN9fQQ8x63SseZMq7fxRZzRmk45YNQDhuBUXLuxJqVB2GBoVXc5lqfy7Qd163tA/s640/Asegure-small.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNTi2DgE9GAmjfgFwTv4y5QfJZMHbk9XRTSUdMT6RVc1yZeHGkawVOv_1cAnN8rVHTs7uE3-v-txuY2b_IF0N0c0bnIh4K78x1rqHn4O-RgAp-3Yt6vVL9KUTb0tGAFYXpdYYZGQ/s1600/nadamas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="431" data-original-width="652" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNTi2DgE9GAmjfgFwTv4y5QfJZMHbk9XRTSUdMT6RVc1yZeHGkawVOv_1cAnN8rVHTs7uE3-v-txuY2b_IF0N0c0bnIh4K78x1rqHn4O-RgAp-3Yt6vVL9KUTb0tGAFYXpdYYZGQ/s400/nadamas.jpg" width="400" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Marjorie Prime</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2017, Michael Almereyda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and
<br />
<i style="mso-bidi-font-style: normal;">East of Eden</i> (1955, Elia Kazan)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 21 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Discussion between films with actress Lois
Smith. The first is obviously a brand-new film, followed by the classic <i style="mso-bidi-font-style: normal;">East of Eden</i>. There’s only a couple
James Dean movies, and Lois Smith will have stuff to tell about him. (Both
films DCP.)</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/marjorie-prime-east-of-eden" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI1Clyhda87IszORUMiVEZRQeZugxRpDl7NrQZim0PSYCJDcav-ZjuEfQSwtOt-jjJgHqqal9c4wo9iYlZxT2cSf2GHFDqAFSZTAubsKhgnX-B5Z6BNM59QlkqVFrSMLXLMU0HsA/s1600/DI-East-Of-Eden.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="748" data-original-width="1330" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI1Clyhda87IszORUMiVEZRQeZugxRpDl7NrQZim0PSYCJDcav-ZjuEfQSwtOt-jjJgHqqal9c4wo9iYlZxT2cSf2GHFDqAFSZTAubsKhgnX-B5Z6BNM59QlkqVFrSMLXLMU0HsA/s640/DI-East-Of-Eden.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Five Easy Pieces</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1970, Bob Rafelson)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Next Stop, Greenwich Village</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1976, Paul Mazursky)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Oct. 22 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><i style="mso-bidi-font-style: normal;">Five
Easy Pieces</i> is always a great one to see on the big screen. Must confess
haven’t seen the second one. (Both films DCP.)</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/five-easy-pieces-next-stop-greenwich-village" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY-C-tcwaHfIIDy6gBThWH6TYtgTLWwlgHf0DrU9TlTYWMbPvC8ZdzS-1youNxBe9smIFyFQdabkryAbIqFm0jMKb6avTVQblDyvU3wuSnVYON0Pfq6JQVWmS8AimVG-Tl9LDrmQ/s1600/fiveeasy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="300" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY-C-tcwaHfIIDy6gBThWH6TYtgTLWwlgHf0DrU9TlTYWMbPvC8ZdzS-1youNxBe9smIFyFQdabkryAbIqFm0jMKb6avTVQblDyvU3wuSnVYON0Pfq6JQVWmS8AimVG-Tl9LDrmQ/s640/fiveeasy.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkE1fsh2mDZkdtWoUIZG73OqOiPXfrBM8Qdvt_hUi73BdXMVtsbPd7kply84i7PxtkpcvkrJGSSybGJecXI5BPGJ_OATIuQY23uYmRr0TVUP3C_OuXEV0HYNX8Fissb7X6o831QA/s1600/nextstopgreenwich.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="494" data-original-width="844" height="374" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkE1fsh2mDZkdtWoUIZG73OqOiPXfrBM8Qdvt_hUi73BdXMVtsbPd7kply84i7PxtkpcvkrJGSSybGJecXI5BPGJ_OATIuQY23uYmRr0TVUP3C_OuXEV0HYNX8Fissb7X6o831QA/s640/nextstopgreenwich.jpg" width="640" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Invisible Man</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1933, James Whale)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Oct. 24 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">More gems in 35mm hidden at the regular 1pm
matinee screenings at LACMA. Check it out! Very cheap, $4, for some 35mm
goodness. This is a fun one starring Claude Rains, great use of early film
technologies.</span></div>
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<span style="font-size: 12.0pt;"><a href="http://www.lacma.org/event/invisible-man-0" target="_blank"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></a></span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl1asjkaarDtfPVgPnrUNdFYchIERS1llOhyKILHjxYH17ZbeRYCvylUMb-G4ngvev_xv2LcrySIuVCu7uObXnASofBqq8XA1dUC7WqbMUqYMIPxZVbt-n5PJ88EyoAcwIPCftmg/s1600/021-the-invisible-man-theredlist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1244" data-original-width="1600" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl1asjkaarDtfPVgPnrUNdFYchIERS1llOhyKILHjxYH17ZbeRYCvylUMb-G4ngvev_xv2LcrySIuVCu7uObXnASofBqq8XA1dUC7WqbMUqYMIPxZVbt-n5PJ88EyoAcwIPCftmg/s640/021-the-invisible-man-theredlist.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Arclight
Cinemas (Various)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br />
<b>"It's Alive!" -- film's favorite monsters terrorize the big screen</b><br />
<b>through Oct. 31</b><br />
There's a pretty good selection here all month at various Arclights. I feel
like they're almost definitely all DCP, but click the individual links to see.
Some great movies in here and if you live less central to LA, can find some
good stuff near you.<b> </b><br />
</span><a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">ARCLIGHT LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 – Alien –
Culver City</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 – The
Exorcist – Pasadena</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 – The
Thing – La Jolla</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 –
Halloween – Hollywood</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 – Alien –
Santa Monica</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 – The
Exorcist – Beach Cities</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 –
Suspiria – Hollywood</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 – The
Blob (1988) – Sherman Oaks</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 25 – The
Exorcist – Hollywood</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 30 – The
Bride of Frankenstein (1935) – Hollywood</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 31 –
Halloween – Sherman Oaks</span></div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 26.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Repulsion</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1965, Roman Polanski)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Tenant</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1976, Roman Polanski)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Oct. 31 7:30 pm/9:45 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A double dose of actual “quality” horror
films. More psychological in both cases, and directed by a deft hand at cinema rather than being pure grindhouse. <i style="mso-bidi-font-style: normal;">Repulsion</i>
is Catherine Deneuve alone with her thoughts and not handling them too well
(seeing things?!) and <i style="mso-bidi-font-style: normal;">The Tenant</i> is
great, kind of overlooked, pretty dark, twisted tale with Polanski himself
starring in it with the lovely Isabelle Adjani. I think he's the creepy-ass tenant 'cause it wouldn't be Adjani.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/october-31-repulsion-the-tenant/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge7LbsPfoy_YRPMttvFLOxFZEzRqp61jWW9sBlDDsakHEyMKJOUzD-4Xef4rZujQyTEGLmw3FZ_5QhX-DI3sKokQ2UU_ozacVtFUsbIv5A6TkQ3U2Q3kGQQIFn3hzXzLUXqWOEeg/s1600/tenant1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="349" data-original-width="640" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge7LbsPfoy_YRPMttvFLOxFZEzRqp61jWW9sBlDDsakHEyMKJOUzD-4Xef4rZujQyTEGLmw3FZ_5QhX-DI3sKokQ2UU_ozacVtFUsbIv5A6TkQ3U2Q3kGQQIFn3hzXzLUXqWOEeg/s640/tenant1.jpg" width="640" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Texas Chainsaw Massacre</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1974, Tobe Hooper)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Eaten Alive</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1976, Tobe Hooper)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Oct. 27 7:30 pm/9:25 pm</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 28 7:30 pm/9:25 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Great way to see this in 35mm and pay tribute
to recently deceased Tobe Hooper. This is on my radar because I haven’t seen
the first, quite famous one. The second sounds like a great twofer of exposure
to this director of my least favorite genre, but maybe I’ll give it a go.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/october-27-28-the-texas-chain-saw-massacre-eaten-alive/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7zGuSkJ681jvxSyqc7VHiUw_vdMZEd9VfTbQTnSW4x7By7Km-7H-Len9eFfZGJwdOT2-TxTn3vm16RHkCaAFPvBJ4CivYBiqeOlHszLwdFeRJ4CapASgpaUPlAT2nggiE9keLJg/s1600/Texas-Chain-Saw-Massacre-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7zGuSkJ681jvxSyqc7VHiUw_vdMZEd9VfTbQTnSW4x7By7Km-7H-Len9eFfZGJwdOT2-TxTn3vm16RHkCaAFPvBJ4CivYBiqeOlHszLwdFeRJ4CapASgpaUPlAT2nggiE9keLJg/s640/Texas-Chain-Saw-Massacre-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiglKf8VtXbEWBj2IznNDPVwjH-AnYXH0XBnTC1Gw6wdbCG6gvBORbdohV3DO02xd7JJtjV-QVCw2xE2AjHqnRzNu53qUL8CHCEklbmnfMVcXaul-AgLF_FF3MKq6nXIqW9aelSTg/s1600/eaten-alive-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiglKf8VtXbEWBj2IznNDPVwjH-AnYXH0XBnTC1Gw6wdbCG6gvBORbdohV3DO02xd7JJtjV-QVCw2xE2AjHqnRzNu53qUL8CHCEklbmnfMVcXaul-AgLF_FF3MKq6nXIqW9aelSTg/s640/eaten-alive-poster-385x578.jpg" width="426" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Still Walking</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2008, Kore-eda Hirokazu) <span style="mso-spacerun: yes;"> </span><u>Kore-eda
Hirokazu in person</u></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Oct. 27 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Kore-eda Hirokazu is a very interesting filmmaker who has carved out a modest spot in the art film director world, periodically
playing Cannes and having a smattering of international awards, and this is one
of his older good ones. Check it out, plus he’s in person. And it’s 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/10/27/still-walking" target="_blank">UCLA LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNjy8qhZ2kkLy1FG3P1BaOoSNGn9AdiVE7LllZafX0DthI7dC_zvewfRmr0MkwlAq4k_GwP4nWOOxW9XWwZ-m1r9_32UE7_hAm8MiNLPBOP_bDEpX6hvtR2sWpFI3eTp4_4yXEWQ/s1600/stillwalking.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNjy8qhZ2kkLy1FG3P1BaOoSNGn9AdiVE7LllZafX0DthI7dC_zvewfRmr0MkwlAq4k_GwP4nWOOxW9XWwZ-m1r9_32UE7_hAm8MiNLPBOP_bDEpX6hvtR2sWpFI3eTp4_4yXEWQ/s640/stillwalking.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Maborosi </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1995,
Kore-eda Hirozaku) <u>Kore-eda Hirozaku in person!</u></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 28 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wait there’s another Hirozaku film with him in
person! This one might be even better, I remember this one from a while back.
Again this is in 35mm, and this is that arthouse director of some note from
Korea. Check him out!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/10/28/maborosi" target="_blank">UCLA LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghf4NWZ_ZUgTNMe0Ns0wVNcomdcXiLsXAIRSv8f3PughFHBvvttfiw08TSsW8N3jVrqUAsaNpF3tCtCQwhJFbRHoL9kzAl7rhc6xNTWMkkRs7ccgebf8F8BTxPJKcK6PcQ97nXPA/s1600/maboroshi-750x400.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="750" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghf4NWZ_ZUgTNMe0Ns0wVNcomdcXiLsXAIRSv8f3PughFHBvvttfiw08TSsW8N3jVrqUAsaNpF3tCtCQwhJFbRHoL9kzAl7rhc6xNTWMkkRs7ccgebf8F8BTxPJKcK6PcQ97nXPA/s640/maboroshi-750x400.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Air Doll </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(2009,
Kore-eda Hirozaku)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Oct. 29 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">I’ll let their description sell this one:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“Unlike
anything else in Kore-eda’s filmography, this story of an inflatable sex doll
that comes to life in the middle of Tokyo strikes a whimsical tone that renders
its reflections on loneliness, love, the movies and what it really means to be
human all the more bittersweet.”</span></i></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sounds goooood. Plus in 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/10/29/air-doll" target="_blank">UCLA LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtqQuRr5EGA5Gge5Uoq6y9noFNWmm1Ri0OMTJ8RSGKx2QCUbJjWQlydN9cHeI4lX4M1Wnm1ZWDazOuhUjHh3XSX9ULzsv90vR0dVOGkP90XCya495csimS1MtwkNwIsnXRV_5xKg/s1600/AirDoll-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtqQuRr5EGA5Gge5Uoq6y9noFNWmm1Ri0OMTJ8RSGKx2QCUbJjWQlydN9cHeI4lX4M1Wnm1ZWDazOuhUjHh3XSX9ULzsv90vR0dVOGkP90XCya495csimS1MtwkNwIsnXRV_5xKg/s640/AirDoll-small.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Invisible Man Returns</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1940, Joe May)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Invisible Agent</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1942, Edwin L. Marin)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Oct. 30 7:30 pm/9:20 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Nothing I like more than the curiosity of obscure sequels to some very famous originals. Here we get a double dose of the continuing
story of the <i style="mso-bidi-font-style: normal;">Invisible Man</i>, now taken
over by Vincent Price (from Claude Rains). Interestingly directed by Joe May of
German silent films such as <i style="mso-bidi-font-style: normal;">Asphalt </i>(1929).
The second film has no Vincent Price, but has a World War II propaganda angle,
using the invisible man technology, so might be pretty cool (or pretty awful!).</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/october-30-the-invisible-man-returns-invisible-agent/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgML9dcM6EN5Wgk6FzKYDWIfVLBeavpBLbGw2cYwfurD7jaf12gySL_QUC_uZrUhTVHkx9l9Tp-Vf88-uEtxNUkwYsmK6fVdJcFy-b7C5HdkLJeRzTTH6yrMgdt4URDoIL0ssFJ6g/s1600/invisible-man-returns-poste-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgML9dcM6EN5Wgk6FzKYDWIfVLBeavpBLbGw2cYwfurD7jaf12gySL_QUC_uZrUhTVHkx9l9Tp-Vf88-uEtxNUkwYsmK6fVdJcFy-b7C5HdkLJeRzTTH6yrMgdt4URDoIL0ssFJ6g/s640/invisible-man-returns-poste-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiANpPEBrhxOE8b-YbX2YUexxAQGPmuyiBcECQde31zjrdpDxVNGgRL5_f8UACA7BBZwWwnnVSeOoxyGk_xAM_QemDgbJSO-N6MaP6niSwyzoklLrdiErEe2TLEBmEh17erR8pJ5g/s1600/Invisible-Agent-1942-1-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiANpPEBrhxOE8b-YbX2YUexxAQGPmuyiBcECQde31zjrdpDxVNGgRL5_f8UACA7BBZwWwnnVSeOoxyGk_xAM_QemDgbJSO-N6MaP6niSwyzoklLrdiErEe2TLEBmEh17erR8pJ5g/s640/Invisible-Agent-1942-1-385x578.jpg" width="426" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">La Virgen de la Caridad</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1930, Ramón Peón) </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Casta de roble</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1954, Manolo Alonso)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Oct. 27 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">While this will have just played the prior week
at UCLA (see above), it’s silent film nerd alert again! Wow, a 1930 silent film
from Cuba with live musical accompaniment, in 35 mm. Should be unique, definitely
rare. The site says:</span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“This
Cuban silent film was highly praised and extremely popular at the time of its
release, because of its socially critical view of the plight of peasants, and
its religious themes.” </span></i></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On the second film, the site says:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“A
young peasant girl… has a baby by the master of the plantation, which is taken
away from her. She marries and has another son, but the loss of the child has
scarred her for life. Shot mostly on location in Pinar del Rio, Cuba…” </span></i></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The downtown
LA version of these screenings are part of showing them in (or near) the original LA venues they
played in way back when. Both in 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-la-virgen-de-la-caridad" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTkNjuYDP3d3N4EM7Ts3EAx_-8pMK9DtZCdF85lV70tiB2xE8sOzEuO83VFKk4YUVR23br5glmUzmlgV3I9LpdzzcnQrM1AJX0fpRmBlLeH2yqua66aAB1_xPGIWUL0_6AnNXHyQ/s1600/Virgen_de_la_Caridad.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="755" data-original-width="1000" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTkNjuYDP3d3N4EM7Ts3EAx_-8pMK9DtZCdF85lV70tiB2xE8sOzEuO83VFKk4YUVR23br5glmUzmlgV3I9LpdzzcnQrM1AJX0fpRmBlLeH2yqua66aAB1_xPGIWUL0_6AnNXHyQ/s400/Virgen_de_la_Caridad.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjtrGPrnkZhtMK2jOIdRyiGIsRggFHNPAmo-ltLJHN6_7af3643jUzA0yYrB303fJQs_fEGBHmziQq0gPdudRyo6oF016Bi8KlQFzMwLaiVf9m1P9eYHpz1mhJRXqoiiI0U1yM8g/s1600/CASTADEROBLE-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjtrGPrnkZhtMK2jOIdRyiGIsRggFHNPAmo-ltLJHN6_7af3643jUzA0yYrB303fJQs_fEGBHmziQq0gPdudRyo6oF016Bi8KlQFzMwLaiVf9m1P9eYHpz1mhJRXqoiiI0U1yM8g/s640/CASTADEROBLE-small.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Godzilla: The Japanese Original</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">And</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The H-Man</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1958, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Oct. 27 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s <i style="mso-bidi-font-style: normal;">Godzilla</i>
without the Raymond Burr American scenes, all in Japanese with English subtitles.
<i style="mso-bidi-font-style: normal;">H-Man</i> is a gangster film: “genre-blending
sci-fi thriller is a mix of detectives, hoods, radioactive goblins and atomic
paranoia.” Sounds like <i style="mso-bidi-font-style: normal;">The World’s End</i>?
I can’t honestly say I recommend this, as I don’t know anything about it. But <i style="mso-bidi-font-style: normal;">H-Man</i> is in 35mm, and <i style="mso-bidi-font-style: normal;">Godzilla</i> is a nerd-culture phenomenon to
maybe check out. (<i style="mso-bidi-font-style: normal;">Godzilla</i> is DCP).</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/godzilla-the-japanese-original-the-h-man" target="_blank">EGYPTIAN THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNxujCIxQm3rd_hgcBoTfAcJfLvfv1l6LI0SPRd-Pk7IcrvAXWZKKx5njo3hnSTpDmHagCy4xgXLwQsW9qQNRWIFi5hsidNZXW3pTh00N-ES5IieZEFTH80qmTijIS-rTZp6uzZw/s1600/Godzilla-1954.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNxujCIxQm3rd_hgcBoTfAcJfLvfv1l6LI0SPRd-Pk7IcrvAXWZKKx5njo3hnSTpDmHagCy4xgXLwQsW9qQNRWIFi5hsidNZXW3pTh00N-ES5IieZEFTH80qmTijIS-rTZp6uzZw/s640/Godzilla-1954.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdOqRM1wlf_IZUx199L4Lh9zuZ5QtqYoZFdXTDNozh-N6unWbAtt_dTEgE8Y4UcESn3RoWNVKnf7wNza5pkoc2WTukT0BIAkGV0emQXS97MXNl6uraCI9CaAoYJLKUGKykihOshQ/s1600/SPHE_H-Man-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="550" data-original-width="450" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdOqRM1wlf_IZUx199L4Lh9zuZ5QtqYoZFdXTDNozh-N6unWbAtt_dTEgE8Y4UcESn3RoWNVKnf7wNza5pkoc2WTukT0BIAkGV0emQXS97MXNl6uraCI9CaAoYJLKUGKykihOshQ/s640/SPHE_H-Man-3.jpg" width="522" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Ghostbusters</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1984, Ivan Reitman)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Oct. 29 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">In 70mm. Probably worse ways to spend your
Sunday.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/ghostbusters-6" target="_blank">EGYPTIAN THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6U5CwOCofqN08vLH7XvDpuDetpCtVDXTMdpSj_UEsQd7KgaPF1k5qWY1CbByo9D36Sn9kXSeRnMOK2AGYL_ySlO3TMAjqhl_d29fhSSTIKtLudK95W6uW5r0Dart5FMB9MpmsZA/s1600/ghostbusters21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="238" data-original-width="475" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6U5CwOCofqN08vLH7XvDpuDetpCtVDXTMdpSj_UEsQd7KgaPF1k5qWY1CbByo9D36Sn9kXSeRnMOK2AGYL_ySlO3TMAjqhl_d29fhSSTIKtLudK95W6uW5r0Dart5FMB9MpmsZA/s640/ghostbusters21.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">All-Night
Horrorthon</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 28 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">You horror nerds can knock yourselves out with
another all-night horror marathon. Happily the screening format is
35mm for all films except <i style="mso-bidi-font-style: normal;">Death Bed: The
Bed That Eats</i>. So that’s a lot of awesome 35mm. Films include <i style="mso-bidi-font-style: normal;">An American Werewolf in London</i> (1981,
John Landis), <i style="mso-bidi-font-style: normal;">Popcorn</i> ( 1991, Mark
Herrier), <i style="mso-bidi-font-style: normal;">The Tingler</i> (1959, William
Castle), <i style="mso-bidi-font-style: normal;">Hack-O-Lantern</i> (1988, Jag
Mundhra), <i style="mso-bidi-font-style: normal;">Shocker</i> (1989, Wes Craven),
<i style="mso-bidi-font-style: normal;">Brainscan</i> (1994, John Flynn). Plus
the 40<sup>th</sup> anniversary of <i style="mso-bidi-font-style: normal;">Death
Bed: The Bed That Eats</i> (1977, George Barry), which sounds interesting: </span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“After
a woman dies on a bed while making love to a demon, the bed comes to life with
a hunger for human victims (including the film’s narrator, an artist trapped in
a painting). Whatever you do, don’t sleep through this surreal cult favorite!”</span></i></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/all-night-horrorthon-0" target="_blank">AERO THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTjPuwCjWziND7xg4UM1JKVKH7hC72hzZSpFT9PhDRTYeUd0hSFr3AQa8sKaccDpvwW5eRaQ1nGiBBN-83dPstmKUgj9U6usRAeDBG3J-86LVRhI6TjYGu9syLSNXmcSmrMjI7Aw/s1600/An-American-Werewolf-in-London-at-HHN-23-HR0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1211" data-original-width="1600" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTjPuwCjWziND7xg4UM1JKVKH7hC72hzZSpFT9PhDRTYeUd0hSFr3AQa8sKaccDpvwW5eRaQ1nGiBBN-83dPstmKUgj9U6usRAeDBG3J-86LVRhI6TjYGu9syLSNXmcSmrMjI7Aw/s640/An-American-Werewolf-in-London-at-HHN-23-HR0.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">El vampiro negro</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1953, Román Viñoly Barreto)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Los tallos amargos</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1956, Fernando Ayala)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 28 3:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">An Argentian version of Fritz Lang’s <i style="mso-bidi-font-style: normal;">M</i> (1931) as part of the ongoing Latin
American Cinema in Los Angeles series spearheaded by UCLA. And nicely, both of
these are on 35mm. The second is “a film noir tale of paranoia, shot in stark
expressionist images” about a journalist who starts a fake journalism
correspondence school (fake news?! How timely) but becomes suspicious of his business
partner. The cinematography of the second film is highly acclaimed: It was
included in the “Best Shot Films” list in <i style="mso-bidi-font-style: normal;">American
Cinematographer</i> and was “long available only in substandard prints,” this
is now finally a restored version by UCLA Film & Television Archive from
the original negative found in a Buenos Aires home in late 2014! Both 35mm.
Also Free Admission!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/10/28/vampiro-negro-tallos-amargos" target="_blank">UCLA LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBL52FeCK1u5zy3nZdb28ig_FronyeYWxrsgzVqjm20Hb8PLGmnxCpsLYgnOfWghuS4TRxvr2EYxvQtz9-k6tot_-TRnPL2uQ9gBxvS2Vfj2HiHDsHGiy3pGb2jstW-nAsNjgskA/s1600/ELVAMPIRONEGRO-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBL52FeCK1u5zy3nZdb28ig_FronyeYWxrsgzVqjm20Hb8PLGmnxCpsLYgnOfWghuS4TRxvr2EYxvQtz9-k6tot_-TRnPL2uQ9gBxvS2Vfj2HiHDsHGiy3pGb2jstW-nAsNjgskA/s640/ELVAMPIRONEGRO-small.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwY9M5m6t6BxKm1HVpNtcoS4V0tY5-rKVDJ2eiaRBs7WME1KRYCkvyB7fFUni0uT_RvxUYYBYxzM0WRAFxfY16FzqnlbNL5TvAcBvB14jPDeX6WHg7VF457oGIs8A8VrsXYbg7Mg/s1600/los-tallos-amargos-9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="478" data-original-width="700" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwY9M5m6t6BxKm1HVpNtcoS4V0tY5-rKVDJ2eiaRBs7WME1KRYCkvyB7fFUni0uT_RvxUYYBYxzM0WRAFxfY16FzqnlbNL5TvAcBvB14jPDeX6WHg7VF457oGIs8A8VrsXYbg7Mg/s640/los-tallos-amargos-9.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & TV Archive</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Ahí está el detalle</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"> </span>(<i style="mso-bidi-font-style: normal;">You’re Missing the Point</i>) (1940, Juan Bustillo Oro)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Calabacitas tiernas</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1949, Gilberto Martínez Solares)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Oct. 30 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This played recently at Downtown Independent,
but West side denizens get a chance to see it at UCLA’s Billy Wilder Theater. Two
from Mexico here, the first with Cantinflas apparently made him the most
bankable star in Mexico, and the plot is apparently too convoluted for words,
so it might be funny. Then in <i>Calabacitas tiernas</i> Tin-Tan puts on an
international music show to alleviate financial woes. Both in 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.cinema.ucla.edu/events/2017/10/30/ahi-esta-detalle-calabacitas-tiernas" target="_blank">UCLA LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNiigSD0U6M8kLRxEYmnXB9cziWHBUzyJMKqxeedJ1m7IUbnzbbZTyrGfh3WkOqgIkC4j93pt7OfFHX7CeOcPY2FJ319VYGRcUYetO6tnlmlIL3ZqWhGegFQ1rM4H4CLPaYYBFgA/s1600/ahiestalasdetailles.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="642" data-original-width="858" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNiigSD0U6M8kLRxEYmnXB9cziWHBUzyJMKqxeedJ1m7IUbnzbbZTyrGfh3WkOqgIkC4j93pt7OfFHX7CeOcPY2FJ319VYGRcUYetO6tnlmlIL3ZqWhGegFQ1rM4H4CLPaYYBFgA/s640/ahiestalasdetailles.jpeg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlU5rghbSwVXdQqKdV8PvHhCDIz9N2dTWNsK4U6JxxyGMgyVazHkIgZ3j_sRt4AP_Swe6aHxYNbn5VhqV4MPW5HZ26Sd2kKQ3adMCvl2Cr6dklPwFkIvHRh0FKxKvv3yFNySIa1Q/s1600/Oct14Calabcitas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlU5rghbSwVXdQqKdV8PvHhCDIz9N2dTWNsK4U6JxxyGMgyVazHkIgZ3j_sRt4AP_Swe6aHxYNbn5VhqV4MPW5HZ26Sd2kKQ3adMCvl2Cr6dklPwFkIvHRh0FKxKvv3yFNySIa1Q/s640/Oct14Calabcitas.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Creature from the Black Lagoon</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1954, Jack Arnold)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Oct. 31 1:00 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">More 35mm horror classics at LACMA’s $4
matinees. Great deal for 35mm films if you like these old genre standards.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.lacma.org/event/creature-black-lagoon" target="_blank">LACMA LINK</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">ACADEMY</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Pan’s Labyrinth</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2006, Guillermo del Toro)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Oct. 30 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">In 35mm. This is an amazing huge theater run
by the Academy and it’s only $5. Great place to see a movie.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://pstlala.oscars.org/event/pans-labyrinth-2006/" target="_blank">ACADEMY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuNfrpS7NBDFP1PsFLNrX12hDn9kh9tyNerf8SONq5a9QTKaRoFtCtN79EcTe0NCV1atDH2IUYDdCC1SPVGVPiyMjh4VjD5Y3sOsFzOBCQSt5vxAX4IAQLYJFlpIAxSRpmRQhpaA/s1600/panhed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="739" data-original-width="1100" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuNfrpS7NBDFP1PsFLNrX12hDn9kh9tyNerf8SONq5a9QTKaRoFtCtN79EcTe0NCV1atDH2IUYDdCC1SPVGVPiyMjh4VjD5Y3sOsFzOBCQSt5vxAX4IAQLYJFlpIAxSRpmRQhpaA/s640/panhed.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NOTE: The Egyptian and Aero’s listings weren’t
updated past Oct. 31st <sup> </sup>at blog press time, so check their site for
more updated info.</span></div>
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-36049784879894419792017-10-13T13:48:00.003-07:002017-10-13T14:03:39.546-07:00What Films Are Playing in LA in 35mm (and other) This Week<!--[if gte mso 9]><xml>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Here are some of the fabulous films playing in LA in 35mm (and other) this week.</span><br />
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. Browse the LA Film Calendars links on my side bar to find even more! <span style="mso-spacerun: yes;"> </span>→ → →</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">In particular, you may want to note the series of recent German and Spanish cinema at the Egyptian, and a Taiwanese
spotlight at UCLA starting Oct. 20.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">As usual, a couple of these choices are
tonight, FYI, and not necessarily listed first.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Aero Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Andrei Rublev</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1969, Andrei Tarkovsky)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat. Oct. 14 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The master
Tarkovsky is back (you may remember the <i style="mso-bidi-font-style: normal;">Stalker</i>
[1979] revival screenings a few weeks back). This is how a cinephile gets their
membership badge. They watch this on film, in 35mm, in a theater. So go do it.
It’s a beautiful re-creation of a medieval era of a notable icon painter, and
nothing will make you think about art and life the same way again. Commiserate
with confused fellow filmgoers in the foyer afterward and receive your
membership badge in the cinephile guild. Did I mention it’s in 35mm! Did I
mention it’s somewhat lengthy? Good, getting your badge shouldn’t be easy.</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/andrei-rublev-1" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">AERO THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_3N_SiXSBFA4Q_5P65cAJFlLWpolApts-GavTyOJSNlFuJgeOB4y60QXcQhPPUpm8ch0evo5fmdFcBWlh2ZrYjcZPckSeehPpEvKQPD7XHT_mFZUlO9KtT5Wr70I4OyRPLchMWw/s1600/Andrei+Rublev%252C+1966%252C+Andrei+Tarkovsky%252C+image+courtesy+of+Kino+Lorber_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1164" data-original-width="827" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_3N_SiXSBFA4Q_5P65cAJFlLWpolApts-GavTyOJSNlFuJgeOB4y60QXcQhPPUpm8ch0evo5fmdFcBWlh2ZrYjcZPckSeehPpEvKQPD7XHT_mFZUlO9KtT5Wr70I4OyRPLchMWw/s640/Andrei+Rublev%252C+1966%252C+Andrei+Tarkovsky%252C+image+courtesy+of+Kino+Lorber_0.jpg" width="454" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Aero Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Come and See</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1985, Elem Klimov)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sun. Oct. 15 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oh, man, I just
watched another film by this guy, his <i style="mso-bidi-font-style: normal;">The
Adventures of a Dentist </i>(1965) on Film Struck. (Kind of like a slightly
less sharp Dušan Makevejev style on that one.) And I did that because <b style="mso-bidi-font-weight: normal;"><u>this</u></b> film here is a balls-out masterpiece. One of the most
harrowing World War II films ever. Did you think the Nazis were bad yet? Well,
just in case you missed anything, this will pretty close to make you feel they
were even worse. Because they were. (And watch <i style="mso-bidi-font-style: normal;">Shoah</i> also, since this is only one aspect, set in Belarus.) This is
in the Landmarks of Soviet Cinema series for a really big reason. It’s fricking
shocking and incredible. Worth seeing. In 35mm!</span></div>
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<a href="http://www.americancinemathequecalendar.com/content/come-and-see-0" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">AERO THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOZps3lJJKl1oNYrSxnOSAESBzxVujQ8_rVQjek3hEKga8zfGpMzMg4w-RC-Ha2AeufFLAoWDzhl2Lg3Od90pp8Gf5zSaA6N7z95mtNJKKYJw8n9CQyp7up_-nCxtlkyYehIyA-w/s1600/comeandsee.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOZps3lJJKl1oNYrSxnOSAESBzxVujQ8_rVQjek3hEKga8zfGpMzMg4w-RC-Ha2AeufFLAoWDzhl2Lg3Od90pp8Gf5zSaA6N7z95mtNJKKYJw8n9CQyp7up_-nCxtlkyYehIyA-w/s640/comeandsee.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Suspiria</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1977, Dario Argento)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
(<u>tonight</u>) Oct. 13 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A wonderful heartwarming film starring the
amazing actress Jessica Harper. Warm your cockles on a Friday the 13<sup>th</sup>
in October to this loving ode to suspense. This is a 4K restoration. Yeah, I
prefer 35mm film, but maybe this will look great.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(This screening DCP.)</span></div>
<a href="http://www.americancinemathequecalendar.com/content/suspiria-2"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">AERO
THEATRE LINK</span></a>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghWcxQxvp7H5ncL2HAu6z1XbtkTn5NSP_Rb_0HYLGXw95kSYQhXDa5p5mHj2tA3ZSdn6W0pQ_AvbvTx8TPgEKQfREuiJ6b-dHcduX9Wr8xaDF8pexdAHV71UzqEBOXAT2u3kaDVA/s1600/suspiria.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="426" data-original-width="1000" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghWcxQxvp7H5ncL2HAu6z1XbtkTn5NSP_Rb_0HYLGXw95kSYQhXDa5p5mHj2tA3ZSdn6W0pQ_AvbvTx8TPgEKQfREuiJ6b-dHcduX9Wr8xaDF8pexdAHV71UzqEBOXAT2u3kaDVA/s640/suspiria.jpg" width="640" /></a> </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Omen</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1976, Richard Donner)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Holocaust 2000</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1977, Albert De Martino)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Fri. (<u>tonight</u>) Oct. 13 </span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">7:00 pm/9:20 pm</span></b></span></b><br />
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat.
Oct. 14 7:00 pm/9:20 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Seeing <i>the Omen
</i>in 35mm should be required viewing right?! The second film sounds intriguing as
heck. It has a similar plot line with a child, but add a nuclear power plant in
the Middle East and Kirk Douglas! Should be good?? Or since I’ve literally
never heard of this film, I’m hoping very awful in the best way. (Second film
16mm.)</span></div>
<a href="http://thenewbev.com/program/october-13-14-the-omen-holocaust-2000/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">NEW BEVERLY LINK</span></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMumwOrqn93_Oa2g3qds-GaCukCdyu8m9QXugnVuwvDuaRP7FJaHS0YSxQNBQuFwZhDzi5tHOzpJoY5SEnWpvkaMmMbYgAT-8m9TikxqMJLqFi3W-51AN2Kr1Iuhk87DMAao6aZA/s1600/holocaust-2000-poster-385x578.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMumwOrqn93_Oa2g3qds-GaCukCdyu8m9QXugnVuwvDuaRP7FJaHS0YSxQNBQuFwZhDzi5tHOzpJoY5SEnWpvkaMmMbYgAT-8m9TikxqMJLqFi3W-51AN2Kr1Iuhk87DMAao6aZA/s640/holocaust-2000-poster-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Downtown Independent</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">La casa de los
millones </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1942, Luis Bayón Herrera)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and </span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">La dama duende</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1945, Luis Saslavsky)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Fri. (<u>tonight</u>) Oct. 13 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">These two in DCP,
but oh so rare..! This time we have films from Argentina in this ongoing Latin
American film series. <i style="mso-bidi-font-style: normal;">La casa de los
millions</i> is a comedy, with puns and slapstick about a noveau riche widow
who is driving all her servants away. <i style="mso-bidi-font-style: normal;">La
dama duende</i> is the story of woman (yet another widow?!) trying to win a man
by pretending to be a ghost, so I have a feeling this might be a comedy. Was
voted the best Argentine film of 1945! (This screening DCP.)</span></div>
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<a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-la-casa-de" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">DOWNTOWN
INDEPENDENT LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOx62KAG_zi6GWMKnlo3aS3xoP92_dmzNmM5VS-tyherQ-7YLq6zUpGk_yZI1ZmArYO0vkIM0vCNQpIDiQRwXEonQbF_mLs08ejCt4wfN1_eeSNjOS0xEOO6bfcB9JcJn58wEs_A/s1600/casadelosmilliones.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1032" data-original-width="720" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOx62KAG_zi6GWMKnlo3aS3xoP92_dmzNmM5VS-tyherQ-7YLq6zUpGk_yZI1ZmArYO0vkIM0vCNQpIDiQRwXEonQbF_mLs08ejCt4wfN1_eeSNjOS0xEOO6bfcB9JcJn58wEs_A/s640/casadelosmilliones.jpg" width="446" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyvkg0xze-OmkxBzaCb0hg93d3f8hyphenhyphen0-bpvvmGPFHOF_uIumo5ZTmz8Uo3kmBQhqj66d_Spyy4xaLZJLwwErPZoo4MbEYucM9BBIE5hhupuojeaOa-vyhXrYsScYMtE_EHS8L8kg/s1600/Oct13DamaDuende.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyvkg0xze-OmkxBzaCb0hg93d3f8hyphenhyphen0-bpvvmGPFHOF_uIumo5ZTmz8Uo3kmBQhqj66d_Spyy4xaLZJLwwErPZoo4MbEYucM9BBIE5hhupuojeaOa-vyhXrYsScYMtE_EHS8L8kg/s640/Oct13DamaDuende.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Downtown Independent</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Ahí está el
detalle<span style="mso-spacerun: yes;"> </span>(You’re Missing the Point) </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1940,
Juan Bustillo Oro)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and </span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Calabacitas
tiernas </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1949, Gilberto Martínez Solares)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat. Oct. 14 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">And now it’s back
to 35mm in the series, yay! Two from Mexico here, the first with Cantinflas
apparently made him the most bankable star in Mexico, and the plot is
apparently too convoluted for words, so it might be funny. Then in <i style="mso-bidi-font-style: normal;">Calabacitas tiernas</i> Tin-Tan
puts on an international music show to alleviate financial woes.</span></div>
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<a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-ah-est-el-detalle" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">DOWNTOWNINDEPENDENT LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNiigSD0U6M8kLRxEYmnXB9cziWHBUzyJMKqxeedJ1m7IUbnzbbZTyrGfh3WkOqgIkC4j93pt7OfFHX7CeOcPY2FJ319VYGRcUYetO6tnlmlIL3ZqWhGegFQ1rM4H4CLPaYYBFgA/s1600/ahiestalasdetailles.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="642" data-original-width="858" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNiigSD0U6M8kLRxEYmnXB9cziWHBUzyJMKqxeedJ1m7IUbnzbbZTyrGfh3WkOqgIkC4j93pt7OfFHX7CeOcPY2FJ319VYGRcUYetO6tnlmlIL3ZqWhGegFQ1rM4H4CLPaYYBFgA/s640/ahiestalasdetailles.jpeg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlU5rghbSwVXdQqKdV8PvHhCDIz9N2dTWNsK4U6JxxyGMgyVazHkIgZ3j_sRt4AP_Swe6aHxYNbn5VhqV4MPW5HZ26Sd2kKQ3adMCvl2Cr6dklPwFkIvHRh0FKxKvv3yFNySIa1Q/s1600/Oct14Calabcitas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlU5rghbSwVXdQqKdV8PvHhCDIz9N2dTWNsK4U6JxxyGMgyVazHkIgZ3j_sRt4AP_Swe6aHxYNbn5VhqV4MPW5HZ26Sd2kKQ3adMCvl2Cr6dklPwFkIvHRh0FKxKvv3yFNySIa1Q/s640/Oct14Calabcitas.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Easy Rider</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1969, Dennis Hopper)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Chasers</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1994, Dennis Hopper)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sun Oct. 15 6:30 pm/8:35 pm</span></b><br />
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Mon.
