Just for fun:
God of Gamblers' Return (aka God of Gamblers 2)
A Better Tomorrow 2
Yes, Madam
Police Story
Twinkle, Twinkle Little Star
Tuesday, April 22, 2008
Thursday, April 10, 2008
Cinefamily vs. The Steve Allen Theater
L.A.'s excellent repertory and specialty moviegoing opportunities are approaching supernova status. We've had the Egyptian Theatre, LACMA, UCLA and the New Beverly for quite a while, and not too long ago, the American Cinematheque expanded from the Egyptian by adding the Aero Theatre on the West side. But now Cinefamily has come into existence at the Silent Movie Theatre, with a full slate of programming equal in volume and perhaps even exceeding (at least in these early months) in imagination to the Egyptian. Having been at my share of sparsely attended esoteric screenings, can the city really absorb and keep afloat this many amazing screening venues?
With my head nearly ready to explode already, I then noticed signs at my local coffee shop advertising a fairly aggressive slate of films at... The Steve Allen Theater. Yet another repertory film venue in L.A.?!? I can't believe it. I am not certain they are attempting to become a regular screening venue, but it seems like it, since they have a "Mystery Movies" program every Sunday at 9:00 p.m. for just five bucks.
The other indication, and the highlight for me, is their upcoming "Cronenberg Retrospective", which starts this Saturday April 12 at 8:00 p.m with a 20th anniversary screening of the essential Dead Ringers (1988). And it's free admission! (The rest of the series is eight bucks a pop.) Here's the rest of the schedule:
April 19 - Scanners
April 26 - Videodrome
May 3 - The Fly
May 10 - Naked Lunch
May 17 - Crash
May 24 - Existenz
May 31 - Spider (closing night) with the American premiere of his latest short film "At the suicide of the last Jew in the world in the last cinema in the world." (It's actually his segment from the multi-director film you'll find at the link.)
In any case, back to the real behemoth on the scene, the Cinefamily. If you didn't already know, in addition to the traditional single tickets available for any show, you can alternatively buy a membership for just $25 a month, which entitles you to attend unlimited screenings. With the regular price being $10 a show, you only have to see three films in a month and your membership has paid for itself. But with their extremely aggressive and amazing screening schedule (there are a lot of separate admission double features you could sit through), you could put your mind to it and easily see 10 or, heck, even 20 films in a month—a $200 value!! And what's more, there are often surprises in store. I went to see Dennis Hopper's The Last Movie, and Dennis Hopper attended, holding an impromptu Q&A after.
I also commend them for maintaining a highly committed silent film slate as well, given the historic venue. They've been doing Russian silents recently, and this weekend they are hosting the world premiere digital restoration of Abel Gance's almost five-hour La Roue (1923), a film which I'd only seen in a two-hour very rough VHS version. So, if you live anywhere close to the Silent Movie Theatre, you really have no excuse but to pony up $25 and at least try it for one month and gorge yourself on the awesome cinema there. The only thing that gives me pause is, with such an outstanding slate of film offerings all over the city (e.g., the Egyptian is just starting its reliably entertaining 10th Annual Festival of Film Noir!!), how can one commit to only a single L.A. theater?!
In all this excitement, don't forget the Dante's Inferno festival at the New Beverly Cinema, where film director Joe Dante is programming the theater with his favorites for a special run, with several significant in-person appearances. (Thanks to Dennis at Sergio Leone and the Infield Fly Rule for making me aware of this in his post here.)
Basically, I'm saying it's all amazing, and you must go see everything. Sorry, there are no excuses. The filmgoing opportunities here in L.A. have always been outstanding the whole 10 years I've lived here, but they have now reached a fever pitch level that we may never see the like of again. As always, check my sidebar of L.A. Film Calendars to plan your week's moviegoing schedule for maximum participation and enjoyment.
With my head nearly ready to explode already, I then noticed signs at my local coffee shop advertising a fairly aggressive slate of films at... The Steve Allen Theater. Yet another repertory film venue in L.A.?!? I can't believe it. I am not certain they are attempting to become a regular screening venue, but it seems like it, since they have a "Mystery Movies" program every Sunday at 9:00 p.m. for just five bucks.
The other indication, and the highlight for me, is their upcoming "Cronenberg Retrospective", which starts this Saturday April 12 at 8:00 p.m with a 20th anniversary screening of the essential Dead Ringers (1988). And it's free admission! (The rest of the series is eight bucks a pop.) Here's the rest of the schedule:
April 19 - Scanners
April 26 - Videodrome
May 3 - The Fly
May 10 - Naked Lunch
May 17 - Crash
May 24 - Existenz
May 31 - Spider (closing night) with the American premiere of his latest short film "At the suicide of the last Jew in the world in the last cinema in the world." (It's actually his segment from the multi-director film you'll find at the link.)
In any case, back to the real behemoth on the scene, the Cinefamily. If you didn't already know, in addition to the traditional single tickets available for any show, you can alternatively buy a membership for just $25 a month, which entitles you to attend unlimited screenings. With the regular price being $10 a show, you only have to see three films in a month and your membership has paid for itself. But with their extremely aggressive and amazing screening schedule (there are a lot of separate admission double features you could sit through), you could put your mind to it and easily see 10 or, heck, even 20 films in a month—a $200 value!! And what's more, there are often surprises in store. I went to see Dennis Hopper's The Last Movie, and Dennis Hopper attended, holding an impromptu Q&A after.
I also commend them for maintaining a highly committed silent film slate as well, given the historic venue. They've been doing Russian silents recently, and this weekend they are hosting the world premiere digital restoration of Abel Gance's almost five-hour La Roue (1923), a film which I'd only seen in a two-hour very rough VHS version. So, if you live anywhere close to the Silent Movie Theatre, you really have no excuse but to pony up $25 and at least try it for one month and gorge yourself on the awesome cinema there. The only thing that gives me pause is, with such an outstanding slate of film offerings all over the city (e.g., the Egyptian is just starting its reliably entertaining 10th Annual Festival of Film Noir!!), how can one commit to only a single L.A. theater?!
In all this excitement, don't forget the Dante's Inferno festival at the New Beverly Cinema, where film director Joe Dante is programming the theater with his favorites for a special run, with several significant in-person appearances. (Thanks to Dennis at Sergio Leone and the Infield Fly Rule for making me aware of this in his post here.)
Basically, I'm saying it's all amazing, and you must go see everything. Sorry, there are no excuses. The filmgoing opportunities here in L.A. have always been outstanding the whole 10 years I've lived here, but they have now reached a fever pitch level that we may never see the like of again. As always, check my sidebar of L.A. Film Calendars to plan your week's moviegoing schedule for maximum participation and enjoyment.
Friday, April 04, 2008
Dennis Hopper's The Last Movie (1971)
Sorry for the late announcement, but tonight only, Dennis Hopper's The Last Movie (1971) will be screening at the Silent Movie Theatre (aka Cinefamily) at two showings, 7:30 p.m. and 10:00 p.m.
Click here for info. (No, it's not a silent movie.)
Directed by Dennis Hopper just after Easy Rider (1969), this time Hopper directs alone without collaboration from Peter Fonda. The result is a masterpiece of that American '70s-style filmmaking that flourished during a decade when the influence of the French and Japanese New Waves (and American cultural changes) had pushed American film to its peak of free-spirit artistic creativity. It ranks up there with the better known Zabriskie Point (1970, Michelangelo Antonioni) as one of the best films to come out of this amazing decade, and shares some of the free-spirit '70s DNA of Zabriskie. For me, it far outstrips Easy Rider as a work of art.
This is definitely not to be missed!
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