Oct. 16 7:30 pm/9:35 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">There is no
situation under which I would ever watch <i style="mso-bidi-font-style: normal;">Chasers</i>
ever… except this one. Where I will have just sat through the masterpiece <i style="mso-bidi-font-style: normal;">Easy Rider</i> on 35mm at the New Bev, which
I incidentally just watched the blu-ray of and, man, it holds up and gives
again and again on every viewing. So to then sit through the curiosity that is <i style="mso-bidi-font-style: normal;">Chasers</i>, I’m totally on board, should be
fun, might even be a rollicking good time. Seriously <i style="mso-bidi-font-style: normal;">Easy Rider </i>is one of the greatest films ever, the film that started
the entire “New American Cinema” of the ’70s, and it personally demands you see
it on 35mm!</span></div>
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<a href="http://thenewbev.com/program/october-15-easy-rider-chasers/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">NEW BEVERLY LINK Sun</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="http://thenewbev.com/program/october-16-easy-rider-chasers/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">NEW BEVERLY LINK Mon</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht8ZrNYC5UhGhoelsU8OTTMYS5Bt36NG9gbYxofQVTxpD_W9jqzXxChaGtGjFGkbYNjKYrOWHYlATSykDUQCkfZIZimSL46nvlLTLOkNR1UAh92vxTVw_SS3Q2Rp2kQPwxJpu19g/s1600/easy-rider-1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht8ZrNYC5UhGhoelsU8OTTMYS5Bt36NG9gbYxofQVTxpD_W9jqzXxChaGtGjFGkbYNjKYrOWHYlATSykDUQCkfZIZimSL46nvlLTLOkNR1UAh92vxTVw_SS3Q2Rp2kQPwxJpu19g/s640/easy-rider-1.png" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvV4P5gpeIQKp23SvftX9nuKCDzzuv_GoGjubkvRo1mYENKgTDqvuQdedY5NFdLCDenHldrEl7muhVUdojernM1CACTEqVDwY2dIvoFCpuproofwL24bP5Jguh8Z6Vd99M3FE2mQ/s1600/chasers-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvV4P5gpeIQKp23SvftX9nuKCDzzuv_GoGjubkvRo1mYENKgTDqvuQdedY5NFdLCDenHldrEl7muhVUdojernM1CACTEqVDwY2dIvoFCpuproofwL24bP5Jguh8Z6Vd99M3FE2mQ/s640/chasers-poster-385x578.jpg" width="426" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">LACMA</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Mummy </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1932,
Karl Freund)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Tue. Oct. 17 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">I have to list
this because with all the October horror fests going on, this is probably the <u>only</u>
one playing <i style="mso-bidi-font-style: normal;">The Mummy</i> in beautiful
35mm. It’s a weird crowd, lot of retirees, but you’ll see a wonderful film in
35mm for only $4 and have a better October than everybody else.</span></div>
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<a href="http://www.lacma.org/event/mummy" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">LACMA LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjlw_9_uE68IvVFcfW3VwyMbMsg_cPa8Kf64F94zeU-qipsulg18Z876FvwIU6ci23D572ZnLMcVX7TlkXrob8pwVw57KGfIMqS28H6_lFknr8jQMmusw3fTbczbA5I88iB_C-sg/s1600/mummy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1245" data-original-width="1600" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjlw_9_uE68IvVFcfW3VwyMbMsg_cPa8Kf64F94zeU-qipsulg18Z876FvwIU6ci23D572ZnLMcVX7TlkXrob8pwVw57KGfIMqS28H6_lFknr8jQMmusw3fTbczbA5I88iB_C-sg/s640/mummy.jpg" width="640" /></a></div>
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<a href="http://thenewbev.com/program/october-13-14-the-omen-holocaust-2000/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br /></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Bride of
Frankenstein </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1935, James Whale)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Son of
Frankenstein</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1939, Rowland V. Lee)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Wed. Oct. 18 2:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Frankenstein had
a son?! Whoa, I had no idea. Better rectify that and watch this film! Plus,
seriously, <i style="mso-bidi-font-style: normal;">Bride of Frankenstein </i>definitely
should be seen in 35mm, and while it has a few other showings in October, this
is the only one guaranteed to be 35mm!</span></div>
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<a href="http://thenewbev.com/program/october-18-the-bride-of-frankenstein-son-of-frankenstein-afternoon-classics/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">NEW BEVERLY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTp3TBSUeBElRBa1sNcv27r-S5BbkIro-kpkfJotBiQCy7IhKW1-uiBLhjtAKBFHUrotS4mQhgv2D-8y07744OtEl_bon1lBl98Ru1oIuHza8nOUvacPdpYdLEpgRUfIFp7oHjCA/s1600/Bride_Frankenstein_1935_21-1487460005-726x388.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="388" data-original-width="726" height="342" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTp3TBSUeBElRBa1sNcv27r-S5BbkIro-kpkfJotBiQCy7IhKW1-uiBLhjtAKBFHUrotS4mQhgv2D-8y07744OtEl_bon1lBl98Ru1oIuHza8nOUvacPdpYdLEpgRUfIFp7oHjCA/s640/Bride_Frankenstein_1935_21-1487460005-726x388.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi12OGKV-nBTyEDgVcM42YkuXrElwS1AiFdDd-m_lfSLyqeCMZYiL7uZFl6VNrFWNVkZuTN2lU28VO775c06fpvNbgdssD91kBnhCE_F5BVnb68stbGAaqKvmuzRHXunef-bXFNvg/s1600/Son_of_Frankenstein_movie_poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="465" data-original-width="300" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi12OGKV-nBTyEDgVcM42YkuXrElwS1AiFdDd-m_lfSLyqeCMZYiL7uZFl6VNrFWNVkZuTN2lU28VO775c06fpvNbgdssD91kBnhCE_F5BVnb68stbGAaqKvmuzRHXunef-bXFNvg/s640/Son_of_Frankenstein_movie_poster.jpg" width="412" /></a></div>
<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Hired Hand</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1971, Peter Fonda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">And</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Kid Blue</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1973, James Frawley)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Wed. Oct. 18 </span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">7:30
pm/9:35 pm </span></b></span></b><br />
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Thur. Oct. 19 7:30
pm/9:35 pm </span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">This screening answers the
question, what did Peter Fonda and Dennis Hopper (separately) do right after
they made <i style="mso-bidi-font-style: normal;">Easy Rider</i>? While my
favorite answer to that question is Dennis Hopper’s totally awesome <i style="mso-bidi-font-style: normal;">The Last Movie</i> (1971), this double
feature of two westerns they made sounds like a great investigation into how
they “blew it”? haha little joke there, but maybe, depending on how bad these
films are! <i style="mso-bidi-font-style: normal;">The Hired Hand</i> is directed
by Fonda, who had more than a hand in creating <i style="mso-bidi-font-style: normal;">Easy Rider</i> if memory serves, and <i>Kid Blue</i> stars Hopper as a hapless outlaw,
and features Warren Oates, Peter Boyle, Ben Johnson and Leo Purcell. In 35mm,
this sounds like you’re browsing around an archive and they're screening stuff
just for you as you search for buried treasure.</span></div>
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<a href="http://thenewbev.com/program/october-18-19-the-hired-hand-kid-blue/" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">NEW BEVERLY LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl7lkv9iPtZARTejWt0tVZ4IMZeQcJLzbGO2XlBi37saYv26ZGuoIBZIqkqphfxciCCAeJBMTqWGP5liSUYC-GOwTnvgQzcZnCqKtKfFYr-ZXcoiVUJ0wwY1Jg_Ji26WddRxdZhg/s1600/hired-hand-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl7lkv9iPtZARTejWt0tVZ4IMZeQcJLzbGO2XlBi37saYv26ZGuoIBZIqkqphfxciCCAeJBMTqWGP5liSUYC-GOwTnvgQzcZnCqKtKfFYr-ZXcoiVUJ0wwY1Jg_Ji26WddRxdZhg/s640/hired-hand-poster-385x578.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_duCJz-1YBLxDvCLdSyxJUzkaC9Qu6ra_0sXW2WxGOfWJYhXHjwk9BVqrO6S932PgtAwkoX4_rEXHZKbJG2xLyv5L0I6lj_RYAeGWHSGXG923V-oiySdi7Vezsl6AhJDrT5QBEg/s1600/kid-blue-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_duCJz-1YBLxDvCLdSyxJUzkaC9Qu6ra_0sXW2WxGOfWJYhXHjwk9BVqrO6S932PgtAwkoX4_rEXHZKbJG2xLyv5L0I6lj_RYAeGWHSGXG923V-oiySdi7Vezsl6AhJDrT5QBEg/s640/kid-blue-poster-385x578.jpg" width="426" /></a></div>
<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Egyptian Theatre (in the Spielberg
Theatre)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Outside the Law</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1920, Tod Browning)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat. Oct. 14 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Silent film nerd
alert! This is a retro-format screening in 8mm. (Not even “super,” just regular
8mm!) So watch the way many rich people saw films on their fancy projectors at
home in the old days. Live musical accompaniment <u>and</u> a short film
selection! You know director Tod Browning from</span> <i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Dracula</span></i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1931) and <i style="mso-bidi-font-style: normal;">Freaks</i> (1932), but now you
know he also director a ton of silent films, often starring<span style="mso-spacerun: yes;"> </span>Lon Chaney (the original <i style="mso-bidi-font-style: normal;">Phantom of the Opera</i> [1925, Rupert Julian)), including this one in
dual roles!</span>
</div>
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<a href="http://www.americancinemathequecalendar.com/content/outside-the-law-0" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">EGYPTIAN THEATRE LINK</span></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjltH_txYWxnktbdKe5MGkA946-krAIhSlHP6zkKF1JmkEXkAP93fcKmZI69aJ293H_nAoRUybutlC7OcED9wgvViG_m1EOR2MY6nE0uUmhjO7SQx-x-__7S403qMK6C5IzgcmYng/s1600/outside_the_law_390.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjltH_txYWxnktbdKe5MGkA946-krAIhSlHP6zkKF1JmkEXkAP93fcKmZI69aJ293H_nAoRUybutlC7OcED9wgvViG_m1EOR2MY6nE0uUmhjO7SQx-x-__7S403qMK6C5IzgcmYng/s640/outside_the_law_390.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></b></div>
<a href="http://www.americancinemathequecalendar.com/content/suspiria-2"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></a><span class="MsoHyperlink"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></span>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Arclight
Cinemas (Various)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br />
<b>"It's Alive!" -- film's favorite monsters terrorize the big screen</b><br />
<b>through Oct. 31</b><br />
There's a pretty good selection here all month at various Arclights. I feel
like they're almost definitely all DCP, but click the individual links to see.
Some great movies in here and if you live less central to LA, can find some
good stuff near you.<b> </b><br />
</span><a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">ARCLIGHT LINK</span></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 13 – Friday
the 13<sup>th</sup> – Hollywood</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 16 – The
Mummy (1932) – Pasadena</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 17 – The
Monster Squad – Sherman Oaks</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 18 –
Nightmare on Elm Street – Hollywood</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 – Alien –
Culver City</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 – The
Exorcist – Pasadena</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 – The
Thing – La Jolla</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 –
Halloween – Hollywood</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 – Alien –
Santa Monica</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 – The
Exorcist – Beach Cities</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 –
Suspiria – Hollywood</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 – The
Blob (1988) – Sherman Oaks</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 25 – The
Exorcist – Hollywood</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 30 – The
Bride of Frankenstein (1935) – Hollywood</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 31 –
Halloween – Sherman Oaks</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> </span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 24.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">NuArt
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Halloween</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1978, John Carpenter)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri
Oct. 20 Midnight (11:59pm) </span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">It’s <i style="mso-bidi-font-style: normal;">Halloween</i>
on the big screen at the NuArt. Should be fun, probably DCP.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/halloween" target="_blank">NUART LINK</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaK44TIlWUCv_luB87PX3pTOQtEyEPjzIV5rpyK5eMa92stwac2PZF4cFFXz8W9m2BFNlUVLvXNqaM6eiAkf2WNFH6Zse68oKy4RfH8IixVK1mwb93M3dGoKIdh4LUD_BsA9Xy0A/s1600/halloween-featured.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="333" data-original-width="500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaK44TIlWUCv_luB87PX3pTOQtEyEPjzIV5rpyK5eMa92stwac2PZF4cFFXz8W9m2BFNlUVLvXNqaM6eiAkf2WNFH6Zse68oKy4RfH8IixVK1mwb93M3dGoKIdh4LUD_BsA9Xy0A/s640/halloween-featured.jpg" width="640" /></a></div>
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<br /></div>
<br />
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mothra</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1961, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Battle in Outer Space</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1959, Ishiro Honda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur
Oct. 26 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Some good ol’ Japanese monster movies on the
big screen. Also the next day, Friday, they’ll have the original <i style="mso-bidi-font-style: normal;">Godzilla</i> with <i style="mso-bidi-font-style: normal;">The H-Man</i>, part of an Ishiro Honda tribute. (<i style="mso-bidi-font-style: normal;">Mothra </i>DCP, <i style="mso-bidi-font-style: normal;">Battle in Outer
Space</i> 35mm.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/mothra-battle-in-outer-space" target="_blank">EGYPTIAN THEATRE LINK</a></span><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5_XsI4PHEWwMlYoxOx5i3xrU_96wfabkc8vGWLoW9g05v_s_WUCqH37l8jVSAI2r5G7Pse9rpY1O66dJGrI9IHKB4Tsx3CuzWzHusSAtyuX8NI-1e07Y_XfRfYMPLesmqupjjHg/s1600/mothra_1962_poster_02-1170x916.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="916" data-original-width="1170" height="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5_XsI4PHEWwMlYoxOx5i3xrU_96wfabkc8vGWLoW9g05v_s_WUCqH37l8jVSAI2r5G7Pse9rpY1O66dJGrI9IHKB4Tsx3CuzWzHusSAtyuX8NI-1e07Y_XfRfYMPLesmqupjjHg/s640/mothra_1962_poster_02-1170x916.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP4MsKCM_bwLDox-_OYIjUdxVQ-WvONYrGnCZZFwgepcvMWeDW4KnkSvAgy95_OkPuKWSaGS_j15wVvtCqO63mKiWDi5SNqlj6b3y2xjMlmWReGODAH757MQyC8M0vAQLiR6_xVQ/s1600/Battle_in_Outer_Space-film-poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="309" data-original-width="220" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP4MsKCM_bwLDox-_OYIjUdxVQ-WvONYrGnCZZFwgepcvMWeDW4KnkSvAgy95_OkPuKWSaGS_j15wVvtCqO63mKiWDi5SNqlj6b3y2xjMlmWReGODAH757MQyC8M0vAQLiR6_xVQ/s640/Battle_in_Outer_Space-film-poster.jpg" width="455" /></a></div>
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<br />
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Five Easy Pieces</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1970, Bob Rafelson)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Next Stop, Greenwich Village</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1976, Paul Mazursky)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Oct. 22 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Well, <i style="mso-bidi-font-style: normal;">Five
Easy Pieces</i> is always a great one to see on the big screen. Must confess
haven’t seen the second one. (Both films DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/five-easy-pieces-next-stop-greenwich-village" target="_blank">AERO THEATRE LINK</a></span></div>
<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz3L5ykZnxrtRcqtRaphDw7Z21hxQPmy443tczkvrfLRF4fsJIHcMTJGoKWBL6PI6wn3LfANZ4mIz71Avn7z_T0-KrYfP6acuRtGOSDtFtUgGKGfvK5z1Jgldl8KMKMlK3I-S57A/s1600/fiveeasy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="300" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz3L5ykZnxrtRcqtRaphDw7Z21hxQPmy443tczkvrfLRF4fsJIHcMTJGoKWBL6PI6wn3LfANZ4mIz71Avn7z_T0-KrYfP6acuRtGOSDtFtUgGKGfvK5z1Jgldl8KMKMlK3I-S57A/s640/fiveeasy.jpg" width="640" /></a> </span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyLasJNKr1kxzJRqomwi8fGF83kDP5WgYEBnnlOFXrTD1s0-jQDJQCVROM72FB92f5m-rALVcSWqzel79zsBNYH6_NpKJ3zjNj7btQVHOdHwGuOd7ye_yHwIVljLhYpRh9_Cuk6g/s1600/nextstopgreenwich.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="494" data-original-width="844" height="374" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyLasJNKr1kxzJRqomwi8fGF83kDP5WgYEBnnlOFXrTD1s0-jQDJQCVROM72FB92f5m-rALVcSWqzel79zsBNYH6_NpKJ3zjNj7btQVHOdHwGuOd7ye_yHwIVljLhYpRh9_Cuk6g/s640/nextstopgreenwich.jpg" width="640" /></a></span></b></div>
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</div>
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<br />
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA
Film & Television Archive</span></b>
</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">La Virgen de la Caridad</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1930, Ramón Peón, silent) </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Casta de roble</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1954, Manolo Alonso)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mon.
Oct. 23 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Silent film nerd alert! Wow, a 1930 silent
film from Cuba with live musical accompaniment, in 35<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">mm. Should be unique, definitely rare. The
site says:</span></span><br />
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
</span><br />
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
</span>
<br />
<blockquote class="tr_bq">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span><br />
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“This
Cuban silent film was highly praised and extremely popular at the time of its
release, because of its socially critical view of the plight of peasants, and
its religious themes.”</span></i></span></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
</span></blockquote>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span><br />
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On the second film, the site says:</span></span></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
</span>
<br />
<blockquote class="tr_bq">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span><br />
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">“A
young peasant girl… has a baby by the master of the plantation, which is taken
away from her. She marries and has another son, but the loss of the child has
scarred her for life. Shot mostly on location in Pinar del Rio, Cuba…”</span></i></span></div>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
</span></blockquote>
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
</span>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
</span>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Both in 35mm!</span></span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span><br />
<a href="https://www.cinema.ucla.edu/events/2017/10/23/virgen-caridad-casta-roble" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">UCLA LINK</span></a></div>
</div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqZMA_qfLuZD9uRjA79pj2tzDFy-qEL-uLNItLlXuPreyqxEvZ9TRPRuUczHjGqTHF6YhfV0TTVenHmMpns4iNLookaikKOfiSk4cg0nmiuszrdcIHl_2YOf9WAC9IPE6U4Xg5ZA/s1600/Virgen_de_la_Caridad.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="755" data-original-width="1000" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqZMA_qfLuZD9uRjA79pj2tzDFy-qEL-uLNItLlXuPreyqxEvZ9TRPRuUczHjGqTHF6YhfV0TTVenHmMpns4iNLookaikKOfiSk4cg0nmiuszrdcIHl_2YOf9WAC9IPE6U4Xg5ZA/s640/Virgen_de_la_Caridad.jpg" width="640" /></a></div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_6-qOWuet5dv1IzxsZ_Tzb-UTROD09ae6Dg1hNzAdYDOqVvt7NKaC7nGFuRXb066ErccGNc4lWcG3vg9nr6GuGLsKmeApqEvcZf4SXolpcnBNhJRcpKvwN70V2CSBgZlMUz82Ow/s1600/CASTADEROBLE-small.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_6-qOWuet5dv1IzxsZ_Tzb-UTROD09ae6Dg1hNzAdYDOqVvt7NKaC7nGFuRXb066ErccGNc4lWcG3vg9nr6GuGLsKmeApqEvcZf4SXolpcnBNhJRcpKvwN70V2CSBgZlMUz82Ow/s640/CASTADEROBLE-small.jpg" width="640" /></a></div>
<div class="MsoNormal">
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Invisible Man</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1933, James Whale)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Tue.
Oct. 24 1:00 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">More gems in 35mm hidden at the regular 1pm
matinee screenings at LACMA. Check it out! Very cheap, $4, for some 35mm
goodness. This is a fun one starring Claude Rains, great use of early film
technologies.</span></div>
<div class="MsoNormal">
<a href="http://www.lacma.org/event/invisible-man-0" target="_blank"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">LACMA</span></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPcT9Jf7YLwkeLUn-C6ewfp3ZxuUIlNWo_jD06B6-wBETWG_5b54NNvjS6FcJuomK1L6iAMRgrm9KXGUQkVrsWbvXy6KIXID_xPOn2RhyxsAcDKFtLmesmMlKD4PnZ1MkwP8-_bw/s1600/021-the-invisible-man-theredlist.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1244" data-original-width="1600" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPcT9Jf7YLwkeLUn-C6ewfp3ZxuUIlNWo_jD06B6-wBETWG_5b54NNvjS6FcJuomK1L6iAMRgrm9KXGUQkVrsWbvXy6KIXID_xPOn2RhyxsAcDKFtLmesmMlKD4PnZ1MkwP8-_bw/s640/021-the-invisible-man-theredlist.jpg" width="640" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">La cruz y la espada </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1934, Frank Strayer)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">El rey de los gitanos</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1933, Frank Strayer)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri
Oct. 20 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">These are two Spanish-language releases from Fox
in the US <span style="mso-spacerun: yes;"> </span>during the ’30s intended to
compete with a burdgeoning Mexican film industry. Both starring Mexican tenor
José Mojica, I like the description of the first one: “A Franciscan monk in old
California rescues his best friend’s fiancée from bandits, but then must battle
his reawakened sexual desire.” The first film in 35mm, second in DCP.</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-la-cruz-y-la" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK7HR3LXdL8LY2C55-PhpTAmcwiFVuEvZ8bz6USBXoOsqS5V7LbyErkZKVpiUqDO3e2qHAZFDpsM5AP0XKRmXsPsZ6iwLOENRLW17jyar8X2A8O2mDXJ7W8xfLOXsdqf1Znjk7Jg/s1600/Oct20ElRey.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK7HR3LXdL8LY2C55-PhpTAmcwiFVuEvZ8bz6USBXoOsqS5V7LbyErkZKVpiUqDO3e2qHAZFDpsM5AP0XKRmXsPsZ6iwLOENRLW17jyar8X2A8O2mDXJ7W8xfLOXsdqf1Znjk7Jg/s640/Oct20ElRey.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Downtown
Independent</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">¡Asegure a su
mujer!</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (<i style="mso-bidi-font-style: normal;">Insure
Your Wife!)</i> (1935, Lewis Seiler)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br />
<b style="mso-bidi-font-weight: normal;">and<i> </i></b><br />
<b style="mso-bidi-font-weight: normal;"><i>Nada más que una mujer</i> (1934,
Harry Lachman)</b><br />
<b style="mso-bidi-font-weight: normal;">Sat Oct 21 7:30 pm</b><br />
Two Spanish-language film releases of the 1930s (!) from Fox, something you
maybe weren't aware of, in this continuing Latin American Cinema in Los Angeles
series.<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> </i></b>Both 35mm! Originally this played at UCLA, but now it’s a
reprise in the type of downtown LA location they would have originally played
in.</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-asegure-a-su" target="_blank">DOWNTOWN INDPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtk2iFPu__ehJ7OXd8esOidLtGVYSJElzVDlgk1PXEM6hg0x2gsDv0R6PuLBo2h_AU6YvC0Bj8_jRIiraGXkpV_loTqsfpa8sgJ5RuINqw7V6wpNM9qlbYAAsuLPBoVIYDKnz0Hw/s1600/Asegure-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtk2iFPu__ehJ7OXd8esOidLtGVYSJElzVDlgk1PXEM6hg0x2gsDv0R6PuLBo2h_AU6YvC0Bj8_jRIiraGXkpV_loTqsfpa8sgJ5RuINqw7V6wpNM9qlbYAAsuLPBoVIYDKnz0Hw/s640/Asegure-small.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBblmNaGAUklORc56iVO3YLl0ETQAqPa8EIYZdwiLTox_0RldUOCVp3vI-XB6YPF8xu746pUKnD3V92MA2pYjjUtKEQCwnBgvQyx9D_KZuPfiTWrVmKXkSDXxEo4Q2WmvLLHxQtA/s1600/nadamas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="431" data-original-width="652" height="420" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBblmNaGAUklORc56iVO3YLl0ETQAqPa8EIYZdwiLTox_0RldUOCVp3vI-XB6YPF8xu746pUKnD3V92MA2pYjjUtKEQCwnBgvQyx9D_KZuPfiTWrVmKXkSDXxEo4Q2WmvLLHxQtA/s640/nadamas.jpg" width="640" /></a></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Twister</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1996, Jan De Bont)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Minority Report</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2002, Spielberg)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Oct. 20 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Both in 35mm! I never saw either of those,
maybe best way to go since in 35mm.</span></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/twister-minority-report" target="_blank">AERO THEATRE LINK</a></span></div>
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<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Marjorie Prime</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(2017, Michael Almereyda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and
<br />
<i style="mso-bidi-font-style: normal;">East of Eden</i> (1955, Elia Kazan)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 21 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Discussion between films with actress Lois
Smith. The first is obviously a brand-new film, followed by the classic <i style="mso-bidi-font-style: normal;">East of Eden</i>. There’s only a couple
James Dean movies, and Lois Smith will have stuff to tell about him. (Both
films DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/marjorie-prime-east-of-eden" target="_blank">AERO THEATRE LINK</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><br /></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Gotta run, if I can I will update the “Coming
next week” section with more later, check back! (Until this message is gone.)
Mainly all that’s missing is New Beverly highlights for next week, and Los
Angeles Film Forum<span style="mso-spacerun: yes;"> </span>has more of that Ism,
Ism, Ism experimental Latin American series.</span></div>
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com1tag:blogger.com,1999:blog-33030827.post-82117755009785320042017-10-06T13:12:00.002-07:002017-10-06T16:37:20.789-07:00What's in Store for LA 35mm Film Screening Lovers This Week<br />
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Here’s what's in store for LA 35mm film screening
lovers this week! (Well, 35mm and some regular digital.)</span>
<br />
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<br /></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is just what's on my personal radar. There’s also a series of recent German films at the Egyptian, rare films about
Berlin at UCLA, and more than I can list going on in 35mm at the New Beverly.</span></div>
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<br /></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">So browse the LA Film Calendars links on my
side bar to find even more! → → →</span></div>
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<br /></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">On mobile displays, you may need to click
"Desktop Version" at bottom and then you can see the sidebar.</span></div>
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<br /></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">As usual, a couple of these choices are
tonight, FYI, and not necessarily listed first.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Egyptian Theatre (part of Beyond Fest)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Miracles aka Mr.
Canton and Lady Rose</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1989, Jackie Chan) </span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><u>Jackie
Chan In Person!</u></i></b></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Police Story 3
aka Supercop</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1993, Stanley Tong)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Police Story</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1985, Jackie Chan, Chi-Hwa Chen)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Fri. (<u>tonight)</u> Oct. 6 7:00 pm</span></b></div>
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<i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Police
Story</span></i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> honestly is one
of my absolute favorite Jackie Chan films. Both for exciting plot, humor,
performances (him and Maggie Cheung), and some incredible action sequences,
including in a mall with a shitload of glass breaking. And <i style="mso-bidi-font-style: normal;">Supercop</i> ain’t no slouch either! Both <i>Police Story</i> films are
in 35mm! Did I mention Jackie was in person?! (<i>Miracles</i> DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.americancinemathequecalendar.com/content/triple-threat-a-night-with-jackie-chan" target="_blank">EGYPTIAN THEATRE LINK</a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://beyondfest.com/?page_id=3025" target="_blank">BEYOND FEST LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD5mOsZBXHpm8Y4S1RgFExUINuFrJehbeex5XbgXQSCMFuB-Jc88D-RaaTY9rSkdseCupAfUvsoWE41Pirq4mAukh4UY-ZAtYS0C5laX3Ao85e3nHz0uzIwIJVYd3nPpmNfBBPuw/s1600/Miracles-Kung-Fu-Kingdom-770x472.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="472" data-original-width="770" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD5mOsZBXHpm8Y4S1RgFExUINuFrJehbeex5XbgXQSCMFuB-Jc88D-RaaTY9rSkdseCupAfUvsoWE41Pirq4mAukh4UY-ZAtYS0C5laX3Ao85e3nHz0uzIwIJVYd3nPpmNfBBPuw/s640/Miracles-Kung-Fu-Kingdom-770x472.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU8hzd7hmMjya4EgYxFy0tuYBjcqOLQbKozd0EngsGbbiXjXBYuYZbcdFFfZpknYCPev24Rzw3qkGglxhnZpthGXuCgFS5VhjsDIjNiUbiAPsbH3-PFqR2GcTEnB_3GUn772Yc8g/s1600/police-story21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="482" data-original-width="856" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU8hzd7hmMjya4EgYxFy0tuYBjcqOLQbKozd0EngsGbbiXjXBYuYZbcdFFfZpknYCPev24Rzw3qkGglxhnZpthGXuCgFS5VhjsDIjNiUbiAPsbH3-PFqR2GcTEnB_3GUn772Yc8g/s640/police-story21.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Aero Theatre</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Battleship Potemkin</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1925, Sergei Eisenstein)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Man with the
Movie Camera</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1929, Dziga Vertov)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat. Oct. 7 7:30pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Silent Film Nerd
Alert! Okay, first, never miss an opportunity to see <i>Battleship Potemkin</i>
on the big screen! (And certainly not when it's 35mm!) Second, never miss an
opportunity to see <i>The Man with the Movie Camera</i> on the big screen!<span style="mso-spacerun: yes;"> </span>Okay, that’s all I can say to advertise this
one, you’re on your own! (<i>Battleship </i>in 35mm, <i>Man with the Movie
Camera</i> is DCP.) (Musical score not notated. Presumably it's soundtrack on
the prints since no live music indicated.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.americancinemathequecalendar.com/content/battleship-potemkin-the-man-with-a-movie-camera" target="_blank">AERO THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsmDDcHE7EJPUbUDpVNh27zNwG5MOuP0yiR8zZNGJPiVcJ-fv9DURIUVVj8vA1G9kDVLA4stNeUVyobFNitkB4OWvGSqN3cb3NYjO3PUeuNbS5ftFLEuJjT5D2jIyrq3ewMPK8JQ/s1600/battleship_potemkin_390.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsmDDcHE7EJPUbUDpVNh27zNwG5MOuP0yiR8zZNGJPiVcJ-fv9DURIUVVj8vA1G9kDVLA4stNeUVyobFNitkB4OWvGSqN3cb3NYjO3PUeuNbS5ftFLEuJjT5D2jIyrq3ewMPK8JQ/s640/battleship_potemkin_390.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9AAmw5O3Fi84zxReEPJnmpq-8q98iGjCZi1hGmkIu_RSQ-GWbMrcparR7CSMREtfrWpNX7lribEaeVp1cNfGcSWH_qOjqHGuaeQNBU5YxIfZk5UyOB4KMMiO2k2xdpHOH-gnDbQ/s1600/28-The-Man-with-the-Movie-Camera-Dziga-Vertov-1929.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="543" data-original-width="603" height="576" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9AAmw5O3Fi84zxReEPJnmpq-8q98iGjCZi1hGmkIu_RSQ-GWbMrcparR7CSMREtfrWpNX7lribEaeVp1cNfGcSWH_qOjqHGuaeQNBU5YxIfZk5UyOB4KMMiO2k2xdpHOH-gnDbQ/s640/28-The-Man-with-the-Movie-Camera-Dziga-Vertov-1929.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Pan’s Labyrinth</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(2006, Guillermo Del Toro)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Crimson Peak </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(2015,
Guillermo Del Toro)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Fri. (<u>tonight</u>) 6:30 pm/9:00 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Well, curses, the
New Bev added tons of stuff after my last week’s rundown! But I did warn you that
their calendar was not yet posted at least. These are 35mm prints.
So if you like the Guillermo Del Toro stuff, this is a pretty essential
screening for you, as he donated his own print of the first film to the New
Bev! </span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://thenewbev.com/program/october-6-pans-labyrinth-crimson-peak/" target="_blank">NEW BEVERLY LINK</a> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-JnLCxTPHsxQZVeZPfYYbYEzeOUNggH210RssAFOjkBb2MHqCO4MZKljzChLJZ82rYbwYE_bIXKUJ8ypMVcWoECMkYdIUJSnD4_-HKklYtocnD5eqGHtnHMXK_mo-ldKAupQN0Q/s1600/panhed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="739" data-original-width="1100" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-JnLCxTPHsxQZVeZPfYYbYEzeOUNggH210RssAFOjkBb2MHqCO4MZKljzChLJZ82rYbwYE_bIXKUJ8ypMVcWoECMkYdIUJSnD4_-HKklYtocnD5eqGHtnHMXK_mo-ldKAupQN0Q/s640/panhed.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlQaKF4w5EXgpg7iD-LaQ66jEMrs3B6OmirUvQI8H3kXklj_8_cYLytlWmx3apcxND-EZXTHfxQCmbMkJQ8vNOpvTRzDESkZDEBRQd-E-BLj5Vmo4XnsdiIa-dmWDtEzf44-TEKg/s1600/Lucille-Crimson-Peak.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="545" data-original-width="970" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlQaKF4w5EXgpg7iD-LaQ66jEMrs3B6OmirUvQI8H3kXklj_8_cYLytlWmx3apcxND-EZXTHfxQCmbMkJQ8vNOpvTRzDESkZDEBRQd-E-BLj5Vmo4XnsdiIa-dmWDtEzf44-TEKg/s640/Lucille-Crimson-Peak.jpg" width="640" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Downtown Independent</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Allá en el rancho
grande (Out on the Big Ranch</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">) (1936,
Fernando de Fuentes)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and </span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">María Elena
(She-Devil Island)</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1936, Fernando de Fuentes)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Fri. (<u>tonight</u>) Oct. 6 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Both in 35mm! Two
classics (?maybe?) from Mexico. The description of the second film alone has me
kind of sold:</span></div>
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<i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">"María
Elena makes a “bad” choice, allowing sexual desire to trump a sensible
marriage, thus sending her faithful fisherman suitor across the sea.
There he learns of a mysterious island inhabited only by women."</span></i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> </span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-all-en-el" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI03JP9tuEkJdV3YNm2tZaP1HAlD-osXwAKLLZj20W0Enl57HHemS31VAfP0JtPshwk1hzwgU8RBS7pn5Ke8c_25tA9byhAkZNzrumKJ8yVpm_dfIqPR83tAxcoVSBJ4hFQkE5Ng/s1600/Oct6Allaenelrancho.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI03JP9tuEkJdV3YNm2tZaP1HAlD-osXwAKLLZj20W0Enl57HHemS31VAfP0JtPshwk1hzwgU8RBS7pn5Ke8c_25tA9byhAkZNzrumKJ8yVpm_dfIqPR83tAxcoVSBJ4hFQkE5Ng/s640/Oct6Allaenelrancho.jpg" width="640" /></a> </div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyphenhyphenKHiB7j6Iusa1YdplQSSwO2MXy7IQ-l0wdFYR9FmPqAtah_GQRXiaaHsk883PnS0ukqzbgyihyg-RQ5_TjLK1pwP9znzSx6QGdcGR2IqfwhfZaljjyKr6_bC_-RKgIBpqeP56A/s1600/mariaelena3.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="333" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyphenhyphenKHiB7j6Iusa1YdplQSSwO2MXy7IQ-l0wdFYR9FmPqAtah_GQRXiaaHsk883PnS0ukqzbgyihyg-RQ5_TjLK1pwP9znzSx6QGdcGR2IqfwhfZaljjyKr6_bC_-RKgIBpqeP56A/s640/mariaelena3.jpeg" width="532" /></a><br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Downtown Independent</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">La otra</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1946, Roberto Gavaldón)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">En la palma de tu
mano</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1951, Roberto Gavaldón)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat. Oct. 7 7:30pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">First a noirish
crime film starring Dolores Del Río and then a film the site calls “One of the
best movies of the Golden Age of Mexican cinema”, also a film noir, sounds like
a can’t-miss! (This screening DCP).</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-la-otra-en" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF-dzQsRcmJawLcWnIsu2MMIpcYX1jN-UfF7KKO3kc0k278F-2762vfle34bDVGMPI4jMSiN39Y3pzPNdWZv0cQSJ_pdh2LfLqMvu0pBqGA1VcpWadfgKhnzaMn_mWjQoqb7A8Aw/s1600/Oct7LaOtra.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF-dzQsRcmJawLcWnIsu2MMIpcYX1jN-UfF7KKO3kc0k278F-2762vfle34bDVGMPI4jMSiN39Y3pzPNdWZv0cQSJ_pdh2LfLqMvu0pBqGA1VcpWadfgKhnzaMn_mWjQoqb7A8Aw/s640/Oct7LaOtra.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeLJ1KYhY2pXzcq7CV4k6dmE-W8bkfIeu1k6bWFbiDFaKeU-3gxrKfsG8vF2Xj2mKTrWkJeVsqnuTTMZQA6_ypv37R0rYVRSwEA2sic4Y-tzZwfGmgV5d2E34ZPHYV9xkDQRYqaQ/s1600/enlapalmadeltumano.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="296" data-original-width="539" height="350" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeLJ1KYhY2pXzcq7CV4k6dmE-W8bkfIeu1k6bWFbiDFaKeU-3gxrKfsG8vF2Xj2mKTrWkJeVsqnuTTMZQA6_ypv37R0rYVRSwEA2sic4Y-tzZwfGmgV5d2E34ZPHYV9xkDQRYqaQ/s640/enlapalmadeltumano.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Egyptian
Theatre</span></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Beyond Fest</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Various Dates</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://beyondfest.com/?page_id=3025" target="_blank"><b>The Beyond Fest</b></a>
continues! I won’t go in-depth on this, because so many sell out, and it's a
bit more fangirl/fanboy-centric than I would get into myself. Some things are
DCP (although notably 4k restorations). But check it out! I noticed they added
an exquisite Jackie Chan triple feature tonight!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://beyondfest.com/?page_id=3025" target="_blank">BEYOND FEST LINK</a></span></div>
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<a href="http://beyondfest.com/?page_id=3025" target="_blank"><img alt="http://beyondfest.com/?page_id=3025" border="0" data-original-height="892" data-original-width="1277" height="446" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrSlL-VvhvB0DR1Irmmu537UPioaOetyVs7fakxV_i1iuEjFKOttFgUTi_7MQ70MYzIG1SN9rFiQBdI6rhaqJazNe4hBDdoCquQXYxYxcRFMPF4zLoPeSJ4lDqS10mDIZnNRRzOQ/s640/beyondfest.PNG" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Arclight
Cinemas (Various)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br />
<b>"It's Alive!" -- film's favorite monsters terrorize the big screen</b><br />
<b>through Oct. 31</b><br />
There's a pretty good selection here all month at various Arclights. I feel
like they're almost definitely all DCP, but click the individual links to see.
Some great movies in here and if you live less central to LA, can find some
good stuff near you.<b> </b><br />
<a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank">ARCLIGHT LINK</a></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 9 –
Frankenstein (1931) – Pasadena</span></b></div>
<b>
</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 10 – The Thing
– Hollywood</span></b></div>
<b>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 10 –
Rosemary’s Baby – Sherman Oaks</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 11 – Alien –
Hollywood</span></b></div>
<b>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 13 – Friday the
13<sup>th</sup> – Hollywood</span></b></div>
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</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 16 – The Mummy
(1932) – Pasadena</span></b></div>
<b>
</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 17 – The Monster
Squad – Sherman Oaks</span></b></div>
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</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 18 –
Nightmare on Elm Street – Hollywood</span></b></div>
<b>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 – Alien –
Culver City</span></b></div>
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</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 – The Exorcist
– Pasadena</span></b></div>
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</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 – The Thing
– La Jolla</span></b></div>
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</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 23 –
Halloween – Hollywood</span></b></div>
<b>
</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 – Alien –
Santa Monica</span></b></div>
<b>
</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 – The Exorcist
– Beach Cities</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 –
Suspiria – Hollywood</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 24 – The Blob
(1988) – Sherman Oaks</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 25 – The Exorcist
– Hollywood</span></b></div>
<b>
</b><br />
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 30 – The Bride
of Frankenstein (1935) – Hollywood</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oct. 31 –
Halloween – Sherman Oaks</span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><img alt="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" border="0" data-original-height="760" data-original-width="369" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij8FQ3miBmW-7htarqz5UaAkVuFc7WXZEqAvqTgYYUnsoFotfBADMg3jbToqg0ajc_dhuRy7E4S41-LFJ1U_XEmZS5E2LaUwftFUZEZtl7utursVB7ldiH5fJLVMW1P_c1dSAdCw/s640/arclight1.PNG" width="310" /></a></div>
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<b><a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><img alt="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" border="0" data-original-height="717" data-original-width="367" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOIx3ovmtmbZTZug_owkJAsUXBnJcBaoqfkKlXxYzLfPrSXh3zXcAC97f7Esmq9pqH23hFYohlb6VbSpmSRRTLx8m8a3O2Idlguc-3r0Oq6eftX_P8HYyzAIH3Aq4JVirWPZqEig/s640/arclight2.PNG" width="326" /></a></b></div>
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<a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><img alt="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" border="0" data-original-height="659" data-original-width="344" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQQIf7NM_ZkVp55yEzBvdkWVFq3NqkrynJGC2dTkf8ncerZ_sZDwu8RL5ZviQCXcY5uz4E6DVi0E2uOmtk8O0g5wyS3GSK5AwpmbmhB2VjSR7XfLJFMATAMsVdlNz3au3tIeLbsg/s640/arclight3.PNG" width="334" /> </a></div>
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<a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><img alt="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" border="0" data-original-height="672" data-original-width="341" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPjvmCXhAd7IPSLdOGYZBb_8cjZFgTb29EasC3yw5Bmxgr9Q2jJJi_OpsWIT-1Rkz-RdaQTiS0bJgHoFf3c1d-rXzGR-iLwveTz5nhHs5wwLppmupvi9uwRPZc8Zk_SrZBqFUBtA/s640/arclight4.PNG" width="324" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Egyptian Theatre</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Gleaners
& I</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (2001, Agnès Varda) <i style="mso-bidi-font-style: normal;"><u>Agnès Varda In Person</u></i></span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Vagabond</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1985, Agnès Varda)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Thur. Oct. 12 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Agnès Varda comes
into Los Angeles (does she live here already anyway?) to appear with two fairly
high profile films of hers in person. <i style="mso-bidi-font-style: normal;">Gleaners
& I</i>, on 35mm, is a fun labor of love documentary about people who pick up the
cast-offs of others. <i style="mso-bidi-font-style: normal;">Vagabond</i> is a
pretty wonderful film starring the always amazing Sandrine Bonnaire. It’s a
very interesting film, very artsy (unlike today’s films!) so I think it’s worth
an outing, even if it’s not my number one favorite
film of hers. I’m partial to <i style="mso-bidi-font-style: normal;">La Pointe
Courte</i> and <i style="mso-bidi-font-style: normal;">Cléo from 5 to 7</i>.
Although I actually haven’t <i>seen </i><i style="mso-bidi-font-style: normal;">Vagabond</i>
in quite a long time, so maybe I'm not doing it justice. Go see! (<i>Gleaners</i> in 35mm, <i>Vagabond</i> DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.americancinemathequecalendar.com/content/the-gleaners-i-vagabond" target="_blank">EGYPTIAN THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFZMls-8Yh2AeDI4q28z5_idXAA07mKlAeUh0at8pYppnYj_nNWM-ffE2Br0_q0vljIjZEawkWlkIMoZjGupVStyl-mkqxClskNoU8diqDiPMYf47GFDmXhEZt0uOL0gRsLmm6cg/s1600/vagabond.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1500" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFZMls-8Yh2AeDI4q28z5_idXAA07mKlAeUh0at8pYppnYj_nNWM-ffE2Br0_q0vljIjZEawkWlkIMoZjGupVStyl-mkqxClskNoU8diqDiPMYf47GFDmXhEZt0uOL0gRsLmm6cg/s640/vagabond.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Aero Theatre</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Metropolitan</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1990, Whit Stillman) <i style="mso-bidi-font-style: normal;"><u>Whit Stillman in
Person</u></i></span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sun. Oct. 8 7:30pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">This is a great
Whit Stillman movie! It’s the first and most well-known one. I feel like I knew
and hated some of these people as I one time attended a boarding school, and it
all rings so horribly true. (They're on break in Manhattan here.) But then some of the people are nice. Are they?
Wait, maybe they're all awful. Chris Eigeman is always a marvel in pretty much
everything, but this is his first the original star-making appearance and
career best. Oh, how I hated the rich snobs at my school yet love this movie.
Thanks, Whit!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(This screening
DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.americancinemathequecalendar.com/content/metropolitan-0" target="_blank">AERO THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt3xxo46NGlsP62XgJ4wDWP-yxhkB97akvyB0XNAW87VrMUO5xKoyUzdQgLC6ynEBYCwEfi1M4_3DTQ_30ag_s1fQdcqF-GZqojwrRjdeDjNtE6Jvx5pbUqSq1wXe0UtrI1SFpbw/s1600/MetropolitanHori03-0-650-0-0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="390" data-original-width="650" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt3xxo46NGlsP62XgJ4wDWP-yxhkB97akvyB0XNAW87VrMUO5xKoyUzdQgLC6ynEBYCwEfi1M4_3DTQ_30ag_s1fQdcqF-GZqojwrRjdeDjNtE6Jvx5pbUqSq1wXe0UtrI1SFpbw/s640/MetropolitanHori03-0-650-0-0.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">All-Night Horror Show</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat Oct. 7 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">I guess I’d be
remiss to not mention this. Not personally a huge horror fan myself, but this
must be every horror cinephile fan’s wettest of wet dreams. Enjoy! Oops, it’s
sold out already, guess you guys already knew about this one.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://thenewbev.com/program/october-7-all-night-horror-show-2017/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmabCt1CCQB_CGZSO4hXPzfHkiB9TKXpQUwlVh1lfZrbW8N4M9WZA0wJ48IfD9EYOKkMPV5oD6tGDiS6jyJ3gpn5qS7HIxWU1D43EQHq3jPdEELWYyiDka-wOK9FGuqVJm9kqa0A/s1600/All-Night-Horror-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmabCt1CCQB_CGZSO4hXPzfHkiB9TKXpQUwlVh1lfZrbW8N4M9WZA0wJ48IfD9EYOKkMPV5oD6tGDiS6jyJ3gpn5qS7HIxWU1D43EQHq3jPdEELWYyiDka-wOK9FGuqVJm9kqa0A/s640/All-Night-Horror-poster-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Werewolf of London </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1935, Stuart Walker)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Wolf Man </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(1941,
George Waggoner)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Oct. 11 2:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Yes, another wonderful October double feature
from the New Bev as part of their new Afternoon Classics time slot. 35mm of
course! Good films here!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/october-11-werewolf-of-london-the-wolf-man-afternoon-classics/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtXDjke-fu2fkYIeskK3XNHUYIqSh7sQPF3GUo5EFmk7urDuZxhJTYwypoMBK8YPbp6-s2NkMnFWQkbBc_aVGypnQEJsTkHHgxh7BQh5noTdHRdwzmkgxQm2ilX2DeRBnrZbmBMw/s1600/werewolf-of-london-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtXDjke-fu2fkYIeskK3XNHUYIqSh7sQPF3GUo5EFmk7urDuZxhJTYwypoMBK8YPbp6-s2NkMnFWQkbBc_aVGypnQEJsTkHHgxh7BQh5noTdHRdwzmkgxQm2ilX2DeRBnrZbmBMw/s640/werewolf-of-london-poster-385x578.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpwg_tu1Wtjye2DhzS3g4sDguHJF3_Jmuh4I-VtclspiU-UZjG0W6sQ0oFXdZicBUmImaJZ68g3xXnGI_GIbpY4BDv0xDsjT6Dw5vmywDhEfQ05aeH1tmNq5EACCEKVRnlPsRmVA/s1600/woflman.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="480" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpwg_tu1Wtjye2DhzS3g4sDguHJF3_Jmuh4I-VtclspiU-UZjG0W6sQ0oFXdZicBUmImaJZ68g3xXnGI_GIbpY4BDv0xDsjT6Dw5vmywDhEfQ05aeH1tmNq5EACCEKVRnlPsRmVA/s640/woflman.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><u><span style="font-size: 24.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Coming Next Week</span></u></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Aero Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Andrei Rublev</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1969, Andrei Tarkovsky)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat. Oct. 14 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The master
Tarkovsky is back (you may remember the <i style="mso-bidi-font-style: normal;">Stalker</i>
[1979] revival screenings a few weeks back). This is how a cinephile gets their
membership badge. They watch this on film, in 35mm, in a theater. So go do it.
It’s a beautiful re-creation of a medieval era of a notable icon painter, and
nothing will make you think about art and life the same way again. Commiserate
with confused fellow filmgoers in the foyer afterward and receive your
membership badge in the cinephile guild. Did I mention it’s in 35mm! Did I
mention it’s somewhat lengthy? Good, getting your badge shouldn’t be easy.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.americancinemathequecalendar.com/content/andrei-rublev-1" target="_blank">AERO THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSvuV3AIVfIX0rLAnj1qJtubq95P3kZYLtSRZj8iO4eEf7leEfKzmSWg9vqaxusphY0D0gnTTuesHIgumzo6XqipmfI3GKFlySxH1dawm8NdI8RIuBtXfFgbCX3BtLq7N0le0NEg/s1600/Andrei+Rublev%252C+1966%252C+Andrei+Tarkovsky%252C+image+courtesy+of+Kino+Lorber_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1164" data-original-width="827" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSvuV3AIVfIX0rLAnj1qJtubq95P3kZYLtSRZj8iO4eEf7leEfKzmSWg9vqaxusphY0D0gnTTuesHIgumzo6XqipmfI3GKFlySxH1dawm8NdI8RIuBtXfFgbCX3BtLq7N0le0NEg/s640/Andrei+Rublev%252C+1966%252C+Andrei+Tarkovsky%252C+image+courtesy+of+Kino+Lorber_0.jpg" width="454" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Aero Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Come and See</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1985, Elem Klimov)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sun. Oct. 15 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Oh, man, I just
watched another film by this guy, his <i style="mso-bidi-font-style: normal;">The
Adventures of a Dentist </i>(1965) on Film Struck. (Kind of like a slightly
less sharp Dušan Makevejev style.) And I did that because <b style="mso-bidi-font-weight: normal;"><u>this</u></b> film here is a balls-out masterpiece. One of the most
harrowing World War II films ever. Did you think the Nazis were bad yet? Well,
just in case you missed anything, this will pretty close to make you feel they
were even worse. Because they were. (And watch <i style="mso-bidi-font-style: normal;">Shoah</i><i> </i>[1985, Claude Lanzmann] also, since this is only one aspect, set in Belarus.) This is
in the Landmarks of Soviet Cinema series for a really big reason. It’s fricking
shocking and incredible. Worth seeing. In 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.americancinemathequecalendar.com/content/come-and-see-0" target="_blank">AERO THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6I4AeXS6BdvWjMn0p1upkuhO3C7ZVhE689NvSIsykFhWpfRk7sbDUll2gHkLGysg9dkWeeBkedQ_z_nO6yc9mxjH9pp8nWa_yaWw6epBrVMr25pLr26blY1n0O8I0rP8L31ZiVA/s1600/comeandsee.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6I4AeXS6BdvWjMn0p1upkuhO3C7ZVhE689NvSIsykFhWpfRk7sbDUll2gHkLGysg9dkWeeBkedQ_z_nO6yc9mxjH9pp8nWa_yaWw6epBrVMr25pLr26blY1n0O8I0rP8L31ZiVA/s640/comeandsee.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Downtown Independent</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">La casa de los
millones </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1942, Luis Bayón Herrera)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and </span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">La dama duende</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1945, Luis Saslavsky)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Fri. Oct. 13 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">These two in DCP,
but oh so rare..! This time we have films from Argentina in this ongoing Latin
American film series. <i style="mso-bidi-font-style: normal;">La casa de los millions</i>
is a comedy, with puns and slapstick about a noveau riche widow who is driving
all her servants away. <i style="mso-bidi-font-style: normal;">La dama duende</i>
is the story of woman (yet another widow?!) trying to win a man by pretending to
be a ghost, so I have a feeling this might be a comedy. Was voted the best
Argentine film of 1945! (This screening DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-la-casa-de" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhatlkHeaWaYCM-mr7vGrncsp112uecf0eTZ0sUKhP1TJsMm2mDtEtSt_YGnQNmSQe2VSe9sALD9snC3MXGUbcmy3-afAjr6rpop1v1zzT1uis4ETxHRdnzw3nNEwviMM2gwy8dIw/s1600/casadelosmilliones.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1032" data-original-width="720" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhatlkHeaWaYCM-mr7vGrncsp112uecf0eTZ0sUKhP1TJsMm2mDtEtSt_YGnQNmSQe2VSe9sALD9snC3MXGUbcmy3-afAjr6rpop1v1zzT1uis4ETxHRdnzw3nNEwviMM2gwy8dIw/s640/casadelosmilliones.jpg" width="446" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCX7-XDwtwSHtVmTb3Dvn_d7mNgQREvumvduwNHjmbBZwA20dvqLkBJTv4hHenqOJJluwyiwX8ORxYFWLOzO1aHk6nXfRGAOU_dKk61nu6i2gGhyAFx6kvuQWocqwwoZ-xxMsS6w/s1600/Oct13DamaDuende.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCX7-XDwtwSHtVmTb3Dvn_d7mNgQREvumvduwNHjmbBZwA20dvqLkBJTv4hHenqOJJluwyiwX8ORxYFWLOzO1aHk6nXfRGAOU_dKk61nu6i2gGhyAFx6kvuQWocqwwoZ-xxMsS6w/s640/Oct13DamaDuende.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Downtown Independent</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Ahí está el
detalle<span style="mso-spacerun: yes;"> </span>(You’re Missing the Point) </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1940,
Juan Bustillo Oro)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and </span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Calabacitas
tiernas </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1949, Gilberto Martínez Solares)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat. Oct. 14 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">And now it’s back
to 35mm in the series, yay! Two from Mexico here, the first with Cantinflas
apparently made him the most bankable star in Mexico, and the plot is
apparently too convoluted for words, so it might be funny. Then <i style="mso-bidi-font-style: normal;">Calabacitas tiernas</i> features Tin-Tan
putting on an international music show to alleviate financial woes.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-ah-est-el-detalle" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidAjWo7GDgLBwUBpXqJswvZU23EKE5r5CDqzl9IXyuvt5xRlpFf4TD1F050gQifJPMgDEszCSM4w6OiAAFBlTMzrA2S5PSMc_LKIqLQg3fTevqwHglEz_OSX_HhquWBTS7Iu431Q/s1600/ahiestalasdetailles.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="642" data-original-width="858" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidAjWo7GDgLBwUBpXqJswvZU23EKE5r5CDqzl9IXyuvt5xRlpFf4TD1F050gQifJPMgDEszCSM4w6OiAAFBlTMzrA2S5PSMc_LKIqLQg3fTevqwHglEz_OSX_HhquWBTS7Iu431Q/s640/ahiestalasdetailles.jpeg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh0z5jn1j_arwJmEmBYVpq2s4nZO-NIKF2duzwykntXd4uivMPlzmzT87K2ysHZRmx8XhEMrD3itPn6Xn0bnhu3y_3Z93uuKCxwqtXYOjVqD-p-MSOzQ-I0Fw8M4_vJ-0uDKSFJQ/s1600/Oct14Calabcitas.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh0z5jn1j_arwJmEmBYVpq2s4nZO-NIKF2duzwykntXd4uivMPlzmzT87K2ysHZRmx8XhEMrD3itPn6Xn0bnhu3y_3Z93uuKCxwqtXYOjVqD-p-MSOzQ-I0Fw8M4_vJ-0uDKSFJQ/s640/Oct14Calabcitas.jpg" width="640" /></a><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Easy Rider</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1969, Dennis Hopper)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Chasers</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1994, Dennis Hopper)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sun Oct. 15 6:30 pm/8:35 pm and Mon.
Oct. 16 7:30 pm/9:35 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">There is no
situation under which I would ever watch <i style="mso-bidi-font-style: normal;">Chasers</i>
ever… except this one. Where I will have just sat through the masterpiece <i style="mso-bidi-font-style: normal;">Easy Rider</i> on 35mm at the New Bev, which
I incidentally just watched the blu-ray of and, man, it holds up and gives again
and again on every viewing. So to then sit through the curiosity that is <i style="mso-bidi-font-style: normal;">Chasers</i>, I’m totally on board, should be
fun, might even be a rollicking good time. Seriously <i style="mso-bidi-font-style: normal;">Easy Rider </i>is one of the greatest films ever, the film that started
the entire “New American Cinema” of the ’70s, and it personally demands you see
it on 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://thenewbev.com/program/october-15-easy-rider-chasers/" target="_blank">NEW BEVERLY LINK Sun</a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://thenewbev.com/program/october-16-easy-rider-chasers/" target="_blank">NEW BEVERLY LINK Mon</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzMT4gTJa5rUQdWcZSiHBb95IEF3daFJYmYNbCl7frslkp6_7DXOE1DZHAfHAdh9OWY_uJiUdKg4SIGXR3T0VBmqDVT-NOtu7N_eIdfIUY1G0w79QM4eo_YYsHgj9btowMWRYxNw/s1600/easy-rider-1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzMT4gTJa5rUQdWcZSiHBb95IEF3daFJYmYNbCl7frslkp6_7DXOE1DZHAfHAdh9OWY_uJiUdKg4SIGXR3T0VBmqDVT-NOtu7N_eIdfIUY1G0w79QM4eo_YYsHgj9btowMWRYxNw/s640/easy-rider-1.png" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4K1MCuSi0IC7TWBQJPbA9CiPHD3NpLBIRD0ebsc9IgNqb-QJ9O89qKahxtj-FXJ9EFXewMZcFU_FnAZhoXmdw7V8vkk3WcKxUbsDjBsx_eK7ZkCfUklOl7DNS_2eqZTvmtkmFLg/s1600/chasers-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4K1MCuSi0IC7TWBQJPbA9CiPHD3NpLBIRD0ebsc9IgNqb-QJ9O89qKahxtj-FXJ9EFXewMZcFU_FnAZhoXmdw7V8vkk3WcKxUbsDjBsx_eK7ZkCfUklOl7DNS_2eqZTvmtkmFLg/s640/chasers-poster-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">LACMA</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Mummy </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1932,
Karl Freund)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Tue. Oct. 17 1:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">I have to list
this because with all the October horror fests going on, this is probably the <u>only</u>
one playing <i style="mso-bidi-font-style: normal;">The Mummy</i> in beautiful
35mm. It’s a weird crowd, lot of retirees, but you’ll see a wonderful film in
35mm for only $4 and have a better October than everybody else.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.lacma.org/event/mummy" target="_blank">LACMA LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju_i12AYM7BSOG_nXcugSPjwj4egTRmEwzFJuhn9DrQx9x6xplA6UdN65OVP9VRteLNsNcfPS8crWDn8EvmnB0aee648SKBGSwLt_GJ61Q4tuRQ3fREvK6nm0hF0qWj3RBwSjyAw/s1600/mummy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1245" data-original-width="1600" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju_i12AYM7BSOG_nXcugSPjwj4egTRmEwzFJuhn9DrQx9x6xplA6UdN65OVP9VRteLNsNcfPS8crWDn8EvmnB0aee648SKBGSwLt_GJ61Q4tuRQ3fREvK6nm0hF0qWj3RBwSjyAw/s640/mummy.jpg" width="640" /></a></div>
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<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Omen</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1976, Richard Donner)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Holocaust 2000</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1977, Albert De Martino)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Fri. Oct. 13 and Sat. Oct. 14 7:00
pm/9:20 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Seeing the Omen
in 35mm should be required viewing right?! The second film sounds intriguing as
heck. It has a similar plot line with a child, but add a nuclear power plant in
the Middle East and Kirk Douglas! Should be good?? Or since I’ve literally
never heard of this film, I’m hoping very awful in the best way. (Second film
16mm.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://thenewbev.com/program/october-13-14-the-omen-holocaust-2000/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXi5hLm7qZ66bSAj4EwpftgQ2-aYLtdavSWZIRgUu52Ni28GEUg8020_AI4o_SknjJtMoV_g9g9ng4VZtA6NGodUcY7_G9-M6eQhvM1Sb03Lx1LNg0Rt0nPVGghLwxRhSVsjNxWA/s1600/omen_GregPeck.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="660" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXi5hLm7qZ66bSAj4EwpftgQ2-aYLtdavSWZIRgUu52Ni28GEUg8020_AI4o_SknjJtMoV_g9g9ng4VZtA6NGodUcY7_G9-M6eQhvM1Sb03Lx1LNg0Rt0nPVGghLwxRhSVsjNxWA/s640/omen_GregPeck.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAGP4BWyTjsD_k-ZCoDJ0jkASOonwW1VXb7A-hJIMRoC6x_-DTn08tVpHKi3l92RLkwWdZiLQ5FxG9UIXTVbR5Tcx2lkl6aJhZtr-7TTz0ubpvQx5Z-MolW3d3fBO1bIgKzlHPzg/s1600/holocaust-2000-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAGP4BWyTjsD_k-ZCoDJ0jkASOonwW1VXb7A-hJIMRoC6x_-DTn08tVpHKi3l92RLkwWdZiLQ5FxG9UIXTVbR5Tcx2lkl6aJhZtr-7TTz0ubpvQx5Z-MolW3d3fBO1bIgKzlHPzg/s640/holocaust-2000-poster-385x578.jpg" width="426" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Bride of Frankenstein
</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">(1935, James Whale)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Son of
Frankenstein</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1939, Rowland V. Lee)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Wed. Oct. 18 2:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Frankenstein had
a son?! Whoa, I had no idea. Better rectify that and watch this film! Plus,
seriously, <i style="mso-bidi-font-style: normal;">Bride of Frankenstein </i>definitely
should be seen in 35mm, and while it has a few other showings in October, this
is the only one guaranteed to be 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://thenewbev.com/program/october-18-the-bride-of-frankenstein-son-of-frankenstein-afternoon-classics/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnzCneYgJ9s__A6HbO1Bdkvjh72mMIs-3Yzq-x-hKYS11eQy-hGk3LnFSn-E89FAWWaa7_lEGg3Tt-oA4h7NDgzj3pTX1Hbs2Imv9ukqsNFLDfXaYOAjsjBrs5NES0B5q3OQ93DA/s1600/Bride_Frankenstein_1935_21-1487460005-726x388.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="388" data-original-width="726" height="342" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnzCneYgJ9s__A6HbO1Bdkvjh72mMIs-3Yzq-x-hKYS11eQy-hGk3LnFSn-E89FAWWaa7_lEGg3Tt-oA4h7NDgzj3pTX1Hbs2Imv9ukqsNFLDfXaYOAjsjBrs5NES0B5q3OQ93DA/s640/Bride_Frankenstein_1935_21-1487460005-726x388.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfOhsJ4XpuuReJGZ8yAEcz6CCu73dugIXYDD_vAxq7cLMD61om8cltlLRTKSxYF8bKREMRUJ5OG79a401rBCupiBt3z_NeQMSQhSdlJuFxDO_QdWpSkmoKmlxO96IbHCpVM3Tshg/s1600/Son_of_Frankenstein_movie_poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="465" data-original-width="300" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfOhsJ4XpuuReJGZ8yAEcz6CCu73dugIXYDD_vAxq7cLMD61om8cltlLRTKSxYF8bKREMRUJ5OG79a401rBCupiBt3z_NeQMSQhSdlJuFxDO_QdWpSkmoKmlxO96IbHCpVM3Tshg/s640/Son_of_Frankenstein_movie_poster.jpg" width="412" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Hired Hand</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1971, Peter Fonda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">And</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Kid Blue</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1973, James Frawley)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Wed. Oct. 18 and Thur. Oct. 19 7:30
pm/9:35 pm </span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Answers the
question, what did Peter Fonda and Dennis Hopper (separately) do right after
they made <i style="mso-bidi-font-style: normal;">Easy Rider</i>? While my
favorite answer to that question is Dennis Hopper’s totally awesome <i style="mso-bidi-font-style: normal;">The Last Movie</i> (1971), this double
feature of two westerns they made sounds like a great investigation into how
they “blew it”? haha little joke there, but maybe true, depending on how bad these
films are! <i style="mso-bidi-font-style: normal;">The Hired Hand</i> is directed
by Fonda, who had more than a hand in creating <i style="mso-bidi-font-style: normal;">Easy Rider</i> if memory serves, and <i>Kid Blue</i> stars Hopper as a hapless outlaw,
and features Warren Oates, Peter Boyle, Ben Johnson and Leo Purcell. In 35mm, this
sounds like you’re browsing around an archive and their screening stuff for you
personally as you search for buried treasure.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://thenewbev.com/program/october-18-19-the-hired-hand-kid-blue/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggWh-OoWYY8nTpgFONrH53mRQeWzCkAb1pn1P1EG1t0uVShfG9TbgkZDaM-NMsr2l0a5N7fsy8payCi6lCdav0wv8IuQm7lw1caW5K_F71UBo_z-EV9Y2KWRWRx0jdq-86_zKHUQ/s1600/hired-hand-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggWh-OoWYY8nTpgFONrH53mRQeWzCkAb1pn1P1EG1t0uVShfG9TbgkZDaM-NMsr2l0a5N7fsy8payCi6lCdav0wv8IuQm7lw1caW5K_F71UBo_z-EV9Y2KWRWRx0jdq-86_zKHUQ/s640/hired-hand-poster-385x578.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISX_e4-CjHKcqBXwfBBtZDQqlwYD4ZOZP6SeSbXhc_s5uVesybFKNHTtjJevNt35M0c3fNk0BLaPlyuxN4Pj2hcmklsniyhjx83sIUtq3NxNyuBw1BDxC2m8MkCW4BRe-Eq4UOg/s1600/kid-blue-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISX_e4-CjHKcqBXwfBBtZDQqlwYD4ZOZP6SeSbXhc_s5uVesybFKNHTtjJevNt35M0c3fNk0BLaPlyuxN4Pj2hcmklsniyhjx83sIUtq3NxNyuBw1BDxC2m8MkCW4BRe-Eq4UOg/s640/kid-blue-poster-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Egyptian Theatre (in the Spielberg
Theatre)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Outside the Law</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">
(1920, Tod Browning)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat. Oct. 14 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Silent film nerd alert!
This is a retro-format screening in 8mm. (Not even “super,” just regular 8mm!) So
watch the way many rich people saw films on their fancy projectors at home in
the old days. Live musical accompaniment <u>and</u> a short film selection! You
know director Tod Browning from <i>Dracula (</i>1931) and <i>Freaks </i>(1932), but now you know he also directed a ton of silent films, often starring Lon Chaney (star of the original <i>Phantom of the Opera </i>[1925, Rupert Julian]), including this one in dual roles!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.americancinemathequecalendar.com/content/outside-the-law-0" target="_blank">EGYPTIAN THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9f3sOI-FHQVRBxcNYuHK7RXTIsT8Tm5RjJz_9VVXGnew825exbjjl9rxQHdK5gn7WL935b4aLfzyztfbZuBL0sYHW1QpEAYLwwA5JVn8aowGqwKUjuoANmz_cm9RwzwF1yzKYEg/s1600/outside_the_law_390.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9f3sOI-FHQVRBxcNYuHK7RXTIsT8Tm5RjJz_9VVXGnew825exbjjl9rxQHdK5gn7WL935b4aLfzyztfbZuBL0sYHW1QpEAYLwwA5JVn8aowGqwKUjuoANmz_cm9RwzwF1yzKYEg/s640/outside_the_law_390.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Suspiria</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1977, Dario Argento)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Oct. 13 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">A wonderful heartwarming film starring the
amazing actress Jessica Harper. Warm your cockles on a Friday the 13<sup>th</sup>
in October with this loving ode to suspense. This is a 4K restoration. Yeah, I
prefer 35mm film, but maybe this will look great. (This screening DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/suspiria-2" target="_blank">AERO THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkRa7k48a48s6IB1dehA5zCBkEbzOPK4bYIzsBpRy9m3MfGFh1c5Jr2XTICQ8C6hTRxTShu-zE-t2LZP8mvlZ-jzEON7yXIAjiqNHcpa9u-9ZmSyX6J4ibi8I3tczeTDH_It8pEw/s1600/suspiria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="426" data-original-width="1000" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkRa7k48a48s6IB1dehA5zCBkEbzOPK4bYIzsBpRy9m3MfGFh1c5Jr2XTICQ8C6hTRxTShu-zE-t2LZP8mvlZ-jzEON7yXIAjiqNHcpa9u-9ZmSyX6J4ibi8I3tczeTDH_It8pEw/s640/suspiria.jpg" width="640" /></a></div>
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-37549569110086592982017-09-29T15:06:00.002-07:002017-09-29T17:34:59.318-07:00Now You Know What's Playing in 35mm in Los Angeles This Week!<!--[if gte mso 9]><xml>
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</xml><![endif]--><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Great, you found
me and the info you wanted to know. Here's what’s playing in LA on 35mm (or
sometimes not) that’s worth watching, my list!</span><br />
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br />
This is just what's on my personal radar. I don’t think there’s a point in me listing everything. For instance, there
is an interesting series of little-known German films about Berlin at UCLA that
you may find interesting. And sometimes I’m just going to skip mention of the
DCP screenings (although perfectly fine, in fact sometimes they make the
previously impossible to screen possible) in the Latin American series
at UCLA.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">So browse the LA
Film Calendars links on my side bar to find even more! → → → </span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">On mobile
displays, you may need to click "Desktop Version" at bottom and then
you can see the sidebar.</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">As usual, a
couple of these choices are <b style="mso-bidi-font-weight: normal;"><u>tonight</u></b>,
FYI, and not necessarily listed first.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
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<b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Santa</span></i></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> <b>(1932, Antonio Moreno)</b> </span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">and </span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b><i><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">La
mujer del puerto (The Woman of the Port)</span></i></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> <b>(1934, Arcady Boytler, Raphael J. Sevilla)</b></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Fri
(<u>tonight</u>) 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Some very early and thus exciting films from Mexico
in 35mm (with English subtitles). These are a great rare screening opportunity.
But are they like great films? Hard to say until I go see. But definitely
cultural touchstones. This is actually presented by UCLA Film & TV Archive,
and is a key aspect of the festival to present the films in original (or
near-original) downtown LA screening locations (in addition to the earlier showing at UCLA's Billy Wilder Theatre). </span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-santa-la-mujer-del-puerto" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7oGtLBlItfY0Jabfn0m_PiiLXMo_MkjXO9q9w0clApbLJor12IRxe6aa4k0exB8g184NkAfmcnuzYMp-ehglkFxQ_eeuMENMkI-AlZHqSfQ0RlUlilrwtVW4pk9BAOtbDkU9K6Q/s1600/santa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="463" data-original-width="763" height="387" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7oGtLBlItfY0Jabfn0m_PiiLXMo_MkjXO9q9w0clApbLJor12IRxe6aa4k0exB8g184NkAfmcnuzYMp-ehglkFxQ_eeuMENMkI-AlZHqSfQ0RlUlilrwtVW4pk9BAOtbDkU9K6Q/s640/santa.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6zbMSa-nAqhSn1jqC7h02m0TH-z8JEWxoGR-FQLhgv2ppldsf1oLI3sipJ9p2I8PHQZFJTXUFYxygY7UiTLDXqHYFgSzhyphenhyphenIl9QRGgBBwYEGaxXWveY4boAWJ25CjPdG-tGZLuiQ/s1600/La-mujer-del-puerto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="290" data-original-width="430" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6zbMSa-nAqhSn1jqC7h02m0TH-z8JEWxoGR-FQLhgv2ppldsf1oLI3sipJ9p2I8PHQZFJTXUFYxygY7UiTLDXqHYFgSzhyphenhyphenIl9QRGgBBwYEGaxXWveY4boAWJ25CjPdG-tGZLuiQ/s640/La-mujer-del-puerto.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">UCLA
Film & TV Archive</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> </span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">¡Asegure a su
mujer!</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (<i style="mso-bidi-font-style: normal;">Insure
Your Wife!)</i> (1935, Lewis Seiler)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br />
<b style="mso-bidi-font-weight: normal;">and<i> </i></b><br />
<b style="mso-bidi-font-weight: normal;"><i>Nada más que una mujer</i> (1934,
Harry Lachman)</b><br />
<b style="mso-bidi-font-weight: normal;">Sun Oct 1 7:00 pm</b><br />
Two Spanish-language film releases of the 1930s (!) from Fox, something you
maybe weren't aware of, in UCLA's continuing Latin American Cinema in Los
Angeles series.<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> </i></b>Both 35mm!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="https://www.cinema.ucla.edu/events/2017/10/01/asegure-su-mujer" target="_blank">UCLA LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUD6UvEThvu76XEGcJaR_Q4FIkFI_D8jcbnDtEnk_zkUoKVBxiAS7CE56hBXOxJ4yKwmuZVrUkD1VJFMXijPThUP6QUO6MX2ZeA4U-ARqglIZ8Z7aNla5WfVaWdZdf7x1KiPSceQ/s1600/nadamas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="431" data-original-width="652" height="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUD6UvEThvu76XEGcJaR_Q4FIkFI_D8jcbnDtEnk_zkUoKVBxiAS7CE56hBXOxJ4yKwmuZVrUkD1VJFMXijPThUP6QUO6MX2ZeA4U-ARqglIZ8Z7aNla5WfVaWdZdf7x1KiPSceQ/s640/nadamas.jpg" width="640" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Dracula</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1931, Tod Browning)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Dracula’s Daughter</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1936, Lambert Hillyer)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wed.
Oct. 4 2:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Get up early. Skip work! Whatever you have to
do, to go see these in 35mm on a weekday at 2:00 pm at the New Beverly! Fun, fun, fun. This is my only
Halloween recommendation. The high-quality original <i>Dracula</i>, and the questionable curiosity
afterwards (which may be fantastic, I have no idea! At worst, it’ll be enjoyably
laughable).</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/october-4-dracula-draculas-daughter-afternoon-classics/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiziX4qjaCPN1BVpmjzJXWH2k_nEsLk7XTcgmZqkmMY4uT1cmH8guok7MNpUYMH-yfDtYFN7LSE_wokCna207fPS7vB8xXUJFCdpVe8hDgTIbtlaUcvLoqmQGeDOGQXUwKgM_9TsQ/s1600/draculas-daughter-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiziX4qjaCPN1BVpmjzJXWH2k_nEsLk7XTcgmZqkmMY4uT1cmH8guok7MNpUYMH-yfDtYFN7LSE_wokCna207fPS7vB8xXUJFCdpVe8hDgTIbtlaUcvLoqmQGeDOGQXUwKgM_9TsQ/s640/draculas-daughter-poster-385x578.jpg" width="426" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Egyptian Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The Beyond Fest</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Various Dates</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Tonight, <a href="http://beyondfest.com/?page_id=3025" target="_blank"><b>the Beyond Fest</b></a>
starts. I won’t go in-depth on this, because so many sell out, and it's a bit more fangirl/fanboy-centric than I would get into myself. Some things are DCP (although notably 4k
restorations). But check it out! I noticed they added an exquisite Jackie Chan triple feature with Jackie in person Oct. 6 (also notated below)!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://beyondfest.com/?page_id=3025" target="_blank">BEYOND FEST LINK</a></span></div>
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<a href="http://beyondfest.com/" target="_blank"><img alt="http://beyondfest.com/#3" border="0" data-original-height="892" data-original-width="1277" height="446" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKTtLvwS7X-NWYqJ1nz850z_XD5jmTmiMQwDNjEMdnl6YK5yC4gPRpDY-DXt-DMUV4WuWn9lUdjOj016M9W1b3UoJkilP3JQ9JY2Ogpx269bo7RPccvfwbHKutE9lnVXXAK4UMoQ/s640/beyondfest.PNG" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Aero Theatre</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Lolita</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1962, Stanley Kubrick)</span></b></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">And</span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Dr. Strangelove</span></i></b><b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1964, Stanley Kubrick)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Sat.
Sept 30 7:30 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">A lovely Kubrickian
double feature – actually it just is Kubrick. These are two great movies, don't doubt! (Albeit DCP).</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><a href="http://www.americancinemathequecalendar.com/content/lolita-dr-strangelove-or-how-i-learned-to-stop-worrying-and-love-the-bomb" target="_blank">AERO THEATRE LINK</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4duX9cA3Luk8whujtP_mfjVESYKYNK5c6WXYSW1iXAYwVx0tXdVCE2rqXdvcRIe5fy2alhJOvTwRGW0abXNvh9LpqG0Bct1rHBiwtY6GR7OeayXymkm23EaFtR5x7sEO8QQrZ6g/s1600/drstrangelove_40ae_06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="236" data-original-width="350" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4duX9cA3Luk8whujtP_mfjVESYKYNK5c6WXYSW1iXAYwVx0tXdVCE2rqXdvcRIe5fy2alhJOvTwRGW0abXNvh9LpqG0Bct1rHBiwtY6GR7OeayXymkm23EaFtR5x7sEO8QQrZ6g/s640/drstrangelove_40ae_06.jpg" width="640" /></a></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">LACMA</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Phantom of the
Opera</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> (1925, Rupert Julien)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br />
<b style="mso-bidi-font-weight: normal;">Tue Oct. 3 1:00 pm</b><br />
Silent film nerd alert! In 35mm. 'Nuff said. If you haven't seen something
silent, maybe this is the one for you. If you've seen tons and seen this one
before, maybe not the most lovable one to rewatch a bunch of times, but it has
its audience... And I guess it's appropriate for October.<b> </b></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.lacma.org/event/phantom-opera" target="_blank">LACMA LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0ysg69B-dzlLIMeU4U71Zs8AQfLzLV9xmvBI5HyLPEG1zsdYH7MNQQ93i-BmxG6uaIF0mM3A9wy8LkLPYH3Oh-xHWg44cH87FclE9Z4lwcITK9_Uw9DB432oNqBQZBUwaDRkLhQ/s1600/phantom-of-the-opera_event2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="630" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0ysg69B-dzlLIMeU4U71Zs8AQfLzLV9xmvBI5HyLPEG1zsdYH7MNQQ93i-BmxG6uaIF0mM3A9wy8LkLPYH3Oh-xHWg44cH87FclE9Z4lwcITK9_Uw9DB432oNqBQZBUwaDRkLhQ/s640/phantom-of-the-opera_event2.jpg" width="640" /></a></div>
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<b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Arclight Cinemas (Various)</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br />
<b>"It's Alive!" -- film's favorite monsters terrorize the big screen</b><br />
<b>Oct. 2 - Oct. 30</b><br />
There's a pretty good selection here all month at various Arclights. I feel
like they're almost definitely all DCP, but click the individual links to see.
Some great movies in here and if you live less central to LA, can find some
good stuff near you.<b> </b><br />
<a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank">ARCLIGHT LINK</a></span><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"></span></div>
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<![endif]--><div class="separator" style="clear: both; text-align: center;">
<a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><img alt="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" border="0" data-original-height="760" data-original-width="369" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXqHqutCr1_nhQ9sAjVU9KjX6PSrOJLHnL1Ug88RWRhYUoR16ZfsISlxX4eMj-chc7KRfrz2IvXFvSbjBQJKUCeYFZg8_KZmpt0umwZy0_Z0YL0ef4dto75P4ponBp5_xkzGAVKw/s640/arclight1.PNG" width="310" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><img alt="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" border="0" data-original-height="717" data-original-width="367" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOW4i4Ou7Vuazayom0tye7tx528C4Xa6aCxfXAXERXaqDVzV1TtpWb02s5NDpjqgdzSCVMcXqFEUAbr4iuEp7_L5a5R19dbXHab_prxtJ8VBVQjbiiBNgtUZvPXHixWz2zeDB_dQ/s640/arclight2.PNG" width="326" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" target="_blank"><img alt="https://www.arclightcinemas.com/en/news/arclight-presents-its-alive?promo=spotlightM2" border="0" data-original-height="672" data-original-width="341" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdNbg43fvCjPrcnVJnjapfTcSvzfhSV1MyWza2V7QPIwpFi8LVOkMi1rBPIt31UYpTpviJwPSol_lyXRAtCySXV8tJVWd_FJxPnCzOJk215BlTR97Kop7hSt0c7wzIKUZEboAX8g/s640/arclight4.PNG" width="324" /></a></div>
<br />
<br />
<br /></div>
<div class="MsoNormal">
<b><u><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Coming
next week</span></u></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Allá en el rancho grande (Out on the Big Ranch</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">) (1936, Fernando de Fuentes)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and
</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">María Elena (She-Devil Island)</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1936, Fernando de Fuentes)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Oct. 6 7:30 pm</span></b></div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Both in 35mm! Two classics (?maybe?) from
Mexico. The description of the second film alone has me kind of sold:</span><br />
<blockquote class="tr_bq">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><i>"María Elena makes a “bad” choice, allowing sexual desire to trump a
sensible marriage, thus sending her faithful fisherman suitor across
the sea. There he learns of a mysterious island inhabited only by
women."</i> </span></blockquote>
</div>
<div class="MsoNormal">
<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-all-en-el" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGeKtjjQc3v8_HRRsLK2_J7YTk54wIH8N79SbM3x3PNN_nYp4-XwGRaCZvD6j1rrDxPg013lbFOaZQ7rLAepVUAoac_LZJCYQlXdNb5GmxrbEB6J7-nwb_Y-sdt1HOvnXwmPmeSA/s1600/Oct6Allaenelrancho.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGeKtjjQc3v8_HRRsLK2_J7YTk54wIH8N79SbM3x3PNN_nYp4-XwGRaCZvD6j1rrDxPg013lbFOaZQ7rLAepVUAoac_LZJCYQlXdNb5GmxrbEB6J7-nwb_Y-sdt1HOvnXwmPmeSA/s640/Oct6Allaenelrancho.jpg" width="640" /></a></div>
<div class="MsoNormal">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp3ZbSstOEzFllWu-VBbpWfsPU6Vib1G5dGKStFl6FafgEf1qVTfpxCEx2yhKtrjNEQioCg8GeCVqLjJ6gM-OrUId5RREq02hMiHpV9tJjgwv6yO55sLr580fnV1mPpIeGUqCkPg/s1600/mariaelena3.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="333" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp3ZbSstOEzFllWu-VBbpWfsPU6Vib1G5dGKStFl6FafgEf1qVTfpxCEx2yhKtrjNEQioCg8GeCVqLjJ6gM-OrUId5RREq02hMiHpV9tJjgwv6yO55sLr580fnV1mPpIeGUqCkPg/s640/mariaelena3.jpeg" width="532" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Downtown
Independent</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">La otra</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1946, Roberto Gavaldón)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">En la palma de tu mano</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1951, Roberto Gavaldón)</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 7 7:30pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">First a noirish crime film starring Dolores Del Río
and then a film the site calls “One of the best movies of the Golden Age of Mexican
cinema”, also a film noir, sounds like a can’t-miss! (This screening DCP).</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.downtownindependent.com/events/ucla-film-television-archive-presents-double-feature-la-otra-en" target="_blank">DOWNTOWN INDEPENDENT LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCmO_HXtHKAA9yjfTwiO7K4dIGHLzpEDHP68PV74TBSCS6Ktb4Is7ohvGGAq6H2IrI6uhPXLt8kEIZbO8ph2bPCRc0BdXjnFdCFJa7BYN68KYArgKd4RtftPUUUqGrLmLwsP2NuQ/s1600/Oct7LaOtra.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCmO_HXtHKAA9yjfTwiO7K4dIGHLzpEDHP68PV74TBSCS6Ktb4Is7ohvGGAq6H2IrI6uhPXLt8kEIZbO8ph2bPCRc0BdXjnFdCFJa7BYN68KYArgKd4RtftPUUUqGrLmLwsP2NuQ/s640/Oct7LaOtra.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivTmi5rGEL7zN9AKu9q4KfILyfu1Z2RF0UtmFgpuhKs4vyxn_IE9taSwgIBDQOWzjT5mnthqNgvG88Vm-8P2JxrfdrmnGDOWwNa0C0Wm_xvkzW7s_B0Htoefanfnr3hMeRpGpZJA/s1600/enlapalmadeltumano.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="296" data-original-width="539" height="350" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivTmi5rGEL7zN9AKu9q4KfILyfu1Z2RF0UtmFgpuhKs4vyxn_IE9taSwgIBDQOWzjT5mnthqNgvG88Vm-8P2JxrfdrmnGDOWwNa0C0Wm_xvkzW7s_B0Htoefanfnr3hMeRpGpZJA/s640/enlapalmadeltumano.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre (part of Beyond Fest)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Miracles aka Mr. Canton and Lady Rose</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1989, Jackie Chan) <i style="mso-bidi-font-style: normal;"><u> </u></i></span></b><br />
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><i style="mso-bidi-font-style: normal;"><u>Jackie Chan In Person!</u></i></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Police Story 3 aka<span style="mso-spacerun: yes;"> </span>Supercop</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1993, Stanley Tong)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Police Story</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1985, Jackie Chan, Chi-Hwa Chen)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Fri.
Oct. 6 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><i>Police Story</i> honestly is one of my absolute
favorite Jackie Chan films. Both for exciting plot, humor, performances (him
and Maggie Cheung), and some incredible action sequences, including in a mall
with a shitload of glass breaking. And <i style="mso-bidi-font-style: normal;">Supercop</i>
ain’t no slouch either! Both <i>Police Story</i> films are in 35mm! Did I mention Jackie was in person?! (<i>Miracles</i> DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/triple-threat-a-night-with-jackie-chan" target="_blank">EGYPTIAN THEATRE LINK</a></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://beyondfest.com/?page_id=3025" target="_blank">BEYOND FEST LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijE9msAHMxyt-Qic5d4ePnKWO_OWiTwxc9SLNTWt_eX54OaiDvOMrdMqsxbqD5lGSRB175UyZoK-HDr1CLGo2uSV26vW0vM1lWDqTvR7ufA0A29rSfzubIerS10vRT7ih92-Y3Rg/s1600/Miracles-Kung-Fu-Kingdom-770x472.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="472" data-original-width="770" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijE9msAHMxyt-Qic5d4ePnKWO_OWiTwxc9SLNTWt_eX54OaiDvOMrdMqsxbqD5lGSRB175UyZoK-HDr1CLGo2uSV26vW0vM1lWDqTvR7ufA0A29rSfzubIerS10vRT7ih92-Y3Rg/s640/Miracles-Kung-Fu-Kingdom-770x472.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_G5CM9DF9VDhjNmiPvvN0IPsxwJpX-b46vYSmULytUFvvie7PFO6T96UOqhXpi2Suewd7D2qiOYRR42x3wo9aWpJHchlGG03HwjBq9DpG91dyMKJon4MhKx64LTSWXSaf65sv0Q/s1600/police-story-3-supercop-malaysian-chase-640x299.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="299" data-original-width="640" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_G5CM9DF9VDhjNmiPvvN0IPsxwJpX-b46vYSmULytUFvvie7PFO6T96UOqhXpi2Suewd7D2qiOYRR42x3wo9aWpJHchlGG03HwjBq9DpG91dyMKJon4MhKx64LTSWXSaf65sv0Q/s640/police-story-3-supercop-malaysian-chase-640x299.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIOcqaof6GbaIAo7C6fJJRFhjnUFCc6yALXRlc8AiXcRPi2eKxRsS0UnK3folhhiWsYMrX2gqpy0zZCgse65kS3Al5xS71jHYrrwfV2osMBys0umjYPz5ZJa5chhCHPqyJmMDk9g/s1600/police-story21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="482" data-original-width="856" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIOcqaof6GbaIAo7C6fJJRFhjnUFCc6yALXRlc8AiXcRPi2eKxRsS0UnK3folhhiWsYMrX2gqpy0zZCgse65kS3Al5xS71jHYrrwfV2osMBys0umjYPz5ZJa5chhCHPqyJmMDk9g/s640/police-story21.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Egyptian
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Gleaners & I</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (2001, Agnès Varda) <i style="mso-bidi-font-style: normal;"><u>Agnès
Varda In Person</u></i></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Vagabond</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1985, Agnès Varda)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thur.
Oct. 12 7:30 pm</span></b><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Agnès Varda comes into Los Angeles (does she
live here already anyway?) to appear with two fairly high profile films of hers
in person. <i style="mso-bidi-font-style: normal;">Gleaners & I</i> is a fun
labor of love documentary about people who pick up the cast-offs of others. <i style="mso-bidi-font-style: normal;">Vagabond</i> is a pretty wonderful film starring
the always amazing Sandrine Bonnaire. It’s a very interesting film, very artsy (unlike
today’s films!) so I think it’s worth an outing (esp. if hopefully on 35mm),
even if it’s not my number one favorite film of hers. I’m partial to <i style="mso-bidi-font-style: normal;">La Pointe Courte</i> and <i style="mso-bidi-font-style: normal;">Cléo from 5 to 7</i>. Although I actually
haven’t <i>seen </i><i style="mso-bidi-font-style: normal;">Vagabond</i> in quite a long time, so maybe I'm not doing it justice. Go see! (Screening format not indicated.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/the-gleaners-i-vagabond" target="_blank">EGYPTIAN THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6PDwk9znCqZyTfuyaHiyBINOIETrS1VV35iaxfDUdFtC8Y76tN3m3GJfAxcuysowBygMnTnMpNcPfK_rR5JLHdP7XAUwa7imEKm1H9h_iL0ETVmIX1BXEFUBOUFadbi5OqozmNQ/s1600/vagabond.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1500" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6PDwk9znCqZyTfuyaHiyBINOIETrS1VV35iaxfDUdFtC8Y76tN3m3GJfAxcuysowBygMnTnMpNcPfK_rR5JLHdP7XAUwa7imEKm1H9h_iL0ETVmIX1BXEFUBOUFadbi5OqozmNQ/s640/vagabond.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Battleship Potemkin</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1925, Sergei Eisenstein)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">and</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Man with the Movie Camera</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> (1929, Dziga Vertov)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat.
Oct. 7 7:30pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Silent Film Nerd Alert! Okay, first, never miss an
opportunity to see <i>Battleship Potemkin</i> on the big screen! (And certainly not when it's 35mm!) Second, never miss an
opportunity to see <i>The Man with the Movie Camera</i> on the big screen! <span style="mso-spacerun: yes;"> </span>Okay, that’s all I can say to advertise this
one, you’re on your own! (<i>Battleship </i>in 35mm, <i>Man with the Movie Camera</i> is DCP.)
(Musical score not notated. Presumably it's soundtrack on the prints since no live
music indicated.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/battleship-potemkin-the-man-with-a-movie-camera" target="_blank">AERO THEATRE LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM-VVRC-g4kqDHqKvdHqaJ-dsznPxE4M2k3XAHcpRBRVTWrGosH_kJvID0BGbx3K8Pu7aSy7OVi6yyzsJvHh5ERLmgd4UBURdUmVQ2IRB5TO0L52BOAabX0W4GxPTtVgaYF0MqZQ/s1600/battleship_potemkin_390.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM-VVRC-g4kqDHqKvdHqaJ-dsznPxE4M2k3XAHcpRBRVTWrGosH_kJvID0BGbx3K8Pu7aSy7OVi6yyzsJvHh5ERLmgd4UBURdUmVQ2IRB5TO0L52BOAabX0W4GxPTtVgaYF0MqZQ/s640/battleship_potemkin_390.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx-4uIWZw_AK7p9rdzJLm0WSxnHpJAqEU92tmBomYD3DYMgICb6hJzNhYQXv7tLMPD2WiJC1fbj681aeJaHlS3mlfZZlhRdDecv2mj7zGdkHz8MNcN3qvbbGmuFzH4Mj3QaoRT-Q/s1600/28-The-Man-with-the-Movie-Camera-Dziga-Vertov-1929.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="543" data-original-width="603" height="576" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx-4uIWZw_AK7p9rdzJLm0WSxnHpJAqEU92tmBomYD3DYMgICb6hJzNhYQXv7tLMPD2WiJC1fbj681aeJaHlS3mlfZZlhRdDecv2mj7zGdkHz8MNcN3qvbbGmuFzH4Mj3QaoRT-Q/s640/28-The-Man-with-the-Movie-Camera-Dziga-Vertov-1929.jpg" width="640" /></a></div>
<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Aero
Theatre</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Metropolitan</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">
(1990, Whit Stillman) <i style="mso-bidi-font-style: normal;"><u>Whit Stillman in
Person</u></i></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sun.
Oct. 8 7:30pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">This is a great Whit Stillman movie! It’s
the first and most well-known one. I feel like I knew and hated some of these
people as I one time attended a boarding school, and it all rings so horribly true.
But then some of the people are nice. Are they? Wait, maybe they're all awful. Chris Eigeman is
always a marvel in pretty much everything, but this is his first the original star-making appearance and career
best. Oh, how I hated the rich snobs at my school yet love this movie.
Thanks, Whit!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(This screening DCP.)</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://www.americancinemathequecalendar.com/content/metropolitan-0" target="_blank">AERO THEATRE LINK</a></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">New
Beverly</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">All-Night
Horror Show</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sat
Oct. 7 7:00 pm</span></b></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">I guess I’d be remiss to not mention this. Not personally
a huge horror fan myself, but this must be every horror cinephile fan’s wettest of wet
dreams. Enjoy!</span></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><a href="http://thenewbev.com/program/october-7-all-night-horror-show-2017/" target="_blank">NEW BEVERLY LINK</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6KC2Mm3HOhI4apdhxp5ncY92fWlOv8laASerWTXtyemHOAvk9Wc0nJnomaPORFc7Id2Aa7fa0ZNlaBrvhy-gpCbWZQTmkc9LimfbK3WJqrZXnE6bSxu9RLTALLIlyc4FJAEo9tA/s1600/All-Night-Horror-poster-385x578.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6KC2Mm3HOhI4apdhxp5ncY92fWlOv8laASerWTXtyemHOAvk9Wc0nJnomaPORFc7Id2Aa7fa0ZNlaBrvhy-gpCbWZQTmkc9LimfbK3WJqrZXnE6bSxu9RLTALLIlyc4FJAEo9tA/s640/All-Night-Horror-poster-385x578.jpg" width="426" /></a></div>
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<span style="font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Additional <a href="http://thenewbev.com/schedule/" target="_blank">New Beverly</a> next-week screenings not
yet announced yet. Check their <a href="http://thenewbev.com/schedule/" target="_blank">site</a>!</span></div>
The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-53105352202340150302017-09-22T17:46:00.001-07:002017-09-22T18:23:46.434-07:00What's Playing in LA on 35mm (or sometimes not)<br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-family: inherit;"><span style="font-size: 12.0pt;">Here's what’s
playing in LA on 35mm (or sometimes not) that’s worth watching, my list!</span></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">This
is just what's on my personal radar. Browse the LA Film Calendars links on my
side bar to find even more! → → →</span></span></span></span>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">On
mobile displays, you may need to click "Desktop Version" at bottom
and then you can see the sidebar.</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">As usual, a couple of these choices are tonight,
FYI, and not necessarily listed first.</span></span></span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"></span></span></span>
<br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">REDCAT</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;"> w/Los
Angeles Film Forum</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Dreams of Suitcases and a Blue
Lobster</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Fri (<u>tonight</u>) Sept 22 7:00 pm</span></b><span style="font-size: 12.0pt;"> </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">Tonight begins a really unique film
series, the first night of which I think is a real eye-catcher: <a href="https://www.redcat.org/category/redcat-event-type/film-video" target="_blank"><b>REDCAT</b></a> (near the Walt Disney Concert Hall) and <b><a href="http://www.lafilmforum.org/schedule/" target="_blank">Los Angeles Film
Forum</a></b> launches<b><i> Ism Ism Ism: Experimental Cinema in Latin America</i>
</b>"an ambitious, five-month film series<b> </b>—the first in the
U.S.—that surveys Latin America’s vibrant experimental production from the
1930s to today."<span style="mso-spacerun: yes;"> </span>This opening night
program is entitled <b style="mso-bidi-font-weight: normal;">Dreams of Suitcases
and a Blue Lobster</b>, an evening of surrealist-influenced shorts from the
'30s to the '60s, including one by Ra</span></span></span></span><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><span style="font-size: 12.0pt;">ú</span></span></span></span></span>l Ruiz, plus a film co-directed by
Gabriel García Márquez! If you've never gone out to a theater to see an
experimental film, it’s fun, expand your mind.</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-dreams-of-suitcases-and-a-blue-lobster/" target="_blank"><span style="font-size: 12.0pt;">REDCAT LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw07mgWtgVGRdwnnU3mwYXKSzXGagGr3XBhsOY8G_AEJyZap4E2tuQSEyLtp04izmHqH49e96Pa__gRPYoJSelIoIMrTqFB2kvjEXrAZZ7Wuf1_cqQ4_23ZGzMw31QlR0mPiRTQg/s1600/thesuitcaseandbluelobster.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="337" data-original-width="460" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw07mgWtgVGRdwnnU3mwYXKSzXGagGr3XBhsOY8G_AEJyZap4E2tuQSEyLtp04izmHqH49e96Pa__gRPYoJSelIoIMrTqFB2kvjEXrAZZ7Wuf1_cqQ4_23ZGzMw31QlR0mPiRTQg/s640/thesuitcaseandbluelobster.png" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">LOS ANGELES FILM
FORUM (at MOCA Ahmanson Auditorium)</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Raúl Ruiz:
Anthropology’s Trembling Images</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">Thur Sept 28 7:00 pm</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><span style="font-size: 12.0pt;">Again part of <b>Ism, Ism,
Ism: Experimental Cinema in Latin America,</b></span><b> </b>this
is a screening of rare little known and short gauge films by master filmmaker Ra</span><span style="font-size: 12.0pt;"><span style="font-size: 12.0pt;">ú</span>l
Ruiz paired with some of his contemporaries. Such as, below, <b>"The Film To Come" </b>(1997, Ra</span></span></span></span><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><span style="font-size: 12.0pt;">úl Ruiz</span></span></span></span></span>) (Mostly digital.)</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-raul-ruiz-anthropology-s-trembling-images/" target="_blank"><span style="font-size: 12.0pt;">LOS ANGELES FILM FORUM LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDr60kXmvzAZkJyeKxwyjviS1hyVXHiYQ3GgiOwrJZgeto9Q2KWHSBff978SWkxSkzkzkcQknBj49nNC4i_JxLaDm_ljXt6DjfmC3VdeCl0Jm6L07T6mUaV8RRzjrneKYhGqsJxA/s1600/film-to-come-0-230-0-345-crop.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="345" data-original-width="230" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDr60kXmvzAZkJyeKxwyjviS1hyVXHiYQ3GgiOwrJZgeto9Q2KWHSBff978SWkxSkzkzkcQknBj49nNC4i_JxLaDm_ljXt6DjfmC3VdeCl0Jm6L07T6mUaV8RRzjrneKYhGqsJxA/s640/film-to-come-0-230-0-345-crop.jpg" width="426" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;"> </span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">REDCAT </span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">w/Los
Angeles Film Forum</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Countercultures and Undergrounds</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Sun Sept. 24 6:00 pm</span></b><span style="font-size: 12.0pt;"> </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">A program spotlighting three
significant Latin American experimental filmmakers, including a co-writer of <i style="mso-bidi-font-style: normal;">I Am Cuba</i>. This one features a short
that the entire five-month program is named after, so I think we have to see
it, right? That’s <b style="mso-bidi-font-weight: normal;">“Ismism”</b> (1979) a
short film by Manuel DeLanda, shot on Super 8 film. But all films are “presented
as a digital file” Not sure what that means..! But not film, oh, well, very
rare stuff. </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-countercultures-and-undergrounds/" target="_blank"><span style="font-size: 12.0pt;">LOS ANGELES FILM FORUM LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKp_cv0_KWLHN8CepSDQ1eHv25OaRT7lts0AAYbAbqkFQtMTGYg485OIHafkMyRdCUhcJLfsBkfykOovo2GjCon1v2BTAtXVr9kwOtOEERUTC7glEQ6ZIQxXBqEFrZuZxuA_9Mig/s1600/ismism.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKp_cv0_KWLHN8CepSDQ1eHv25OaRT7lts0AAYbAbqkFQtMTGYg485OIHafkMyRdCUhcJLfsBkfykOovo2GjCon1v2BTAtXVr9kwOtOEERUTC7glEQ6ZIQxXBqEFrZuZxuA_9Mig/s640/ismism.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">REDCAT w/Los Angeles Film Forum</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Dialogues with Che</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Sun Sept 24 </span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">8:30pm</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">About <i><u>that</u></i>
Che (the only one, right?), it sounds like several films deconstructing iconography and photos in a
manner that perhaps has similarities to Godard/Gorin's <i>Letter to Jane</i>. </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-dialogues-with-che-appropriations-of-a-revolutionary-figure/" target="_blank"><span style="font-size: 12.0pt;">LOS ANGELES FILM FORUM LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeh3Bi8t8GVGedROLlhXevmvEMQQqvcepIwIWlbv9G5HM1xIGqa9DNLaIZczwDDkfs_dPfaD1ix9VARvBakv1muFq5WlmXh4gWTtrBVM8Dqc8bPov7l7KrwA6MD_0qyJFfTHqSQ/s1600/chething.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="337" data-original-width="504" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeh3Bi8t8GVGedROLlhXevmvEMQQqvcepIwIWlbv9G5HM1xIGqa9DNLaIZczwDDkfs_dPfaD1ix9VARvBakv1muFq5WlmXh4gWTtrBVM8Dqc8bPov7l7KrwA6MD_0qyJFfTHqSQ/s640/chething.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">UCLA FILM & TV ARCHIVE</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Enamorada</span></i></b><span style="font-size: 12.0pt;"> <b>(1946, Emilio Fernández) </b></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Sat Sept. 23</span></b><span style="font-size: 12.0pt;"><b> 7:30 pm</b></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">UCLA is
featuring three very early films from Mexico in 35mm, beginning Saturday with
this pretty famous (and I think very entertaining?) one, starring María Félix in 35mm!</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://www.cinema.ucla.edu/events/2017/09/23/enamorada" target="_blank"><span style="font-size: 12.0pt;">UCLA LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIsvqGRmzvzgIbv2wH2e7FsZCa2RdpN0c1L4oeetz7six0KnhUUj9WamQKl-wro6Z02aWWJdq5ezOC4l-B_cozWIMsJM0OUuTU1TN2CncudhQ6bNfH_b0MIWXPmqXVa6I-Ikhiw/s1600/enamorada.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="426" data-original-width="561" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIsvqGRmzvzgIbv2wH2e7FsZCa2RdpN0c1L4oeetz7six0KnhUUj9WamQKl-wro6Z02aWWJdq5ezOC4l-B_cozWIMsJM0OUuTU1TN2CncudhQ6bNfH_b0MIWXPmqXVa6I-Ikhiw/s640/enamorada.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">UCLA FILM & TV ARCHIVE</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Santa</span></i></b><span style="font-size: 12.0pt;"> <b>(1932, Antonio Moreno)</b> </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">and </span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">La mujer del puerto (The Woman of
the Port)</span></i></b><span style="font-size: 12.0pt;"> <b>(1934, Arcady Boytler, Raphael
J. Sevilla)</b></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Sun Sept 24 7:00 pm</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">Plus more from Mexico in 35mm (with
English subtitles). These are a great rare screening opportunity. But are they
like great films? Hard to say until I go see. But definitely cultural
touchstones. There's a few more screenings I haven't listed here (in DCP) but check out their site.</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://www.cinema.ucla.edu/events/2017/09/24/santa-mujer-del-puerto" target="_blank"><span style="font-size: 12.0pt;">UCLA LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT61cMiGl9WGS3FO8U0p9rsaDVcSjB6pkVm4aE_JFu1n9FYv-4Qf6ql__9njMkXam0Dc1NkkYikS-sgoEAX9BBnayb-DkznIHXtGgKTtm9jGXj8l2JUAjOx5IpywGLpGxlFOdMiw/s1600/santa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="463" data-original-width="763" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT61cMiGl9WGS3FO8U0p9rsaDVcSjB6pkVm4aE_JFu1n9FYv-4Qf6ql__9njMkXam0Dc1NkkYikS-sgoEAX9BBnayb-DkznIHXtGgKTtm9jGXj8l2JUAjOx5IpywGLpGxlFOdMiw/s640/santa.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6zbMSa-nAqhSn1jqC7h02m0TH-z8JEWxoGR-FQLhgv2ppldsf1oLI3sipJ9p2I8PHQZFJTXUFYxygY7UiTLDXqHYFgSzhyphenhyphenIl9QRGgBBwYEGaxXWveY4boAWJ25CjPdG-tGZLuiQ/s1600/La-mujer-del-puerto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="290" data-original-width="430" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6zbMSa-nAqhSn1jqC7h02m0TH-z8JEWxoGR-FQLhgv2ppldsf1oLI3sipJ9p2I8PHQZFJTXUFYxygY7UiTLDXqHYFgSzhyphenhyphenIl9QRGgBBwYEGaxXWveY4boAWJ25CjPdG-tGZLuiQ/s640/La-mujer-del-puerto.jpg" width="640" /></a></span></span></span></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"></span></span></span>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">EGYPTIAN</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">The Red Shoes</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;"> (1948,
Michael Powell, Emeric Pressburger)</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Fri (<u>tonight</u>) Sept 22 7:30pm</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">Yes, it's Powell & Pressburger's
masterpiece <b><i>The Red Shoes</i></b> (1948), which profoundly influenced
Gene Kelly's <i>Singing in the Rain</i> and the entire evolution of musicals,
in 35mm and restored by the UCLA Film & Television Archive. Wow! I think I
read Christopher Nolan is now attending to intro it and so it may have sold it
out, but I don’t know maybe you’ll get lucky.</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://www.americancinemathequecalendar.com/content/the-red-shoes-2" target="_blank"><span style="font-size: 12.0pt;">EGYPTIAN LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh25B228qDFCFqvA9Ya0wqO2rg4GqQ0ufdmu2-ZLpfP6t5H-9QrG0p_j7HVxycERFQet5pD5HFgkz_WEyFGLHqJlHzMsmk7jdWilNX13-Tf0IaiZ78tCWOmFyg-LWv3MLS3MkKQOw/s1600/red-shoes-11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1480" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh25B228qDFCFqvA9Ya0wqO2rg4GqQ0ufdmu2-ZLpfP6t5H-9QrG0p_j7HVxycERFQet5pD5HFgkz_WEyFGLHqJlHzMsmk7jdWilNX13-Tf0IaiZ78tCWOmFyg-LWv3MLS3MkKQOw/s640/red-shoes-11.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;"><br /></span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">EGYPTIAN</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Pather Panchali </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">(1955,
Satyajit Ray)</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Aparajito </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">(1956, Satyajit
Ray)</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Apur Sansar </span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">(1958,
Satyajit Ray)</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Sun Sept 24 5:00 pm</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;"> </span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">The entire Apu Trilogy (by Satyajit
Ray) in one sitting? Maybe too much, but all prints <u>newly restored 35mm</u>, wow.
Great format to see a landmark work in. </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://www.americancinemathequecalendar.com/content/pather-panchali-aparajito-apur-sansar-0" target="_blank"><span style="font-size: 12.0pt;">EGYPTIAN LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj4vL9hirxeEjomVAcyJURFopkufYokIpzmo1pKsSRGp5C-b-jfuXn-iH8R_YydzEasSkjTLtZB1VpfxlLBi8PY4zhbC6fft5fIM1HQdlwGULmO16q7txld76J6Qzj3qwnKqYCXQ/s1600/patherpanchali.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="881" data-original-width="1200" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj4vL9hirxeEjomVAcyJURFopkufYokIpzmo1pKsSRGp5C-b-jfuXn-iH8R_YydzEasSkjTLtZB1VpfxlLBi8PY4zhbC6fft5fIM1HQdlwGULmO16q7txld76J6Qzj3qwnKqYCXQ/s640/patherpanchali.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">NEW BEVERLY</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Machine Gun McCain (</span></i></b><b><span style="font-size: 12.0pt;">1969, Giuliano Montaldo)</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">and<i> </i></span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Wipeout!</span></i></b><b><span style="font-size: 12.0pt;"> (aka <i>The Boss</i>) (1976, Fernando Di Leo)</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Tue Sept 26 7:30pm/9:35pm</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">There’s
still </span><span style="font-size: 12.0pt;">more choice grindhouse fare than you
can shake a stick at, at the New Bev this week. Standing out for me is <i><span style="mso-bidi-font-weight: bold;">Machine Gun McCain<b> </b></span></i><span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">since it’s<b><i> </i></b></span>starring
<span style="mso-bidi-font-weight: bold;">John Cassavetes </span>and <span style="mso-bidi-font-weight: bold;">Gena Rowlands</span> (!) in an I.B.
Technicolor 35mm print (!). <i><span style="mso-bidi-font-weight: bold;">Wipeout!</span></i><span style="mso-bidi-font-weight: bold;"> (aka <i>The Boss</i>)<b> </b>has (always
glowering?) Henry Silva</span> and <span style="mso-bidi-font-weight: bold;">Richard
Conte</span>. Together, this sounds like a completely awesome double feature.</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://thenewbev.com/program/september-26-machine-gun-mccain-wipeout/" target="_blank"><span style="font-size: 12.0pt;">NEW BEVERLY LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG2XAzcSydZMMDNfKoIlFNYSaJBVSoew1FPmmdCznL0v301_fC3i8w4g5gzfOZUuUAvviyt0EYrfZLJf1dewxJY_26NA_NxXTrHkYTrmxg7gxuaVGP2lC-YENJTpKS8uOLY_8S7A/s1600/machinegun5big.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG2XAzcSydZMMDNfKoIlFNYSaJBVSoew1FPmmdCznL0v301_fC3i8w4g5gzfOZUuUAvviyt0EYrfZLJf1dewxJY_26NA_NxXTrHkYTrmxg7gxuaVGP2lC-YENJTpKS8uOLY_8S7A/s640/machinegun5big.jpg" width="640" /></a></span></span></span> </div>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0h4M7G1WZIF8I8pv0iF5Fa1IBOQ6idoEg6XrTphLtp3iJ2ZhkZUOyiJBpIbcWqaSnV0VWyMhOYEySI0vZpQUCuk-bT4AE_rh6ULrb0FCeyxd5ipaZdbvBZT1SSAOsD5PbsXrH6A/s1600/the-boss-aka-wipeout-1973.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="632" height="486" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0h4M7G1WZIF8I8pv0iF5Fa1IBOQ6idoEg6XrTphLtp3iJ2ZhkZUOyiJBpIbcWqaSnV0VWyMhOYEySI0vZpQUCuk-bT4AE_rh6ULrb0FCeyxd5ipaZdbvBZT1SSAOsD5PbsXrH6A/s640/the-boss-aka-wipeout-1973.jpg" width="640" /></a></span></span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><br /></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">NEW BEVERLY</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Pretty Maids All in a Row </span></i></b><b><span style="font-size: 12.0pt;">(1971, Roger Vadim)</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;"> </span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">and </span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Revenge of the Cheerleaders</span></i></b><b><span style="font-size: 12.0pt;"> (1976, Richard Lerner)</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Mon Sept 25</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;"> 7:30 pm/9:30 pm</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">I love the looks of this double
feature, even though my friend warned me they're bad!</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://thenewbev.com/program/september-25-pretty-maids-all-in-a-row-revenge-of-the-cheerleaders/" target="_blank"><span style="font-size: 12.0pt;">NEW BEVERLY LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzcCr-gQaKZgrNDeVcKk89IigylM9qxYfz8HhHwKFZKmaNKFwVb2ttwPertca_UbCzb9rJ9syOdkdC8LI3ahBhvtSpNJEFhHqZ40LM8y2d9CsXbWAQMd5XIoz194S_4CZvfahnTQ/s1600/pretty+maids.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzcCr-gQaKZgrNDeVcKk89IigylM9qxYfz8HhHwKFZKmaNKFwVb2ttwPertca_UbCzb9rJ9syOdkdC8LI3ahBhvtSpNJEFhHqZ40LM8y2d9CsXbWAQMd5XIoz194S_4CZvfahnTQ/s400/pretty+maids.jpg" width="400" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSOm31jyZjTGF0Su5J3OSnyzpcP_YpxVXvw_mvdfrzhcIAt8YPV-5wRejhkbh84ryt6OxQ45I1TD1c14PDbOjzbl-hYdsyDtP7Pp1ED8Rbwvrhxs8sb0YSlUjAia89yUQD0Bpa8g/s1600/revenge-of-the-cheerleaders-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="305" data-original-width="560" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSOm31jyZjTGF0Su5J3OSnyzpcP_YpxVXvw_mvdfrzhcIAt8YPV-5wRejhkbh84ryt6OxQ45I1TD1c14PDbOjzbl-hYdsyDtP7Pp1ED8Rbwvrhxs8sb0YSlUjAia89yUQD0Bpa8g/s640/revenge-of-the-cheerleaders-5.jpg" width="640" /></a></span></span></span></div>
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">NEW BEVERLY</span></b></span></span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Rebecca </span></i></b><b><span style="font-size: 12.0pt;">(1940, Alfred Hitchcock)</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Wed Sept 27 2:00pm</span></b><span style="font-size: 12.0pt;"> </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">The New Bev’s Hitchcock 2:00 pm
matinee Wednesdays continue with <i><span style="mso-bidi-font-weight: bold;">Rebecca<b>
</b></span></i>in lovely 35mm. It's a Hitchcock film I haven't seen, so I should probably go see it in fricking 35mm!</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://thenewbev.com/program/september-27-rebecca-afternoon-classic/" target="_blank"><span style="font-size: 12.0pt;">NEW BEVERLY LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9KbC4ZByOzrHf-CZB6ero7TLRvnvUlkpfpOAMD-3IxJ94fUeH7iT_AoypHdz3DZfujizj2IH9hRlOVRXFxFLFxngrLp3WwKV7P9O_zi1dYafX-yWVaJQnktGyoH9-maNdIfUCbw/s1600/Rebecca-Hitchcock.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="285" data-original-width="620" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9KbC4ZByOzrHf-CZB6ero7TLRvnvUlkpfpOAMD-3IxJ94fUeH7iT_AoypHdz3DZfujizj2IH9hRlOVRXFxFLFxngrLp3WwKV7P9O_zi1dYafX-yWVaJQnktGyoH9-maNdIfUCbw/s640/Rebecca-Hitchcock.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">UCLA FILM & TV
ARCHIVE</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Duck Soup </span></i></b><b><span style="font-size: 12.0pt;">(1933, Leo McCarey) </span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Sun Sept 24 at 11:00 am</span></b><span style="font-size: 12.0pt;"> <b style="mso-bidi-font-weight: normal;"><u>(free admission!)</u></b></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">Oh, just a little Marx Brothers film
in 35mm, for free!</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://www.cinema.ucla.edu/events/2017/09/24/duck-soup" target="_blank"><span style="font-size: 12.0pt;">UCLA LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjscUT257VTvcy4F35VzsvfceEnBpH6-06gQeqVfJTzLHapbO0tGi24YpfWXzri1IQ-65nIQWxcti5uK6obD5k4eqHBq32RP5zubK6cCmC4uFgFEer_SZa5KeMDbZvuf5KJkTa3Qg/s1600/ducksoup1933_73717_678x380_06022015113633.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="380" data-original-width="678" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjscUT257VTvcy4F35VzsvfceEnBpH6-06gQeqVfJTzLHapbO0tGi24YpfWXzri1IQ-65nIQWxcti5uK6obD5k4eqHBq32RP5zubK6cCmC4uFgFEer_SZa5KeMDbZvuf5KJkTa3Qg/s640/ducksoup1933_73717_678x380_06022015113633.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">The Academy</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><i><span style="font-size: 12.0pt;">Zoot Suit </span></i></b><b><span style="font-size: 12.0pt;">(1981, Luis Valdez) </span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Mon Sept 25 7:30 pm</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">This is a cultural landmark that
kind of flew under the radar of most of America, starring a captivatingly
insane Edward James Olmos and a stellar cast with big beautiful musical
numbers. Learn a lot of L.A. Spanish lingo. Also, note the Academy’s theater and
screen are just huge, it’s one of the best places to see a movie. And tickets are only $5! The old "coming to VHS" trailer below, although murky, I think gives some of the awesome flavor of this film. </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://pstlala.oscars.org/event/zoot-suit/" target="_blank"><span style="font-size: 12.0pt;">ACADEMY LINK</span></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/M51xwySGNYc?rel=0" width="560"></iframe> </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp3A5c1jGmSuvl-a4xr322zNR-Iv6Frh0YTocdPxrpXsXfo4E4dlwkkn_LN0hgEYwOskU4oMUFs_5vD1IGjDltD40ma1IYRP1ghi4QZt_-UJhUD5IP_1fX7-5-t_TsqiBixYLJpQ/s1600/zoousit.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="305" data-original-width="400" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp3A5c1jGmSuvl-a4xr322zNR-Iv6Frh0YTocdPxrpXsXfo4E4dlwkkn_LN0hgEYwOskU4oMUFs_5vD1IGjDltD40ma1IYRP1ghi4QZt_-UJhUD5IP_1fX7-5-t_TsqiBixYLJpQ/s640/zoousit.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">REDCAT w/Los Angeles Film Forum</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">“Camera-Less” or “Direct” filmmaking</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Sat Sept 23 7:00 pm</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">A survey of South American <b>“Camera-Less”
or “Direct” filmmaking</b>, in which figures are painted, scratched, or
inked directly onto film leader, should appeal to any Stan Brakhage fans out
there. (I hope that's more than none?)</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-sin-camara-cameraless/" target="_blank">LOS ANGELES FILM FORUM LINK</a></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMd1SQhViW4YskziOALpZYgsvlx_NrOdjWcEffhWrfQ_WJRdnZerziOLANSXiOnSYPSfRPmOYqYWNpm1P2NZDpOZPsJcV2bquRSJ-ibdeCsqrOdurjgxyLiZDjDGJeaMULc_YkBg/s1600/sincamera.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="285" data-original-width="506" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMd1SQhViW4YskziOALpZYgsvlx_NrOdjWcEffhWrfQ_WJRdnZerziOLANSXiOnSYPSfRPmOYqYWNpm1P2NZDpOZPsJcV2bquRSJ-ibdeCsqrOdurjgxyLiZDjDGJeaMULc_YkBg/s640/sincamera.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"> </span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">REDCAT w/Los Angeles Film Forum</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Films of Willie Varela</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;">Sat Sept 23 </span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt;">at 9:00 pm</span></b></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">Here t</span><span style="font-size: 12.0pt;">hey spotlight filmmaker <b>Willie Varela</b>, an El
Paso-based Chicano media artist. Image below from "Becky's Eye" (1977).</span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><a href="http://www.lafilmforum.org/schedule/fall-2017/ism-ism-ism-a-cinema-of-passion-films-and-videos-by-willie-varela/" target="_blank">LOS ANGELES FILM FORUM LINK</a></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHSe4vb4gtJQun_ydB8rsee13159Z3HbiuMtWAxZEIPktlrJg5KAuJHTKS-lDT16jihscI2CGbzFeFLOZrXZBPan0PdYW3guJKQu3gb-CHN8mFazQI-HGxbxI04z01zMrg36yBNA/s1600/willievlaera.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="380" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHSe4vb4gtJQun_ydB8rsee13159Z3HbiuMtWAxZEIPktlrJg5KAuJHTKS-lDT16jihscI2CGbzFeFLOZrXZBPan0PdYW3guJKQu3gb-CHN8mFazQI-HGxbxI04z01zMrg36yBNA/s640/willievlaera.jpg" width="640" /></a></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><u><span style="font-size: 12.0pt;">Coming next week</span></u></b></span></span></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank"><b><span style="font-size: 12.0pt;">Egyptian</span></b></a></span></span></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">Friday<b>, </b>Sept 29,<a href="http://beyondfest.com/?page_id=3025" target="_blank"> <b>the Beyond Fest</b></a> starts. I don’t like anything there, and some things that
are DCP (even if 4k restorations) I’d just rather see on film like they were shot on. And mainly I’m
more into artsy than fangirl/fanboy, but you can check it out.</span></span></span></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank"><b><span style="font-size: 12.0pt;">Aero</span></b></a></span></span></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><b>Sat. Sept 30 </b>they'll have a lovely <b>Lolita (1962, Stanley Kubrick)/Dr.
Strangelove (1964, Stanley Kubrick)</b> double feature (albeit DCP).</span></span></span></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><br /></span></span></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://www.cinema.ucla.edu/calendar" target="_blank"><b><span style="font-size: 12.0pt;">UCLA Film & TV Archive</span></b></a><span style="font-size: 12.0pt;"> </span></span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">Two Spanish-language film releases
of the 1930s (!) from Fox, something you maybe weren't aware of, in UCLA's
continuing Latin American Cinema in Los Angeles series.</span><b><span style="font-size: 12.0pt;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> </i></b></span></b></span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">¡Asegure a su mujer!</i>
(<i style="mso-bidi-font-style: normal;">Insure Your
Wife!)</i> (1935, Lewis Seiler)</b></span></b></span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;"><b style="mso-bidi-font-weight: normal;">and<i> </i></b></span></b></span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;"><b style="mso-bidi-font-weight: normal;"><i>Nada más que una
mujer</i> (1934, Harry Lachman)</b></span></b></span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><b><span style="font-size: 12.0pt;"><b style="mso-bidi-font-weight: normal;">Sun Oct 1 7:00 pm</b></span></b></span></span></span><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"> </span></span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">Both 35mm.</span></span></span></span><br />
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><a href="http://www.lacma.org/events-calendar"><b style="mso-bidi-font-weight: normal;">LACMA</b></a></span></span></span></span><br />
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Phantom of the Opera</i>
(1925, Rupert Julien)</b></span></span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;"><b style="mso-bidi-font-weight: normal;">Tue Oct. 3
1:00 pm</b></span></span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: 12.0pt;">Silent film nerd alert! In 35mm. 'Nuff said. If you haven't seen something
silent, maybe this is the one for you. If you've seen tons and seen this one
before, maybe not the most lovable one to rewatch a bunch of times, but it has
its audience... And I guess it's appropriate for October.</span></span></span></span><b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"> </span></b><br />
<br />
<b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Lolita</span></b></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjXhNjVWjBEiidbB8Ijy4VJjgWh8SNttWkw10bTb7UZgkrsOWvpd6c5vreC_EEyx3hSD6VKLuYkPjzqG53-LksV-FebAdVwXDJKpcEVpVVgVfHKfJOYLaoB53TzWf85W2c61DQOw/s1600/lolita.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="304" data-original-width="520" height="374" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjXhNjVWjBEiidbB8Ijy4VJjgWh8SNttWkw10bTb7UZgkrsOWvpd6c5vreC_EEyx3hSD6VKLuYkPjzqG53-LksV-FebAdVwXDJKpcEVpVVgVfHKfJOYLaoB53TzWf85W2c61DQOw/s640/lolita.png" width="640" /></a></span></span></span></div>
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<br />
<b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Dr.
Strangelove</span></b></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg76ow4P7-t8-zWgH7AX5jL-UswT7yuihT_SE8dD2I1WS5FzKUhVgOEFOgAFJRuTl0P_7DjkYwyLREB7Bv9EhZlx1xwJwBSMxIqVsOGO3Bj-6K9Ij6vkkUdol4Za1wZLpWfjoMYJg/s1600/drstrangelove_40ae_06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="236" data-original-width="350" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg76ow4P7-t8-zWgH7AX5jL-UswT7yuihT_SE8dD2I1WS5FzKUhVgOEFOgAFJRuTl0P_7DjkYwyLREB7Bv9EhZlx1xwJwBSMxIqVsOGO3Bj-6K9Ij6vkkUdol4Za1wZLpWfjoMYJg/s640/drstrangelove_40ae_06.jpg" width="640" /></a></span></span></span></div>
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<![endif]-->
<br />
<b>¡Asegure a su mujer! (Insure Your Wife!)</b></div>
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<b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Nada
más que una mujer </span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVOGCbN3VkoB6fDX5ZtcCvIrZYpE-6j1JB1FuJ9MNkxEmmysNKQLgnL1bnCO03NmMl-dwmMJnDFjPzzueHBtJiiDVjePSA0EUmtCOAtwJM3Pp5jDyd2vxGGqMLaQwUCrXRsNABjw/s1600/nadamas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="431" data-original-width="652" height="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVOGCbN3VkoB6fDX5ZtcCvIrZYpE-6j1JB1FuJ9MNkxEmmysNKQLgnL1bnCO03NmMl-dwmMJnDFjPzzueHBtJiiDVjePSA0EUmtCOAtwJM3Pp5jDyd2vxGGqMLaQwUCrXRsNABjw/s640/nadamas.jpg" width="640" /></a></span></span></span></div>
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Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
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<b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Phantom
of the Opera</span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1jmFn7p5xrsTh-PKYZ-gRMqfjCyINWuds2fzRVasyNW0x0V2VGLWyX-E4vdXGb8cmcFR3iSO2CPYzBzwhBylvmt_SgbsFKf1ZBrgMAkNPnCoUx5U4Ad20NJs391cFM01K7woeXA/s1600/phantom-of-the-opera_event2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="630" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1jmFn7p5xrsTh-PKYZ-gRMqfjCyINWuds2fzRVasyNW0x0V2VGLWyX-E4vdXGb8cmcFR3iSO2CPYzBzwhBylvmt_SgbsFKf1ZBrgMAkNPnCoUx5U4Ad20NJs391cFM01K7woeXA/s1600/phantom-of-the-opera_event2.jpg" /></a></span></span></span></div>
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-31201236844198481122017-09-15T15:14:00.002-07:002017-09-15T17:44:46.687-07:00Lots More Movies You Can't Handle in LA's 35mm Film ScreeningsThere's almost too much to handle this week with LA's 35mm film screenings, plus some challenging films that maybe you really can't handle!<br />
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This is just what's on my personal radar and is not comprehensive. So as always, you can browse the LA Film Calendars links on my side bar to find what you like. → → →<br />
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On mobile displays, you may need to click "Desktop Version" at bottom and then you can see the sidebar.<br />
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As usual, a couple of these choices are <u>tonight</u>, FYI, and not necessarily listed first. <br />
<br />
<b>Egyptian Theatre</b><br />
<b><i>The Discreet Charm of the Bourgeoisie</i> (1972, Luis Buñuel)</b><br />
<b>and </b><br />
<b><i>That Obscure Object of Desire</i> (1977, Luis Buñuel)</b><br />
<b>Fri (<u>tonight</u>) 7:30 pm</b><br />
This is a classic almost #FilmSchoolAlert Buñuel double feature and up first is his immortal <i>The Discreet Charm of the Bourgeoisie<b>. </b></i>I say don't let the pretentious title distract you, focus on this particular story and its characters (plus great acting). It's paired with his final film, which is a bit of a mind-blower as well, so good I bought the DVD. Here, both are in 35mm. This screening can't be beat!<br />
<a href="http://www.americancinemathequecalendar.com/content/the-discreet-charm-of-the-bourgeoisie-that-obscure-object-of-desire-0" target="_blank">EGYPTIAN THEATRE LINK</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTzWKw_LA4MpSmeBjnbbPrsw2cTxMHvn0oPQyXFKNr_vqTYmvSMGlexAbH-Mqt4TelR0e-2Cp3adSZ2qEdw7DYWfsAUTsSjdnXKhXCQE6HAtyroGxfwzzgTdLheJbqVd8L8Z-diA/s1600/obscureobject.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="280" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTzWKw_LA4MpSmeBjnbbPrsw2cTxMHvn0oPQyXFKNr_vqTYmvSMGlexAbH-Mqt4TelR0e-2Cp3adSZ2qEdw7DYWfsAUTsSjdnXKhXCQE6HAtyroGxfwzzgTdLheJbqVd8L8Z-diA/s640/obscureobject.jpg" width="448" /></a></div>
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<b>Egyptian Theatre (Los Angeles Film Forum)<br />"Resistance Isn't Futile" (various)<br />Sun. Sept. 17 7:30 pm (Spielberg Theatre at the Egyptian)</b><br />
Screening of major note: this is an incredible treasure trove of
short films that are a time capsule of political activism during key
historical moments in the US. Not to be missed! Including a short film by Straub-Huillet (very hard
to see their stuff.) Just scroll through the individual film descriptions here at the link. <br />
<a href="http://www.lafilmforum.org/schedule/fall-2017/resistance-isn-t-futile/" target="_blank">LA FILM FORUM LINK</a><b> </b><br />
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<b><br /></b>
<b>Egyptian Theatre (in the Spielberg Theatre)</b><br />
<b><i>The Hunchback of Notre Dame </i>(1923, Wallace Worsley) <u>w/live musical accompaniment</u></b><br />
<b>Sat. Sept. 16 7:30 pm</b><br />
Silent Film Nerd Alert! Here we have the original 133-minute 1923 <i>Hunchback of Notre Dame </i>starring, yes, man of a thousand faces Lon Chaney, with live musical
accompaniment in their intimate Spielberg Theatre. Have you never seen a Lon Chaney silent film performance? Better rectify that. Also, you really haven't
seen silent films properly if you haven't gone out and seen them this way at
least once. I can't remember my reaction to this film, but it's a
big-budget spectacle at a high point of the silent studio era (Universal
in this case), so it's a fascinating artifact of the time at the worst, and it's probably far better than that. It's showing in 16mm, but for silent films shot in that
aspect ratio this is still totally great.<br />
<a href="http://www.americancinemathequecalendar.com/content/the-hunchback-of-notre-dame" target="_blank">EGYPTIAN THEATRE LINK</a> <br />
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<b><b>New Beverly</b><br />
<b><i>Grindhouse </i>(2007, Tarantino/Robert Rodriguez)</b><br />
<b>Fri (<u>tonight</u>) 7:30 pm </b></b><br />
<b>and </b><b><b><b>Sat Sept 16 7:30 pm</b></b></b><br />
Continuing from last week, this is special! It's back! <i>Grindhouse</i> in all its grindhouse
glory at a grindhouse theater showing grindhouse films all month long.
It's grindhouse-a-palooza or something. Technically this is two films, a
true double feature - <i>Planet Terror</i> by Robert Rodriguez and <i>Death Proof</i>
by Quentin Tarantino. I love this mainstream love note to good ol'
grindhouse double features. Rodriguez totally nails the mixture of the
good and bad writing-directing of grindhouse films, with a dash of his
modern filmmaking acumen to really make it cook. Tarantino gets all
experimental with quite a long chat first, and it's equally awesome. The
fact that they bring totally different things to the table makes this
is a perfectly wonderful double feature. Showing in 35mm. And I'm
<u>sure</u> there's going to be some awesome trailers beforehand. Not
sure if they'll resurrect the original trailer program (which included <i>The Beyond</i> and <i>Massacre Mafia Style</i>
trailers), or put new ones. I kind of vote for the old ones, except for
variety's sake, I hope they add some extra special gifts!<br />
<br />
Note: They'll also continue on Sunday with what they're calling <b>Grindhouse 2</b>, and the week after that will be <b>Grindhouse 3,</b> which I may be squinting disapprovingly at that attempt, or it may be pretty awesome. Browse their site for more info. (It's basically the Rodriguez <i><b>Machete </b></i>films paired with other stuff.)<br />
<a href="http://thenewbev.com/program/september-15-16-grindhouse/" target="_blank">NEW BEVERLY LINK</a><b><br /></b><br />
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<br />
<b><b>New Beverly</b></b><br />
<b><i>Torso </i>(1973, Sergio Martino) </b><br />
<b>and <i> </i></b><br />
<b><i>Zombie</i> (1979, Lucio Fulci)</b><br />
<b>Sat. Sept. 16 midnight (11:59 pm)</b><br />
This is the double feature that apparently Tarantino showed the cast and crew of <i>Grindhouse</i> before filming, and it sounds awesome. Basically that and the posters sold me. (I've seen <i>Zombie</i>, and it's pretty good if I recall.)<br />
<a href="http://thenewbev.com/program/september-16-torso-zombie-midnight-show/" target="_blank">NEW BEVERLY LINK</a> <br />
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<b>Egyptian Theatre</b><br />
<b><i>Repo Man </i>(1984, Alex Cox) </b><br />
<b>and </b><br />
<b><i>Death Watch</i> (1980, Bertrand Tavernier)</b><br />
<b>Sat. Sept. 16 7:30 pm</b><br />
The Egyptian in its main theater on Saturday night will have this sweet double feature. <i>Repo Man </i>has a towering reputation as a cult classic, and <i>Death Watch </i>is
a woefully overlooked gem starring Harvey Keitel and Romy Schneider in a
futuristic mind-bender exposing all our present-day horrible
tendencies. It touches on TV, media, reality TV, and technology in a twisted way
with a dark undertone. Beautiful little (almost) sci-fi art film. Both
in 35mm! (This is truly a great week for stuff showing on film, almost everything!)<br />
<a href="http://www.americancinemathequecalendar.com/content/repo-man-death-watch" target="_blank">EGYPTIAN THEATRE LINK</a><br />
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<br />
<b>Aero Theatre</b><br />
<b><i>Sleepwalkers </i>(1992, Mick Garris)</b><br />
<b><i>Silver Bullet </i>(1985, Daniel Attias)</b><br />
<b><i>Thinner </i>(1996,
Tom Holland) </b><br />
<b>Fri (<u>tonight</u>) Sept. 15 7:30 pm</b><br />
The holy grail of cinephilic rites of passage, the triple feature. This would be pretty good if I didn't deeply dislike all these
films! But I know horror fans out there will be into it. (Three Stephen King films). Plus they're in
35mm loveliness on a huge screen.<br />
<a href="http://www.americancinemathequecalendar.com/content/sleepwalkers-silver-bullet-thinner" target="_blank">AERO THEATRE LINK</a><br />
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<b>Aero Theatre</b><br />
<b><i>Firestarter</i> (1984, Mark L. Lester)</b><br />
<b><i>Carrie</i> (1976, Brian DePalma)</b><br />
<b><i>The Dead Zone</i> (1983, David Cronenberg)</b><br />
<b>Sat. Sept. 16 7:30 pm</b> <br />
All these are 35mm except for <i>Carrie</i> is DCP and will still be great. I would see this one, seriously. The selection is much better than the prior one. (All three Stephen King again.)<br />
<a href="http://www.americancinemathequecalendar.com/content/firestarter-carrie-the-dead-zone" target="_blank">AERO THEATRE LINK</a><br />
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<br />
<b>Aero Theatre</b><br />
<b><i>Stand By Me</i> (1986, Rob Reiner) </b><br />
<b>and </b><br />
<b><i>The Shawshank Redemption </i>(1994, Frank Darabont)</b><br />
<b>Sun. Sept. 17 <strike>5:00 pm</strike> Update: 7:30pm</b> <br />
Here we have a dash of Oscar-pedigree Stephen King films for good measure. See Jerry O'Connell at his even more lovable size. <i>Stand By Me</i> is in 35mm, <i>Shawshank </i>is in DCP. <br />
<a href="http://www.americancinemathequecalendar.com/content/stand-by-me-the-shawshank-redemption" target="_blank">AERO THEATRE LINK</a><br />
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<br />
<b>Aero Theatre</b><br />
<b><i><b>Victoria & Abdul</b></i> (2017, Stephen Frears) <u>w/Stephen Frears In Person</u></b><br />
<b>and</b><br />
<b> <i><b>The Grifters </b></i><b>(1990, Stephen Frears)<br />Wed. Sept. 20 7:30 pm</b></b><br />
Cool double of Stephen Frears films. This is<b> </b>his brand-new film <i>Victoria & Abdul</i> starring Judi Dench and Ali Fazal, paired with <i>The Grifters</i> in 35mm, with Stephen Frears in person. This might be a members-only screening.<br />
<a href="http://www.americancinemathequecalendar.com/content/victoria-abdul-the-grifters" target="_blank">AERO THEATRE LINK</a> <br />
<br />
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<br />
<b>New Beverly</b><br />
<b><i>The Man Who Knew Too Much</i> (1954, Alfred Hitchcock) </b><br />
<b>Wed. Sept. 20 2:00 pm</b> <br />
New Bev's Hitchcock Wednesdays continues with the masterfully enjoyable <i>The Man Who Knew Too Much</i> (1954). I describe it that way because it's not a "make you think" masterpiece (like <i>Vertigo</i>), it's more like <i>North by Northwest</i> enjoyable. And it packs a fun wallop, really climaxes well. And, again, this is on 35mm, so..... <br />
<a href="http://thenewbev.com/program/september-20-the-man-who-knew-too-much-afternoon-classic/" target="_blank">NEW BEVERLY LINK</a><br />
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<br />
<b>Old Town Music Hall</b><br />
<b><b><i>San Francisco</i></b> (1936, W.S. Van Dyke) </b><br />
<b><b>Fri Sept 15 8:15 pm <u>and</u> Sat 16</b> 2:30 pm and 8:15 pm</b><br />
This Clark Gable starrer features "an earthquake sequence you'll never forget". Sure, that's exactly what we
want to see in LA with all the disasters happening lately. But hey go
see this and be prepared for the worst? I recently saw something here and it was not on film. I don't know if that is always the case here, but just a heads-up, I guess (They used to show stuff on film). It's still a great fun time if you live near the beach, as it's in El Segundo. Plus every show begins with music played on the pipe organ, an audience sing along, and a comedy short. <br />
<a href="http://www.oldtownmusichall.org/films.html" target="_blank">OLD TOWN MUSIC HALL LINK</a> <br />
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<br />
<u><b>Coming Next Week</b></u><br />
Coming up next Friday take special note of this really unique film series, the first night of which I think is a real eye-catcher: <a href="https://www.redcat.org/category/redcat-event-type/film-video" target="_blank"><b>REDCAT</b></a> (near the Walt Disney Concert Hall) and <b><a href="http://www.lafilmforum.org/schedule/" target="_blank">Los Angeles Film Forum</a></b> will launch<span class="s1"><b><i> Ism Ism Ism: Experimental Cinema in Latin America</i> </b>"an
ambitious, five-month film series<b> </b>—the first in the U.S.—that surveys
Latin America’s vibrant experimental production from the 1930s to today."</span><br />
<ul>
<li>The first program on <b>Fri Sept 22</b> is entitled <b>Dreams of Suitcases and a Blue Lobster</b>, an evening of surrealist-influenced shorts from the '30s to the '60s, including one by Raul Ruiz, plus a film co-directed by Gabriel García Márquez! If you've never gone out to a
theater to see an experimental film, you really haven't expanded your
mind enough yet.</li>
<li><b>Sat Sept 23 </b>is a survey of South American <b>“Camera-Less” or “Direct” filmmaking</b>,
in which figures are painted,
scratched, or inked directly onto film leader, should appeal to any Stan Brakhage fans out there. (I hope that's more than none?)</li>
<li><b>Sat. Sept. 23 </b>(later at 9:00 pm) they spotlight filmmaker <b>Willie Varela</b>, an El Paso-based Chicano media artist.</li>
<li><b>Sun Sept. 24</b> it's a program spotlighting three significant Latin American experimental filmmakers, including a co-writer of <i>I Am Cuba</i>, entitled <b>Countercultures and Undergrounds</b>.</li>
<li><b>Sun Sept. 24 </b>(later at 8:30pm) is <b>Dialogues with Che </b>(about <u><i>that</i></u> Che) which sounds like several films deconstructing iconography and photos in a manner that perhaps has similarities to Godard/Gorin's <i>Letter to Jane</i>. (Then the series is on break till Oct. 2, phew!)</li>
</ul>
<br />
<b>Fri. Sept. 22 </b>the <b><a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank">Egyptian</a></b> will have Powell & Pressburger's masterpiece <b><i>The Red Shoes</i></b> (1948), which profoundly influenced Gene Kelly's <i>Singing in the Rain</i> and the entire evolution of musicals, in 35mm and restored by the UCLA Film & Television Archive. Wow!<br />
<br />
<ul>
<li><b>Sun. Sept. 24</b> they have the entire Apu Trilogy (by Satyajit Ray) in one sitting? Maybe too much, but all prints newly restored 35mm, wow. Great format to see a landmark work in. The Apu Trilogy is <i><b>Pather Panchali </b></i>(1955), <i><b>Aparajito </b></i>(1956), <i><b>Apur Sansar </b></i>(1958).</li>
</ul>
<br />
UCLA's <b><a href="https://www.cinema.ucla.edu/calendar" target="_blank">Billy Wilder Theater</a></b> will have three very early films from Mexico in 35mm:<br />
<br />
<ul>
<li><i><b>Enamorada</b></i> <b>(1946, Emilio Fernández) w/María Félix</b> on <b>Sat. Sept. 23</b> </li>
<li><b>Sun. Sept. 24</b> is a double feature of <i><b>Santa</b></i> <b>(1932, Antonio Moreno)</b> and <i><b>La mujer del puerto (The Woman of the Port)</b></i> <b>(1934, Arcady Boytler, Raphael J. Sevilla)</b>.</li>
</ul>
A rare screening opportunity. But are they like great films? Hard to say until I go see. But definitely cultural touchstones presented in 35mm as they were original shown (albeit with English subtitles).<br />
<br />
<ul>
<li>Plus there's a little Marx Brothers film called <b><i>Duck Soup </i>(1933, Leo McCarey) Sun Sept. 24 at 11:00 am</b> (free admission!) in 35mm.</li>
</ul>
<br />
At <a href="http://thenewbev.com/schedule/" target="_blank"><b>New Beverly</b></a><br />
<br />
<ul>
<li>I like the looks of <b>Mon. Sept. 25</b>th's <b><i>Pretty Maids All in a Row </i>(1971, Roger Vadim)</b> and <b><i>Revenge of the Cheerleaders</i> (1976, Richard Lerner)</b>, even though my friend warned me they're bad!</li>
<li><b>Tue. Sept. 26</b> there's even more choice grindhouse-type fare with <b><i>Machine Gun McCain (</i>1969, Giuliano Montaldo)</b> starring <b>John Cassavetes </b>and <b>Gena Rowlands</b> (!) in an I.B. Technicolor 35mm print (!), playing with <b><i>Wipeout!</i> (aka <i>The Boss</i>) (1976, Fernando Di Leo) </b>starring <b>Henry Silva</b> and <b>Richard Conte</b>, sounds completely awesome. </li>
<li>Hitchcock 2:00 pm matinee Wednesdays continue with <b><i>Rebecca </i>(1940)</b> in lovely 35mm as well, <b>Wed. Sept. 27</b>.</li>
</ul>
<a href="http://www.oscars.org/events" target="_blank"><b>The Academy</b></a> will show <i><b>Zoot Suit </b></i><b>(1981, Luis Valdez) </b>starring Edward James Olmos <b>Sept. 25 7:30 pm.</b><br />
<br />
<b><b><b><b>La Maleta (The Suitcase</b><b>) (from program "Dreams of Suitcases and a Blue Lobster")</b></b></b></b>
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<br />
<b>Ism Ism</b><br />
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<br />
<b>El Dia Que Me Quieras (The Day You'll Love Me)</b><br />
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<br />
<b>The Red Shoes</b><br />
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<br />
<b>Pather Panchali</b><br />
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<b><br /></b>
<b>Enamorada</b><br />
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<b><br /></b>
<b>Santa</b><br />
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<b><br /></b>
<b>La Mujer del Porto</b><br />
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<b><br /></b>
<b>Duck Soup</b><br />
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<b><br /></b>
<b>Pretty Maids All in a Row</b><br />
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<b><br /></b>
<b>Revenge of the Cheerleaders</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipWlZ9eYhvpksH8Jg2MQbv9EtTHO5jVC2o5x6tIhqZHVY3NykWKU1UH2XwQHLrz7SVYTNXznSEJj2KPnfjyl3WiKBkPq_D1fNN8ez3TFjmfbeRT1h2H7LfqfVZ4a5yDmVOoySsxw/s1600/revenge-of-the-cheerleaders-5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="305" data-original-width="560" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipWlZ9eYhvpksH8Jg2MQbv9EtTHO5jVC2o5x6tIhqZHVY3NykWKU1UH2XwQHLrz7SVYTNXznSEJj2KPnfjyl3WiKBkPq_D1fNN8ez3TFjmfbeRT1h2H7LfqfVZ4a5yDmVOoySsxw/s640/revenge-of-the-cheerleaders-5.jpg" width="640" /></a></div>
<b><br /></b>
<b>Machine Gun McCain</b><br />
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<b><br /></b>
<b>Wipeout! (aka The Boss)</b><br />
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<br />
<b>Rebecca</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV7F__utSpipdofSfzaUjlojWvpRQR_c9kH3vuhzs0AdwrluRAF0T7ncr0zxOnZyDpRodiTX0n-jlwHCbex1SRzte50UrxBACPbzGh6wRjI4oGzWS2rrFWaHoSqMtnH8RxyeF_jA/s1600/Rebecca-Hitchcock.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="285" data-original-width="620" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV7F__utSpipdofSfzaUjlojWvpRQR_c9kH3vuhzs0AdwrluRAF0T7ncr0zxOnZyDpRodiTX0n-jlwHCbex1SRzte50UrxBACPbzGh6wRjI4oGzWS2rrFWaHoSqMtnH8RxyeF_jA/s640/Rebecca-Hitchcock.jpg" width="640" /></a></div>
<b><br /></b>
<b>Zoot Suit</b><br />
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<b><br /></b>The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-52356582125490915462017-09-08T12:32:00.001-07:002017-09-08T13:17:18.222-07:00Self-Taught Film School with LA 35mm Film ScreeningsHere's an idea, just teach yourself cinema by attending all of LA's great 35mm film screenings. You'll probably see more 35mm than you would in an actual film school. Ironic. (Disclaimer: Just watching films is not a sufficient film school substitute!)<br />
<br />
So here they are. The Dramatic Question: Is there anything classic worth learning from this week or will the fanboys win with just a bunch of horror and weird shit? Let's find out.<br />
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This is just what's on my personal radar.
As always, you can browse the LA Film Calendars links on my side bar to find what you like. → → →<br />
<br />
As usual, a couple of these choices are <u>tonight</u>, FYI, and not necessarily listed first.<br />
<b><br /></b>
<b>New Beverly</b><br />
<b><i>Rear Window </i>(1954, Alfred Hitchcock)</b><br />
<b>Wed Sept. 13 <u>2:00 pm</u></b><br />
#FilmSchoolAlert yeah this is a pretty good one to get inspired by for you film school rats, or just regular students who want to be cool. But it plays at 2:00 pm on a Wednesday, so it better be a masters degree at USC with a lot of openings in your day schedule. Am I going to explain a Hitchcock film to you here? No, you can "google" it, that other lazy thing you can do which won't help you get good at stuff or contribute to society. (Hint: read a book.) This is on 35mm!<br />
<a href="http://thenewbev.com/program/september-13-rear-window-afternoon-classic/" target="_blank">NEW BEVERLY LINK</a> <br />
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<br />
<b>New Beverly</b><br />
<b><i>Sheba Baby</i> (1975, William Girdler)</b><br />
<b>and </b><br />
<b><i>Jackie Brown </i>(1997, Quentin Tarantino)</b><br />
<b>Fri (<u>tonight</u>) 6:30pm/8:30pm</b><br />
Both in 35mm (of course!). The <i>Jackie Brown </i>20th anniversary celebration of tastefully curated double features in the awesome New Beverly tradition (which incidentally predates Tarantino who came as a customer before buying the building!) continues with a very awesome one of <i>Sheba, Baby </i>with young Pam Grier and <i>Jackie Brown<b> </b></i>with also still young and gorgeous Pam Grier (don't get her angry). One-night only, 35mm!<br />
<a href="http://thenewbev.com/program/september-8-sheba-baby-jackie-brown/" target="_blank">NEW BEVERLY LINK</a> <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZWgPrMduD8Cvf4lsiFE5iETm1k7YrnvooNcgFORE3_xwoZN-XaOUovRyIlZEm1QuoiYK7IGnVSuu1mlvo_TfVllOjulG2nMZqWZryDgGT2VfJk4hTIQjP49Aj4GiGXLQLq8tqnQ/s1600/immagine_jackie-brown_4463.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZWgPrMduD8Cvf4lsiFE5iETm1k7YrnvooNcgFORE3_xwoZN-XaOUovRyIlZEm1QuoiYK7IGnVSuu1mlvo_TfVllOjulG2nMZqWZryDgGT2VfJk4hTIQjP49Aj4GiGXLQLq8tqnQ/s640/immagine_jackie-brown_4463.jpg" width="640" /></a></div>
<br />
<b>New Beverly</b><br />
<i><b>Coffy</b></i><b> (1973, Jack Hill)</b><i><b></b></i><br />
<b>and</b><br />
<b><i>Jackie Brown </i>(1997, Quentin Tarantino)</b><br />
<b>Sat Sept 9 6:30pm/8:30pm </b><br />
If you didn't like the awesome <i>Sheba, Baby</i> pairing, you can see just-as-awesome (maybe better) pairing of <i>Jackie Brown</i> with the stupendous <i>Coffy</i>. Again, getting to see Pam Grier back-to-back, what better tribute to her and her career. Plus Jack Hill always delivers, he's the king of B-movie grindhouse. Or see both! I guess see <i>Jackie Brown<b> </b></i>11 times to watch all the pairings.<b> </b>35mm both films.<br />
<a href="http://thenewbev.com/program/september-9-coffy-jackie-brown/" target="_blank">NEW BEVERLY LINK</a> <br />
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<br />
<b>New Beverly</b><br />
<b><i>Grindhouse </i>(2007, Tarantino/Robert Rodriguez)</b><br />
<b>Sun Sept 10 - Sat Sept 16 7:30pm (<u>except Sun Sept 10 6:30pm</u>)</b><br />
This is special! It's back! <i>Grindhouse</i> in all its grindhouse glory at a grindhouse theater showing grindhouse films all month long. It's grindhouse-a-palooza or something. Technically this is two films, a true double feature - <i><b>Planet Terror</b></i> by Robert Rodriguez and <i><b>Death Proof</b></i> by Quentin Tarantino. I love this mainstream love note to good ol' grindhouse double features. Rodriguez totally nails the mixture of the good and bad writing-directing of grindhouse films, with a dash of his modern filmmaking acumen to really make it cook. Tarantino gets all experimental with quite a long chat first, and it's equally awesome. The fact that they bring totally different things to the table makes this is a perfectly wonderful double feature. Plays all week in 35mm! And I'm <u>sure</u> there's going to be some awesome trailers beforehand. Not sure if they'll resurrect the original trailer program (which included <i>The Beyond</i> and <i>Massacre Mafia Style</i> trailers), or put new ones. I kind of vote for the old ones, except for variety's sake, I hope they add some extra special gifts!!<br />
<a href="http://thenewbev.com/schedule/" target="_blank">NEW BEVERLY LINK</a><br />
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<br />
<b>Egyptian Theatre</b><br />
<b><i>The Barefoot Contessa</i> (1954, Joseph L. Mankiewicz)</b><br />
<b>and</b><br />
<b><i>The Killers </i>(1946, Robert Siodmak)</b><br />
<b>Sun Sept 10 7:30pm</b><br />
This is kind of #FilmSchoolAlert territory right? Sweet double feature here with <i>The Barefoot Contessa </i>with Ava Gardner and Humphrey Bogart directed by the sometimes highly Cahiers du Cinéma-praised Joseph L. Mankiewicz, then Ava Gardner again with Burt Lancaster in a classic noir (based on the Hemingway short story) <i>The Killers</i>, directed by Robert Siodmak, who is no noir slouch, I assure you. (He's one of the main noir dudes.) <i>The Barefoot Contessa </i>rarely
gets enough love, so I think in 35mm (which both these are) on the big
screen will really bring its magic to light, you won't regret it. Plus
you get one nice Technicolor film and one black and white film noir. The Egyptian's big screen also can't be beat for presentation.<br />
<a href="http://www.americancinemathequecalendar.com/content/the-barefoot-contessa-the-killers" target="_blank">EGYPTIAN THEATRE LINK</a><br />
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<b><br />
</b><br />
<b>Aero Theatre</b><br />
<b><i>La Notte </i>(1961, Michelangelo Antonioni) </b><br />
<b>and <i> </i></b><br />
<b><i>Diary of a Chambermaid </i>(1964, Luis Buñuel) </b><br />
<b>Fri (<u>tonight</u>) 7:30pm</b><br />
The amazing Jeanne Moreau tribute continues at the Aero with this incredible double feature<b>. </b>#FilmSchoolAlert for <i>La Notte </i>by one of the towering masters Michelangelo Antonioni in one of his best works. Well, his are all so good, it's hard to choose. Plus see who this Jeanne Moreau dame who just died is..! Oh, and is that Monica Vitti and Marcello Mastroianni in it too? Are we wetting our pants? Can we make our film school projects be nearly as good? And is Luis Buñuel a master too? I totally forgot for a sec, yup. This is not one of his all-time best, but it's extremely good and worth seeing on the big-screen. (For all-time Buñuel classics go exactly one week later Sept 15 to the Egyptian for <i>The Discreet Charm of the Bourgeoisie</i>, paired with <i>That Obscure Object of Desire</i>). (This screening DCP)<br />
<a href="http://www.americancinemathequecalendar.com/content/la-notte-diary-of-a-chambermaid" target="_blank">AERO THEATRE LINK</a><br />
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<br />
<b>Aero Theatre</b><br />
<b><i><b>Jules et Jim </b></i>(1962, François Truffaut) </b><br />
<b>and </b><br />
<b><i><b>Bay of Angels </b></i>(1963, Jacques Demy) </b><br />
<b><b>Sat Sept 9 7:30pm</b></b><br />
What do you say about <i>Jules et Jim</i> by Truffaut? One of the towering (fun) works of the French New Wave? Starring recently deceased Jeanne Moreau and other awesome people? Yeah, go see it, pay your respects to Jeanne Moreau but also major #FilmSchoolAlert. I remember film students filming me (as an actor) trying to emulate the run across the bridge scene from this film. It is influential as heck. Plus <i>Bay of Angels </i>is also very French New Wave-y, and is one of my favorite Jacques Demy films (famous for the sung-throughout <i>Umbrellas of Cherbourg</i>). NOTE: Aero also has one more Jeanne Moreau double on Sunday (<i>The Bride Wore Black </i>by Chabrol and <i>Elevator to the Gallows </i>by Louis Malle, probably his best film and certainly his most "New Wavey".) (This screening DCP, but probably necessary to pull together a tribute this fast.)<br />
<a href="http://www.americancinemathequecalendar.com/content/jules-and-jim-bay-of-angels" target="_blank">AERO THEATRE LINK</a><br />
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<br />
<b>Aero Theatre</b><br />
<b><i>The Shining </i>(1980, Stanley Kubrick) </b><br />
<b>Thur Sept 14 7:30pm</b><br />
#FilmSchoolAlert Find out what's in Room 237..! (Hint: It's something about faking the moon landing?! jk) Take a break from film school because all work and no play right?<br />
(DCP screening)<br />
<a href="http://www.americancinemathequecalendar.com/content/the-shining-9" target="_blank">AERO THEATRE LINK</a><br />
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<br />
<b>Old Town Music Hall</b><br />
<b>
Laurel & Hardy Festival</b><br />
<b>Friday 8:15pm<br />Saturday 2:30pm and 8:15pm<br />Sunday 2:30pm</b><br />
The Old Town Music Hall is back on my radar here again with their super Laurel & Hardy Festival, a regular tradition there,
usually mixing their brilliant lesser-seen silent short films with
their equally brilliant sound short films. Rarely have I had as much fun as at
this Old Town Music Hall tradition. It's near the beach, so if you're out there or in El Segundo, you have no excuse! Every show begins with music played on the pipe organ and an audience sing along. This is seriously one of the most brilliant comic duos of all time, and I <u>know</u> not enough of you have seen their prime work, because it's not widely distributed, you have to hunt for it a bit. So let the Old Town Music Hall curate the duo's best stuff for you, you will not be disappointed.<i> </i><br />
<a href="http://www.oldtownmusichall.org/films.html" target="_blank">OLD TOWN MUSIC HALL LINK</a><i></i><br />
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<b><i><br /></i></b>
<b>NuArt Theatre<i> </i></b><br />
<b><i>Teenage Mutant Ninja Turtles </i>(1990, Steve Barron)</b><br />
<b>Fri (<u>tonight</u>) 12:15am</b><br />
I feel really embarrassed to include this, but it's in 35mm, so they cornered me. So, go... see... it? I guess... You know who you are, fans out there. I will admit I was excited as a comic book fan to see this when it came out, and I did see it back then. What was my reaction, and will I be there tonight though?!? haha Aw, look how disappointed they are at my indecision.<br />
<a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/teenage-mutant-ninja-turtles-1990" target="_blank">NUART THEATRE LINK</a><br />
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<br />
<u><b>Eye on the Future</b></u><br />
<a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank"><b>Egyptian</b></a> will have a classic #FilmSchoolAlert Buñuel double feature with his immortal <b><i>The Discreet Charm of the Bourgeoisie</i> </b>(1972) (don't let the pretentious title distract you, focus on the story and great acting) and his final film <b><i>That Obscure Object of Desire</i> </b>(1977), which is really incredible and a bit of a mind-blower as well, both in 35mm <b>Fri Sept 15</b>.<br />
<br />
<a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank"><b>Egyptian</b></a> will also have the original 133-minute 1923 <b><i>Hunchback of Notre Dame </i>Sat Sept 16</b> starring, yes, man of a thousand faces Lon Chaney, with live musical accompaniment in their intimate Spielberg Theatre. Really you haven't seen silent films properly if you don't go out and see them this way at least once. I can't remember my reaction to this film, but it's a big-budget spectacle at a high point of the silent studio era (Universal in this case). (Showing in 16mm, but for silent films shot in that aspect ratio this is still totally great.)<b> </b><br />
<br />
<a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank"><b>Egyptian</b></a> also will have a sweet double feature of <i><b>Repo Man</b> </i>(1984, Alex Cox) and <b><i>Death Watch</i></b> (1980, Bertrand Tavernier) on <b>Sat Sept 16</b>. <i>Repo Man </i>has a towering reputation as a cult classic, and <i>Death Watch </i>is a woefully overlooked gem starring Harvey Keitel and Romy Schneider in a futuristic mind-bender exposing all our present-day horrible tendencies. It touches on TV, media, and technology in a twisted way with a dark undertone. Beautiful little (almost) sci-fi art film. Both in 35mm!<br />
<br />
<i></i>
Well, I don't really like this, but <b>Fri Sept 15 </b>the <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank"><b>Aero </b></a>will have a 35mm Stephen King horror triple feature of <i><b>Sleepwalkers </b></i>(1992, Mick Garris), <i><b>Silver Bullet </b></i>(1985, Daniel Attias), and <i><b>Thinner </b></i>(1996, Tom Holland). That'd be pretty good if I didn't dislike all those films. But I know horror fans out there will be into it. Plus they're in 35mm loveliness on a huge screen.<br />
<br />
Then <b>Sat Sept 16</b> they have <i><b>Firestarter</b></i> (1984, Mark L. Lester)/<i><b>Carrie</b></i> (1976, Brian DePalma)/<i><b>The Dead Zone</b></i><b> </b>(1983, David Cronenberg) triple! 35mm except for Carrie. I would see that one, seriously.<br />
<br />
And <b>Sun Sept 17</b> they have <i><b>Stand By Me</b></i> (1986, Rob Reiner) in 35mm with the <b><i>Shawshank Redemption </i></b>(1994, Frank Darabont) in DCP for a dash of the Oscar-pedigree Stephen King films.<br />
<br />
<b><a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank">Aero</a></b> also has a cool double of Stephen Frears <b>Wed Sept 20</b>, with his brand-new film <i><b>Victoria & Abdul</b></i> starring Judi Dench and Ali Fazal, paired with <i><b>The Grifters</b></i><b> </b>in 35mm, with Stephen Frears in person. This might be a members-only screening.<br />
<br />
<i></i>
<a href="http://thenewbev.com/schedule/" target="_blank"><b>New Beverly</b></a> will have the double feature that apparently Tarantino showed the cast and crew of <b><i>Grindhouse</i></b> before filming, and it sounds awesome: <i><b>Torso </b></i>(1973, Sergio Martino) and <b><i>Zombie</i></b> (1979, Lucio Fulci) at midnight <b>Sat Sept 16. </b>Plus their<b> </b>Hitchcock Wednesdays continues with the masterfully enjoyable <b><i>The Man Who Knew Too Much</i></b> (1954) <b>Sept. 20</b> at 2:00pm. They'll also have what they're calling <b>Grindhouse 2 & 3,</b> which I may be squinting disapprovingly at that attempt, or it may be pretty awesome.<br />
<br />
<i></i>
<b><a href="http://www.oldtownmusichall.org/films.html" target="_blank">Old Town Music Hall</a></b> will have<b><i> San Francisco</i></b> (1936, W.S. Van Dyke) <b>Sept 15 and 16</b> with "an earthquake sequence you'll never forget". Yes, exactly what we want to see in LA with all the disasters happening lately. But hey go see this and be prepared for the worst?<br />
<br />
<i></i>
<b>Fri Sept 22</b> <b><a href="https://www.redcat.org/category/redcat-event-type/film-video" target="_blank">REDCAT</a></b> (near the Walt Disney Concert Hall) and <b><a href="http://www.lafilmforum.org/schedule/" target="_blank">Los Angeles Film Forum</a></b> will launch, oh, here I'll just let them tell you:<br />
<br />
<blockquote class="tr_bq">
"<span class="s1">REDCAT is pleased to launch Los Angeles Filmforum's <b><i>Ism Ism Ism: Experimental Cinema in Latin America</i>, an
ambitious, five-month film series </b>—the first in the U.S.—that surveys
Latin America’s vibrant experimental production from the 1930s to today."</span></blockquote>
And the first program on <b>Fri Sept 22</b> is entitled <b>Dreams of Suitcases and a Blue Lobster</b>, so I'm down based on that title alone! It actually features short films <i><b>The Blue Lobster </b></i>(1954, Álvaro Cepeda Zamudio and Gabriel García Márquez), Raul Ruiz’s previously lost <b><i>La Maleta (The Suitcase)</i> </b>(1963), and Argentinian photographer Horacio Coppola’s landmark <i><b>Traum (Sueño)</b></i> (1933), all influenced by surrealism. If you've never gone out to a theater to see an experimental film, you really haven't expanded your mind enough yet.<br />
<br />
<i></i>
And <b>Sat Sept 23 </b>that series at <b><a href="https://www.redcat.org/category/redcat-event-type/film-video" target="_blank">REDCAT</a></b> continues with, oh, here I'll let them tell you again:<br />
<br />
<blockquote class="tr_bq">
"Surveying an extraordinary body of works produced since the 1950s,
this program maps South American “Camera-Less” or “Direct” filmmaking.
In "Direct animation or 'camera-less' filmmaking, figures are painted,
scratched, or inked directly onto film leader.</blockquote>
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<blockquote>
22 short films, including <i>Abecedario / B</i> by Colectivo Los Ingrávidos (2013. México. 4’55”), <i>Prueba</i> by Rosario Sotelo (2014. México. 1’), <i>Breathe </i>by Leonardo Zito (2014. Argentina. 7’), <i>Begin</i> by Sameer Makarius (1953. Argentina. 1’), <i>O Átomo Brincalhão</i> by Roberto Miller (1981. Brasil. 4’), <i>Cocktail de Rayas</i> by Eduardo Darino (1964. Uruguay. 1’41”), <i>TM</i> by Pablo Marín (2008. Argentina. 2’10”),<i> Abismo</i> by Sebastian Wiedemann (2012. Argentina / Colombia. 3’35”), <i>Ideítas</i> by<i> </i>Víctor Iturralde Rúa (1952. Argentina. 1’05”), <i>Kimono</i> by José Castillo (1992. Venezuela. 3’56”), <i>Al trance</i> by Guillermo Zabaleta (2013. Uruguay. 1’30”), <i>Tourist Hitchcock</i> by Marco Pando (2003. Países Bajos / Perú. 4’39”), <i>On the Road by Jack Kerouac</i> by Jorge Lorenzo (2013. México / Colombia. 14’), and more.</blockquote>
And really so much more. Go to this <b><a href="https://www.redcat.org/category/redcat-event-type/film-video" target="_blank">REDCAT LINK</a></b> and just scroll down and click on them all to see the great stuff they're playing.<br />
<br />
One more screening of major note: <a href="http://www.lafilmforum.org/schedule/" target="_blank"><b>Los Angeles Film Forum</b></a> at its normal Spielberg Theatre at the Egyptian screening location and usual time will have a screening of an incredible treasure trove of short films that are a time capsule of political activism during key historical moments in the US on <b>Sun Sept. 17</b>, called "<b>Resistance Isn't Futile.</b>" Not to be missed! Including a short film by Straub-Huillet (very hard to see their stuff.) Just scroll through the descriptions here at this link: <a href="http://www.lafilmforum.org/schedule/fall-2017/resistance-isn-t-futile/" target="_blank"><b>Resistance Isn't Futile program</b></a>.<br />
<br />
<b>Discreet Charm of the Bourgeoisie</b><br />
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<b><b>That Obscure Object of Desire</b> </b><br />
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<b><br /></b>
<b><b>Hunchback of Notre Dame</b></b><br />
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<b><b><b>Repo Man</b> </b></b><br />
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<b><b><br /></b></b>
<b><b><b>Death Watch</b></b></b><br />
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<br />
<b><b><b><b>The Dead Zone</b> </b></b></b><br />
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<br />
<b><b><b><b>Torso </b> </b></b></b><br />
<br />
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<br />
<b><b><b><b>Zombie</b> </b></b></b><br />
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<br />
<b><b><b><b>The Man Who Knew Too Much</b> </b></b></b><br />
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<br />
<b><b><b><b>San Francisco</b> </b></b></b><br />
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<br />
<b><b><b><b>La Maleta (The Suitcase</b><b>)</b></b></b></b><br />
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<br />
<b><b><b><b>Pearl Pistols, by Kelly Gallagher </b></b></b></b><br />
<b><b><b><b>(from Resistance Isn't Futile) </b> </b></b></b><br />
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<b><b><b> </b></b><i><b><i> </i></b></i></b></div>
<i></i>The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-33903732284037810992017-09-01T03:07:00.001-07:002017-09-01T03:46:41.049-07:00LA's Ye Old 35mm Film Screenings o' the WeekHere's what's playing in LA theaters on sweet-ass 35mm... (mostly!)<br />
<br />
This is just what's on my personal radar. But, wait, you say, could there be even cooler stuff? <br />
Maybe. Just browse the LA Film Calendars links on my side bar for yourself. → → →<br />
<br />
As usual, a couple of these choices are <u>tonight</u>, FYI, and not necessarily listed first.<br />
<br />
<b><b>New Beverly</b></b><br />
<b><i>The War of the Gargantuans </i>(1966, Ishiro Honda) </b><br />
<b>and <i> </i></b><br />
<b><i>Frankenstein Conquers the World </i>(1965, Ishiro Honda)</b><br />
<b>Fri (<u>tonight</u>) and Sat. Sept 2 7:30pm/9:30pm</b> <br />
We're really in mega-fanboy territory here, but it's in 35mm (and
second film is in 16mm), a joy to behold with an appreciative crowd.
Russ Tamblyn's in the first one, so kind of fun. From the director of the original <b><i>Godzilla (Gojira</i></b>) (1954).<br />
<a href="http://thenewbev.com/program/september-1-2-the-war-of-the-gargantuas-frankenstein-conquers-the-world/" target="_blank">NEW BEVERLY LINK</a><br />
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<br />
<b>CINECON (held at Egyptian Theatre)</b><br />
<b>A Plethora of Ultra-rare Silent/Sound Screenings </b><br />
<b>Fri (<u>today</u>) - Mon Sept 4</b><br />
<b>9:00 am - Midnight </b><br />
<b>all day long each day</b> <b>(Except Monday ends early around 8pm)</b><br />
<b><a href="http://www.cinecon.org/cinecon_schedule.html" target="_blank">CINECON</a> </b>continues! The fanfare actually started Thursday, so you missed just a tad, but continues all this Labor Day weekend as it does every year. (This takes
place at the Egyptian
but is a separate entity).<br />
<br />
This is on my radar, but be warned, this
is strictly a power-nerd outing for people who like really old extremely rare
films that no one has shown on TCM or perhaps even anywhere since
they came out, including at least 40% to 50% super-rare silent films.<br />
<br />
Often the films suck. Sometimes there's gems. I mean, among many others, they're showing a
super-rare Lon Chaney film from 1914, a 1920 silent with Constance Talmadge
(She's great! A big silent film star no one knows), a 1926 silent western
starring "Hoot" Gibson, plus Josef von Sternberg's
rare (although very occasionally shown) <i>The Salvation Hunters</i>
from 1925.<br />
<br />
Plus if you like 35mm, have you heard of nitrate? The
far-higher-in-silver-content version of 35mm that existed in cinema's classic era (and is
extremely flammable so it's hard to preserve, and only very reputable
theaters can screen it due to FIRE risk!), which glistens on the screen because of the extra silver?
So, yeah, they have a special nitrate night as well. <br />
<br />
It's nothing short of amazing—well, for the truly nerdy.<br />
<br />
Are these films good? Not necessarily!<br />
Are they rare? Yes!<br />
Get
the picture?<br />
<br />
It's a treasure chest of humanity's industrial
entertainment of a bygone era.<br />
People even fly in from out of town to see
this.<br />
<br />
You'll
see individual silent feature films (some shorts) from these years:<br />
1914<br />
1917<br />
1918<br />
1920 (two films)<br />
1923 (two films)<br />
1924<br />
1925<br />
1926<br />
1927<br />
1928<br />
1929<br />
<br />
That's 13 silent
films, plus some additional shorts.<br />
<br />
There
are even excellent <a href="http://www.cinecon.org/cinecon_memorabilia.html" target="_blank">dealer rooms</a> over at the Loews Hollywood Hotel full of nerdy super-old film
memorabilia. I've been before, it's fun.<br />
<br />
If you don't go whole hog with
the full festival pass, the smallest thing you can buy is a day pass.<br />
<br />
Seriously,
this is well worth a dabble for at least one day to see where the darkest,
dustiest cabinets of cinephilia reach, and who lives there. This is where the bottom of the
cinephile well is, and where I used to live. So see what
my life was like. <br />
<a href="http://www.cinecon.org/cinecon_schedule.html" target="_blank">CINECON LINK TO SCHEDULE</a><br />
<a href="http://www.cinecon.org/cinecon_regform.html" target="_blank">CINECON LINK TO PASS INFO</a><br />
(Passes at door also very easily. Link has day pass info at bottom. Day pass is the least you can buy.)<br />
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<b>Constance Talmadge</b><br />
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<br />
<b>LACMA</b><br />
<b>The Red Shoes</b> <b>(1948, Powell & Pressburger)<i> </i></b><br />
<b>Sat. Sept 2 2:00pm</b><br />
Here's a special screening (special because they rarely show stuff ) of the great classic <b><i>The Red Shoes.</i></b><i> </i>In a theater on 35mm? Worth it.<i> </i>This
is the film that had basically the first musical sequence of a
backstage musical to "pretend" the dance sequences were no longer
stagebound, which Gene Kelly apparently saw and was inspired by for, you
know, <i>Singing in the Rain</i>. The mad quest for art in this one is truly inspiring.<br />
<a href="http://www.lacma.org/event/red-shoes" target="_blank">LACMA LINK</a><br />
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<b>New Beverly </b> <br />
<i><b>Alligator</b> </i><b>(1980, Lewis Teague) <u>Robert Forster in person</u></b><br />
<b>and</b><br />
<b><i>Jackie Brown</i> (1997, Quentin Tarantino)</b><br />
<b>Tues Sept. 5 7:30pm/9:30pm</b><br />
Grindhouse night? How about Grindhouse month? Everything is Grindouse with double features in honor of the 20th anniversary of <i><b>Jackie Brown </b></i>paired with choice Grindhouse-type selections. So here we have both starring Robert Forster (appearing <u>in person</u>!). There are a plethora of great pairings with <b><i>Jackie</i></b>, check them all out at the site. I mean, it's hard to pick the best one. Both these in 35mm, of course!<br />
<a href="http://thenewbev.com/program/september-5-alligator-jackie-brown/" target="_blank">NEW BEVERLY LINK</a><br />
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<b>New Beverly</b><br />
<b><i>Jackie Brown </i>(1997, Quentin Tarantino)</b><br />
<b>and</b><br />
<b><i>Junior Bonner </i>(1972, Sam Peckinpah)</b><br />
<b>Wed Sept 6 7:30pm/10:35pm</b><br />
Well, okay another one really grabs my attention because here you get to see a Sam Peckinpah film in 35mm along with <i><b>Jackie Brown</b></i>. I literally forgot this was a Sam Peckinpah film, and maybe it's because this is an off-the-beaten path film for Peckinpah? I can't recall actually, is it really bad, or did I not see it? Well, time to rectify that! Because the director of <b><i>The Wild Bunch</i></b> and <b><i>Bring Me the Head of Alfredo Garcia</i> </b>with yet another Steve McQueen vehicle shown properly in 35mm along with the Tarantino film is not to be trifled with!<br />
<a href="http://thenewbev.com/program/september-6-jackie-brown-junior-bonner/" target="_blank">NEW BEVERLY LINK</a><br />
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<b> </b><br />
<b>New Beverly</b><br />
<b><i>Strangers on a Train</i> (1951, Alfred Hitchcock)</b><br />
<b>Wed Sept 6 2:00pm</b><br />
This is intriguing: This week the New Beverly starts showing major Hitchcock
classics in 35mm at 2:00 PM on Wednesdays. Why? No idea. (Retiree
crowd?) So if you're a loser with no job (or a lovely nice retired
person), you'll feel happy. (In future weeks:<i> <b>Rear Window, The Man Who Knew Too Much </b></i>(1956), <i><b>Rebecca</b></i>.)<br />
<a href="http://thenewbev.com/program/september-6-strangers-on-a-train-afternoon-classic/" target="_blank">NEW BEVERLY LINK</a><br />
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<br />
<b>Aero Theatre</b><br />
<i><b>2001: A Space Odyssey </b></i><b>(that Kubrick guy)</b><i><b> </b></i><u><b>in 70mm </b></u><br />
<b>Sept. 1</b> <b>7:30pm</b><br />
This was actually shot in 70mm. They're showing it in 70mm. 'Nuff said. Kind of a weird movie though, right?!<br />
<a href="http://www.americancinemathequecalendar.com/content/2001-a-space-odyssey-25" target="_blank">AERO THEATRE LINK</a><br />
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<b> </b> <br />
<br />
<b>The Academy (AMPAS)</b><br />
<b><b><i>To Sleep with Anger </i></b>(1990, Charles Burnett) </b><br />
<b>Thur Sept 7 7:30pm </b><br />
The Academy (as
in the Oscars) has a stupendous theater on Wilshire Blvd (and very low
ticket prices) that I've been eager to highlight as soon as they show
something. Not quite yet, but they finally have something at their
equally extravagant theater, the Linwood Dunn Theater (inside the Mary
Pickford Center) on Vine just by the Arclight.<b> </b>So here they are showing Charles Burnett's <b><i>To Sleep with Anger </i></b>(1990)
starring Danny Glover, along with a lecture on Charles Burnett's
cinematic oeuvre from a film scholar. It's currently sold out, but there
will be a stand-by line with numbers given out starting at
approximately 5:30 pm, they say.<br />
<a href="http://www.oscars.org/events/film-scholars-lecture-charles-burnett-cinema-symbolic-knowledge" target="_blank">THE ACADEMY LINK</a> <br />
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<br />
<b>Aero Theatre</b><br />
<i><b>The Godfather </b></i><b>(1972, Francis Ford Coppola)</b><i><b></b></i><br />
<b>and </b><br />
<b><i>The Godfather Part II </i>(1974, Francis Ford Coppola)</b><br />
<b>Sat Sept 2 7:30pm</b><br />
Why? You've probably seen it on TV. That's not right! See it on the big screen. And both at once! This is a cinematic joy overload. This is going to be a far superior way to see this on Aero's nice big screen. (This screening DCP.)<br />
<a href="http://www.americancinemathequecalendar.com/content/the-godfather-the-godfather-part-ii-2" target="_blank">AERO THEATRE LINK</a><br />
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<br />
<b>Aero Theatre</b><br />
<b><i>Los Angeles Plays Itself </i>(2003, Thom Anderson) <u>Director in person</u></b><br />
<b>Sun Sept 3 7:30pm</b><br />
Well, this is on my radar because I still haven't seen it!<b> </b>Shame on me. He's actually re-edited this, it's even longer, so go see it! It's basically a film comprised of a pictorial history of Los Angeles told through so many of the movies shot here. Although I clearly can't state that accurately, since, again, I'm the idiot who hasn't seen it. <br />
<a href="http://www.americancinemathequecalendar.com/content/los-angeles-plays-itself-12" target="_blank">AERO THEATRE LINK</a><br />
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<br />
<b>New Beverly</b><br />
<b><i>Demons </i>(1985, Lamberto Bava)</b><br />
<b>and</b><br />
<b><i>Anguish </i>(1987, Bigas Luna)</b><br />
<b>Sat Sept 2 midnight (11:59pm)</b><br />
Bigas Luna has always made interesting films (like <i><b>Golden Balls </b></i>(1993) starring Javier Bardem), and I never saw a horror film by him yet. <b><i>Demons</i> </b>also sounds cool, even if not directed by Dario Argento (just presented by). Bit late-night, but for the adventurous, this should be a pretty damn cool screening, both in 35mm!<br />
<a href="http://thenewbev.com/program/september-2-demons-anguish-midnight-show/" target="_blank">NEW BEVERLY LINK</a><b><br /></b><br />
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<br />
<b>Aero Theatre</b><br />
<b><i>One Day You'll Understand </i>(2008, Amos Gitai)</b><br />
<b>Thur Sept. 7 7:30pm</b><br />
This film kicks off a week of Jeanne Moreau tribute screenings at the Aero. And it's in 35mm. Great start! Of this film, Aero says:<br />
<blockquote class="tr_bq">
<i>"In 1987, as the trial of Nazi war criminal Klaus Barbie unfolds on
television, French businessman Victor Bastien (Hippolyte Girardot) finds
a distressing 'Aryan declaration' authored by his late father among
family documents. His mother, Rivka (the legendary Jeanne Moreau), keeps
a stubborn silence."</i></blockquote>
<a href="http://www.americancinemathequecalendar.com/content/one-day-you%E2%80%99ll-understand-0" target="_blank">AERO THEATRE LINK</a><br />
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<br />
<br />
<u><b>Eye on the Future</b></u><br />
The <b><a href="http://thenewbev.com/schedule/" target="_blank">New Beverly</a></b> Hitchcock Wednesdays matinee series continues with <i><b>Rear Window </b></i>(1954)<i><b> </b></i><b>Sept. 13</b><i><b> </b></i>and one more <i><b>Jackie Brown</b></i><b> </b>pairing catches my eye, which is <b><i>Sheba, Baby </i></b><i>(</i>1975, William Girdler)<b> </b>with <b><i>Jackie Brown</i> </b>on<b> Fri Sept 8 (6:30pm/8:30pm)</b>. Oh, great, they also have <b><i>Coffy </i></b>(1973, Jack Hill) with<b> <i>Jackie Brown </i>Sept 9</b>, how are we to choose?!? I guess just see <b><i>Jackie Brown</i> </b>11 times.<b> </b>Lastly, they're bringing back the original <i><b>Grindhouse</b></i> (<b><i>Planet Terror</i> </b>and <b><i>Death Proof</i></b><i>) </i>starting<b> Sun Sept 10</b> and playing all that week.<br />
<b></b><br />
<br />
The <a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank"><b>Egyptian</b></a> has a sweet double feature of <i><b>The Barefoot Contessa</b></i> (1954, Joseph L. Mankiewicz) w/Ava Gardner and Humphrey Bogart with <i><b>The Killers </b></i>(1946, Robert Siodmak) w/Ava Gardner and Burt Lancaster <b>Sunday Sept 10</b>. <i><b>The Barefoot Contessa </b></i>rarely gets enough love, so I think in 35mm (which both these are) on the big screen will really bring its magic to light, you won't regret it. Plus you get one nice Technicolor film and one black and white film noir. Nice!<br />
<br />
The amazing Jeanne Moreau tribute continues at the <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank"><b>Aero Theatre</b></a> with an incredible double feature of <i><b>La Notte </b></i>(1961, Michelangelo Antonioni) and <i><b>Diary of a </b><b>Chambermaid </b></i>(1964, Luis Buñuel) on <b>Friday Sept 8</b> (this screening DCP), then it's <i><b>Jules et Jim </b></i>(1962, François Truffaut) and <i><b>Bay of Angels </b></i>(1963, Jacques Demy) on <b>Saturday Sept 9 </b>(DCP screening) and more.<br />
<br />
Plus <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank"><b>Aero</b></a> also has <i><b>The Shining </b></i>(1980, Stanley Kubrick) on <b>Thur Sept 14</b> (DCP screening).<br />
<br />
<a href="http://www.oldtownmusichall.org/films.html" target="_blank"><b>The Old Town Music Hall</b> </a>will be back on my radar yet again with their super <b>Laurel & Hardy </b>Festival, a regular tradition there <b>Sept 8-10</b>, usually mixing their brilliant lesser-seen silent short films with their brilliant sound short films. Rarely have I had as much fun as at this Old Town Music Hall tradition.<br />
<br />
<b>Rear Window</b><br />
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<br />
<b>Sheba, Baby</b><br />
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<br />
<b>Coffy</b><br />
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<br />
<b>Planet Terror</b><br />
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<br />
<b>Deathproof</b><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM_LWQFPFqzEd3LAr3q9gET8UjCy2Rx3JWu1ho2mpUS0HdYX9UpPzOPkKfn68r_yo725DelKoMInu22x7SkRSmlh9iIvHaJPqiH0pi2YMZrY4ZYkK6ZP-5SeKGiDjqqeVIoYcbNw/s1600/still-of-quentin-tarantino-and-kurt-russell-in-grindhouse-large-picture.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="478" data-original-width="680" height="448" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM_LWQFPFqzEd3LAr3q9gET8UjCy2Rx3JWu1ho2mpUS0HdYX9UpPzOPkKfn68r_yo725DelKoMInu22x7SkRSmlh9iIvHaJPqiH0pi2YMZrY4ZYkK6ZP-5SeKGiDjqqeVIoYcbNw/s640/still-of-quentin-tarantino-and-kurt-russell-in-grindhouse-large-picture.jpg" width="640" /></a></div>
<br />
<b>The Barefoot Contessa</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8Vh3CYLXtY1GFjIGz1U_BmtbqbB3Srm1mCGo3FeziQDqcG9ZXZ1xT7EK6QXVqRlGl3Qy9xiYRSNRdv1HIt5LieZvvQWgS5rIhp6YWf7QaNkslYGtGv6o1AgjXrqWOV1ozPQczZw/s1600/barefoot.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8Vh3CYLXtY1GFjIGz1U_BmtbqbB3Srm1mCGo3FeziQDqcG9ZXZ1xT7EK6QXVqRlGl3Qy9xiYRSNRdv1HIt5LieZvvQWgS5rIhp6YWf7QaNkslYGtGv6o1AgjXrqWOV1ozPQczZw/s640/barefoot.png" width="640" /></a></div>
<br />
<b>The Killers</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYzlVqIuTMbcXoje03WckjogaE_rrPuU6VCsr191A2_mICgx3qZHKyi_18QsuU3ej7MK95TCF_xjeYMdQo-uYdclimjvMI9FHd6jd2KjEn1czC6wqJFrbIqdMG5gwghpDehQQfNQ/s1600/killers-350.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="262" data-original-width="350" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYzlVqIuTMbcXoje03WckjogaE_rrPuU6VCsr191A2_mICgx3qZHKyi_18QsuU3ej7MK95TCF_xjeYMdQo-uYdclimjvMI9FHd6jd2KjEn1czC6wqJFrbIqdMG5gwghpDehQQfNQ/s640/killers-350.jpg" width="640" /></a></div>
<br />
<b>La Notte</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo6t3zmuO3ZHIycBK8AYHDt3ON2LvN2OPVEqd45zUZSKVfemOGhIxohX4XIKMtctQA2bnToaNwazoOl-pk5dplV3rzBazgNqtueuBZCf_DYZu3AWlSJJeK0te7zCxDMhAVsptAHw/s1600/lanotte.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="379" data-original-width="623" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo6t3zmuO3ZHIycBK8AYHDt3ON2LvN2OPVEqd45zUZSKVfemOGhIxohX4XIKMtctQA2bnToaNwazoOl-pk5dplV3rzBazgNqtueuBZCf_DYZu3AWlSJJeK0te7zCxDMhAVsptAHw/s640/lanotte.jpg" width="640" /></a></div>
<br />
<b>Diary of a Chambermaid </b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVqpsDJrR44MKywrdABl4BKijhbrJVK_lVn8S2oJheEG4Ixmq96pkkW7KH54ak81SWU-j0jfsNk-73W-50zgTNT2B-N0GngOBc-yLEFUMgh11Rj7MTaifXPLrxjouWEVHoAbTrnw/s1600/diarychambermaid.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="736" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVqpsDJrR44MKywrdABl4BKijhbrJVK_lVn8S2oJheEG4Ixmq96pkkW7KH54ak81SWU-j0jfsNk-73W-50zgTNT2B-N0GngOBc-yLEFUMgh11Rj7MTaifXPLrxjouWEVHoAbTrnw/s640/diarychambermaid.jpg" width="640" /></a></div>
<br />
<b>Jules et Jim</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMhFKk7mtc_Yf_RnCeAVC8VgUC8hdcKDPC_oa3xfwMmnadZZ2GyANYM7w-wf6s6MGnWWc9CK1zBhqG5Q5mVxJjOrSoi0-IBYv_asTPHPT_7yD6KU7UFitcjnnBPbGhrHvLw9XIwQ/s1600/013-jules-and-jim-theredlist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="370" data-original-width="666" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMhFKk7mtc_Yf_RnCeAVC8VgUC8hdcKDPC_oa3xfwMmnadZZ2GyANYM7w-wf6s6MGnWWc9CK1zBhqG5Q5mVxJjOrSoi0-IBYv_asTPHPT_7yD6KU7UFitcjnnBPbGhrHvLw9XIwQ/s640/013-jules-and-jim-theredlist.jpg" width="640" /></a></div>
<br />
<b>Bay of Angels </b><br />
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<br />
<b>The Shining</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAIdY8NfiDoR7VHnoiAcVWjXszX_8tR37dg3YaDMxmupm2NWAid-Oo-wfvz8DMVfngBvaBVQ3Wv6sAXPPF-Kk5_Eq5BcCLKyY2RApbU0EbmFUMyUZPgY12VaAUX6vSJOnK060DmA/s1600/shining.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="615" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAIdY8NfiDoR7VHnoiAcVWjXszX_8tR37dg3YaDMxmupm2NWAid-Oo-wfvz8DMVfngBvaBVQ3Wv6sAXPPF-Kk5_Eq5BcCLKyY2RApbU0EbmFUMyUZPgY12VaAUX6vSJOnK060DmA/s640/shining.jpg" width="520" /></a></div>
<br />
<b>Laurel & Hardy</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO-B122ShkJOUucyHWamn9ijbxYcvWY0cdiBGfQybr7Z70DKThEqDKdA5Gj3kFkuHZZoe3weVz_6j7ZdLY225gt-ruAIFltNh7OaXF6TOnt7UTZr87wJowp8_Fx5__VCP1-2qGCQ/s1600/laurelhardy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1241" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO-B122ShkJOUucyHWamn9ijbxYcvWY0cdiBGfQybr7Z70DKThEqDKdA5Gj3kFkuHZZoe3weVz_6j7ZdLY225gt-ruAIFltNh7OaXF6TOnt7UTZr87wJowp8_Fx5__VCP1-2qGCQ/s640/laurelhardy.jpg" width="528" /></a></div>
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-76045588008995540092017-08-25T01:52:00.001-07:002017-08-27T10:56:16.208-07:00LA Film Screenings GaloreHere's what's playing in LA theaters on (mostly) photo-chemical 35mm... (mmm, yummy)<br />
<br />
This is just what's on my personal radar. But, wait, you say, what if I'm a stupid guy with the worst taste? Isn't there much cooler stuff? <br />
Just browse the LA Film Calendars links on my side bar yerself. → → →<br />
<br />
As usual, a couple of these choices are <u>tonight</u>, FYI, and not necessarily listed first.<br />
<br />
Note that I will leave Cinefamily off my selections until we find out more (See LA Times story, Jezebel, and related links from there), will resume if enough is done to positively resolve the situation.<br />
<br />
<b>Aero Theatre</b><br />
<i><b>Woman of the Dunes</b></i><b><i> </i>(1964, Hiroshi Teshigahara)<i> </i></b><br />
<b>and<i> </i></b><br />
<b><i>The Face of Another</i> (1966, </b><b><b>Hiroshi Teshigahara</b>)</b><br />
<b>Friday (<u>tonight</u>) 7:30pm</b><br />
This great mini-fest of Japanese classics continues at the Aero Theatre with these two AMAZING films by the mind-bending Hiroshi Teshigahara. These two are the most modernist of the Japanese Arthouse Classics mini-festival, so if you lean towards the French New Wave and a '60s style of more open experimentation in film, these two are definitely the ones to see at this event. This is basically the screening of the week for me. Especially if you live near the West side, take note of this one. Of <i>Woman of the Dunes, </i>a true arthouse classic, Aero says:<br />
<blockquote class="tr_bq">
<i>"Eiji Okada, an entomologist searching for rare insects in remote sand
dunes, asks villagers for shelter. They bring him to a house at the
bottom of a large pit, inhabited by a lonely woman (Kyoko Kishida). When
he awakens the next day, he finds the ladder out of the hole has been
removed..." </i></blockquote>
I cut that off there, because the blurb reveals too much fun stuff. That's enough goodness!<br />
<br />
Of <i>The Face of Another </i>the Aero says:<br />
<blockquote class="tr_bq">
"<i>Teshigahara imbues this film with striking imagery and an unsettling
atmosphere that recalls the creepiest corners of 'The Twilight Zone.'"</i></blockquote>
<i>Twilight Zone </i>is almost too tame of a reference, as this is weightier stuff.<br />
<a href="http://www.americancinemathequecalendar.com/content/woman-in-the-dunes-the-face-of-another" target="_blank">AERO THEATRE LINK</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTiioNpguTMjhNpw1Jn8GWAnjyedbQcwKzkVXZJIc6AAQeEAWCBejzNTkSzIV6-WopsGmqt2XHTsVpn0kBTnBP0Wd7uqA3N8Bk60qmyWULf8Bd-_wpuChBcewrfS7F079OJaK_Zg/s1600/FaceOfAnother.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTiioNpguTMjhNpw1Jn8GWAnjyedbQcwKzkVXZJIc6AAQeEAWCBejzNTkSzIV6-WopsGmqt2XHTsVpn0kBTnBP0Wd7uqA3N8Bk60qmyWULf8Bd-_wpuChBcewrfS7F079OJaK_Zg/s640/FaceOfAnother.jpg" width="640" /></a></div>
<br />
<b>New Beverly Cinema</b><br />
<b><i>Dark Star </i>(1974, John Carpenter)</b><br />
<b>and<i> </i></b><br />
<b><i>The Thing </i>(1982, John Carpenter)</b><b> </b><br />
<b>Friday (<u>tonight</u>) </b><b><b>Aug 25 </b>and Saturday Aug 26 </b><br />
<b>7:00pm/8:55pm</b><br />
They showed the <i>Dark Star </i>trailer recently and it seems crazy bad in a good way (old-looking, clunky effects, half-assed, on purpose, and weird), and you know <i>The Thing </i>is not bad. Side question, how many chances in LA do you get to see <i>The Thing</i>? Answer: A lot! apparently. But not along with <i>Dark Star</i>.<br />
<a href="http://thenewbev.com/program/august-25-26-dark-star-the-thing/" target="_blank">NEW BEVERLY LINK </a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxh5xkIWcXs6TRY-RHUyezUnNkR1rZxuTc96EX3i3o6WK-CAM7rMdVC6lOAs_pKeSESJqSroDCbHsO4ZkqUnIonMge0uLKjUaxU6GcVNP_gS_dYqTYS10OGSDKcj9SrST_L8NubA/s1600/the_thing_2_390_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxh5xkIWcXs6TRY-RHUyezUnNkR1rZxuTc96EX3i3o6WK-CAM7rMdVC6lOAs_pKeSESJqSroDCbHsO4ZkqUnIonMge0uLKjUaxU6GcVNP_gS_dYqTYS10OGSDKcj9SrST_L8NubA/s640/the_thing_2_390_1.jpg" width="640" /></a></div>
<br />
<b>Aero Theatre</b><br />
<b><i>Tokyo Story </i>(1953, Yasujiro Ozu)<i> </i></b><br />
<b>and<i> </i></b><br />
<b><i>An Autumn Afternoon </i>(1962, </b><b><b>Yasujiro Ozu</b>)</b><br />
<b>Saturday Aug 26 7:30pm</b> <br />
Here we have the classiest of classy art film directing greats, Yasujiro
Ozu, with his immortal <i>Tokyo Story </i>and the absolute last film he ever made <i>An Autumn Afternoon</i>.
<i> Tokyo Story </i>is often among the #1 or top five films of all time in the
snootiest of film critic polls. Aero says:<br />
<br />
<blockquote class="tr_bq">
<i>"Revered master director Yasujirô Ozu dealt with the pathos, poetry and
humor of everyday family life in Japan, and his most highly regarded
masterwork is, without question, this heart-rending drama of elderly
parents (Chishu Ryu, Chieko Higashiyama) leaving their provincial home
village to visit their indifferent grown-up children in the city</i>. <i>As in all of Ozu’s pictures, there is a deceptively simple
presentation of commonplace events that nevertheless, by the end, have
drawn on deep wellsprings of emotion. One of Ozu’s greatest talents was
in showing these feelings as universal, as part of the human condition
and not specific to Japan; and it is well nigh impossible not to be
moved by his films. Named the greatest film of all time by directors in
the 2012 Sight & Sound poll."</i></blockquote>
<br />
Of <i>An Autumn Afternoon, </i>Aero says:<br />
<br />
<blockquote class="tr_bq">
<i>"...a widower who lives contentedly with his daughter and youngest son. But a
night out drinking with a former teacher prompts Hirayama
to wonder if he has consigned his daughter to a life of spinsterhood. One of Ozu’s few color films, this understated drama puts his famously meticulous shot compositions to excellent use."</i></blockquote>
<br />
Guys, what I'm saying is Ozu is good. See below images of the classic super-frontal and totally unique style he uses. (It's different than when Wes Anderson does it.)<br />
<a href="http://www.americancinemathequecalendar.com/content/tokyo-story-an-autumn-afternoon" target="_blank">AERO THEATRE LINK</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzEjTsbEoPRBZttZ8EFBBM7Ug7Eh6plEN35ypgMs8SYL5s5EHtJwFcw9YyN-fJyLNMwSI-6BRQ7YlDktR99-23BEdHRuSdTjK2ZHKl4TpQGcuEIlAd4xnu6vy22nSX6l3FE9nQlA/s1600/AutumnAfternoon.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzEjTsbEoPRBZttZ8EFBBM7Ug7Eh6plEN35ypgMs8SYL5s5EHtJwFcw9YyN-fJyLNMwSI-6BRQ7YlDktR99-23BEdHRuSdTjK2ZHKl4TpQGcuEIlAd4xnu6vy22nSX6l3FE9nQlA/s640/AutumnAfternoon.png" width="640" /></a></div>
<br />
<b>Aero Theatre</b><br />
<b><i>The Queen of Spain </i>(2017, Fernando Trueba) </b><br />
<b>and </b><br />
<b><i>The Princess Bride </i>(1987, Rob Reiner) <u>Cary Elwes in person</u></b><br />
<b>Sun Aug 27 7:30pm</b> <br />
The connection here is that Cary Elwes is in both of these (and, whoa, appearing in person!). I'm posting this mainly for a heads-up about <i>The Princess Bride</i>, which would be pure fun to see in a theater. Regarding the first film, I haven't been huge on Fernando Trueba personally, but it's always a cultural delight to see a modern major-release film from another country by a prominent director (this is an advance screening no less). I've seen so many valuable and interesting Spanish films at the Spanish series at the Egyptian that at least I can promise this will be interesting, plus it stars Penelope Cruz, along with Cary Elwes and Mandy Patinkin. And then you get to see <i>The Princess Bride</i> after. Win-win <br />
(This screening DCP) <br />
<a href="http://www.americancinemathequecalendar.com/content/the-queen-of-spain-the-princess-bride" target="_blank">AERO THEATRE LINK</a> <br />
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<br />
<b>Aero Theatre</b><br />
<b><i>Wonder Woman </i>(2017, Patty Jenkins) <u>in 70mm</u></b><br />
<b>Thursday Aug 31 7:30pm</b><br />
Very cool, here is a 70mm screening of the new <i>Wonder Woman</i>, which unlike many movies today, is that rare breed that was actually shot on film. Albeit 35mm, but the blow-up to 70mm in this modern era should be quite nice.<br />
<a href="http://www.americancinemathequecalendar.com/content/wonder-woman-0" target="_blank">AERO THEATRE LINK</a><br />
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<br />
<br />
<b>New Beverly Cinema</b><br />
<b><i>They Live </i>(1988, John Carpenter)</b><br />
<b>Saturday Aug 26 11:59 pm</b><br />
Definitely
a midnight type of movie. When a film's not necessarily a great cinematic treasure, and has a lot of
crazy-ass shit and cool sci-fi/horror stuff in it, it goes down
even better at midnight. This currently says it is sold
out, but they allow a standby line the night of the show for any seats
that become available.<br />
<a href="http://thenewbev.com/program/august-26-they-live-midnight-show/" target="_blank">NEW BEVERLY LINK</a><br />
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<br />
<b>CINECON (held at Egyptian Theatre)</b><br />
<b>A Plethora of Ultra-rare Silent/Sound Screenings </b><br />
<b>Thur Aug 31 - Sept 4</b><br />
<b>9:00 am - Midnight </b><br />
<b>all day long each day</b> <b>(Except Thursday 5pm-midnight, and Monday ends early around 8pm)</b><br />
Okay, <b><a href="http://www.cinecon.org/cinecon_schedule.html" target="_blank">CINECON</a> </b>is
coming up Labor Day weekend as always, and since this technically starts on Thursday, I'm including it in this week's list. (This takes place at the Egyptian
but is a separate entity).<br />
<br />
This is on my radar, but be warned, this
is strictly a power-nerd outing for people who like really old extremely rare
films that no one has shown on TCM or perhaps even anywhere since
they came out, including at least 40% to 50% super-rare silent films.
Often the films suck. Sometimes there's gems. I mean, among many others, they're showing a
super-rare Lon Chaney film from 1914, a 1920 silent with Constance Talmadge
(She's great! A big silent film star no one knows), a 1926 silent western
starring "Hoot" Gibson, plus Josef von Sternberg's
rare (although very occasionally shown) <i>The Salvation Hunters</i>
from 1925.<br />
<br />
Plus if you like 35mm, have you heard of nitrate? The
far-higher-in-silver-content version of 35mm that existed in cinema's classic era (and is
extremely flammable so it's hard to preserve, and only very reputable
theaters can screen it due to FIRE risk!), which glistens on the screen because of the extra silver?
So, yeah, they have a special nitrate night as well. <br />
<br />
It's nothing short of amazing—well, for the truly, truly nerdy.<br />
<br />
Are these films good? Not necessarily!<br />
Are they rare? Yes!<br />
<br />
Get
the picture?<br />
<br />
It's a treasure chest of humanity's industrial
entertainment of a bygone era.<br />
<br />
People fly in from out of town to see
this.<br />
<br />
You'll
see individual silent feature films (some shorts) from these years:<br />
1914<br />
1917<br />
1918<br />
1920 (two films)<br />
1923 (two films)<br />
1924<br />
1925<br />
1926<br />
1927<br />
1928<br />
1929<br />
<br />
That's 13 silent
films, plus some additional shorts.<br />
<br />
There
are even excellent <a href="http://www.cinecon.org/cinecon_memorabilia.html" target="_blank">dealer rooms</a> over at the Loews Hollywood Hotel full of nerdy super-old film
memorabilia. I've been before, it's fun.<br />
<br />
If you don't go whole hog with
the full festival pass, the smallest thing you can buy is a day pass.<br />
<br />
Seriously,
this is well worth a dabble for at least one day to see where the darkest,
dustiest cabinets of cinephilia reach, and who lives there. This is where the bottom of the
cinephile well is, and where I used to live. So see what
my life was like. <br />
<a href="http://www.cinecon.org/cinecon_schedule.html" target="_blank">CINECON LINK TO SCHEDULE</a><br />
<a href="http://www.cinecon.org/cinecon_regform.html" target="_blank">CINECON LINK TO PASS INFO</a><br />
(Passes at door also very easily. Link has day pass info at bottom. Day pass is the least you can buy.)<br />
<br />
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<b>Constance Talmadge </b></div>
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<b> </b><br />
<b>Egyptian Theatre</b> <br />
Quick note that I'm neglecting the Egyptian because there's a lot of horror coming up at the Egyptian that I don't care about, but for your info:<br />
<br />
Friday (<u>tonight</u>) <b>Creepshow/Cat's Eye/Creepshow 2</b><br />
Saturday<b> Cujo/Pet Sematary/Graveyard Shift</b><br />
Sunday <b>Misery/The Dark Half</b><br />
<br />
Ughhh. Sorry I don't like that stuff.<br />
Info at their site:<br />
<a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank">EGYPTIAN THEATRE LINK</a><br />
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<br />
<b>Billy Wilder Theatre (UCLA Film & TV Archive)</b><br />
<b><i>Prizzi's Honor </i>(1985, John Huston)</b><br />
<b>and </b><br />
<b><i>The Dead</i> (1987, John Huston) </b><br />
<b>Sun Aug 27 <u>7:00</u> pm</b><br />
I just really put this here for me because I want to see <i>Prizzi's Honor </i>since I've never seen it, and on the big screen in 35mm sounds good. I don't really like what little bits I've seen of <i>The Dead</i>, but maybe I'll give it a chance. Both in glorious 35mm.<br />
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<a href="https://www.cinema.ucla.edu/events/2017/08/27/prizzis-honor-the-dead" target="_blank">BILLY WILDER THEATRE LINK</a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY4iCG_bCK7m809rufgpNLuQCQfX3-xqEwMp2erB1XgWveBCaaQBUsjXsVpAYEAnUDI2R6vO7YV0RPd-yTpXYZzrtNWZNF53EsgJLgm3EWbruaUJVl6rWLLUdZzNXVbR2kQ-J8Xg/s1600/PrizzisHonor-small.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY4iCG_bCK7m809rufgpNLuQCQfX3-xqEwMp2erB1XgWveBCaaQBUsjXsVpAYEAnUDI2R6vO7YV0RPd-yTpXYZzrtNWZNF53EsgJLgm3EWbruaUJVl6rWLLUdZzNXVbR2kQ-J8Xg/s640/PrizzisHonor-small.jpeg" width="640" /></a><br />
<br />
<b>LACMA</b><br />
<b><i>A Star is Born </i>(1954, George Cukor) </b><b> </b><br />
<b>Tuesday Aug 29 2:00pm</b><br />
At this mostly blue-hair 2:00 pm Tuesday matinee you can see <i>A Star is Born </i>in extravagant CinemaScope on the big screen, especially (and I can't confirm this) if they show it in the lovely wider 2.55:1 aspect ratio that the film originated in. (They are definitely showing it in 35mm.) This film is bigger than big-screen, and it's worth going to an odd screening time (for very cheap) to catch it. Packed with emotion and wonderful songs, one of the great Hollywood tales.<br />
<a href="http://www.lacma.org/event/star-born-0" target="_blank">LACMA LINK</a> <br />
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<br />
<b>Old Town Music Hall</b><br />
<b><i>Tarantula </i>(1955, Jack Arnold) — Friday 8:15 pm</b><br />
<b><i>It Came from Outer Space </i>(1953, Jack Arnold) — Saturday 2:30 pm</b><br />
<b><i>Plan 9 from Outer Space </i>(1959, Ed Wood) — Saturday 8:15 pm</b><br />
<b><i>The Incredible Shrinking Man</i> (1957, Jack Arnold) — Sunday 2:30 pm</b><br />
Man, if you live by the beach, this is a great little festival featuring four sci-fi flicks of the 1950s.<b> </b>Also, who's director Jack Arnold? Well, guess you'll know after seeing three of his films. At this quaint little theater, every show begins with music played on the pipe organ, an audience sing-along, and a comedy short.<br />
<a href="http://www.oldtownmusichall.org/films.html" target="_blank">OLD TOWN MUSIC HALL LINK</a> <br />
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<br />
<b><u>Eye on the Future</u></b><br />
<a href="http://www.lacma.org/events-calendar?tid=68" target="_blank"><b>LACMA</b></a> will have a special screening (special because they rarely show stuff ) of the great classic <b><i>The Red Shoes</i></b><i> </i>(1948, Powell & Pressburger)<i> </i><b>Sept. 2</b>. In a theater on 35mm? Worth it.<i> </i>This is the film that had basically the first musical sequence of a backstage musical to "pretend" the dance sequences were no longer stagebound, which Gene Kelly apparently saw and was inspired by for, you know, <i>Singing in the Rain</i>. The mad quest for art in this one is truly inspiring.<br />
<br />
<a href="http://thenewbev.com/schedule/" target="_blank"><b>New Beverly</b></a> has <b><i>The War of the Gargantuans </i></b>(1966, Ishiro Honda) and <b><i>Frankenstein Conquers the World </i></b>(1965, Ishiro Honda) <b>Sept 1</b> and <b>2</b>. We're really in mega-fanboy territory here, but it's in 35mm (and second film is in 16mm), a joy to behold with an appreciative crowd. Russ Tamblyn's in the first one, so kind of fun.<br />
<br />
Also they have <i><b>Alligator</b> </i>(1980, Lewis Teague) with Tarantino's <b><i>Jackie Brown</i> </b>at their <b>Tuesday Sept. 5 </b>Grindhouse night, both starring Robert Forster. It's part of a 20th anniversary celebration of <b><i>Jackie Brown</i></b>, paired with different goodies throughout the week. There are a plethora of great pairings with <b><i>Jackie</i></b>, check them out at the site.<br />
<br />
This is intriguing: Next week they'll start showing major Hitchcock classics in 35mm at 2:00 PM on Wednesdays. Why? No idea. (Retiree crowd?) So if you're a loser with no job (or a lovely nice retired person), you'll feel happy. (<i><b>Strangers on a Train </b></i><b>Sept. 6</b><i><b>, </b></i>then in future weeks:<i> <b>Rear Window, The Man Who Knew Too Much </b></i>(1956), <i><b>Rebecca</b></i>.)<br />
<br />
<b><a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank">Aero Theatre</a></b> will have <i><b>2001: A Space Odyssey </b></i>in 70mm <b>Sept. 1</b>. (Shot in 70mm.) 'Nuff said. Kind of a weird movie though, right?!<br />
<br />
<b><a href="http://www.oscars.org/events/film-scholars-lecture-charles-burnett-cinema-symbolic-knowledge" target="_blank">The Academy</a> </b>(as in the Oscars) has a stupendous theater on Wilshire Blvd (and very low ticket prices) that I've been eager to highlight as soon as they show something. Not quite yet, but they finally have something at their equally extravagant theater, the Linwood Dunn Theater (inside the Mary Pickford Center) on Vine just by the Arclight.<b> Sept. 7 </b>they are showing Charles Burnett's <b><i>To Sleep with Anger </i></b>(1990) starring Danny Glover, along with a lecture on Charles Burnett's cinematic oeuvre from a film scholar. It's currently sold out, but there will be a stand-by line with numbers given out starting at approximately 5:30 pm, they say.<br />
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<b>The Red Shoes</b><br />
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<b>The War of the Gargantuans</b><br />
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<b><br /></b>
<b>Frankenstein Conquers the World</b><br />
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<b><br /></b>
<b>Alligator</b><br />
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<b><br /></b>
<b>Jackie Brown</b><br />
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<b><br /></b>
<b>Strangers on a Train</b><br />
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<b><br /></b>
<b>2001: A Space Odyssey</b><br />
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<br />
<b>To Sleep with Anger </b><br />
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-15466476876973102992017-08-18T00:28:00.002-07:002017-08-18T01:36:53.354-07:00Cool LA Film Screenings in Super-cool ACHere's what's playing in LA theaters on (mostly) 35mm, which is basically organic, right? At least compared to digital, although it's technically a bunch of layers of photo-reactive chemicals.<br />
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Here's what's on my radar. There's other stuff too.<br />
Curious? Browse the LA Film Calendars links on my side bar → → →<br />
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As usual, a couple of these choices are <u>tonight</u>, FYI, and not necessarily listed first.<br />
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<b>Aero Theatre</b><br />
<b><i>Ugetsu </i>(1953, Kenji Mizoguchi)<i> </i></b><br />
<b>and<i> </i></b><br />
<b><i>The Life of Oharu </i>(1952, Kenji Mizoguchi)</b><br />
<b>Thursday<i> </i>Aug 24 7:30pm</b><br />
Late in the week might be the best thing, when the classic Japanese festival kicks off Thursday Aug 24 at the Aero Theatre with this pair of films by the great Kenji Mizoguchi. I say "festival" but it seems to be just three double features over three days, but, hey, that's 6 movies. It continues with more
Japanese classics into the following week. These two here to kick it off are classically
cited as among the greatest films of all time. I've been watching lesser-known Mizoguchi films for the past month ("Masters of Cinema" British DVD releases), and even those let's say "secondary" films of his have been an utter joy, so imagine how good going to see two of his most famous films is. <i><b>Ugetsu</b></i> is a ghost story of a whimsical contemplative type (my description is <u>not</u> doing it justice, I should be fired), and <i><b>Life of Oharu </b></i>is a harrowing tale of a woman's struggles in a horrible male-dominated society, on Mizoguchi's favorite subject of prostitution (or often geishas). His sister in real life, whom he was very close to, was sold into "geishadom" and supported the family. The aching quality of that loss suffuses all his films on this subject. Plus you can think about how these are only 7 and 8 years after losing World War II and Hiroshima/Nagasaki, plus American occupation, so there's a lot that may be going on here when viewing a Japanese film from this period. <br />
(<i><b>Ugetsu </b></i>is DCP, <i><b>Life of Oharu </b></i>is 35mm)<br />
<a href="http://www.americancinemathequecalendar.com/content/ugetsu-the-life-of-oharu" target="_blank">AERO THEATRE LINK</a><br />
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<b>Cinefamily</b><br />
<b><i>Tokyo Drifter </i>(1966, Seijun Suzuki)</b><br />
<b>Sun Aug 20 10:00 pm</b><br />
<b>Mon Aug 21 7:30 pm</b><br />
This is a great Seijun Suzuki movie <i><b>Tokyo Drifter</b></i>
(1966) in beautiful 35mm, a stunning, transgressive classic of
the gangster genre. Seijun Suzuki was the master of bending the rules
of the basic genres to inject his own compelling artistic elements into
them. I first was introduced to Suzuki at a major festival that toured the country (saw in Boston), and each of his films has unbridled artistry, energy and sometimes machismo of certain characters bursting off the screen. If you've never seen a Seijun Suzuki movie, this is really something to go see in 35mm. His use of color and extravagant set designs for a gangster film in particular are of note to watch.<br />
<b>Side Note</b>: Cinefamily also has a lot more of their "Zanzibar" films series that earlier I recommended <b><i>The Inner Scar</i> </b>(1972, Philippe Garel) from, but I don't know much else about what "Zanzibar films" are, so check the <a href="http://www.cinefamily.org/#calendar" target="_blank">Cinefamily site</a> out for more info.<br />
<a href="http://www.cinefamily.org/films/special-events-august-2017/#tokyo-drifter" target="_blank">CINEFAMILY LINK</a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMnJTpvEBr5QRp2mFGxBPe9pnkJlsMc1EgZgocA7fbtzVSo8eNbkZixXIA2oijMr6hZDrYmaeCKmCFQRM-aHz2MQaFHDz50E0klH8rLWdvrDvT03KiFQTOuJiJD8r43z7Ps0GWbQ/s1600/tokyodrifter.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="538" data-original-width="930" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMnJTpvEBr5QRp2mFGxBPe9pnkJlsMc1EgZgocA7fbtzVSo8eNbkZixXIA2oijMr6hZDrYmaeCKmCFQRM-aHz2MQaFHDz50E0klH8rLWdvrDvT03KiFQTOuJiJD8r43z7Ps0GWbQ/s640/tokyodrifter.png" width="640" /></a><br />
<br />
<b>New Beverly Cinema</b><br />
<i><b>The Spy Who Loved Me</b></i><b> (1977, Lewis Gilbert)</b><br />
<b>and </b><br />
<i><b>Moonraker </b></i><b>(1979, Lewis Gilbert)</b><br />
<b>Fri Aug 18</b><br />
<b>Sat Aug 19</b><br />
<b>6:30pm/9:05pm </b><br />
Some "classic" Roger Moore Bond in 35mm: <i><b>The Spy Who Loved Me </b></i>and <i><b>Moonraker,</b></i>
in a double feature on 35mm. I had the pleasure of seeing the <b><i>Moonraker
</i></b>trailer there this week, and feel like this is a suuuuper fun outing. Can you really still see films where a
car is realistically a submarine? Have you really seen anything this campy in a while? The Bond theme song lifts even the worst Bond movie to another level and they used the theme more liberally back in this era.<br />
<a href="http://thenewbev.com/program/august-18-19-the-spy-who-loved-me-moonraker/" target="_blank">NEW BEVERLY LINK</a> <br />
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<br />
<b>Aero Theatre</b><br />
<b>70mm Festival</b><br />
<b>Various Films (see below)</b><br />
More 70mm film goodness<b> </b>at the Aero. These films themselves aren't up my alley, so the below list is just a public service. None of these were shot on 70mm, but blow-ups to 70mm I guess can still be extremely nice, <u>and</u> they're rarely shown on film anyway, so it is a treat regardless. Actually, <i><b>Tron</b></i> shot a lot in 70mm. I'm not sure how much, maybe all live-action scenes. So that one kind of upgrades to more of a must-see. (Or maybe-see, depending how much you like boring movies!)<br />
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<b>Fri (<u>tonight</u>) 7:30pm</b> <i><b>Hook </b></i>(1991, Spielberg) and <i><b>Back to the Future II </b></i>(1989, Robert Zemeckis) <a href="http://www.americancinemathequecalendar.com/content/hook-back-to-the-future-part-ii" target="_blank">LINK</a><br />
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<b>Sat Aug 19 7:30pm <i>Tron </i></b>(1982, Steven Lisberger [or maybe a computer]) <a href="http://www.americancinemathequecalendar.com/content/tron-4" target="_blank">LINK</a> Actually Lisberger appears in person!<br />
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<b>Sun Aug 20 2:00 pm <i>E.T. The Extra-Terrestrial </i></b>(1982, Spielberg) <a href="http://www.americancinemathequecalendar.com/content/et-the-extra-terrestrial-4" target="_blank">LINK</a><br />
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<b>Sun Aug 20 7:30 pm <i>Always </i></b>(1989, Spielberg) <a href="http://www.americancinemathequecalendar.com/content/always-0" target="_blank">LINK</a><br />
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But, none of those are "good" movies (like high art, as opposed to pop culture icons), so really you should be ashamed! (But go anyway! But not to <b><i>Always</i></b>, I mean, come on.))<br />
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Photo Caption: "Shall we go see movies in 70mm together?" <br />
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<b>Egyptian Theatre</b><br />
<i><b>Black Sunday </b></i><b>(1960, Mario Bava)</b><i><b> </b></i><br />
<b>and</b><i><b> </b></i><br />
<i><b>Lisa and the Devil</b></i><b> (1972, Mario Bava)</b><b> </b><br />
<b>Fri (<u>tonight</u>) 7:30pm</b><br />
I say see <i><b>Black Sunday </b></i>and skip dreary <i><b>Lisa and the Devil.</b></i> (Both in 35mm though!) This Mario Bava festival continues at the Egyptian Theatre, with basically only <i><b>Black Sunday</b></i>
(1960) on my radar, since, I'm sorry, I don't really like his except
for this one film, starring Barbara Steele. Fine, I'm a curmudgeon. <i><b>Planet of the Vampires</b></i> was mildly interesting, at best. He barely has a style, it's a real light touch. However, if you are interested, check out the many other films playing here, such as Saturday's <i><b>Blood and Black Lace/A Bay of Blood/Evil Eye</b></i> triple feature, and Sunday's <i><b>Black Sabbath/Kill, Baby...Kill!</b></i> double.<br />
(Note: <i><b>Black Sunday</b></i> is an English dubbed print, which if I recall is not a negative aspect for this film.)<br />
<a href="http://www.americancinemathequecalendar.com/content/black-sunday-lisa-and-the-devil" target="_blank">EGYPTIAN THEATRE LINK </a><br />
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<br />
<b>Billy Wilder Theatre (UCLA Film & TV Archive)</b><br />
<b><i>Eyes of Laura Mars </i>(1978, Irvin Kershner) </b><br />
<b>and </b><br />
<i><b>Hickey & Boggs </b></i><b>(1972, Robert Culp)</b><br />
<b>Friday (<u>tonight</u>) 7:30 pm</b><br />
Both in lovely 35mm at an actual leading film preservation archive. These aren't suuuper on my radar, but hey, <i>you're </i>always raving about how <b><i>The Empire Strikes Back</i></b> is the best <i><b>Star Wars</b> </i>film, so why not see the film Irvin Kershner made just two years before?? It must be good with him at the helm right? And starring Faye Dunaway, Tommy Lee Jones, Brad Dourif, and more. UCLA says: "Irvin Kershner’s homage to Italian <i>giallo </i>films provides 'a celebration of sleaze as high chic.'" Plus it has a script co-written by John Carpenter. So, <i><b>Hickey & Boggs</b></i>, well, it stars Robert Culp, and, oh, shit, Bill Cosby. So maybe leave after <i><b>Eyes</b></i>. But it has a script by Walter Hill. I'm not knowledgeable on this film. Hard to leave if you're already there.<br />
<a href="https://www.cinema.ucla.edu/events/2017/08/18/eyes-of-laura-mars-hickey-boggs" target="_blank">BILLY WILDER THEATRE LINK</a> <br />
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<br />
<u><b>Eye on the Future</b></u><br />
That mini-fest of Japanese classics continuing at the <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank">Aero Theatre</a> can't be beat with <i><b>Woman in the Dunes/The Face of Another</b></i> on <b>Fri Aug 25 </b>both by the mind-bending Hiroshi Teshigahara, followed by the classiest of classy art film directing greats, Yasujiro Ozu on <b>Sat Aug 26</b> with the immortal <i><b>Tokyo Story</b></i> and <i><b>An Autumn Afternoon</b></i>. <i><b>Tokyo Story </b></i>is often among the #1 or top five films of all time in the snootiest of film critic polls.<br />
<br />
As if that wasn't enough, they also have a <i><b>Princess Bride </b></i>screening that week and a 70mm screening of the new <i><b>Wonder Woman</b></i>, which unlike many movies today, is that rare breed that was actually shot on film. Albeit 35mm, but the blow-up to 70mm in this modern era should be quite nice.<br />
<br />
There's a lot of horror coming up at the <a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank">Egyptian</a> that I don't care about, but for your info: <i><b>Christine/Maximum Overdrive, Creepshow/Cat's Eye/Creepshow 2, Cujo/Pet Sematary/Graveyard Shift, Misery/The Dark Half</b></i>. Ughhh.<br />
<br />
<a href="https://www.cinema.ucla.edu/calendar" target="_blank">Billy Wilder Theatre</a> will have <i><b>Prizzi's Honor </b></i>(1985, John Huston) and <i><b>The Dead </b></i>(1987, John Huston) on <b>Sun Aug 27</b> in glorious 35mm. I just really put this here for me because I want to see <i><b>Prizzi's Honor</b></i> since I've never seen it, so on the big screen in 35mm sounds good. I don't really like what little bits I've seen of <i><b>The Dead</b></i>, but maybe I'll give it a chance.<br />
<br />
At <a href="http://www.lacma.org/events-calendar?tid=68" target="_blank">LACMA</a>'s blue-hair 2:00 pm Tuesday matinee <b>Aug 29</b> they'll have <b><i>A Star is Born</i></b> (1954, George Cukor), which looks extravagant in proper CinemaScope on the big screen, especially (and I can't confirm this) if they show it in the lovely wider 2.55:1 aspect ratio that the film originated in. They are definitely showing it in 35mm. This film is bigger than big-screen, and it's worth going to an odd screening time (for very cheap) to catch it.<br />
<br />
<a href="http://www.cinefamily.org/#calendar" target="_blank">Cinefamily </a>will host <i><b>Night of the Living Dead</b></i> at <u><b>at the Vista Theatre</b></u> <b>Aug 26</b> at midnight, in 35mm. To my knowledge this is the first opportunity since his passing to see this film on the big-screen in lovely 35mm (or in any format). Plus they're also reviving Jodorowsky's recent <b><i>Endless Poetry</i></b> if you missed it, and they have Frank Zappa's <b><i>200 Motels</i></b> (1971)<b> </b>on <b>Aug. 31</b>.<br />
<br />
<a href="http://thenewbev.com/schedule/" target="_blank">New Beverly</a> will have a <i><b>Dark Star/The Thing </b></i>double feature <b>Aug. 25/26 </b>that seems pretty choice. They showed the <i><b>Dark Star </b></i>trailer last week and it seems crazy bad in a good way, and you know <i><b>The Thing </b></i>is not bad. Plus a <i><b>They Live </b></i>midnight screening <b>Aug 26 </b>(currently shows as sold out), definitely a midnight type movie. Lastly a Sun/Mon late-period Kevin Smith double feature of <i><b>Red State </b></i>and <i><b>Tusk </b></i>in 35mm <b>Aug 27</b> and <b>28</b>.<br />
<br />
<a href="http://www.oldtownmusichall.org/films.html" target="_blank">Old Town Music Hall</a> comes back to my list with<b> </b>four sci-fi flicks of the 1950s <b>Aug 25, 26, 27</b>: <b>Tarantula </b>(1954)<b>, It Came from Outer Space </b>(1953)<b>, Plan 9 from Outer Space </b>(1959, Ed Wood)<b>, The Incredible Shrinking Man </b>(1957)<b> </b>Plus every show begins with music played on the pipe organ, an audience sing along, and a comedy short. (Recommended if you live near the beach.)<b></b><br />
<b><br /></b>
<b>Woman in the Dunes</b><br />
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<b><br /></b>
<b>Face of Another</b><br />
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<b><br /></b>
<b>Tokyo Story</b><br />
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<b><br /></b>
<b>An Autumn Afternoon</b><br />
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<b><br /></b>
<b>Princess Bride</b><br />
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<b><br /></b>
<b>Wonder Woman</b><br />
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<b><br /></b>
<b>Prizzi's Honor</b><br />
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<b><br /></b>
<b>A Star is Born</b><br />
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<b><br /></b>
<b>Night of the Living Dead</b><br />
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<b><br /></b>
<b>Endless Poetry</b><br />
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<b><br /></b>
<b>200 Motels</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpveRntOtth6Sg9HHS8HQ5ksGCoo95hCwvO7JJjh01aA1UvlQTXW1sX110446BS0lyqQbC6i8DpBicAnACjiGqXeZGcGxu6FzITcB-QnRYxII0nwnie3MIHNJf3vyy_VMLxCdHeA/s1600/200motels-480x309.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="309" data-original-width="480" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpveRntOtth6Sg9HHS8HQ5ksGCoo95hCwvO7JJjh01aA1UvlQTXW1sX110446BS0lyqQbC6i8DpBicAnACjiGqXeZGcGxu6FzITcB-QnRYxII0nwnie3MIHNJf3vyy_VMLxCdHeA/s640/200motels-480x309.jpg" width="640" /></a></div>
<b><br /></b>
<b>Dark Star</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcp-lRj9BucV2Td0pCTHNyvMZ0ktfnGf6gj0WcYmuQeBIyTLUBaQnlMPNh4307monT4XeaIJfhSvkljLpPC6_pn5y1nERtX_dEeWIFp_imd0syX2G3od5QOzQxm7lBXHHdY_9_uw/s1600/darkstar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="960" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcp-lRj9BucV2Td0pCTHNyvMZ0ktfnGf6gj0WcYmuQeBIyTLUBaQnlMPNh4307monT4XeaIJfhSvkljLpPC6_pn5y1nERtX_dEeWIFp_imd0syX2G3od5QOzQxm7lBXHHdY_9_uw/s640/darkstar.jpg" width="640" /></a></div>
<b><br /></b>
<b>The Thing</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih9Husd9Sge789SrgtftUGbAD-WwTt-dXRE4a93sidbWuRnveNO4_er0v2pJDaNKo0UBCIi-hc4SDEZgy49TaTIFtdZTIdzYTClHf4NTAkh5evlDMZSCAQkBUnJVQvschxRXFt2Q/s1600/the_thing_2_390_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="390" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih9Husd9Sge789SrgtftUGbAD-WwTt-dXRE4a93sidbWuRnveNO4_er0v2pJDaNKo0UBCIi-hc4SDEZgy49TaTIFtdZTIdzYTClHf4NTAkh5evlDMZSCAQkBUnJVQvschxRXFt2Q/s640/the_thing_2_390_1.jpg" width="640" /></a></div>
<b><br /></b>
<b>They Live</b><br />
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<b><br /></b>
<b>Tarantula</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qM-EV3GCAhOI05rM5GmkcAguyHa5SDtsB08lSpbX6AKAXTLvaeCvbfYIwkyZv4ccwC7P8vOrVS2aG_HZ7MevZPPodHqiG5XIqhS3KFA8m5TKeKoBUPFR8jPHUSMGZmh_I5KoAg/s1600/tarantula.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qM-EV3GCAhOI05rM5GmkcAguyHa5SDtsB08lSpbX6AKAXTLvaeCvbfYIwkyZv4ccwC7P8vOrVS2aG_HZ7MevZPPodHqiG5XIqhS3KFA8m5TKeKoBUPFR8jPHUSMGZmh_I5KoAg/s400/tarantula.jpg" width="400" /></a></div>
<b><br /></b>
<b>It Came from Outer Space</b><br />
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<b><br /></b>
<b>Plan 9 from Outer Space</b><br />
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<b><br /></b>
<b>The Incredible Shrinking Man</b><br />
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<b><br /></b>The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-1672751593325659762017-08-11T00:09:00.000-07:002017-08-11T00:32:53.923-07:00Keep it Hotsy-Totsy with LA Film Screenings in Air-ConditioningIt's toasty in LA, but we can keep it hotsy-totsy (i.e. "comfortably stable or secure") by attending the hottest screenings that movie theater air-conditioning can handle.<br />
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So what's playing in LA theaters on 35mm (mostly) in this hot, hot weather, you ask? Here's my list! <br />
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It's just what's on my radar. There's other stuff too.<br />
Curious? Browse the LA Film Calendars links on my side bar → → →<br />
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As usual, a couple of these choices are <u>tonight</u>, FYI.<br />
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<b>Egyptian Theatre</b><br />
<b><i>Le Doulos </i>(1962, Jean-Pierre Melville) </b><br />
<b>Sat Aug 12 7:30pm</b><br />
The Melville retrospective (granddaddy of the French New Wave) continues at the Egyptian, and I have my eye as usual on the less-talked-about gems, like <i>Le Doulos. </i>Check the <a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank">Egyptian Calendar</a> for more of the Melville that's showing, but this and <i>Bob le Flambeur</i> (below) are my main two pics. It was superb seeing <i>Le Deuxième Souffle</i> (1966) getting the big-screen treatment last week, wow, and on 35mm, so great to see, albeit a loooong movie. Things like <i>Le Samouraï</i> (playing Sunday) pop up around town quite a bit, and, yes, the Egyptian is possibly the best screen to see it on (and in 35mm), but stuff like <i>Le Doulos</i> starring the superb Jean-Paul Belmondo does not come up as often. And in glorious 35mm black and white!<br />
<a href="http://www.americancinemathequecalendar.com/content/le-doulos-0" target="_blank">EGYPTIAN THEATRE LINK</a><br />
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<b>Egyptian Theater</b><br />
<b><i>Bob le Flambeur</i> (1956, Jean-Pierre Melville)</b><br />
<b>Sun Aug 13 7:30 pm </b><br />
No, that doesn't mean Bob the Flamer or Bob the Flammable, it means "Bob the Gambler," and, man, does this guy have a gambling problem. You just have to see it to believe it..! Plus there's a heist? Believe me when I tell you this movie has everything, including sadness and ennui (it's a French thing). I continue to adore <i>Bob le Flambeur, </i>highly recommend it as a great classic film to see in the theater. In 35mm.<br />
(I haven't mentioned it, but of course this same night <i>Le Samouraï</i> (1967) is playing at 5:00 pm)<br />
<a href="http://www.americancinemathequecalendar.com/content/bob-le-flambeur-0" target="_blank">EGYPTIAN THEATRE LINK</a><br />
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<b>Aero Theatre</b><br />
<b><i>The Thing</i> (1982, John Carpenter) in 70mm</b><br />
<b>Friday (<u>tonight</u>!) 7:30 pm</b><br />
So tonight the 70mm series at the Aero continues with <i>The Thing</i> (1982, John Carpenter.) I am not on the same page with every fanboy and fangirl in the world who adore this movie, but it's pretty good, and should be fun in 70mm. Now, I don't entirely know what the point is of seeing a 35mm film blown up to 70mm, as opposed to <i>Lawrence of Arabia</i> or <i>2001: A Space Odyssey </i>that were actually shot in 70mm, but I did see <i>Aliens</i> at the Egyptian once on 70mm (another one blown up from 35mm), and it was a pretty tight experience, so if this movie is your jam, and those special effects benefit from the higher resolution, then go, go, go to this! Plus, it's rare just to see anything projected on film anyway.<br />
There is a lot more playing in 70mm, check the <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank">Aero Calendar</a> for this week, including <a href="http://www.americancinemathequecalendar.com/content/baraka-7" target="_blank"><i>Baraka</i> (1992, Ron Fricke)</a> Thursday Aug 17, the only one that was actually shot on 70mm.<br />
<a href="http://www.americancinemathequecalendar.com/content/the-thing-3" target="_blank">AERO THEATRE LINK </a><br />
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<b>New Beverly Cinema</b><br />
<b><i>King Kong </i>(1933, Merian C. Cooper and Ernest B. Schoedsack)</b><br />
<b>and</b><br />
<b><i>Okja </i>(2017, Bong Joon-Ho)</b><br />
<b>Fri (<u>tonight</u>) 7:00pm/9:10pm</b><br />
<b>Sat Aug 12 </b><b>7:00pm/9:10pm</b><br />
It's fun to see this brand-new film <i>Okja</i> in a special 35mm print struck just
for the New Beverly Cinema! Plus it has been paired with unique double features
in the great New Beverly tradition all week long, culminating stupendously this weekend with the original 1933 <i>King Kong, </i>all of these in 35mm, because otherwise Kong will get angry. Also it goes without saying that it's required viewing to see this landmark in the development of special effects that took a huge leap toward what we'd eventually be seeing today when we go to see, like, I guess <i>Valerian</i>, right?<br />
<a href="http://thenewbev.com/program/august-11-12-king-kong-okja/" target="_blank">NEW BEVERLY LINK</a><b></b><br />
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<b></b><br />
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<br />
<b>Billy Wilder Theatre (UCLA Film & TV Archive)</b><br />
<b><i>Two-Lane Blacktop </i>(1971, Monte Hellman)</b><br />
<b>and<i> </i></b><br />
<b><i>Vanishing Point </i>(1971, Richard C. Sarafian)</b><br />
<b>Sat Aug 12 7:30 pm</b><br />
This is a ballsy kick-ass prime car chase movie double feature, both in sweet archival 35mm from, you know, an actual archive. This is some high-octane fun, and, yes, that's the only time "high-octane" can be associated with James Taylor (and yes, he really is in this movie). If you are also an aging Guns 'N' Roses fan, you'll recognize a particular monologue by Cleavon Little as being spoken by Axl Rose on their song "Breakdown" from <i>User Your Illusion II</i>. So a bit of curiosity factor there.<br />
<a href="https://www.cinema.ucla.edu/events/2017/08/12/two-lane-blacktop-vanishing-point" target="_blank">BILLY WILDER THEATRE LINK</a><br />
<b></b><br />
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<br />
<b>Cinefamily</b><br />
<b><i>The Evil Dead </i>(1981, Sam Raimi)</b><br />
<b>Friday (<u>tonight</u>!) Midnight</b><br />
This is great, Cinefamily has a nice midnight screening of<i> The Evil Dead (</i>1981) tonight, ooh, in 35mm.<br />
<a href="http://www.cinefamily.org/films/the-history-of-the-midnight-movie/#the-evil-dead-3" target="_blank">CINEFAMILY LINK</a><br />
<br />
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<br />
<b>Cinefamily</b><br />
<b><i>Variety</i> (or <i>Varieté</i>) (1925, E.A. Dupont)</b><br />
<b>Sat Aug 12 2:00 pm </b><br />
Big-time silent film nerd alert here!! This is E.A. Dupont's
hard-to-see <i>Variety </i>(or <i>Varieté</i>) (1925) with live
musical accompaniment. I saw it once on a dusty VHS, and I found it sort of weirdly infuriating. It has huge production values for the time period, and maybe it was too edgy for me when I first saw it—or too cliché, can't recall! (I'm leaning toward the latter.) But rarity in silent films trumps everything, and this is an opportunity to see it in what used to be LA's one-and-only Silent Movie Theatre before Cinefamily took over many years ago. But they pay their respects and keep the light burning for silent movies! (This screening DCP) <br />
<a href="http://www.cinefamily.org/films/the-silent-treatment/#variete" target="_blank">CINEFAMILY LINK</a><br />
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<br />
<b>Billy Wilder Theatre (UCLA Film & TV Archive)</b><br />
<b><i>The Lost Man </i>(1969, Robert Alan Arthur)</b><br />
<b>and</b><br />
<b><i>Edge of the City </i>(1956, Martin Ritt)</b><br />
<b>Friday (<u>tonight!</u>) 7:30 pm</b><br />
This Sidney Poitier double feature looks like it could be extremely good. In <i>The Lost Man</i> he's "a Black militant on the run from the establishment." Plus "Featuring an innovative jazz and funk-tinged score by Quincy Jones"!!<br />
Then in the second feature, he is paired with the always exciting John Cassavetes. It says here Poitier "brings power and grace to the film as counterpoint to the nervous, edgy intensity of co-star John Cassavetes"—Wow, sign me up!—in this social drama about "the racist working conditions faced by African-American
longshoremen in New York."<br />
Both in glorious 35mm.<br />
<a href="https://www.cinema.ucla.edu/events/2017/08/11/lost-man-edge-of-the-city" target="_blank">BILLY WILDER THEATRE LINK</a><br />
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<b>Billy Wilder Theatre (UCLA Film & TV Archive)</b><br />
<b><i>Foxy Brown </i>(1974, Jack Hill)</b><br />
<b>and</b><br />
<b><i>Coffy</i> (1973, Jack Hill)</b><br />
<b>Monday Aug 14 7:30pm</b><br />
Well, this is exactly what your Monday night needs, an in-your-face kickoff to the week with a double dose of vintage original Pam Grier. On a Monday night, seriously? Yup, totally let's do it. Both are in 35mm. It also may be the weirdest venue to see these in (not a raucous crowd!), but they will have the best possible prints because it's a film archive! I haven't seen these in a while, what's wrong with me? Gems.<br />
<a href="https://www.cinema.ucla.edu/events/2017/08/14/foxy-brown-coffy" target="_blank">BILLY WILDER THEATRE LINK</a><br />
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<br />
<b>Cinefamily</b><br />
<b><i>The Inner Scar </i>(1972, Philippe Garrel)</b><br />
<b>and </b><br />
<b><i>Chromo Sud </i>(1968, Etienne O'Leary)</b><br />
<b>Friday (<u>tonight!</u>) 10:00 pm</b><br />
<b>Sun Aug 13 10:15 pm </b><br />
Weirdo alert!<br />
Cinefamily has something weird, it's Philippe Garrel's <i>The Inner Scar </i>(1972)
starring the Velvet Underground's Nico. It's DCP but quite rare to see.
I've seen it before, and it's hella weird, well worth checking out.
Plus the second "unearthed treasure" (one hopes) on the double feature
is <i>Chromo Sud </i>(1968, Etienne O'Leary) is 16mm, which Cinefamily describes as:<br />
<blockquote class="tr_bq">
<i>Though he only made three films, Etienne O’Leary’s work is an impactful
feat of editing. Peripheral to the Zanzibar group, but an ideal
companion, Chromo Sud is a pulsing, psychedelic drug fueled
freakout in which shots from the barricades of May '68 protests become a
single, layered, flashing, collage for 21 vital minutes.</i></blockquote>
<a href="http://www.cinefamily.org/films/zanzibar/#the-inner-scar-chromo-sud" target="_blank">CINEFAMILY LINK</a><br />
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<br />
<b>Cinefamily</b><br />
<b><i>Jules et Jim </i>(1962, François Truffaut)</b><br />
<b>Monday Aug 14 7:30 pm</b><br />
Jeanne Moreau just died, and there happens to be a perfectly timed screening to see one of her prime performances, the classic early French New Wave hit from François Truffaut. In stunning 35mm of course.<br />
<a href="http://www.cinefamily.org/films/la-collectionneuse/#jules-et-jim-2" target="_blank">CINEFAMILY LINK</a><br />
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<br />
<b>New Beverly Cinema</b><br />
<b>Michael Parks movies all week</b><br />
Okay, who is Michael Parks and why do you want to see these films? He's a Tarantino fave, and you'll see him most memorably in <i>From Dusk Till Dawn</i> as the sheriff in that opening super-long conversation in the gas station before shit gets real weird fast, in one of the best-acted scenes I've ever seen. Secondly, he's also the (same?) sheriff in <i>Kill Bill, </i>Texas Ranger Earl McGraw, who shows up to the bloody scene at the wedding party. Remember him now!? So, okay, this week answers the question, "Who is this guy and where are all the movies he was in before that?!" It's a plethora of (hopefully?) delights:<br />
<a href="http://thenewbev.com/schedule/" target="_blank">NEW BEVERLY LINK</a><b><br /></b><br />
<br />
<b>Sun Aug 13 </b><b>6:30pm/8:40pm</b><br />
<b>Mon Aug 14 7:30pm/9:40pm</b><br />
<b><i>Wild Seed</i> (1965, Brian G. Hutton) w/Michael Parks</b><br />
<b>and</b><br />
<b><i>The Idol</i> (1966, Daniel Petrie) w/Michael Parks, Jennifer Jones</b><br />
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<br />
<b>Tue Aug 15 </b><br />
<b><i>The Evictors</i> (1979, Charles B. Pierce) w/Michael Parks, Jessica Harper</b><br />
<b>and</b><br />
<b><i>Love and the Midnight Auto Supply </i>(1977, James Polakof) w/Michael Parks, Colleen Camp</b><br />
<b>7:30pm/9:30pm</b><br />
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<br />
<b>Wed Aug 16</b><br />
<b>Thur Aug 17</b><br />
<b><i>The Happening</i> (1967, Elliot Silverstein) w/Anthony Quinn, Michael Parks, Faye Dunaway</b><br />
<b>and</b><br />
<b><i>The Private Files of J. Edgar Hoover </i>(1977, Larry Cohen) w/Broderick Crawford, Parks</b><br />
<b>7:30pm/9:40pm </b><br />
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<br />
<b>Egyptian Theatre (presented by Los Angeles Film Forum)</b><br />
<b><i>Limite </i>(1931, Mário Peixoto)</b><br />
<b>Sun Aug 13 7:30pm </b><b>(Spielberg Theatre at the Egyptian)</b><br />
It says it's restored by the Film Foundation, so I have to presume this is a film print, since I can't see on the site what format it is showing in. A film that Scorsese has championed, and his taste in these matters is usually unassailable, the Los Angeles Film Forum's own blurb sums it up best:<br />
<br />
<blockquote class="tr_bq">
<i>Filmforum presents the remarkable 1931 Brazilian experimental feature Limite. An astonishing creation, Limite
is the only feature by the Brazilian director and author Mário Peixoto,
made when he was just twenty-two years old. Inspired by a haunting
André Kertész photograph on the cover of a French magazine, this
avant-garde silent masterpiece centers on a man and two women lost at
sea, their pasts unfolding through flashbacks propelled by the music of
Erik Satie, Claude Debussy, Igor Stravinsky, and others. An early work
of independent Latin American filmmaking, Limite was famously
difficult to see for most of the twentieth century. It is a pioneering
achievement that continues to captivate with its timeless visual
poetry. Possibly the Los Angeles premiere!</i></blockquote>
<a href="http://www.lafilmforum.org/schedule/summer-2017/limite/" target="_blank">LOS ANGELES FILM FORUM LINK</a> <br />
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<br />
<br />
<u><b>Eye on the Future</b></u><br />
Late next week, a prime classic Japanese festival kicks off Thursday Aug 24 at the <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank">Aero Theatre</a> with a <i><b>Ugetsu/The Life of Oharu </b></i>double feature (both by the great Kenj Mizoguchi) and continuing with more Japanese classics into the following week. These two are classically cited as among the greatest films of all time.<br />
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A Mario Bava festival continues at the <a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank">Egyptian Theatre</a>, with basically only <i><b>Black Sunday</b></i> (1960) on my radar on Friday Aug 18, as I don't really like his except for that one film, starring Barbara Steele. But you can look up the others..!<br />
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Next week, Sunday Aug 20 and Monday Aug 21, <a href="http://www.cinefamily.org/#calendar" target="_blank">Cinefamily</a> has a great Seijun Suzuki movie <i><b>Tokyo Drifter</b></i> (1966) in beautiful 35mm. This is a stunning, transgressive classic of the gangster genre, as Seijun Suzuki was the master of bending the rules of the basic genres to inject his own compelling artistic elements into them.<br />
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<a href="http://thenewbev.com/program/august-18-19-the-spy-who-loved-me-moonraker/" target="_blank">New Beverly Cinema </a>will have some classic Roger Moore Bond in 35mm: <i><b>The Spy Who Loved Me </b></i>and <i><b>Moonraker </b></i>Aug 18 and Aug 19, in a double feature.<br />
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<i><b>Ugetsu</b></i> <br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicN0BQtDGKMeeEnoMF9gY52FlT24gXP30sfQqj0KXClpzzoKP48m6N2XlOPe9PedecrrCOdWJum4c9JLxn53tjpcleiwax-_dehocWqrIsxrobroBgiisFQ4555f3oTBZMq8u6Ow/s1600/Ugetsu.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1434" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicN0BQtDGKMeeEnoMF9gY52FlT24gXP30sfQqj0KXClpzzoKP48m6N2XlOPe9PedecrrCOdWJum4c9JLxn53tjpcleiwax-_dehocWqrIsxrobroBgiisFQ4555f3oTBZMq8u6Ow/s640/Ugetsu.jpg" width="640" /></a><br />
<i><b>The Life of Oharu</b></i><br />
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<i><b>Black Sunday</b></i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdUNHdnBKyl5_86ghyphenhyphenMipvFNFk6elvlTEENsp7hiArS7OVO0S2xP4ean6XVWtypDv4rd_0_XP0TpFTYd3mARRgmo4Z44SVBx0yrM2Zo148YnOb9WT0nkz-3xy9dt8gGb1HHGb8xA/s1600/black-sunday-mask.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="663" data-original-width="1600" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdUNHdnBKyl5_86ghyphenhyphenMipvFNFk6elvlTEENsp7hiArS7OVO0S2xP4ean6XVWtypDv4rd_0_XP0TpFTYd3mARRgmo4Z44SVBx0yrM2Zo148YnOb9WT0nkz-3xy9dt8gGb1HHGb8xA/s640/black-sunday-mask.jpg" width="640" /></a></div>
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<i><b>Tokyo Drifter</b></i><br />
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<i><b>The Spy Who Loved Me</b></i><br />
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<i><b>Moonraker </b></i><br />
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The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-74176218636641567202017-08-04T13:29:00.000-07:002017-08-04T15:35:00.515-07:00Hot LA Screenings for a Hot as Hell WeekWhat's playing in LA theaters on 35mm (mostly) in this hot, hot weather, you ask? Here's my list! <br />
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It's just what's on my radar. There's other stuff too.<br />
Curious? Browse the LA Film Calendars links on my side bar → → →<br />
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A couple of these choices are <u>tonight</u> <u>only</u>, FYI.<br />
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<b>NuArt Theatre</b><br />
<b><i>Akira </i>(1988, Katsuhiro Otomo) </b><br />
<b>Friday (<u>tonight</u>) midnight</b><br />
I will probably never again spotlight an animated movie (just not that into them), but this one I grew up on and collected the comic book (still have them at my family home somewhere) and I was super excited to see the movie when it came out, which delivered—and also was super confusing. It's a great dystopian future in a wonderful, gritty animated style about young teens not fitting in and oh, like having either teenage angst or exploding power, one or the other-- or is it a metaphor?! If you can figure out the ending, write me a comment.<br />
(Most likely DCP screening)<br />
Here are some of the awesome original comic book covers:<br />
<a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/akira" target="_blank">NuArt Theatre Link</a><br />
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<b>Egyptian Theatre</b><br />
<b><i>Le Deuxième Souffle</i> (1966, Jean-Pierre Melville)</b><br />
<b>Friday (<u>Tonight</u>) 7:30 pm </b><br />
Finally, it begins! A Jean-Pierre Melville (<i><b>Le Samouraï</b></i>) retrospective starts tonight, Friday August 4 at the Egyptian with <i><b>Le Deuxième Souffle</b></i> <i>(1966)</i>, and here's <a href="http://cahiers2cinema.blogspot.com/2010/12/jean-pierre-melville-jazz-musician.html" target="_blank">a link to an extremely old article</a> I wrote raving about it, so you're really taking a long time to see this film, yo. Finally here is your chance. While many Melville films have enjoyed quite a high profile, such as <span style="font-style: italic;">Le Samouraï</span> (1967), when I see one as incredible as this <span style="font-style: italic;">(Le Deuxième Souffle</span>),
I wonder why it has been relegated to the shadows for so long-- and I
then wonder how many other awesome Melville films are out there that we
still can't see...!<br />
Yes, it's also in beautiful 35mm.<br />
<a href="http://www.americancinemathequecalendar.com/content/le-deuxieme-souffle-0" target="_blank">EGYPTIAN THEATRE LINK</a><br />
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<b>Egyptian Theatre</b><b><i> </i></b><br />
<b><i>Léon Morin, Priest </i>(1961, Jean-Pierre Melville)<br />Thur Aug 10 7:30 pm</b><br />
Far more well-known for his crime pictures, Melville can excel stupendously in other genres, and this film, <i>Léon Morin, Priest</i>, starring the fabulous Jean-Paul Belmondo is the crowning example. No one but the French can so meaningfully engage in profound philosophizing in a feature film—and in an entertaining way—so come expand your mind. The cinematography is by the amazing Henri Decaë. The Egyptian says it's "among the most thoughtful examinations of faith and its challenges ever made." I really liked this film and look forward to seeing again on the huge screen at the Egyptian.<br />
(This screening DCP.)<br />
<a href="http://www.americancinemathequecalendar.com/content/l%C3%A9on-morin-priest-0" target="_blank">EGYPTIAN THEATRE LINK</a><br />
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<b>Billy Wilder Theatre (UCLA Film & TV Archive)<br /><i>Prime Cut </i>(1972, Michael Ritchie) 35mm IB Technicolor print<br />Friday (<u>tonight</u>) 7:30 pm</b><br />
and<b><br /><i>Bring Me the Head of Alfredo Garcia </i>(1974, Sam Peckinpah)</b><br />
<b>Saturday Aug 5 7:30pm </b><br />
Despite the super-intense competition this week, the best movies playing this weekend might be <i>Prime Cut</i> and <i>Bring me the Head of Alfredo Garcia</i>. Luckily they're also on separate nights so you can split them and really absorb. I'm not as big a fan of the often-raved-about <i>Prime Cut </i>as others (but it's definitely good), but I will rave till I'm mad about <i>Bring Me the Head of Alfredo Garcia.</i> Dark, messy, gritty, very fucked up, it's just sad-sack desert-y fun, with profound, sad meaning. I love it.<br />
Film nerd alert: It's an IB Technicolor 35mmm print of <i>Prime Cut, </i>the original "best color" film print-making process. (<i>Alfredo Garcia</i> is DCP screening.)<br />
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Side note, I can't resist saying that on Sunday at 7:00 pm the Billy Wilder Theatre is showing one of the worst movies I've ever seen, <i>Tomorrow
</i>(1972, Joseph Anthony) starring Robert Duvall (although his performance is fine). I saw this in a double
feature years ago following Tarkovsky's <i>Sacrifice</i> (maybe that had something to do
with it?) and my brother and I were bored to tears watching
this. I don't even know why we stayed till the end! But go ahead,
don't believe me, maybe it's great now and my memory is terrible. But
I'm pretty certain it's one hell of a slow and depressing movie.<br />
<a href="https://www.cinema.ucla.edu/events/2017/08/04/prime-cut" target="_blank">PRIME CUT LINK </a><br />
<a href="https://www.cinema.ucla.edu/events/2017/08/05/bring-me-the-head-of-alfredo-garcia" target="_blank">ALFREDO GARCIA LINK</a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO6ZJJkBJeiZmVm11ltvj3geWr0GNycTYi2GSAzcgDJd6-sbd1NspAeSgh5sIUp9BWajY5d3WTdY1n2FiGbBWG2XtCZX9xieIUOp1NOiZeapC_o4tAHBXLk_xotepX3v_nC4CzOw/s1600/BringMeHead-small.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="400" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO6ZJJkBJeiZmVm11ltvj3geWr0GNycTYi2GSAzcgDJd6-sbd1NspAeSgh5sIUp9BWajY5d3WTdY1n2FiGbBWG2XtCZX9xieIUOp1NOiZeapC_o4tAHBXLk_xotepX3v_nC4CzOw/s640/BringMeHead-small.jpg" width="640" /></a><br />
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<b>Egyptian Theatre (Los Angeles Film Forum)<br />Classic Films by Joyce Wieland<br />Sunday Aug 6 7:30 PM (Spielberg Theatre at the Egyptian)</b><br />
If
you haven't seen experimental films in a while, or you've NEVER been to
an experimental film screening, Los Angeles Film Forum is the host to
do it for you, and they currently screen at the Egyptian Theatre inside the
smaller Spielberg Theatre. This retrospective sounds like a great
one to see because it's just one artist's work all together and she sounds
absolutely fascinating.<br />
I'm most excited about "Cat Food"
(1967). Seriously you haven't lived if you haven't attended at least one
experimental film screening in your life.<br />
From the site:<br />
<blockquote class="tr_bq">
<i>"Long
overdue is this retrospective screening of classic experimental films
by Joyce Wieland. Wieland is regarded as Canada’s foremost woman
artist. She produced an acclaimed body of work in a great variety of
media, from drawing and painting to quilts and film. Her work tended to
be overshadowed in the United States by that of her husband, Michael
Snow, but her cinematic explorations elude easy categorization."</i></blockquote>
<a href="http://www.lafilmforum.org/schedule/summer-2017/classic-films-by-joyce-wieland/" target="_blank">LOS ANGELES FILM FORUM LINK</a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4zZKtr8RbaILElcZRImURBuaLCvCcNTEf0Ve1Jn80JVIKDlpDgkEDsdkBtNleGvWrhVRjheaBalVfcGjop6lXly0MedNN7ONxKXbH_GWNQv4nlRFpKJzckm3pw32kG-k2w_k4lQ/s1600/catfood.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="159" data-original-width="213" height="477" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4zZKtr8RbaILElcZRImURBuaLCvCcNTEf0Ve1Jn80JVIKDlpDgkEDsdkBtNleGvWrhVRjheaBalVfcGjop6lXly0MedNN7ONxKXbH_GWNQv4nlRFpKJzckm3pw32kG-k2w_k4lQ/s640/catfood.jpg" width="640" /></a><br />
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<b><b>Cinefamily <br />Saturday Morning Cartoons<br />Saturday Aug 5 11:00 am</b></b><br />
Sounds like a fun time, especially if you have kids. Saturday
Morning Cartoons in a theater! This week's edition focuses on origin
stories and earliest appearances, but whatever, it's fun cartoons
either way. Wow, I actually highlighted two animated presentations in
one week! Rare occurrence.<b><br /><a href="http://www.cinefamily.org/films/animation-breakdown/#smc-origins" target="_blank">CINEFAMILY LINK</a> </b><br />
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<b><b>New Beverly<br /><i>Gold of the Seven Saints </i>(1961, Gordon Douglas)<br />Saturday and Sunday Aug 5th and 6th 2:00 pm</b></b><br />
Technically a kiddie matinee, seems like a real fun way to see an early pre-Bond Roger Moore in a western!? With
a 35mm film print coming all the way from the National Film & Sound
Archive of Australia, this sounds like the type of kiddie matinee to fool your kids into coming to that you actually enjoy more..!<b><br /><a href="http://thenewbev.com/program/august-gold-of-the-seven-saints-kiddee-matinee/" target="_blank">NEW BEVERLY LINK</a> </b><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7asuv0v8QrH2gG619mSl4ZvFhcvBw57IQv7CQqzzQM24Z9rTefcyel0Cf0Bo1lO596ZMYSEXScpmrkY3nB97shYPFDTInMGSAgh3OAnQr3GyHqyvaKbH8muzBw9qFx0V4RKOeOA/s1600/gold-of-seven-saints-poster-385x578.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="385" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7asuv0v8QrH2gG619mSl4ZvFhcvBw57IQv7CQqzzQM24Z9rTefcyel0Cf0Bo1lO596ZMYSEXScpmrkY3nB97shYPFDTInMGSAgh3OAnQr3GyHqyvaKbH8muzBw9qFx0V4RKOeOA/s640/gold-of-seven-saints-poster-385x578.jpg" width="426" /></a><br />
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<b><b>Cinefamily <br /><i>Barton Fink </i>(1991, Joel Coen)<br />Sunday Aug 6th 7:00 pm</b></b><i> </i><br />
<i>Barton Fink</i> is that movie Milhouse and friends were excited to see as their first R-rated movie on <i>The Simpsons</i>!
Little did they know. Well, you can go see it too and experience their wonder and awe at all
the R-rated naughtiness of this writer, um, just struggling to write a screenplay. Yup,
that's it, but it's made captivating by the talent of the Coen Bros and great performances and Roger Deakins visuals.<b><br /></b>Screening in wonderful 35mm.<br />
<b><a href="http://www.cinefamily.org/films/the-history-of-the-midnight-movie/#barton-fink-w-ben-barenholtz-in-person" target="_blank">CINEFAMILY LINK</a> </b><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHLKXKUND2bwyxE49SjGM1Ejb8TMCI-1qhx-YA58NvHJ53oU3kv6SQLO7aRrB2PIoU1t1Lc_iVbFUNWbarQunvNgXU_ykBxxNhR9XuOf0Y1tbnS0yecBMq44jB3hGYL_qoLq0d-A/s1600/bartonfink6.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="247" data-original-width="458" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHLKXKUND2bwyxE49SjGM1Ejb8TMCI-1qhx-YA58NvHJ53oU3kv6SQLO7aRrB2PIoU1t1Lc_iVbFUNWbarQunvNgXU_ykBxxNhR9XuOf0Y1tbnS0yecBMq44jB3hGYL_qoLq0d-A/s640/bartonfink6.jpg" width="640" /></a><br />
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<b>Cinefamily<br /><i>The Tenant </i>(1976, Roman Polanski) <br />Friday (<u>tonight</u>) MIDNIGHT</b><br />
I
really remember digging this one, so I definitely think this is a sweet midnight
screening. Starring Polanski himself and Isabella Adjani, can't go
wrong..! Undeniably made spookier by screening in 35mm.<br />
<a href="http://www.cinefamily.org/films/friday-night-frights/#the-tenant" target="_blank">CINEFAMILY LINK</a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt3uK7IXBS6QlrLWjZNTrVvY89ztlSv4hEPDLwPqCduxO2YSVKWoHidxvspo7LfRGw7EPvPZ5qYa0eziK2G9zioW1kqNSRm89gPTPpZVzWAvTXiu6CPykSYopSC77bq38fWw9pBA/s1600/tenant1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="349" data-original-width="640" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt3uK7IXBS6QlrLWjZNTrVvY89ztlSv4hEPDLwPqCduxO2YSVKWoHidxvspo7LfRGw7EPvPZ5qYa0eziK2G9zioW1kqNSRm89gPTPpZVzWAvTXiu6CPykSYopSC77bq38fWw9pBA/s640/tenant1.jpg" width="640" /></a><br />
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<b>Aero Theatre</b><br />
<b>Robert Mitchum Centennial</b><br />
<b>Various screenings, all week</b><br />
So the Aero has this Robert Mitchum Centennial. Do we really care that a guy would've been 100? I mean, come on, but hey, whatever, show some good films, so okay. I can't pick one to prefer here. Some are new to me that I'm excited to see, like <i>Ryan's Daughter</i> (1970, David Lean), others are acknowledged classics, like <i>The Night of the Hunter </i>(1955, Charles Laughton)<i>,</i> masterwork, screening with film noir <i>Crossfire</i> (1947, Edward Dmytryk). Others are gritty, looser but entertaining later works, like <i>The Friends of Eddie Coyle</i> (1973, Peter Yates) and <i>The Yakuza</i> (1975, Sydney Pollack). So pick your own Mitchum if you feel like it. Several are 35mm. Especially appealing if you are stuck on the West side..!<br />
<a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank">AERO THEATRE LINK</a><br />
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<b>Aero Theatre<br /><i>Lifeforce </i>(1985, Tobe Hooper) in 70mm<br />Thur Aug 10 7:30pm</b><br />
You know damn sure I'm going to get excited about something screening on film, and even more so when it's 70mm. It's the return of the Aero's 70mm program spanning all of August starting this Thursday with <i><b>Lifeforce </b></i>(1985, Tobe Hooper). Now, okay, I've never seen this so I can't recommend it either way, but the trailer looked bonkers, and it has quite a cult following. It's probably not artistically satisfying if you're into Fellini and Godard, but I'm hoping it's mind-bending or grindhouse type satisfying, so it will be on my radar for sure <br />
<a href="http://www.americancinemathequecalendar.com/content/lifeforce-1" target="_blank">AERO THEATRE LINK</a><br />
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<b><b>New Beverly<br /><i>Star Trek II: The Wrath of Khan</i> (1982, Nicholas Meyer)<br />Fri/Sat Aug 4/5 at 6:30 pm<br /><i>Star Trek IV: The Voyage Home </i>(1986, Leonard Nimoy)<br />Fri/Sat Aug 4/5 at 8:55 pm</b></b><i> </i><br />
<i>Wrath of Khan </i>really holds up if you've seen it recently, so I'd definitely recommend a 35mm outing to see this, and bonus, you get to see <i>Star Trek IV: The Voyage Home </i>also in 35mm for the same price of admission.<br />
<b><a href="http://thenewbev.com/program/august-4-5-star-trek-ii-star-trek-iv/" target="_blank">NEW BEVERLY LINK</a> </b><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUFMkQ-CeDsPKrtayL5zQ8aGaDowy5YHXyyGzi5vDn2u-YDlKQCzlAJB4HKpYWLhQ90ZI0Ow4RwXTAzQbqnAta4ve_DMJZZen2DebnTjbehyVoV5jVk0KvziKaf60N-_xC_b_pZQ/s1600/khan.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="757" data-original-width="1021" height="474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUFMkQ-CeDsPKrtayL5zQ8aGaDowy5YHXyyGzi5vDn2u-YDlKQCzlAJB4HKpYWLhQ90ZI0Ow4RwXTAzQbqnAta4ve_DMJZZen2DebnTjbehyVoV5jVk0KvziKaf60N-_xC_b_pZQ/s640/khan.jpg" width="640" /></a><br />
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<b>Cinefamily<br /><i>Targets </i>(1968, Peter Bogdanovich) In-Person<br />Wednesday Aug 9th 7:30 pm</b><br />
Peter
Bogdanovich will be in person if you like to see a man wearing an ascot
up close. It's pretty rare. This is on my
radar because I've never seen it, it's late Boris Karloff, and really I
always should have checked this out. Previously I may have avoided because it's really
his Roger Corman movie before he burst onto the scene with <i>The Last Picture Show </i>(1971),
but this is part of a series on the history of midnight movies, so I think it's
the best context to finally appreciate this picture and what some great filmmakers were doing before they got their big break.<br />
<a href="http://www.cinefamily.org/films/the-history-of-the-midnight-movie/#targets-w-director-peter-bogdanovich-in-person" target="_blank">CINEFAMILY LINK</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhotjRjMWS8sNu4dq_d35gxmFH4a9KCEfdWNmdaGFtYVmT40ZgA79lr1vg2m0xxjEtbKyRvLXWwRytg6V-jDUZFGGnBWxeJ0127UjxIpc64v4KQ1r_Hsgn18yB7XqFz6NKtuyaJfw/s1600/bog_400x266_041920100656.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="266" data-original-width="400" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhotjRjMWS8sNu4dq_d35gxmFH4a9KCEfdWNmdaGFtYVmT40ZgA79lr1vg2m0xxjEtbKyRvLXWwRytg6V-jDUZFGGnBWxeJ0127UjxIpc64v4KQ1r_Hsgn18yB7XqFz6NKtuyaJfw/s640/bog_400x266_041920100656.jpg" width="640" /></a><br />
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<b>New Beverly <br /><i>Okja </i>(2017, Joon-ho Bong) in 35mm<br />all week starting Sunday</b><br />
It's fun to see this brand-new film in a special 35mm print struck just
for the New Beverly Cinema! Plus now it's paired with unique double features
in the great New Beverly tradition all week long. You can see it
with <i>Babe: Pig in the City, Free Willy </i>(!!?), or best of all, the original 1933 <i>King Kong </i>(next Fri/Sat), all of these in 35mm, because <i>Free Willy </i>wants to be free of digital cinema projection.<br />
<a href="http://thenewbev.com/schedule/" target="_blank">NEW BEVERLY LINK</a><br />
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<b>Cinefamily<br /><i>Martin </i>(1977, George Romero)<br />Friday (<u>tonight</u>) 7:30 PM</b><br />
Need your "George Romero just died and I'm sad!" fix? Go see <i>Martin,</i> his vampire film, in this hosted screening highlighting notorious and notable films from the history of the midnight movie. (This screening digital)<br />
<a href="http://www.cinefamily.org/films/the-history-of-the-midnight-movie/#an-evening-w-ben-barenholtz-featuring-martin" target="_blank">CINEFAMILY LINK</a><br />
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<b>Vista Theatre (presented by Cinefamily)<br /><i>El Topo </i>(1970, Alejandro Jodorowsky)<br />Saturday Aug 5 midnight</b><br />
Another week, another classic Jodorowsky playing at the highly appropriate midnight hour to properly absorb his weird masterpieces. Watch some artistic stuff. At, like, midnight..? Go!<br />
<a href="http://www.cinefamily.org/films/the-history-of-the-midnight-movie/#el-topo-with-ben-barenholtz-off-site-at-the-vista" target="_blank">SCREENING LINK</a> <br />
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<b>Old Town Music Hall<br /><i>Murder, My Sweet</i> (1944, Dick Powell)<br />Friday 8:15PM<br />Saturday 2:30PM and 8:15PM</b><br />
<b><i>(no Sunday screening this week)</i></b><br />
How about a change of pace back to the earlier classic film era: If you live near the beach, come see the film noir masterpiece <i>Murder, My Sweet</i> (1944, Dick Powell), billed as:<br />
<blockquote class="tr_bq">
Murder, My Sweet <i>is a film noir masterpiece starring Dick Powell, who was known for musicals and comedies. But he gives a remarkable performance as Philip Marlowe in this RKO adaptation of a Raymond Chandler novel. It’s dark, evocative cinema that exemplifies the noir hardboiled detective genre. Beautifully filmed and directed!</i></blockquote>
Every show begins with music played on the pipe organ, an audience sing along, and a comedy short.<br />
<a href="http://www.oldtownmusichall.org/films.html" target="_blank">OLD TOWN MUSIC HALL LINK</a><br />
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<u><b>Eye on the Future</b></u><br />
Next week, the Melville retrospective continues at the <a href="http://www.americancinemathequecalendar.com/egyptian_theatre_events" target="_blank">Egyptian</a>, and I have my eye as usual on the less-talked-about gems, <i>Le Doulos </i>(Sat Aug 12) and I continue to adore <i>Bob le Flambeur </i>(Sun Aug 13)<i>. </i>I haven't mentioned it, but of course <i>Le Samouraï</i> (1967) is playing twice—this week, Sat Aug 5 at 7:30 and then Sun Aug 13 at 5:00 pm<br />
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Next Friday, 70mm at <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank">Aero</a> continues with <i>The Thing</i> (1982, John Carpenter) on Friday and much more. And
also next Saturday Aug 12<a href="https://www.cinema.ucla.edu/calendar" target="_blank"> Billy Wilder Theatre</a> (UCLA Film & TV
Archive) has a sweet car-chase-centric double-feature of <i>Two-Lane Blacktop </i>(1971, Monte
Hellman) and <i>Vanishing Point </i>(1971, Richard C. Sarafian) both in sweet archival 35mm.<br />
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Plus <a href="http://www.cinefamily.org/#calendar" target="_blank">Cinefamily</a> will have a nice midnight screening of<i> The Evil Dead (</i>1981) Friday Aug. 11 at midnight, ooh, in 35mm.<br />
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Lastly, Silent Film Nerd Alert, <a href="http://www.cinefamily.org/#calendar" target="_blank">Cinefamily </a>will have E.A. Dupont's
hard-to-see <i>Variety </i>(or <i>Varieté</i>) (1925) Sunday Aug 12 at 2:00 pm with live
musical accompaniment.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJhhLnvipROKMepsIQHnO06tApKtZIf9OPJ2wC6znOKDQW46DKEQDoFDdvzcyOCX3daeDmUy_o7kMLeCFsirR5PKZIgmzG8m9AFQjjQf6lx3JA4VrGEGo7M7PHCFrAlpnaL6wLtw/s1600/bobleflambeur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="177" data-original-width="285" height="397" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJhhLnvipROKMepsIQHnO06tApKtZIf9OPJ2wC6znOKDQW46DKEQDoFDdvzcyOCX3daeDmUy_o7kMLeCFsirR5PKZIgmzG8m9AFQjjQf6lx3JA4VrGEGo7M7PHCFrAlpnaL6wLtw/s640/bobleflambeur.jpg" width="640" /></a>The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0tag:blogger.com,1999:blog-33030827.post-77159077277180283422017-07-28T12:14:00.006-07:002017-07-28T12:39:25.145-07:00What's Screening in LA This WeekHere are my picks of what's on my radar for the top screenings in LA this week especially the films screening in awesome 35mm film..! (and in sweet
air-conditioning) Seriously I saw something in DCP (digital) last week and my eyes were not impressed. Grrr..! Look, you can't exercise at the gym all the time, you LA freaks, so get out and see... Tod Browning's <i><b>Freaks</b></i>..? Well, yes, coincidentally it is actually playing <a href="http://www.cinefamily.org/films/the-history-of-the-midnight-movie/#fnf-freaks" target="_blank">tonight at midnight at Cinefamily</a>.<br />
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If you want to make your own decisions (why?!), browse the LA Film Calendars links on my side bar → → →<br />
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Several of these choices are <u>tonight</u> <u>only</u>, FYI.<br />
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<b>NuArt Theatre<br /><i>Santa Sangre</i> (1989, Alejandro Jodorowsky) <u>Uncut</u><br />Tonight FRIDAY Midnight</b><br />
Having seen <i><b>Endless Poetry </b></i>(2016, Alejandro Jodorowsky) last week, and having somehow missed ever seeing his notorious <i><b>Santa Sangre </b></i>(1989), midnight at the classic NuArt Theatre seems the perfect way to rectify that. This is Friday midnight only.<br />
(This screening DCP probably)<br />
<a href="https://www.landmarktheatres.com/los-angeles/nuart-theatre/film-info/santa-sangre" target="_blank">NUART THEATRE LINK</a><br />
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<b>Egyptian</b><br />
<b><b><b>Tonight FRIDAY 7:30pm</b></b></b><br />
<b><i>Maniac</i> (1980, William Lustig)<br /><i>Last House on the Left </i>(1972, Wes Craven)<br /><i>Cannibal Holocaust</i> (1980, Ruggero Deodato)</b><br />
Well, I normally don't go in for Grindhouse or horror stuff too big, but this is three 35mm "classics" in a triple feature, at least financially is a GREAT DEAL, not to be missed. <i><b>Maniac </b></i>I feel like is one Tarantino used to praise, then you've got a famous early Wes Craven in there, and the only one I think I've seen is <b><i>Cannibal Holocaust</i>. </b>I remember seeing it, don't think I loved it, but it was a trip. And indeed this is a trippy night, so horror aficionados definitely do not want to miss this, and I am strongly considering going. All these movies were too creepy for me to post any images, so these are probably great if even screen grabs are scary as shit.<br />
All in 35mm<br />
<a href="http://www.americancinemathequecalendar.com/content/maniac-the-last-house-on-the-left-cannibal-holocaust" target="_blank">EGYPTIAN THEATRE LINK</a><br />
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<b>Egyptian<br />Sunday 7/30 at 5:30 PM<br /><i>The Draughtsman's Contract</i> (1982, Peter Greenaway)</b><br />
<b>and<br /><i>Prospero's Books</i> (1991, Peter Greenaway)</b><br />
I'm over the moon about <i><b>Draughtsman's </b></i>and not sure what I think about <i><b>Prospero's Books</b></i>,<br />
which in the latter case I think is the usual reaction! It's a hazy trippy film that is somehow an adaptation of Shakespeare's<i> The Tempest</i> starring John Gielgud (no slouch!) as Prospero. Greenaway is like an art-school avant-garde short-film-maker who somehow gets to make major feature films, and with that combination, you get special, unique films. <i><b>Draughtsman's Contract</b></i> is really not to be missed.<br />
Both 35mm<br />
<a href="http://www.americancinemathequecalendar.com/content/the-draughtsman%E2%80%99s-contract-prospero%E2%80%99s-books" target="_blank">EGYPTIAN THEATRE LINK</a> <br />
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<b>Aero Theatre<br />Friday TONIGHT 7:30 pm<br /><i>Barfly </i>(1987, Barbet Schroeder)</b><br />
<b>and<br /><i>Reversal of Fortune </i>(1990, Barbet Schroeder)</b><br />
This wasn't on my radar, but someone on FB replied to my earlier list that they were salivating over <i><b>Barfly</b></i>, which I've never seen, plus <i><b>Reversal of Fortune</b></i>, is prime-era Jeremy Irons and Glenn Close, seems surely worthy of at least being on the radar! There's also a lot more Barbet Schroeder films all week at the Aero.<br />
Both 35mm <br />
<a href="http://www.americancinemathequecalendar.com/content/barfly-reversal-of-fortune" target="_blank">AERO THEATRE LINK</a><br />
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<b>Billy Wilder Theatre (UCLA Film & TV Archive)<br /><i>The Life and Times of Judge Roy Bean </i>(1972, John Huston) screenplay John Milius</b><br />
<b>and<br /><i>The MacKintosh Man</i> (1973, John Huston) screenplay Walter Hill</b><br />
<b>Saturday 7/29 </b><br />
<b>7:30 pm </b><br />
The Billy Wilder Theatre has classic stuff every Fri, Sat, and Sun this summer, always on film..! 'Cause they're a film archive, you see, and they've got the access to the best prints and they really take care of 'em. There's also some highly <a href="https://www.cinema.ucla.edu/events/2017/07/28/bachelor-party-baby-rain-must-fall" target="_blank">intriguing films Friday</a> and <a href="https://www.cinema.ucla.edu/events/2017/07/30/up-the-down-staircase" target="_blank">one Sunday</a>, but this John Huston double feature Saturday with some big-name screenwriters has my interest piqued. Not traditionally cited among the highlights of the rich trove of '70s American cinema, being on 35mm, these two seem worth a look and should pack a wallop of '70s-style fun and counter-culture contemplation.<br />
<a href="https://www.cinema.ucla.edu/events/2017/07/29/life-and-times-judge-roy-bean-mackintosh-man" target="_blank">BILLY WILDER THEATRE LINK</a><br />
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<b>LACMA</b><br />
<i><b><b>The Wizard of Oz </b></b></i><b><b>(1939, Victor Fleming)</b></b><b> </b><br />
<b>Tuesday 1:00 pm </b>(That's right, <u>1:00 pm</u>!)<b><br />35mm for only $4..!</b><br />
Only on the big screen can you see that it's just a bird and not a munchkin hanging himself! So go sort out the munchkin conspiracy for yourself. LACMA's Bing Theatre is the perfect big screen for this classic Hollywood film. Yes, it's in 35mm. What an amazing fun movie to see on the big screen in a matinee!<br />
LACMA used to be one of the prime venues for arthouse/revival films, but they just have their Tuesday blue-hair matinees going on lately.<br />
However, this really is a fun one if you are free at 1:00 pm on a Tuesday, so just go anyway.<br />
<a href="http://www.lacma.org/event/wizard-oz-1" target="_blank">LACMA LINK</a><br />
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Check out more great stuff at <a href="http://www.cinefamily.org/#calendar" target="_blank"><b>Cinefamily</b></a> and <a href="http://thenewbev.com/schedule/" target="_blank"><b>New Beverly</b></a>. You can check their calendars on my sidebar for what's playing.<br />
Also the <a href="http://www.oldtownmusichall.org/films.html" target="_blank"><b>Old Town Music Hall</b></a> has can't-miss <i><b>City Lights</b></i> (1931, Chaplin) plus every show begins with music played on the pipe organ, an audience sing along, and a comedy short. <br />
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<u><b>Eye on the Future</b></u><br />
Next week a Jean-Pierre Melville (<i><b>Le Samouraï</b></i>) retrospective starts Friday August 4 at the Egyptian with <i><b>Le Deuxieme Souffle</b></i> <i>(1966)</i>, and here's <a href="http://cahiers2cinema.blogspot.com/2010/12/jean-pierre-melville-jazz-musician.html" target="_blank">a link to an extremely old article</a> I wrote raving about it, so you're really taking a long time to see this film, yo.<br />
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Also, some very nice Robert Mitchum selections are coming up as part of a centennial celebration for him starting next week in August at the <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank"><b>Aero Theatre</b></a>.<br />
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The week after that, starting Aug 10, is the return of 70mm, starting with <i><b>Lifeforce </b></i>(1985, Tobe Hooper) and much more at the <a href="http://www.americancinemathequecalendar.com/aero_theatre_events" target="_blank"><b>Aero Theatre</b></a>.<br />
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<br />The Mysterious Ad[ri.an B)e;ta]m.a.x.http://www.blogger.com/profile/14584835204677201232noreply@blogger.com0